As of this date, it’s been 48 years since the United States military last carried out an execution — the Fort Leavenworth hanging* of John Arthur Bennett for rape.
An epileptic black soldier with a family history of mental illness, Bennett had enlisted to find a way up out of sharecropping. Instead, on Christmas Eve 1954, he drunkenly raped a 12-year-old girl near his base in Austria.
He spent six years awaiting execution — “six years,” observed the Los Angeles Times, “in which six other black soldiers were hanged while all four of the white men — many of them multiple murderers — were saved.”
Bennett dodged two execution dates, once receiving his stay during his last meal, but a seemingly compelling plea for clemency — the victim herself, and her parents, asked for mercy — availed Bennett nothing. His last frantic plea to the new president, John F. Kennedy, was dispatched with only hours yet to live.
I beg in the name of God … Will you please in the name of God and mercy spare my life?”
Coincidentally, but poignantly for this case, the Kirk Douglas vehicle A Town Without Pity opened a month before Bennett’s execution. In that film (trailer here), four American servicemen face capital trial for the rape of a German girl — and Douglas, as their lawyer, struggles to talk pity into someone so he won’t be obliged to humiliate the victim in court in order to save his clients from the noose.
The victim’s father in that movie is so blinded by his lust for vengeance that he forces Douglas to destroy his own daughter: striking contrast with the real-life father of Bennett’s flesh-and-blood victim, who wrote in support of clemency for his daughter’s assailant, “I know how hard it is for the parents when their own child is so close to the verge of death.”
Bennett’s milestone, however, is hardly assured of lasting much beyond this 49th year.
In 2008, President George W. Bush affirmed the death sentence of condemned Army cook Ronald Gray, the first such action by any U.S. president since Bennett’s day. According to the NAACP Legal Defense Fund’s Death Row USA most current as of this writing,** Gray is one of nine prisoners currently on the U.S. military’s death row.
* Curious to know about the procedure? The Library of Congress has that period’s Procedure for Military Executions — complete with exact diagrams — online in pdf form.
An alarming rumour, meanwhile, … spread throughout the Colonies; a rumour which, whatever of truth or fact, little or none, might be at the foundation, gathering, as it went, size and gloom, and dust of slander, was calculated to make them all feel very unhappy. The report was that a slave insurrection had been discovered, having its centre on the Berbice West Coast, but extending right and left so as to include all the shore from the Corentyne Coast to Mahaica, about eighty miles; that the negroes had chosen a governor and other officers; that it was their intention to murder all the white men, and take possession of all the rest; that some of the Demerara East Coast negroes were leaders in the rebellion, especially Philip, a member of the church on Le Resouvenir; and that instruction of the negroes was to blame.
…
the account which the negroes gave of the matter was, that there had been formed a society in imitation of the Freemasons, they wishing to have, as well as their buckras or masters, a society of that nature; and that the money collected was to support the poor and defray the expense of their dances, &c.; just as it had been formerly very common for them to assume the names of their masters, or of the Governor or Fiscal, and send invitations to friends to supper or a dance, and appoint a captain of their own as president of the feast; sometimes to put feathers in their hats at holiday time and parade the streets. “No one,” as far as Mr. Wray could learn, “had been injured by them, neither was any property destroyed,” yet on 12th April six of the unhappy people apprehended on the West Coast were executed in New Amsterdam as ringleaders, their heads cut off and fixed upon poles on the different estates to which they belonged; one of them white with age, whose master, Mr. Rader, told Mr. Wray that he denied to the last having any bad intentions. Several others were flogged under the gallows, and some were transported.
