Today is the feast day of Santa Claus himself, St. Nicholas.
Nicholas was a real-life bishop in fourth century Asia Minor. He’s among the prelates to sign off on the Nicene Creed, Christianity’s official profession of orthodox doctrine hammered out at the emperor Constantine’s epochal Council of Nicaea.
Living as he did amid the triumph of his once-persecuted faith, Saint Nick was not called upon to offer God his own martyrdom. Our death penalty context comes from one of the stories in his hagiography — that on one occasion, returning to the seat of his diocese at Myra, Nicholas discovered that three innocent men had been condemned to imminent execution by a wicked magistrate. Hastening to the scene, he dramatically averted their beheading by seizing the executioner’s sword.
The great Russian artist Ilya Repin depicted the scene.
St. Nicholas Saves Three Innocents from Death, by Ilya Repin (1888).
Repin did not love this painting — he slinked out of its 1889 exhibition, allegedly dissatisfied with its ridigity and melodrama* — but it did express the liberal-minded artist’s distaste for capital punishment. The era we now know to be the late tsarist period in Russia saw violent (and sometimes indiscriminate) crackdowns on revolutionary terrorism following the 1881 assassination of Tsar Alexander II, to the great grief of her dissident intelligentsia. Philosopher Vladimir Solovyov called the death penalty “absolute murder”; with a like attitude, tsarist Russia’s “liberal politicians, academics and journalists repeatedly campaigned against this form of punishment.” (Source)
Around the time that Repin depicted St. Nicholas’s great act of clemency, Leo Tolstoy — who abhorred capital punishment — wrote of his youthful experience witnessing the guillotine in action in Paris, “at the moment the head and body separated and fell into the box I gasped, and realized not with my mind nor with my heart but with my whole being, that all the arguments in defence of capital punishment are wicked nonsense … [that] murder remains murder, and that this crime had been committed before my eyes.”**
Repin was forever being read and misread by the ideologues afoot in Russia, but this Tolstoyan horror at the scaffold he shared unambiguously. In a later era, by which time Repin was the established senior figure of the Russian art scene, the painter was exercised enough by Stolypin‘s wholesale use of capital punishment following Russia’s abortive 1905 revolution to issue a public denunciation of executions. But it was only ever by the hand of St. Nicholas that he had the experience of preventing one.
* See David Jackson, “The ‘Golgotha’ of Ilya Repin in Context”, Record of the Art Museum, Princeton University, Vol. 50, No. 1 (1991).
(Thanks to friend of the blog Sonechka for research, translation, and background information touching this post. -ed.)
October 14 (October 1 O.S.) is a liturgical feast celebrating the protective intercession of the Virgin Mary, a date of particular significance in Russia and Ukraine. Indeed, Red Square’s St. Basil’s Cathedral is actually the Cathedral of the Intercession of the Most Holy Theotokos [i.e., Mary] on the Moat, just one of many Orthodox churches so named.
Also known as Pokrov — a quaint Slavic term for covering, denoting safeguarding — the holiday celebrates an incident from 10th century Byzantium when a saint beheld Mary descend through the dome of the church, then spread her garment protectively over the entire congregation.
It is of special significance in Ukraine where the ecclesiastical celebration pulls double duty as the Day of the Ukrainian Cossacks. And it is in honor of Pokrov that we dedicate this post.
17th century icon of the Madonna’s broad cloak protecting Ukrainians.
On an unspecified date in 1638, a Cossack named Ostryanin was broken on the wheel in Warsaw … maybe.
The Ostryanin Uprising of 1638 was one of the ongoing cycle of Cossack disturbances in the southern reaches of the Polish-Lithuanian Empire — modern-day Ukraine. Like many of these, it was a short-lived affair considered on its own, but the pattern of disaffected Cossacks struggling against the Polish crown for some combination of recognition, largesse, and autonomy was an ongoing pattern in the 17th century — and by the 1650s it would begin tearing apart the formerly mighty Polish-Lithuanian realm and transferring Ukrainian territory from Polish to Russian domination.
Tradition held that after the rising was stamped out in the summer of 1638, Stepan Ostryanin himself was treacherously seized and taken to Warsaw for execution. A late 18th century chronicle* of a distinctly patriotic bent called Istoriya Russov embroiders upon that death by breaking-wheel with racist gusto:
in accord with their treachery, insidious and duplicitous, having learned through their Jew spies that hetman Ostryanin’s would travel unguarded … the Lyakhs [term for “Poles”; it’s derogatory in present-day Russian but may have been less so at the time -ed.] surrounded him in Kanev monastery with a host of men. They, having tied the hetman and his men, altogether thirty seven people, … prepared an execution for them in Warsaw unprecedented in its cruelty, which posterity will scarcely believe to be true, because it would not occur to even the most barbarous and ferocious Japanese (!) and the reality of which would terrify the very beasts and monsters.
