On this date in 1945, five days after the Germans had surrendered to the Allies in World War II, two deserting sailors were shot at Amsterdam.
Dorfer (top) and Beck.
The strangest thing: Bruno Dorfer and Rainer Beck were deserters of the Wehrmacht’s Kriegsmarine … and they were shot by a court-martial conducted by the Wehrmacht itself.
This surprising and shameful story is told in full by Chris Madsen in “Victims of Circumstance: The Execution of German Deserters by Surrendered German Troops Under Canadian Control in Amsterdam, May 1945,” a 1993 Canadian Military History journal article available online in pdf form.
Basically, a pocket of fortified German resistance remained hunkered down in the Netherlands as the war approached its close. That force of 150,000 surrendered to a much smaller number of Canadians on May 5 on terms that maintained German responsibility for administering its armed forces and the civilian areas under its control — a highly anomalous situation in an occupied country as the Third Reich winked out of existence altogether.
Canadians and Germans, according to Madsen, enjoyed a collegial relationship as the Canadians gradually took German forces into custody … or received German forces who helpfully marched themselves into custody. But even under guard, these “imprisoned” Germans still retained significant autonomy and a German command structure that Canadians were loath to interfere with — an arrangement so expedient that it severely tested the bounds of propriety. So invested were the Canadians in maintaining their opposite numbers’ unit cohesion* that they handed some deserters (and plenty of men were deserting the German army) back over to the nominal prisoners!
Rainer Beck had been deserted for the best part of a year: the son of a Social Democratic father and a Jewish mother, he’d ditched harbor defense the previous September and had been laying low with his sister in Amsterdam. Bruno Dorfer was a more recent deserter. They naturally assumed that with the Canadian takeover, they’d be good to go: they turned themselves in to Canadian soldiers with an eye towards regularizing their status.
They were in for quite a surprise, as Madsen relates:
Major Oliver Mace, acting commanding officer of the Canadian regiment, ordered Major J. Dennis Pierce, the company commander in charge of the former factory [where the German prisoners were being held], to place the two deserters inside the compound because “they were certainly Germans and we had no other place to put them.” …
At 1005 hours on 13 May 1945, Pierce informed 2 Canadian Infantry Brigade of the intended German course of action: “German Marine deserters being tried this morning. German Commander intends [to] shoot them.” The German camp leadership established a Standgericht or a court martial within the camp … [and] brought Dorfer and Beck before three officers, a team of military lawyers “whom Pierce himself had ‘put in the bag’ in the streets of Amsterdam earlier in the week.” [Fregattenkapitan Alexander] Stein regarded the proceedings as a show trial for his authority. At the insistence of the German naval commander, the entire camp population witnessed the event. A parade state, taken earlier that morning, counted 1,817 German marines inside the camp. The two accused, represented by a German military lawyer, underwent rigorous cross-examination before this large staring crowd … Oberleutnantnginieur Frank Trmal, a young German officer present at the fifteen-minute trial, remembered Beck’s defense:
For some reason Beck, who was older, decided to defend himself and told the court that we (the Germans) all knew several weeks ago the war was all over for us and that it was a matter of time before we surrendered. He told the captain and the court that any further fighting by us against the Canadians would be senseless bloodshed. With this the captain jumped to his feet in a rage, screaming at Beck that he was calling all ofus, his comrades, and his officers, murderers. It is something that I will never forget.
After the inevitable-yet-incredible conviction, Stein appealed to his Canadian guards for a bit of comradely assistance in carrying out the court-martial’s order.
The Seaforth Highlanders obligingly delivered up eight captured German rifles with ammunition, plus a heavy truck to help their “prisoners” execute their deserters. A Canadian military cable testifies in its clipped and plaintive language to the egregious moral vacuum afflicting the chummy occupation: “German marines in Amsterdam have picked up some of their own deserters. They have been tried by military law and sentenced to be shot. May they do this.”
The answer was determined not by any senior Canadian officer, but by the German high commander who had surrendered the Dutch pocket the week before, Johannes Blaskowitz. It was on his approval that Dorfer and Beck were shot against an air raid shelter wall at 1740, not eight hours after their bizarre public trial.
When the story surfaced publicly in 1966 as a result of Der Spiegel investigations, Stein was unrepentant. “Beck would never have been a credit to Germany anyway,” he told the Globe and Mail (Oct. 28, 1966). “Deserters only turn into criminals in civil life too.”