A proclamation was subsequently issued to the effect that as “the privilege allowed the slaves of the Colony, of publicly or privately dancing on estates and other places at stated periods, had been perverted by them to purposes of the most dangerous nature, all dancing was forbidden until next year, 1815, or the further pleasure of the Court;” … This was followed, late in the year, by another calling upon the colonists to pay their quota of the expenses incurred in crushing the plot and indemnifying the proprietors of the slaves capitally punished … Better still, the law concerning Sunday labour was amended in favour of the slave, forbidding field-work on that day, except in sudden emergencies; and further enactments were issued limiting and regulating the excessive use of the whip, and forbidding the burial of any slave dying suddenly or by suicide, or in consequence of punishment or hurt, without previously acquainting the authorities …
On this date in 1739, famed desperado Richard “Dick” Turpin rode through York on an open cart, saluting his admirers, then sat upon his gallows at the York raceway for half an hour, chatting with spectators and executioners, until he “with undaunted courage looked about him, and after speaking a few words to the topsman, he threw himself off the ladder and expired in about five minutes.”
Turpin was the ultimus Romanorum, the last of a race, which (we were almost about to say, we regret) is now altogether extinct. Several successors he had, it is true, but no name worthy to be recorded after his own. With him expired the chivalrous spirit which animated successively the bosoms of so many knights of the road; with him died away that passionate love of enterprise, that high spirit of devotion to the fair sex, which was first breathed upon the highway by the gay, gallant Claude Du-Val, the Bayard of the road — le filou sans peur et sans reproche — but which was extinguished at last by the cord that tied the heroic Turpin to the remorseless tree…
Turpin, like the setting sun, threw up some parting rays of glory, and tinged the far highways with a lustre that may yet be traced like a cloud of dust raised by his horse’s retreating heels.
The “knight of the road”, one understands, is an artifice — a romantic construct. One name to bear its lustre to the present may be as good as another. Even so, in Dick Turpin, it has an exponent who boreveryscant resemblance to the archetype … save for celebrity.
Turpin washed out of his apprenticed career as a butcher and took to the road, where he joined the “Essex Gang”. Far from dashing post-road stickups, this troupe specialized in invading domiciles where they would torture women into revealing the household stashes of valuables.
The Newgate Calendar captions this image, “Dick Turpin placing an old woman on the fire, to compel the discovry [sic] of her treasure”
Turpin’s highwayman career commenced when the gang was busted — our principal leaping out a window to evade capture — and he had a profitable couple of years plundering the traffic around Epping Forest.
Many are the colorful tales of Turpin’s career; the one of most moment for his legacy may be this chance encounter with a fellow outlaw, as related in the Newgate Calendar.
On a journey towards Cambridge, he met a man genteelly dressed, and well mounted: and expecting a good booty, he presented a pistol to the supposed gentleman, and demanded his money. The party thus stopped happened to be one King, a famous highwayman, who knew Turpin; and when the latter threatened destruction if he did not deliver his money, King burst into a fit of laughter, and said, “What, dog eat dog? — Come, come, brother Turpin; if you don’t know me, I know you, and shall be glad of your company.”
The well-mannered Tom King — “the gentleman highwayman” — seems to have had his courteous mien conjoined in legend with his much more villainous partner’s prolific career.
Nor is King the only fellow-outlaw whose exploits Turpin has absorbed.
Our anti-hero’s days pillaging the environs of London came to an end in an escapade that saw Turpin shoot his accomplice while trying to rescue him — a klutzy critical miss not usually associated with the swashbuckling rogue character kit. The dying King is supposed to have repaid this bit of friendly fire by revealing to the authorities the pair’s Epping Forest hideouts.
Escaping capture once again, Turpin changed his address, and it is said that the highwayman shed his pursuers with a marvelous 200-mile ride north to Yorkshire in 15 hours.
This feat was not Turpin’s originally, but ascribed to the 17th-century robber John “Swift Nick” Nevison, although even that might be folklore.
Ainsworth, bless his heart, fabricated (pdf) the Turpin ride in the interest of his yarn — “they were distancing Time’s swift chariot in its whirling passage o’er the earth … [Turpin] rode like one insane, and his courser partook of his frenzy. She bounded; she leaped; she tore up the ground beneath her; while Dick gave vent to his exultation in one wild prolonged halloo.” (Picturesquely, he rides his famous steed Black Bess to death on the trip.)
The story has been fixed ever since in the firmament, and licenses every pub along the route to claim Turpin’s patronage.