On the other hand, a Cossack named Yakiv Ostryanin was to be found on Russian soil in the subsequent years, until he was murdered in 1641. Some historians think that he was the very same namesake Cossack rebel escaped from Polish vengeance, and the story about him being broken on the wheel in Poland is pure sentimental folklore; alternatively, Stepan and Yakiv might have just been two different Cossacks named Ostryanin who met two different fates.
Quite a difference for our supposed Stepan Ostryanin, but a minor mystery from this distance in time. Nevertheless, our man, whoever he was, had a posthumous contribution yet to make to the letters of his Slavic brethren.
Polish historian Szymon Okolski rode along with the Polish commander Mikolaj Potocki in Potocki’s successful campaign of the spring-summer 1638 to suppress this rebellion. Okolski’s field diaries of the campaign are a key historical source on the Cossacks and are thought to have been used extensively by the Cossack-descended writer Nikolai Gogol in composing his short story Taras Bulba.
A product of Gogol’s youth, Taras Bulba has a rough romanticism — and a romanticism for the Cossack (read: national Ukrainian) cause specifically that nonplussed Russian authorities at the time. (And probably now, too.)
Taras Bulba‘s title character is a mature Cossack patriot who with his two sons joins the Cossack risings against Poland. Its location in time is indeterminate, not unlike the unending cycle of risings themselves. Taras Bulba is a nearly eternal character, almost a fixture of nature, because his war seemed eternal too.
Ostap had been seized and bound before his very eyes, and that he was now in the hands of the Lyakhs. Grief overpowered him. He pulled off and tore in pieces the bandages from his wounds, and threw them far from him; he tried to say something, but only articulated some incoherent words. Fever and delirium seized upon him afresh, and he uttered wild and incoherent speeches. Meanwhile his faithful comrade stood beside him, scolding and showering harsh, reproachful words upon him without stint. Finally, he seized him by the arms and legs, wrapped him up like a child, arranged all his bandages, rolled him in an ox-hide, bound him with bast, and, fastening him with ropes to his saddle, rode with him again at full speed along the road.
“I’ll get you there, even if it be not alive! I will not abandon your body for the Lyakhs to make merry over you, and cut your body in twain and fling it into the water. Let the eagle tear out your eyes if it must be so; but let it be our eagle of the steppe and not a Polish eagle, not one which has flown hither from Polish soil. I will bring you, though it be a corpse, to the Ukraine!”
Thus spoke his faithful companion. He rode without drawing rein, day and night, and brought Taras still insensible into the Zaporozhian Setch itself. There he undertook to cure him, with unswerving care, by the aid of herbs and liniments. He sought out a skilled Jewess, who made Taras drink various potions for a whole month, and at length he improved. Whether it was owing to the medicine or to his iron constitution gaining the upper hand, at all events, in six weeks he was on his feet. His wounds had closed, and only the scars of the sabre-cuts showed how deeply injured the old Cossack had been. But he was markedly sad and morose. Three deep wrinkles engraved themselves upon his brow and never more departed thence. Then he looked around him. All was new in the Setch; all his old companions were dead. Not one was left of those who had stood up for the right, for faith and brotherhood. And those who had gone forth with the Koschevoi in pursuit of the Tatars, they also had long since disappeared. All had perished. One had lost his head in battle; another had died for lack of food, amid the salt marshes of the Crimea; another had fallen in captivity and been unable to survive the disgrace. Their former Koschevoi was no longer living, nor any of his old companions, and the grass was growing over those once alert with power. He felt as one who had given a feast, a great noisy feast. All the dishes had been smashed in pieces; not a drop of wine was left anywhere; the guests and servants had all stolen valuable cups and platters; and he, like the master of the house, stood sadly thinking that it would have been no feast. In vain did they try to cheer Taras and to divert his mind; in vain did the long-bearded, grey-haired guitar-players come by twos and threes to glorify his Cossack deeds. He gazed grimly and indifferently at everything, with inappeasable grief printed on his stolid face; and said softly, as he drooped his head, “My son, my Ostap!”