This execution is dramatized in the 1969 Italian-Yugoslav film Dio è con noi (The Fifth Day of Peace, also released as Gott mit Uns and The Firing Squad).
* Conceivably as part of a policy to have Wehrmacht troops in readiness in case the western allies segued directly into war with the Soviet Union. Jacques Pauwels writes in The Myth of the Good War: America in the Second World War:
it is a fact that many captured German units were secretly kept in readiness for possible use against the Red Army. Churchill, who not without reason had a high opinion of the fighting quality of the German soldiers, gave Field Marshall Montgomery an order to that effect during the last days of the war, as he was to acknowledge publicly much later in November 1954. He arranged for Wehrmacht troops who had surrendered in northwest Germany and in Norway to retain their uniforms and even their weapons, and to remain under the command of their own officers, because he thought of their potential use in hostilities against the Soviets. In the Netherlands, German units that had surrendered to the Canadians were even allowed to use their own weapons on May 13, 1945, to execute two of their own deserters!
On this date in 1946, the Dutch fascist leader Anton Mussert was shot
Mussert was a young engineer who came to the fore in the interwar period as a strident right-wing populist. He co-founded in 1931 the Netherlands’ homegrown Nazi knockoff, the Nationaal-Socialistische Beweging; by 1935, it was polling 300,000 votes.
Mussert of course welcomed the German incursion into the Netherlands on the way to someplace else. That put the Dutch under wartime Nazi administration, but Mussert didn’t score a Quislingesque head-of-state plum out of arrangement. Instead, Mussert was brusquely shut out of any real power; the Austrian Arthur Seyss-Inquart ran the country instead, and would eventually hang via the Numremberg trial for his occupation atrocities, such as the wholesale deportation of the Dutch Jewish population that eventually swept up young diarist Anne Frank. Plum or no, however, what Mussert had done was more than enough to elevate him to the most conspicuous Nazi collaborator in the postwar Netherlands.
Mussert was captured after the war and shot at the open-air location near The Hague where over 250 people had been put to death during the war years.
On or about this date in 1664, a Danish teenager named Elsje Christiaens was strangled at Amsterdam for murder.
The date is a little shaky; I don’t know if it’s directly documented (the verdict, we know, came down on May 1). Whenever the execution took place was, it culminated an extremely short stay in Amsterdam for the young woman.
This was boom time for the Dutch Republic, the last apex years before it all went to hell. Naturally, wealthy Amsterdam drew immigrants: for a penniless Jutland 18-year-old like Elsje Christiaens (English Wikipedia entry | Dutch), here was opportunity.
In mid-April 1664, she took a room to lay her head while she looked for domestic employment.
Two weeks later, she still hadn’t found a job but her landlady expected rent. When she came to demand it and Christiaens tried to stall her, the confrontation turned tragic: the landlady started thwacking her shiftless boarder with a broomstick, and Christiaens defensively grabbed a nearby hand-axe and knocked the poor woman down a flight of steps — to her death.
The sentence called for her killer to be strangled while being beaten with the very same axe. Then her body was to be hung up publicly with the same weapon, and left “until the winds and birds devour her.”
Of course that happened long ago. But at this time, veteran corpse-painter and Dutch Golden Age master Rembrandt van Rijn was hanging out in Amsterdam, living in reduced circumstances after creditors dunned him into the poorhouse.
This was the first woman executed in 21 years, and Rembrandt did not mean to miss his opportunity to sketch it. On May 3, presumably the same day as Elsje Christiaen’s execution, he hired a boat to row him out to the Volewijck moor where the body had been hung up. That day the master sketched the immigrant girl’s freshly-executed corpse, and its shameful axe.
The novelist Margriet de Moor has dramatized the sketchy backstory of Elsje Christiaens and her chance intersection with one of the art world’s greatest names in De schilder en het meisje. Unfortunately for most, this book appears to be available only in Dutch, which is also the language of these reviews: 1, 2, 3.
Rembrandt wasn’t the only Dutch painter haunting Amsterdam’s execution-grounds in 1664.
In this landscape — serene despite its landmarks — Elsje Christiaens is visible on the right. The little copse of gibbets she’s a part of comprises prisoners executed since 1660, according to Michiel Plomp.*
Anthonie van Borssom‘s 1664 ink-and-watercolor painting of the Volewijck execution site.
The gallows stood at the Volewijck until 1795. Today, that once-hard-to-reach peninsula is a residential district in Amsterdam-Noord.