His end, if not heroic, was certainly attention-grabbing. Turpin settled in Yorkshire under the alias “John Palmer” and passed as a gentleman farmer … with a larcenous side business rustling stock.
His career, in a sense, had come full circle: ’twas a youthful cost-cutting practice of abducting animals that had put the kibosh on his legitimate butcher’s business.
His cover was blown most ingloriously, when he was detained as a possible horse thief and sent a pseudonymous letter to his brother in London asking for help. The brother was too cheap to pay the postage due, so the letter returned to the post office where Turpin’s schoolmaster chanced to see writing in a hand he recognized, and journeyed to York to identify the wanted man and pocket the reward.
So it was not housebreaking, highway heists, or his homicide that hung Turpin, but horse-rustling … although Turpin’s celebrity career attracted curiosity-seekers from far and wide when word of his capture got out. Whatever Ainsworth may have made of Turpin, he did not fabricate the man’s fame; Dick Turpin earned his own ballad sheets and made his own legend possible playing the man at his death.
This man lived in the most gay and thoughtless manner after conviction, regardless of all considerations of futurity, and affecting to make a jest of the dreadful fate that awaited him.
Not many days before his execution, he purchased a new fustian frock and a pair of pumps, in order to wear them at the time of his death: and, on the day before, he hired five poor men, at ten shillings each, to follow the cart as mourners: and he gave hatbands and gloves to several other persons: and he also left a ring, and some other articles, to a married woman in Lincolnshire, with whom he had been acquainted.
On the morning of his death he was put into a cart, and being followed by his mourners, as above-mentioned, he was drawn to the place of execution, in his way to which he bowed to the spectators with an air of the most astonishing indifference and intrepidity.
When he came to the fatal tree, he ascended the ladder; when his right leg trembling, he stamped it down with an air of assumed courage, as if he was ashamed of discovering any signs of fear, Having conversed with the executioner about half an hour, he threw himself off the ladder, and expired in a few minutes.
The spectators of the execution were affected at his fate, as he was distinguished by the comeliness of his appearance … The grave was dug remarkably deep, but notwithstanding the people who acted as mourners took such measures as they thought would secure the body: it was carried off about three o’clock on the following morning; the populace, however, got intimation whither it was conveyed, and found it in a garden belonging to one of the surgeons of the city.
Having got possession of it they laid it on a board, and carried it through the streets in a kind of triumphal manner, they then filled the coffin with unslacked lime, and buried it in the grave where it had been before deposited.
Before dawn on this date in 1952, four Greek Communists were shot outside Athens for treason.
Nikos (Nicholas) Beloyannis (or Mpeloyannis), the most prominent among them, spent a goodly portion of his adult life in prison for his subversive opinions — first at the hands of the interwar Greek nationalist government, then the Nazi occupation, then the British.
His many years’ service to communism was, unbeknownst to him, even then being horse-traded away as Stalin and Churchill carved up post-World War II spheres of influence.
Uncle Joe ceded Greece to the West — so the reds were left dangling during the Greek Civil War, and guys like Nikos got fitted for left martyrology.
“The man with the carnation” — it was his signature prop at the mass show trial where he drew a death sentence for “conspiring to overthrow by force the present regime in Greece.”
On this date in 1997, Kunming City Intermediate People’s Court debuted a brand-new execution technology for the world’s capital of capital punishment.
With a 1996 Criminal Procedural Law reform making lethal injection an option for processing the enormous ranks of China’s condemned, experimentation got underway this date on two convicts whose identities and crimes I have not seen indicated. These were not only the first lethal injections in China, but the first anywhere outside the U.S.
According to the New York Times, China began its foray without the usual accoutrement of medicalization: rather than the familiar strap-down gurney, Kunming officials simply brought the doomed prisoners to the same execution ground used for shootings and had them roll up their sleeves for the needle.