The square on which the execution was to take place was not hard to find: for the people were thronging thither from all quarters. In that savage age such a thing constituted one of the most noteworthy spectacles, not only for the common people, but among the higher classes. A number of the most pious old men, a throng of young girls, and the most cowardly women, who dreamed the whole night afterwards of their bloody corpses, and shrieked as loudly in their sleep as a drunken hussar, missed, nevertheless, no opportunity of gratifying their curiosity. “Ah, what tortures!” many of them would cry, hysterically, covering their eyes and turning away; but they stood their ground for a good while, all the same. Many a one, with gaping mouth and outstretched hands, would have liked to jump upon other folk’s heads, to get a better view. Above the crowd towered a bulky butcher, admiring the whole process with the air of a connoisseur, and exchanging brief remarks with a gunsmith, whom he addressed as “Gossip,” because he got drunk in the same alehouse with him on holidays. Some entered into warm discussions, others even laid wagers. But the majority were of the species who, all the world over, look on at the world and at everything that goes on in it and merely scratch their noses. In the front ranks, close to the bearded civic-guards, stood a young noble, in warlike array, who had certainly put his whole wardrobe on his back, leaving only his torn shirt and old shoes at his quarters. Two chains, one above the other, hung around his neck. He stood beside his mistress, Usisya, and glanced about incessantly to see that no one soiled her silk gown. He explained everything to her so perfectly that no one could have added a word. “All these people whom you see, my dear Usisya,” he said, “have come to see the criminals executed; and that man, my love, yonder, holding the axe and other instruments in his hands, is the executioner, who will despatch them. When he begins to break them on the wheel, and torture them in other ways, the criminals will still be alive; but when he cuts off their heads, then, my love, they will die at once. Before that, they will cry and move; but as soon as their heads are cut off, it will be impossible for them to cry, or to eat or drink, because, my dear, they will no longer have any head.” Usisya listened to all this with terror and curiosity.
The upper stories of the houses were filled with people. From the windows in the roof peered strange faces with beards and something resembling caps. Upon the balconies, beneath shady awnings, sat the aristocracy. The hands of smiling young ladies, brilliant as white sugar, rested on the railings. Portly nobles looked on with dignity. Servants in rich garb, with flowing sleeves, handed round various refreshments. Sometimes a black-eyed young rogue would take her cake or fruit and fling it among the crowd with her own noble little hand. The crowd of hungry gentles held up their caps to receive it; and some tall noble, whose head rose amid the throng, with his faded red jacket and discoloured gold braid, and who was the first to catch it with the aid of his long arms, would kiss his booty, press it to his heart, and finally put it in his mouth. The hawk, suspended beneath the balcony in a golden cage, was also a spectator; with beak inclined to one side, and with one foot raised, he, too, watched the people attentively. But suddenly a murmur ran through the crowd, and a rumour spread, “They are coming! they are coming! the Cossacks!”
They were bare-headed, with their long locks floating in the air. Their beards had grown, and their once handsome garments were worn out, and hung about them in tatters. They walked neither timidly nor surlily, but with a certain pride, neither looking at nor bowing to the people. At the head of all came Ostap.
What were old Taras’s feelings when thus he beheld his Ostap? What filled his heart then? He gazed at him from amid the crowd, and lost not a single movement of his. They reached the place of execution. Ostap stopped. He was to be the first to drink the bitter cup. He glanced at his comrades, raised his hand, and said in a loud voice: “God grant that none of the heretics who stand here may hear, the unclean dogs, how Christians suffer! Let none of us utter a single word.” After this he ascended the scaffold.
“Well done, son! well done!” said Bulba, softly, and bent his grey head.
The executioner tore off his old rags; they fastened his hands and feet in stocks prepared expressly, and—We will not pain the reader with a picture of the hellish tortures which would make his hair rise upright on his head. They were the outcome of that coarse, wild age, when men still led a life of warfare which hardened their souls until no sense of humanity was left in them. In vain did some, not many, in that age make a stand against such terrible measures. In vain did the king and many nobles, enlightened in mind and spirit, demonstrate that such severity of punishment could but fan the flame of vengeance in the Cossack nation. But the power of the king, and the opinion of the wise, was as nothing before the savage will of the magnates of the kingdom, who, by their thoughtlessness and unconquerable lack of all far-sighted policy, their childish self-love and miserable pride, converted the Diet into the mockery of a government. Ostap endured the torture like a giant. Not a cry, not a groan, was heard. Even when they began to break the bones in his hands and feet, when, amid the death-like stillness of the crowd, the horrible cracking was audible to the most distant spectators; when even his tormentors turned aside their eyes, nothing like a groan escaped his lips, nor did his face quiver. Taras stood in the crowd with bowed head; and, raising his eyes proudly at that moment, he said, approvingly, “Well done, boy! well done!”