* “Rembrandt and His Circle: Drawings and Prints,” The Metropolitan Museum of Art Bulletin, Summer 2006.
“On January 28th 1656, there was punished Joris Fonteyn [or Fonteijn] of Diest, who by the worshipful lords of the law court was granted to us an anatomical specimen. On the 29th Dr. Joan Deyman made his first demonstration on him in the Anatomy Theatre, three lessons altogether”.”
Dr. Joan Deyman had succeeded Dr. Nicolaes Tulp in the redoubtable position of the guild’s Praelector Anatomiae — the physician entrusted with the guild’s once-per-year public anatomical reading over the dissection of an executed criminal. In his day, Tulp and his dissection had been painted by Rembrandt.
With the new praelector in the wealthy city came its guild’s need for fresh art to keep up with the Joneszes.
New subject, new work … but the same artist. A mere sapling when he rendered Dr. Tulp, Rembrandt was a fully mature painter of 50 when he put this scene to canvas.
Sadly, this painting was damaged in a 1731 fire, destroying most of its figures, including the titular one.
Braaaaaaaaaaaaaiiiiinnnnnssssssssss! Dr. Deyman’s hands are all that remain of him. The cadaverous Joris Fonteyn, however, belongs to the ages.
Since it was part of the anatomization law for the unfortunate subjects to be given a decent burial, Fonteyn’s exit from the annals of history is another entry (pdf) in the surgeon’s guilds records:
Wednesday, February 2, at 9 o’clock in the evening the body was interred with fitting dignity in the South Churchyard.
Ecury grew up in Oranjestad, capital of the Dutch-controlled Caribbean island of Aruba, but had packed off to the Netherlands to finish school by the time World War II broke out. He spent the early Forties with a Resistance group sabotaging German assets and the like.
This insurgent clique eventually got rolled up, and Boy Ecury was arrested on November 5, 1944. He had only that one night to enjoy the legendary hospitality of the occupiers before he and several others of his group were shot the next day.
The young martyr’s body was repatriated to Aruba after the war and buried with honors; a public memorial still stands to him in Oranjestad.
Boy’s sister, the venerable poet Nydia Ecury, just passed away earlier this year.
It was 2 Oct 1629, Dutchman Jeronimus Cornelisz was noosed along with 15 other men by the Dutch East Indies Company for a reign of terror that included mutiny and murder off the coast of Australia.* Six others would eventually hang in the infamous affair, two marooned on the Australian mainland, and many more punished for the gruesome atrocities committed on the Southern Ocean.
Cornelisz was not such an assuming character when he boarded the vessel Batavia in 1628.
Rather, he was a marginally failed merchant, someone who could buy his way on board as an under-merchant** and sail to the southern seas for the prospect of a new life. It has been speculated (here, for instance) that his move to Indonesia was motivated by a desire to put oceanic distances between himself — an apothecary who couldn’t make it in Haarlem — and prosecutors pursuing Anabaptists and other heretics. It didn’t help, either, that his infant child had recently died of the disgracing condition of syphilis. All that is enough to send a man to Indonesia, apparently.
Though Cornelisz was not a successful businessman, he was an energetic protagonist from his own station in life and could, eventually, win over any suggestible person with his intelligence and wit. It didn’t take
long to do just that to the ship’s skipper, Ariaen Jacobsz — who already held a grudge against the Batavia‘s upper-merchant (and fleet commander), Francisco Pelsaert.
In due time their thoughts turned to the ship’s valuable cargo — silver and trade goods headed for the Mughal Empire. As night follows day, the next thoughts turned to mutiny.
Cornelisz pulled in people from each of the major groups onboard† to help with his mutiny without attracting the attention of the Pelsaert. All the plot needed was a kickstart to turn enough people against the commander.
In the part where the villain reveals his plot, Cornelisz’s goes like this: A group of hooded mutineers assaults the mostly widely lusted-after woman among the socialite passengers, Lucretia (Creesje) Jans; once the assault is reported, the commander must respond; but if the assailants are well-hidden, he must make an example arbitrarily, which pushes his men towards mutiny.
And, like a movie villain’s evil plot, Cornelisz’s didn’t come off.
The captain punished nobody for the assault, as Creesje could not identify the assailants. The shipboard mutiny withered on the vine. But lucky for Cornelisz, the captain had no inkling that the ship’s under-merchant was involved — though he was pretty sure the skipper and boatswain had something to do with it.