Whatever its initial inelegance, China has enjoyed many thousands of test cases since to refine the practice — as many as 15,000 per year at this time, Amnesty International has charged.*
In the 12 years since, and aided by the offices of its guinea pigs, lethal injection has gained significantly in both technical sophistication and official acceptance; it is now thought that most Chinese executions use this method, rather than the old gunshot-to-the-back-of-the-head.
To What End?
More humane? Maybe.
Easier on an executioner than discharging a bullet at point-blank range? You’d have to think so.
Cheaper? Well, maybe — if the cost of the mobile killing van is spread over enough, er, “subjects”.
But lethal injection enjoys one significant benefit of distastefully obvious utility to the state:** it facilitates tissue transplant from a recently executed prisoner.
Though Chinese officials have always stonewalled on the subject, lucrative organ harvesting from executed prisoners has long been endemic in the country.
* China’s death penalty system has been famously opaque, so this figure is far in excess of the known thousand-plus judicial executions every year (1,718 in 2008) and would include several times that number in other judicial executions not publicly reported, plus extrajudicial killings that presumably wouldn’t involve lethal injection. Even with only the official executions specifically known to the wider world, China easily accounts for the majority of the world’s executions year after year.
** The older (and still-used) method of shooting a prisoner in the head also preserves organs, of course.
The electric chair has gotten a bad rap in recent years, and nowhere is this more evident than in the 1997 Florida execution of Cuban refugee Pedro Medina.
The improper application of an electricity-conducting sponge caused a “crown of foot-high flames” to shoot from Medina’s head, in a botched execution that caused Florida to reexamine its use of the electric chair and accelerated the trend towards lethal injection as the preferred method of execution — modern, sanitary and humane. But electrocution was once preferred for just those very reasons — well, that, and politics.
The thought of designing an apparatus to stimulate death by electrocution first came to dentist Dr. Albert Southwick in 1881, who watched an drunk man touch the terminal of an electricity generator in Buffalo, New York. Impressed at how quickly and painlessly the man died, he mentioned the incident to his friend, a state senator, who promptly brought the matter to the attention of the governor. The state legislature was then asked to consider how modern day electricity might emerge as an alternative to the often grisly process of hanging, in which incompetent executioners often inadvertently subjected prisoners to slow deaths by strangulation or decapitation.
Several years later, an inventor by the name of Harold Brown, an employee of the famous Thomas Edison, designed the first electric chair, deliberately adopting the Alternating Current (AC) form of electricity because Edison did not want his Direct Current (DC) form associated with the gruesome business of death — a sordid chapter in the history of public relations. The first execution was carried out in New York State in 1890, but the novel method was far from foolproof: it took two attempts, and the inmate was reported to have gone down in the same sort of smoke, flames, and smell of Medina’s over a hundred years later.
Still, the method caught on, and over the course of the 20th century, the electric chair became an indelible symbol of the death penalty in the nation’s consciousness.
“The chair” didn’t begin to decline until the mid-1980s, when newspaper accounts about botched executions, together with the emerging technology of lethal injection, again prompted some states to reexamine their death penalty statues.
It was around this time that Pedro Medina first came to the US from Cuba, part of the Mariel boat lift of 1980, in which Fidel Castro “permitted” some 125,000 Cuban prisoners and mentally ill to depart from the Mariel harbor for the fertile shores of America. (Medina himself had been released from a psychiatric hospital in Cuba and diagnosed with illnesses including paranoid schizophrenia and major depressive disorder with psychosis.) The boatlift polarized public sentiment in the United States.
These factors combined to lend Medina, a black man, a low status indeed in the eyes of prosecutors and jurors when, two years after his arrival on American shores, he was convicted of murdering his neighbor, Dorothy James.
Medina was executed in Albert Southwick’s brainchild 15 years later, despite pleas from James’ daughter, Lindi James, who said that she did not believe Medina had killed her mother and that her mother would not have wanted him executed regardless, and from Pope John Paul II, who also made a public call for mercy on Medina’s behalf. Medina’s lawyers also filed a petition claiming he was insane and thus incompetent to be executed, but the Florida Supreme Court ruled that, while he had mental problems, he could still be executed.