But when they took him to the last deadly tortures, it seemed as though his strength were failing. He cast his eyes around.
O God! all strangers, all unknown faces! If only some of his relatives had been present at his death! He would not have cared to hear the sobs and anguish of his poor, weak mother, nor the unreasoning cries of a wife, tearing her hair and beating her white breast; but he would have liked to see a strong man who might refresh him with a word of wisdom, and cheer his end. And his strength failed him, and he cried in the weakness of his soul, “Father! where are you? do you hear?”
“I hear!” rang through the universal silence, and those thousands of people shuddered in concert. A detachment of cavalry hastened to search through the throng of people. Yankel turned pale as death, and when the horsemen had got within a short distance of him, turned round in terror to look for Taras; but Taras was no longer beside him; every trace of him was lost.
Despite his cunning escape on this occasion, Taras Bulba himself is also in the end put to death: the story ends with him going to the stake as his soul summons the brethren he can still see in the distance to resume the fight, again and again.
[A] band of Lyakhs suddenly rushed up, and seized him by the shoulders. He struggled with all might; but he could not scatter on the earth, as he had been wont to do, the heydukes who had seized him. “Oh, old age, old age!” he exclaimed: and the stout old Cossack wept. But his age was not to blame: nearly thirty men were clinging to his arms and legs.
“The raven is caught!” yelled the Lyakhs. “We must think how we can show him the most honour, the dog!” They decided, with the permission of the hetman, to burn him alive in the sight of all. There stood hard by a leafless tree, the summit of which had been struck by lightning. They fastened him with iron chains and nails driven through his hands high up on the trunk of the tree, so that he might be seen from all sides; and began at once to place fagots at its foot. But Taras did not look at the wood, nor did he think of the fire with which they were preparing to roast him: he gazed anxiously in the direction whence his Cossacks were firing. From his high point of observation he could see everything as in the palm of his hand.
“Farewell, comrades!” he shouted to them from above; “remember me, and come hither again next spring and make merry in the same fashion! What! cursed Lyakhs, have ye caught me? Think ye there is anything in the world that a Cossack fears? Wait; the time will come when ye shall learn what the orthodox Russian faith is! Already the people scent it far and near. A czar shall arise from Russian soil, and there shall not be a power in the world which shall not submit to him!” But fire had already risen from the fagots; it lapped his feet, and the flame spread to the tree…. But can any fire, flames, or power be found on earth which are capable of overpowering Russian strength?
Broad is the river Dniester, and in it are many deep pools, dense reed-beds, clear shallows and little bays; its watery mirror gleams, filled with the melodious plaint of the swan, the proud wild goose glides swiftly over it; and snipe, red-throated ruffs, and other birds are to be found among the reeds and along the banks. The Cossacks rowed swiftly on in the narrow double-ruddered boats—rowed stoutly, carefully shunning the sand bars, and cleaving the ranks of the birds, which took wing—rowed, and talked of their hetman.
She was able to occupy this position because the last tsar had died without issue in 1682. The result was a shaky power-share split between two male tsars who could not rule: Ivan, who was mentally disabled, and Peter, who was 10 years old.
But the problem with 10-year-olds is that, seven years later, they become 17-year-olds.
By 1689, Peter was chafing at his sister’s power. As the regent, how much longer could she expect to rule the tsar now that he was no longer a boy?
A disturbance on the night of August 7, 1689 brought the matter to a head. Moscow’s Streltsy, a body of soldiers who had murderously run amok in the Kremlin in 1682, paraded or demonstrated near the Kremlin.
Shaklovity would claim that this was nothing but a bodyguard for the routine procession of Sophia, but Peter — either actually alarmed or simulating it — bolted to the Trinity Monastery of St. Sergius north of Moscow and “immediately threw himself upon a bed and fell a weeping bitterly.”†
Peter accused Shaklovity of attempting to incite another Streltsy rising to win power for Sophia, and maybe that’s exactly what happened. But it might also have been the case that Peter’s party cynically engineered the crisis to force a confrontation.
In either event, the two rivals were now holed up in their respective compounds (Sophia’s was the Kremlin). The standoff never came to blows, for it soon demonstrated that Sophia’s support was distinctly inferior to Peter’s, to whom the legitimate government apparatus increasingly gravitated.‡ Muscovite soldiers, foreign diplomats, and even the Streltsy began abandoning Moscow for Peter’s monastery.
Sophia’s regency ended in September, and the proof of her capitulation was acceding to Peter’s demand that she hand over the “blatant criminal” Shaklovity for condign punishment as a failed regicide. Despite the late hour (10 p.m.), a vast concourse of commoners and elites alike saw Shaklovity’s head axed off by torchlight on the main road near the Trinity-St. Sergius monastery.