In the midst of those days of planned insurrection, the Batavia hit a slightly larger speed bump. On June 4, the vessel ran aground on Morning Reef.
There were few casualties from the initial crash, and the remainder escaped in groups, crammed onto small coral islands in the remote but plausibly survivable Houtman Abrolhos chain off the west coast of Australia.
The ship’s complement was eventually transferred to Beacon Island and Traitors Island — with limited water (but plenty of silver!), it was clear to Pelsaert there would be few people left if they didn’t get some help. Off went the captain with 47 crew and passengers in a longboat, leaving more than 250 behind to fend for themselves on the isles.
Two months later, Pelsaert found himself in the colonial city Batavia (today, the Indonesian capital Jakarta) appealing to the local authorities at the Dutch East Indies Company for a ship to rescue his stranded crew and passengers. He was quickly given the Sardam — another vessel in his fleet — with a skeleton crew to pick up the passengers (oh, and all that silver).
But he wasn’t going to need all those passenger quarters.
Cornelisz, as under-merchant, had technical rank in the emergency, and he had taken over the situation at the islands when the commander left. The refugee pharmacist reveled in the power, certainly amplified by the dozen chests of treasure the Batavia carried.
So here’s your motivation: a fortune in booty and the South Seas as your playground. This is the stuff of rum wishes and buccaneer dreams.
And Lord of the Flies nightmares.
Sensing the the time was ripe to lighten the group’s victual needs, Cornelisz‡ sent 15 men to search a larger island visible to the west for water. This journey, Cornelisz was convinced, would be fruitless, so any possible power rivals he could find went off. As well, Cornelisz shipped a larger group to Long Island to get more space.
And then began the killing.
Detail view (click for the full image) of a 1647 engraving of the carnage on Beacon Island. Cornelisz had a good 110 homicides on his soul’s account by the time it was all said and done.
Some 20 mutineers formed a tight inner circle with fantasies of having their way on the island until the rescue boat could be commandeered for piracy. The purpose of the killings was simply to knock the number of residents down closer to 40 or 45 so that the mutineers would be overwhelmingly dominant when the rescue boat came. That’s a tough task when starting with almost 200 people.
At first, killings proceeded under faux-juridical cover: theft and slander were enough to endanger everyone in these cramped quarters, so Cornelisz would have his men claim illegal activities were afoot and kill one or more of the people he considered either threats or non-entities among the group.
A few loyal footsoldiers did most of the killing, along with some pressed into service with the threat of violence; pretty soon the numbers on the island had dwindled noticeably.
With vague ideas of riches and a growing bloodlust, killing essentially became sport. Families were done to death wholesale, by whatever means were available — drowning, slitting throats, bludgeoning. Those liable to fight back might be jumped by a group at the beach, sometimes getting all of the above.
And before you go thinking murder was the only thing the mutineers had on their minds, they retained at least a few women (including Creesje) as private consorts.
Now is the time to mention that Cornelisz was personally acquainted with notorious (and then-imprisoned) degenerate artist Johannes van der Beeck. This is van der Beeck’s Faun and Nymphs.
But remember those doomed guys searching for water two islands over?
Turns out they found it, along with ample food, and they were now occupying the largest island in the chain.
They, along with 30 or so who escaped Cornelisz’s clutches over the course of two months, were the Resistance, and they were full of incriminating knowledge about what had been going down over on psycho isle.
One of the original group, Wiebbe Hayes, had taken charge of the island’s affairs, and he had done quite well. Those living on what is now known as West Wallabi Island were far better off than their Beacon counterparts.
Back on Beacon, Cornelisz was forced to ration water — even to his favorites — and had thoughts that the High Islanders might scupper his search party takeover plot. So late in July, he sent an amphibious landing team to attack High Island. Cornelisz’s men were met with a line of opposition at the beach, armed with pikes made of driftwood with nails. The mutineers retreated.
Weeks later, Assault II began; like most sequels, it fell on its face. Assault III, Cornelisz decided, should include cunning, cunning like an ostensible negotiation to trade the clothing Cornelisz had hoarded for water and food.
Hayes was even a little more cunning that that, and when Cornelisz and his four top lieutenants came ashore and began sweet-talking, he and his men seized four of them. (The fifth, Wouter Loos, escaped.)
Knowing that having mutineers on his island would be trouble, Hayes convened his council, which swiftly decided to dispatch any prisoner not named Jeronimus: that one was tossed in a pit and given birds to pluck for Hayes’ army.