Early in the morning on March 25, 1997, Medina went out in flames.
A crown of foot-high flames shot from the headpiece during the execution, filling the execution chamber with a stench of thick smoke and gagging the two dozen official witnesses. An official then threw a switch to manually cut off the power and prematurely end the two-minute cycle of 2,000 volts. Medina’s chest continued to heave until the flames stopped and death came. (From the Death Penalty Information Center’s botched executions page.)
The source of the malfunction was not immediately apparent; prison officials claimed the fire had been caused by a corroded copper screen in the electric chair’s headpiece, but later investigation revealed that it was due to improper application of an electricity-conducting sponge to Medina’s head. Attorney General Bob Butterworth hailed the deterrent value of malfunctions: “People who wish to commit murder, they better not do it in the state of Florida, because we may have a problem with our electric chair.”
The debacle of Medina’s execution caused a media sensation and led to a case by another Florida death row inmate, Thomas Provenzano, claiming that lethal injection constituted cruel and unusual punishment prohibited under the Eighth Amendment.
Provenzano lost his case, but with the release of bloody photographs of the 1999 execution of Allen Lee Davis, more states began moving against the use of the electric chair. Of the six states that today retain it (Virginia, South Carolina, Kentucky, Tennessee, Alabama and, yes, Florida), none currently use it as their only method of execution.
Rather, lethal injection has become the norm.
But for how long? There may be no AC/DC marketing gambit in the new, modern business of death, and no crown of flames. But maybe all we’ve really done by moving to the needle is render invisible ongoing Medina-like botches.
On this date in 1945, a Hamburg coal worker was executed for an excessively realistic take on the war effort.
Although — or because — Germany’s administrative infrastructure was falling apart under the Allied onslaught late in World War II, its judiciary had no compunction about doling out death sentences.
While the overall number of cases dealt with by most special courts was much lower than in previous years, due to the gradual collapse of the court system, in these last months of the war some judges passed proportionally more death sentences than ever before. Legal officials continued to justify their brutal sentencing by claiming that this would prevent another ‘stab in the back’.
Poor Max Schlichting, a coal worker with an unfortunate communist past, was sentenced to death for Wehrkraftzersetzung — “subversion” or “undermining the war effort,” the same thing they got Remarque’s sister on.
Specifically: he remarked to a soldier, in the aftermath of the American landing at Normandy, that Germany was going to lose the war. An undercover Gestapo spy overheard him.
SAN QUENTIN, March 19 [1938]. (AP) A runt pig* died today in a slow-motion test of San Quentin’s lethal gas chamber.
The test required thirty-five minutes before the pig was formally pronounced dead, but prison officials said “nowhere near that time” would be necessary for execution of a condemned convict in the gas chamber.
The trial execution was conducted in slow motion to enable prison officials and guards to learn details of the operation. The test was conducted by representatives of the manufacturers of the chamber.
* According to the Los Angeles Times (whose March 24, 1938 edition captions a photograph of Warden Court Smith peering inquisitively through the gas chamber’s window), it was “a little thirty-pound brown pig.” According to the backgrounder in When You Read This, They Will Have Killed Me — which concerns an altogether more famous gas chamber subject — the swine was “a 155-pound pig named Oscar, raised on the prison farm.”
On this date in 1957, the phone outside San Quentin’s gas chamber rang with a governor’s reprieve for Burton Abbott … but the execution was already underway.
Abbott was convicted of abducting and murdering 12-year-old Stephanie Bryan — a notorious crime that poet Sharon Olds, then a San Francisco teenager about the same age as the victim, memorialized in verse.
Then dirt scared me, because of the dirt
he had put on her face. And her training bra
scared me—the newspapers, morning and evening,
kept saying it, training bra,
as if the cups of it had been calling
the breasts up—he buried her in it,
perhaps he had never bothered to take it
off. They found her underpants
in a garbage can. And I feared the word
eczema, like my acne and like
the X in the paper which marked her body,
as if he had killed her for not being flawless.