On this date in 1718,* Peter the Great’s hand-picked court condemned his son and onetime heir apparent Tsarevich Alexei to death for plotting treason.
Probably no single figure more strikingly underscored Peter’s violent rupture of the old Russia than Alexei: “timid, secretive and lacking in self-confidence,” he was Peter’s opposite in nearly every particular — his nemesis, literally from birth.
The product of Peter’s unsatisfactory first dynastic marriage to a conservative boyar princess, Alexei got abandoned along with his mother Eudoxia Lopukhina when Peter went on his years-long jag through western Europe.
Peter eventually forced the tsaritsa into a convent so he could take up with the ambitious emigre beauty Anna Mons, but the firstborn son was not so easily discarded.
Often malignantly ignored in his youth, Alexei spent his teen years being browbeaten by Peter who rightly despaired of ever making the boy into a king who could carry Peter’s legacy.
Where the father was preternaturally energetic, the son was feeble and reticent; Peter’s irritated letters to Alexei frequently complain of his laziness. (“I am incapable of exertion,” Alexei whinged.) Where the father had a curious mind for the Age of Enlightenment, the son was a dreamer who preferred the mysteries of the Orthodox religion. The boy showed little interest in politics or statecraft, but his position as the firstborn son meant that politics and statecraft were interested in him. Alexei just wanted to go to church and fool around with his Finnish mistress; he feigned or induced illness to avoid the instructional tasks his father appointed him, and once even tried to shoot himself in the hand to duck work.
The father called on all of his legendary severity fruitlessly trying to twist this malformed sapling into a sovereign when the boy’s every characteristic seemed to reproach Peter’s mission of a new and reborn Russia.
“How often have I scolded you for this, and not merely scolded but beaten you,” Peter wrote the boy when the latest assignment was not accomplished to his satisfaction. “Nothing has succeeded, nothing is any use, all is to no purpose, all is words spoken to the wind, and you want to do nothing but sit at home and enjoy yourself.” Start with scolding, proceed to beating — Peter’s philosophy of management as well as child-rearing.
Ever more fearful of his hated father, Alexei in 1716 gave Peter one final and greatest embarrassment by spurning his father’s last ultimatum to join the Russian army on campaign. Instead, the tsarevich fled to the protection of the Holy Roman Emperor Charles VI. Charles put him up in Naples for a year until Peter’s courtier Count Tolstoy** finally persuaded Alexei to return.
Alexei hoped he had arranged to get out of the royal-succession game and live as a private citizen, but where princes of the blood are concerned this option is more easily conceived than arranged. Peter well knew that the Orthodox clergy and many aristocrats awaited his death as their opportunity to roll back his reforms; the pious Alexei was inevitably a focus of these hopes and the boy embraced rather than shunned the association. Moreover, the twerp had made Peter look the fool before all of Europe with his running-away act.
Instead, the prince — whose return to Russia under the circumstances really was quite naive — found himself faced with a cruel inquisition.
Detail view (click for the full image) of Nikolai Ge’s 1871 painting “Peter the Great Interrogating the Tsarevich Alexei Petrovich in Peterhof” (via Wikimedia Commons)
Gibbon wrote of Marcus Aurelius that in permitting his notorious son Commodus to become his heir, “he sacrificed the happiness of millions to a fond partiality for a worthless boy, [and] chose a successor in his own family, rather than in the republic.”
Peter the Great easily possessed the iron resolution that the ancient Stoic lacked.
The tsar had learned seamanship in his youth by working in European dockyards; had learned soldiery by enrolling himself in the ranks and working his way up from drummer-boy. In his childhood he had seen the palace guard run amok in the Kremlin slaughtering his own family, bided his time until he could topple the power of his half-sister and take Russia in hand, and then wrought on those mutinous soldiers a terrible revenge.
And he had set for his reign a self-consciously world-historic mission, to force an unwilling nation into the European family. This enterprise of relentless, exhausting hubris the tsar applied everywhere from the cut of his noblemen’s facial hair to the whole-cloth creation of the Westward-facing capital city St. Petersburg.
Just so did Peter address himself to his truculent son.
“I will deprive you of the succession, as one may cut off a useless member,” he threatened in a come-to-Jesus letter of 1715, when Alexei was already 25 years old.
Do not fancy that, because I have no other child but you, I only write this to terrify you. I will certainly put it in execution if it please God; for whereas I do not spare my own life for my country and the welfare of my people, why should I spare you who do not render yourself worthy of either? I would rather choose to transmit them to a worthy stranger than to my own unworthy son.