Two weeks went by before the mutineers (now led by Loos) got up the courage to attack again, but by the time they took to the channels and began a long-range gun assault, the Sardam was in the archipelago. Hayes got to Pelsaert first and informed him of the planned mutiny. Pelsaert trained all his weapons on the mutineers’ boat until they decided to disarm.
The trials were done in the Dutch way, including some amount of torture. Pelsaert finally decided he had enough evidence against the mutineers, and his small tribunal passed 16 death sentences. (One was commuted to exile.) That included a half dozen who had one or more hands lopped off before their passage to the gallows.
Detail view (click for the full image) of the mutineers’ execution.
Three weeks later, when the Sardam returned to Batavia, five more of the rescued mutineers were executed, and a sixth — the boatswain involved in the assault on Creesje — was put to death while Pelsaert was out.
Once word got out, Cornelisz’s heinous crimes were known around the world and Southern sailors heard the tales for hundreds of years to come.
Pelsaert, meanwhile, was partly blamed for the incident and saw the Company seize his assets: he was dead within a year. As for Hayes, he was promoted, but his further adventures are unknown.
The remains of the shipwreck that commenced this hecatomb are still visible at Houtman Abrolhos, from cannons off the original Batavia to the fort built by Wiebbe Hayes and his men — everyday monuments to a hellish ordeal.
* Technically the first European settlers in Australia.
** Dutch merchant vessels were headed by an upper-merchant, who had control over decisions on the ship and represented the overriding interest of the Dutch United East India Company. In addition, an under-merchant was taken aboard as his second-in-command Company man. The skipper was considered head of the crew and placed in charge of navigational concerns, but his role was subordinate to the upper-merchant.
† Like all Dutch merchant vessels, the Batavia featured four major classes of people on board:
a standard crew to run the vessel;
a complement of soldiers who were generally kept below-decks but could be recruited to maintain order and would disembark at the destination;
a group which tended to shipboard needs (surgeon, cook, and so on);
and merchants and passengers, who had social standing over the rest.
‡ Technically, Cornelisz was part of a three-member council in charge of the shipwrecked. The initial council was selected from among the socially significant survivors, but Cornelisz used his rank to quickly dissolve that group and appoint two of his own future mutineers as his cohorts. Needless to say, the judiciary wasn’t independent after that.
Like everyone else on that parchment, they were in a world of hurt when Oliver Cromwell died and Charles II returned to the throne. And like a great many of those who figured to reap the whirlwind, they sensibly fled the realm.
Had they stayed hunkered down in Germany, they might have died in their beds.
Instead, they trusted a friend … and died half-hanged, emasculated, disemboweled, and chopped to pieces on a scaffold.
It was an ugly sight from start to finish. The capture of these fugitives was a dirty business mixing treachery, diplomatic subterfuge, and dubious legality, all in the service of violent statecraft. Sort of like it was ripped from the Downing Street memo.
This guy was coming into the prime of his continent- and polity-spanning career: from Puritan New England, to the West Indies, to a gig in Cromwell’s army during the English Civil War. (It was John Okey himself who hooked Downing up: Downing matriculated with Harvard University’s first graduating class thanks to Okey’s sponsorship, and it was in Okey’s regiment that Downing was retained as chaplain.)
An able diplomat for the Protectorate, Downing was able to communicate his discreet abjuration to the exiled Charles II once the handwriting was on the wall, and he therefore effected a convenient volte-face and went right to work for the new boss … even when it meant hunting down his own friends and patrons. You might say it was the zeal of the converted, but maybe it was better-expressed by Downing’s own pledge to secure the refugees with vigor “as much as if my life lay at stake in the busines.”
Sound policy, considering his history. And he couldn’t have pulled it off with an ounce less.
Officially, the Low Countries had agreed not to give refuge to regicides: in reality, regicides could rest pretty easy there. Pro-immigrant, pro-Protestant,* and jealous of their sovereignty, the Dutch had little desire to enforce such clauses at any level of government; and, thanks to a federal structure, multiple state organs each held effective veto over enforcement. Moreover, a silly legalistic fetish required that fugitivies have warrants sworn out against them — warrants that would cause regicides’ many friends and sympathizers to raise the alarm before the target could be taken, which is exactly what happened when Downing tried to get Edward Dendy arrested in Rotterdam.