Peter, to borrow a phrase redolent in Russian historiography, mourned not the cracked eggs that made his omelette.
And sometime after Alexei’s flight to Naples, Peter had clearly come to the understanding that for the good of his nation that unworthy son must indeed be spattered.
This episode places Peter in a monstrous light, just as would Marcus Aurelius appear to us had he contrived to murder the future tyrant Commodus when the latter was a mere callow youth. We do not have the luxury of seeing the path not taken, but it ought be said in the towering tsar’s defense that his disdain for the crown prince’s ability is difficult not to share. Alexei’s character stacks flaw upon flaw; no doubt Peter’s upbringing, by turns distant and brutal, was stamped upon it. Let the father bear that failure, but it does not relieve the sovereign’s choice: was he to confide his country and his legacy to the hands of this goblin? Was it even tolerable to leave this firstborn cooling his heels in a monastery, waiting for Peter’s death to cast off cowl and abdication and be acclaimed king by Old Russia?
Peter’s own youth, when he was part of an unresolved dynastic rivalry awkwardly sharing power, had been mired in plots and counterplots. Now, he could scarcely help but suspect that Alexei was also a piece of some conspiracy intending to undo Peter — whether in life or in death.
He forced the son to name his confidantes, then put those confidantes to torture and followed their accusations. In March of 1718, several men were broken on the wheel in Red Square; Alexei’s mother, long ago exiled to a convent, was menaced through her lover who was publicly impaled. Others got off with whippings, brandings, beatings, exile.
Not long after, that Finnish mistress of Alexei returned to the rodina herself. During his mission to Italy, Count Tolstoy had compromised her, and now she willingly supplied Peter the evidence of his son’s treason: that he spoke often of the succession, and how he would abandon St. Petersburg, let the navy rot, and restore the rights of the church; that he thrilled to every rumor of Peter’s illness and even to a mutiny. (Alexei would later acknowledge to his father’s face that had the mutineers acclaimed him tsar, he would have answered the summons.)
Peter empowered a very reluctant secular court to examine Alexei as a traitor without deference to his royal person. In a word, this meant torture — and on June 19, the frail Alexei was lashed 25 times with the knout, a terrible whip reinforced with metal rings that flayed a man’s back into carrion-meat and could even break the spine. Alexei managed to endure it, so on June 24 his suppurating wounds were reopened with another 15 strokes of the cruel scourge.
Under this inhuman torment, Alexei admitted wishing his father’s death — not much of an admission since he had already said as much to dad in the weeks before. But this gave his magistrates enough to condemn the tsarevich to death later that same night, for compassing the death of the king. The reality was that Alexei, vapid and indolent, had only one design on the death of his father: to await it with hope.
What we do not quite know is whether or how this sentence was actually effected. Peter wavered and did not sign the sentence — but as contemporaries saw it, God signed it.
On the morning of June 26, Peter and a number of other court dignitaries went to Peter and Paul Fortress. The fortress’s logs do not specify whether this was yet another round of torture for Alexei; stories would later circulate that Peter or a subaltern murdered the boy here by crudely beating him to death or privately beheading him, sparing the realm the spectacle of the broken crown prince mounting the scaffold.
But the official story, that an already-faltering Alexei begged Peter’s forgiveness as he succumbed to the shock notice of his condemnation, could easily be true: 40 strokes of the knout were enough to take the life of a much firmer constitution than Alexei’s.
By any measure, Peter authored the death of his son under the pall of execution, if not its literal fact — and for all the instances of royal-on-royal violence supplied by the annals, this filicide is nearly unique: Peter the Great, Emperor of All Russia, tortured his disappointing son to death.
Peter the Great died in 1725 at age 52 — according to legend, catching his death by forging into the freezing Finnish Gulf to rescue some drowning soldiers. (“I do not spare my own life for my country and the welfare of my people …”) Peter’s wives had borne him eight legitimate sons over the years, but Alexander, Pavel, Peter, another Pavel, another Peter, yet another Pavel, and yet another Peter had all died in early childhood. This was to be (after the brief reign later in the 1720s of Alexei’s sickly son Peter II) the end of the direct male line of Romanovs.
Instead, Peter was succeeded by his remarkable wife Catherine, by origin a Latvian peasant — and the 18th century would be dominated by female monarchs, culminating with Catherine the Great.
* It was June 24 by the Julian calendar still in use in Russia at that time. By the modern Gregorian calendar, Alexei Petrovich was condemned on July 5, and died on July 7.
Surprising the undefended sovereign on the latter’s morning constitutional near Winter Palace, Soloviev couldn’t connect with his revolver from four meters’ distance. As Alexander fled, Soloviev gave chase, firing four more times in the process to no effect before the gathering crowd wrestled him to the cobblestones.
Soloviev admitted the crime — the admission was hardly necessary — and hanged before a crowd of 70,000 souls. Despite the ensuing police crackdown on subversives (resulting in still more executions), many of those 70,000 surely numbered among the gawkers two years later for the hanging of the Narodnaya Volya terrorists who at last successfully assassinated Alexander.
* May 28 was the local (Julian calendar) date for the execution; by the Gregorian calendar prevailing outside Russia, it was June 9.
He fought in several battles, and a 40-man mounted unit he had personally raised was in the field until the end of 1864 — well after Russia had quelled most other resistance.
Finally cornered in April 1865 and captured in a gunfight, he was executed before a crowd of thousands. Later generations, with an independent Poland to call their own, have garlanded Brzoska’s memory with various markers and statues.
Polish speakers might enjoy this presentation of the hero-priest’s life:
On or about this date in 1929, Russian railway magnate Nikolaus (Nikolai) Karlovich von Meck was shot as a saboteur.
Von Meck (Russian link) had the iron horse in his blood: his father Karl was among Russia’s first railroad-builders after the Crimean War clock-cleaning motivated the tsar to make with the modernizing.
While von Meck pere was busy laying crossties in the 1860s, the St. Petersburg Conservatory was germinating the young composer Tchaikovsky. In time, the two men would be linked by the union of their kin: our man Nikolaus Karlovich von Meck married Tchaikovsky’s niece, Anna.
It wasn’t just a glancing association with the musical colossus for the von Mecks. Karl’s widow — Nikolaus’s mother — Nadezhda was Tchaikovsky’s main financial patron for 13 years. They weren’t lovers: Tchaikovsky was gay, and the reclusive Nadezhda von Meck demanded as a condition of her patronage that they never meet. But they kept up a voluminous correspondence, and Tchaikovsksy dedicated several works to her — like this Sympohony No. 4 in F minor.
So Nikolaus von Meck was the genius’s patron’s son as well as the genius’s niece’s husband.
He was also a brilliant engineer and entrepreneur in his own right; over the 26 years preceding the Russian Revolution, he chaired the Moscow-Kazan Railway firm that his father had begun back in the 1860s. Under the son’s leadership its rail-mileage multiplied more than tenfold. He was also one of Russia’s first motorists.
Von Meck remained in Russia after the Bolshevik Revolution, continuing to work on developing the now-Soviet state’s rail infrastructure — his means reduced, he remained no less the conscientious and patriotic artificer. That held even after the man was arrested as a counter-revolutionary a few different times in the revolution’s early years; each time he was soon released.
Ostensibly designed to target the saboteurs that were supposedly retarding economic growth, it would prove its utility in the frightful years ahead as a first-rate instrument of the Terror. The prospect that any economic setback, inefficiency or controversy could be lethally attributed to a cabal of global capitalists intent on strangling communism in the crib made “wrecking” as flexible and as devastating a charge as witchcraft had once been. How do you even begin to rebut that? Wrecking would in time be attributed to innumerable purge victims, great and small, and an implied whip against every worker who might be slacking on his production quota.
This potent juridical apparatus went for its first spin in the North Caucuses city of Shakhty in 1928-29. The Shakhty Trial of 53 engineers and technicians as “wreckers” also has the distinction of being Stalin’s first show trial. Von Meck and four other men* were condemned to die, a comparatively modest harvest of blood next to what was to come; 44 others went to prison.
“What accomplished villains these old engineers were! What diabolical ways to sabotage they found!” Solzhenitsyn mused of those luckless soulsin The Gulag Archipelago.
Nikolai Karlovich von Meck of the People’s Commissariat of Railroads, pretended to be terribly devoted to the development of the new economy, and would hold forth for hours on end about the economic problems involved in the construction of socialism, and he loved to give advice. One such pernicious piece of advice was to increase the size of freight trains and not worry about heavier than average loads. The GPU [forerunner of the NKVD, which in turn became the KGB -ed.] exposed von Meck, and he was shot: his objective had been to wear out rails and roadbeds, freight cars and locomotives, so as to leave the Republic without railroads in case of foreign military intervention! When, not long afterward, the new People’s Commissar of Railroads, Comrade Kaganovich, ordered that average loads should be increased, and even doubled and tripled them (and for this discovery received the Order of Lenin along with others of our leaders) — the malicious engineers who protested became known as limiters. They raised the outcry that this was too much, and would result in the breakdown of the rolling stock, and they were rightly shot for their lack of faith in the possibilities of socialist transport.