Downing cogitated all manner of extra-legal options to black-bag a few of the Protectorate personnel for his Majesty’s pleasure. What he ended up with was cunning, vicious, and just barely legitimate.
Turning one of the regicides’ contacts with threats and bribery, he secured advance warning of Barkstead, Corbet, and Okey’s planned visit to Delft in early March 1662. He then waited until the very day he planned to spring his trap to procure a general arrest warrant (concealing the names of his prey) from the Estates General’s capable leader Johan de Witt, and pounced within hours — using a force of his own men and a little more payola to circumvent the inevitable reluctance of the local bailiffs.
Now that the regicides were in irons, Downing had to double down on duplicitous diplomacy by maneuvering to get them delivered to the English — and that against a growing popular resistance as their capture became known. The Delft aldermen dilated; sympathetic local worthies visited the prisoners in their cells; petitions on the Englishmen’s behalf circulated nationwide. The notion of actually marching these guys out into English hands seemed to promise a riot.
Downing spread more palm grease around, maneuvered to frustrate legal aid for the prisoners, posted his own men to watch the prisoners 24-7, and after several tense days finally made arrangements
in the dead of the night to get a boate into a litle channell which came neare behinde the prison, and at the very first dawning of the day without so much as giving any notice to the seamen I had provided … forthwith to slip them downe the backstaires … and so accordingly we did, and there was not the least notice in the Towne thereof, and before 5 in the morning the boate was without the Porto of Delft, where I delivered them to Mr. Armerer … giving him direction not to put them a shoare in any place, but to go the whole way by water to the Blackamore Frigat at Helverdsluice.
Downing was exultant.
“This is a thing the like thereof hath not been done in this country and which nobody believed was possible to be done,” he gloated in his correspondence. “And there is not a thing that hath happened these many yeares that hath occasioned so much discourse here, saying that they are now no longer a free Countrey, and that no man is now sure here.” De Witt and the Dutch Estates General, having never had any intention to actually deliver a regicide to condign punishment in England, had been embarrassingly played. Ordinary Hollanders were infuriated and ashamed at having been a party to the whole business.
Nobody could dispute the excellence of Downing’s operation. But anybody on either side of the channel who wasn’t a dyed-in-the-wool Royalist was somewhere between discomfited and revolted by it, especially as it was achieved against his own personal benefactor by a guy who had once urged Cromwell to make himself king.
Diarist Samuel Pepys (who witnessed the executions, reporting the victims “very cheerful” on that occasion) recorded the mood of the English burgher upon the news
that Sir G. Downing (like a perfidious rogue, though the action is good and of service to the King, yet he cannot with a good conscience do it) hath taken Okey, Corbet, and Barkestead … all the world takes notice of him for a most ungrateful villaine for his pains.
See: Ralph C.H. Catterall, “Sir George Downing and the Regicides,” The American Historical Review, Vol. 17, No. 2 (Jan., 1912)
* Dutch affinity for religious dissent and for foreigners was all of a piece with its prosperous mercantile empire. One liberal Englishman (quoted by James Walker in “The English Exiles in Holland during the Reigns of Charles II and James II,” Transactions of the Royal Historical Society, Fourth Series, Vol. 30 (1948)) proposed that “Liberty of Conscience would be a more serious blow to Holland than all the victories yet gained.”
Art history footnote: notice that the cadaver’s navel is a stylized “R”: the artist was playing around with his signatures during this period. Also, note the hand under dissection. The scene was actually re-enacted in 2006 to establish that Rembrandt’s done the forearm tendons incorrectly — it does look wonky. Additionally, the very fact that the anatomist is beginning with the arm rather than the usual trunk has led to speculation over whether this was an artistic choice or the doctor’s actual procedure in the thrall of a temporary medical vogue.
The 25-year-old painter had only moved to Amsterdam at the end of the previous year.
He broke through almost immediately with a commission — it was his first major group portrait and it would become known as his first major masterpiece (source), instantly establishing his preeminence in the city’s art scene — from the Amsterdam Guild of Surgeons to render one of its most important events: the annual public dissection of a criminal.**
Prior to the systematic medicalization of the corpse, when anatomizing a human was still a fraught and transgressive act, Netherlands cities were permitted only one such exposition per year. Its subject could only be a male criminal who would be given a Christian burial thereafter. (Contrary to the English model, posthumous dissection was not used to intensify a death sentence with a further terror.)
The affair would have been crowded not only with other doctors but city council members, intellectuals, and well-dressed respectable burghers. Anyone, in short, who was anyone (they paid for the privilege).
And, of course, its overseer, Nicolaes Tulp; Rembrandt’s framing will leave you no doubt as to which figure in the painting is in charge. The city’s most respected surgeon, Tulp was the Guild’s Praelector Anatomiae, “reader in anatomy”, dignified with the responsibility of publicly lecturing on the unfolding dissection.
The silent but essential final party was Aris Kindt, the alias of a Leiden†-born criminal around Rembrandt’s own age named Adriann Adriannsz. His life was forfeit as a recidivist thief who had lately mugged a gentleman for his cloak.
This common crook’s ghastly lifeless image‡ is more alive for us in posterity than nearly any of his more law-abiding contemporaries. The expressive composition surrounding him is pregnant with all of the moment’s paradoxes: the advance of humanism on the back of a cruel penal regime; the exaltation of the mind with the unsentimental commodification of the flesh; excellence and status bowing over that old emblem of mankind’s final equality in the tomb.
Evil men, who did harm when alive, do good after their deaths:
Health seeks advantages from Death itself.
Rembrandt must have agreed: he painted the Guild’s criminal dissection again in 1656.
* Some sources give January 16, 1632 for the execution. This possibility appears to me to be disbarred by the apparent January 17 dating of a Rembrandt portrait of Marten Looten; indeed, confusion over this Rembrandt-related January date may even be the ultimate source of the misattribution, if January 16 is indeed mistaken. Scholarly sources overwhelmingly prefer the 31st, apparently from primary documentation that both the hanging and a Tulp lecture took place on that date. (See, e.g., the out-of-print seminal academic work.)
** The 17th century Dutch left a number of similar “anatomy lesson” works. That same Amsterdam guild commissioned a new one every few years as part of its keeping up appearances; the last had been a 1619 portrait from Nicolaes Eliaszoon Pickenoy, The Osteology Lesson of Dr Sebastiaen Egbertsz.
† Speaking of Leiden: see this pdf thesis for a very detailed excursion into the anatomizing scene as practiced in that city.
‡ Needless to say, we can hardly presume that this painting is strictly representational. Still, this is Kindt for us, even if Kindt looked nothing like the fellow being taken apart.
One was the Sun King, Louis XIV of France, whose decades-long rivalry with William tracked William’s interesting career all the way to the throne of England.
William III, equestrian. Consider yourself foreshadowed.
Another was Sir John Fenwick, an English nobleman whom William supposedly slagged* when they were fighting together in the Low Countries — and who likewise still carried the enmity when William had become his sovereign.
On this date in 1697, the latter rivalry came to a fatal end for John Fenwick on the headsman’s block. The funny thing was that the stroke turned out to cost King William III his own life as well.
You couldn’t say that Fenwick came late to the Jacobite cause; he’d been a strong adherent of the beleaguered Catholic-esque Stuart dynasty, and signed off on the 1685 execution of its previous Protestant challenger Monmouth.
But if it prosper, none dare call it treason. In 1688, the Low Countries prince with the low estimation of Baronet Fenwick hopped the channel and successfully overthrew the last Stuart monarchking James II.
With the Glorious Revolution, Fenwick’s personal and political were very conveniently aligned in loyalty to the exiled James … except that his formerly patriotic loyalty to James was now the traitorous cause of Jacobitism.
Fenwick kept up his Jacobiting in the 1690s, got arrested and released once, and then finally found himself implicated in a plot to murder William. Though his allies managed to spirit one of the potential witnesses against him away to the continent, Parliament passed — ever so narrowly — a bill of attainder to condemn Fenwick to death. (There’s a more detailed account of the legal and political maneuverings here and here.)
A failed assassin in life, Fenwick would blunder Gavrilo Princip-like into accidental success … but only after his own execution.
As a condemned traitor, Fenwick’s estate was seized by the crown, and the king personally claimed his prey’s equine ride (either a horse with a sorrel coat, or a horse named Sorrel, or both).** Not long after Fenwick’s death, this horse stumbled on a molehill, throwing its royal rider. William broke his collarbone in the accident, developed pneumonia, and died — leading Jacobite sympathizers to dote on the animals (both horse and mole) who had authored their enemy’s misfortune.
Illustrious steed, doubtless most worthy of the sky,
To whom the lion, bull, and bear would give place;
What happy meadows bore thee happily?