By the 1630s, Russia had her shit back together under the first Romanov tsar, and when the Polish king died in 1632 saw an opportunity to return stripe for stripe on its opportunistic neighbor.
This was the Smolensk War, so named because the recapture of that city was its primary objective. Shein, the respected elder military statesman who had lost Smolensk to a Polish siege twenty-odd years before, was just the man to lead the campaign.
The span of time tested by the 1632-1633 Russian siege was not merely that measured by the larder of Smolensk’s vastly outnumbered garrison — but that of Poland-Lithuania’s unwieldy succession process. Although the successor king was self-evident, the span required for his actual election left a six-month interregnum: nothing compared to the Time of Troubles, but perhaps enough for a frontier reversal.
But as it happened, Shein could not force Smolensk’s capitulation in 1633 and by the latter half of that year a superior Polish army was arriving. By October of 1633, a year after the Russians had begun hostilities, not only was the siege of Smolensk broken, but the Russian camp itself was encircled by the Poles. Having no prospect of a relief force such had just delivered his enemies, Shein could not hold out for even a single Friedman Unit and soon surrendered. He received liberal terms: the Russians had to abandon their artillery, but Shein’s army returned to Moscow unharmed, with its standards.
The Surrender of the Russian Garrison of Smolensk before Vladislaus IV Vasa of Poland, by an unknown Polish artist (c. 1634)
Having seen their jolly war of choice come to such a humilitating pass, the Moscow boyars received their defeated commander in a rage. A tribunal vengefully condemned Shein, his second-in-command Artemii Vasilevich Izmailov, and Izmailov’s son Vasili, to death for treason and incompetence in command.
In even the most slightly longer term, the debacle proved to be only a minor strategic setback. Poland was unable to follow up its victory with any inroads on Russian soil. That June, the two belligerents came to a peace restoring the status quo ante bellum — and they managed to pass a whole generation before they fought again.
A peasant revolutionary from the European frontiers of tsarism, Kalinouski is a present-day independence hero for Poland, Belarus, and Lithuania. (His name is variously rendered Konstanty Kalinowski, Kastus Kalinouski, and Konstantinas Kalinauskas for those respective homelands.)
Dissatisfaction with membership in this adoptive empire progressed differently among different demographics of the old Commonwealth, but it really blossomed in the wreckage of the 1850s Crimean War. Chastened after being drubbed by an industrial power, Russia finally emancipated her serfs — but the emancipation proved to bear as much confiscation as liberation, to the chagrin of the emancipatees.
In Poland, Belarus, and Lithuania, peasant anger at the raw deal dovetailed nicely with stirring national sentiment. Kalinouski, a young barrister, launched the flagship (clandestine) publication for that audience, Muzyckaja Prauda (Peasant’s Truth). It was one of the first periodicals published in Belarusian, and it was not calculated to reconcile his countrymen to Moscow.
Six years have passed since the peasants’ freedom began to be talked about. They have talked, discussed, and written a great deal, but they have done nothing. And this manifesto which the tsar, together with the Senate and the landlords, has written for us, is so stupid that the devil only knows what it resembles-there is no truth in it, there is no benefit whatsoever in it for us.
-From the first issue of Peasant’s Truth
Kalinouski’s literary adventures mirrored a prominent role among the leadership of the January Uprising to throw off the Romanov yoke.
But it proved to be the case that, although scrapping with Great Britain might be one thing, the Russian army was more than a match for her internal foes. It crushed the January Uprising.
In prison awaiting execution, Kalinouski bequeathed one last literary vindication, his Letters from Beneath the Gallows.
Friends, my brothers!
From under the Russian gallows I am writing to you for the last time. It is sad to leave my native land and you, my dear people. My breast sighs and my heart is sore, but it is not a sad lot to perish for your truth. Hear my last words in sincerity, my people, for it is as if they were written from this world only for your good … as day and night do not reign together, so also true learning does not go together with Russian slavery. As long as this lies over us, we shall have nothing. There will be no truth, no riches, no learning. They will only drive us like cattle not to our well-being, but to our perdition.
… go and fight with the whole people for your human and national rights, for your faith, for your native land. For I say to you from beneath the gallows, my people, you will only then live happily, when no Russian remains over you! (Source)
A plaque in Vilnius marks the spot of Kastus Kalinouski’s execution on 22 March 1864 (10 March by the Julian calendar).