What happy mother gave you her nutritious teats?
Is it from the land of Erin you are come to oblige your country,
Or is it Glenco or the Fenwick race which produced you?
Whoever thou art, mayst thou prosper, I pray memorable one: and
May saddle never more press thy back, nor bit thy mouth.
Avenger of the human race, when the tyrant dies,
Mayst thou thyself enjoy the liberty thou wilt give to others.
A lovely sorrel enjoys the liberty of a happy meadow. (Nutritious teats not pictured.) (cc) image from SMALLORBIGOFMEN.
* During the Dutch campaign, William “had reflected very severely upon his [Fenwick's] courage, which occasioned his making returns that provoked the Prince to say, that if he had been a private person he must have cut Sir John’s throat.” Just your basic primate poo-flinging.
** Leaving aside his ultimate fate, quite an understandable move by William: the Fenwicks were famous for their horse husbandry.
On this date in 1635, Domingos Fernandes Calabar was garroted at Porto Calvo.
A mulatto plantation owner, Calabar (Portuguese Wikipedia page) did his patriotic duty according to the dictates of Brazil’s Portuguese colonizers when an expansionist Netherlands showed up hungry for a bite of Brazil.
But after rounding up a volunteer militia and helping repel Dutch incursions in 1630 and 1632, Calabar switched sides and joined Holland.
Why he switched sides remains permanently obscure. Popular explanations include: the seductions of Netherlander lucre (Calabar’s detractors like this one); a politically mature calculation that the Dutch would make more progressive colonizers than the Portuguese (this was Calabar’s own defense: “I spilled my blood for … the slavery of my homeland … With its actions, the Dutch have proven better than the Portuguese and Spanish”);* or … somewhere in between
He was rewarded for his devotion [to the Portuguese] by the contempt of his countrymen, who were envious of his prowess. Wounded by this conduct, he left the Portuguese and joined the Dutch.
Whatever the reason(s) for it, Calabar’s switch was efficacious: he knew the lay of the land, and he was vigorous in helping the Dutch foothold of “New Holland” expand. The Dutch commissioned him a Major, and he gained a reputation for his ambushes.
I never met a man so well-adapted to our purposes … the greatest damage he could cause to his countrymen, was his greatest joy.
-English mercenary in the Dutch service
The Portuguese official Matias de Albuquerque eventually turned the tables and captured Calabar in a Portuguese ambush. He not only had the disloyal subject strangled, but quartered the body for public display.
This gruesome warning against collaboration did not prevent New Holland from growing to around half the Brazilian territory … but since Brazilians don’t speak Dutch today, you might have an idea how this is going to end.
After “New Holland” was re-conquered and re-re-conquered, the Dutch Republic under Johan de Witt — preferring a commercial empire to a territorial one — gave up its untenable position in exchange for 63 tons of gold.
As the (eventual) winners of this imperial affray, the Portuguese wrote a distinctly unflattering history of Domingos Fernandes Calabar, the disreputable traitor. He’s a sort of Benedict Arnold character synonymous with disloyalty for any Brazilian schoolchild.
But other interpretations are available.
During Brazil’s Cold War military dictatorship, when traitorousness might seem downright reputable after all, the “official version” was slyly subverted in several different stage productions, the best-known of which is a musical called Calabar: In Praise of Treason.**
Most of the information about Calabar online is in Portuguese; for instance, biographies here and here.
* Let it not be implied that the Dutch were out for anything other than the plunder of empire themselves: Calabar’s own home region of Pernambuco was desirable precisely because of its sugar cane cultivation.
Incidentally, the vicissitudes of war enabled many African slaves to escape to Maroon communities like Palmares — just a few miles away from Porto Calvo.
** See Severino Jaão Albuquerque, “In Praise of Treason: Three Contemporary Versions of Calabar,” Hispania, Sept. 1991. “Less interested in settling the issue of Calabar’s martyrdom than in provoking serious debate about the meaning of loyalty and national identity in times of political repression and in the context of a dependent culture, these plays … bring to the fore the manifold ambiguities the colonized face reacting to the hegemonic rule of the colonizer.”
The novelist Margriet de Moor has dramatized the sketchy backstory of Elsje Christiaens and her chance intersection with one of the art world’s greatest names in De schilder en het meisje. Unfortunately for most, this book appears to be available only in Dutch, which is also the language of these reviews: 
Ecury 
A mulatto plantation owner, Calabar (
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