Strong though ultimately circumstantial evidence connected Abbott to the crime, and the accused coolly maintained his own innocence at trial and thereafter. (The Oakland Museum has an extensive collection of photographic negatives from the trial.)
His last hours on March 15 were a rush of activity for a defense team that had fought for any possible angle to avert his death. A flurry of communications to Gov. Goodwin Knight delayed the execution once, and then secured a second stay just as the Abbott was being prepared for his fate.
By the time the phone rang, Abbott was already shrouded in cyanide fumes.
Goodwin’s Secretary Joseph Babich: Has the execution started? Warden Harley O. Teets: Yes, sir, it has. Babich: Can you stop it? Teets: No, sir, it’s too late.
On this date in 1551, Alice Arden was put to death for one of 16th century England’s most shocking crimes.
Stuck in what one gathers was a dull marriage of political convenience, Alice Arden took up with a lover, Richard Mosby.
Although the whole scene was tolerated by her husband, Alice and Richard conspired to have Thomas murdered, because nobody would ever suspect the vivacious wife and her paramour to be behind the unexplained death of her husband. (And, Alice reckoned, Thomas “was so evil beloved that no man would make inquiry after his death.”) Holinshed‘s chronicle saw fit to include this tabloid-esque crime in its narrative of English history.
Arden’s wife, Mistress Alice, young, tall, and well favoured of shape and countenance, formed a criminal connection with a paramour, named Mosbye, a black, swart man. Mosbye had been servant to Sir Edward North, Alice’s father in law; and then settled as a tailor in London. The infatuated wife, lost to all sense of duty and morality, conspired with Mosbye to put an end to her husband’s existence, in order that she might marry the profligate black, swart man.
They employed as their confederates one John Green, a Faversham tailor; George Bradshaw, a goldsmith of the same town; and one Black Will, of Calyce (Calais), a murderer, which murderer was privily sent for to Calyce by the earnest sute, appoyntment, and confederate of Alice Arden and Thomas Mosbye.
The conspirators watched Master Arden walking in Poule’s (St. Paul’s Cathedral, the nave of which was a public promenade in those days), but could not find an opportunity to murder him; they then lay in wait for him on Rainham Down, and a second time in the Broomy Close (two places near Faversham), but on all these occasions failed in obtaining an opportunity.
The wicked wife then laid a plot for murdering her husband in his own house. She procured the services of Mosbye’s sister, Cicely Pounder, and of two of Arden’s domestic servants, Michael Saunderson and Elizabeth Stafford. On a particular day selected Sunday, too Black Will was hidden in a closet at the end of Arden’s parlour. After supper, Arden sat down to play some kind of game with Mosbye; Green stood at Arden’s hack, holding a candle in his hand, to shaddowe Black Will when he should come out; and the other conspirators had their cue. At a given signal in the game, Black Will came with a napkyn in his hand, and sodenlye came behind Arden’s back, threw the said napkyn over his hedd and face, and strangled him; and forthwith Mosbye stept to him, and strake him with a taylor’s great pressing iron upon the scull to the braine, and immediately drew out his dagger, which was groat and broad, and therewith cut the said Arden’s throat.
Having failed to convincingly position the body, and thereby leading police straight back to her house, Alice was immediately implicated in the crime. The conspiracy unraveled and the various people involved were brought to swift and merciless justice, including one poor bastard who had known nothing of the plot but had inadvertently supplied the credentials of that colorful assassin “Black Will” by decrying him as a murderous villain.
Alice Arden herself was burned in Canterbury while her confederates suffered various executions in various places around a country duly scandalized by the bold crime.
Six lives were taken for that of a worthless miser who connived at his wife’s infidelity. It was a sign of the horror inspired by husband murder among the Elizabethans. (Source*)
Indeed, the homicide and resulting executions kept as public scandal so long that the tale was reproduced as an Elizabethan tragedy, Arden of Faversham, in the 1590’s.
Gentlemen, we hope youle pardon this naked Tragedy,
Wherin no filed points are foisted in
To make it gratious to the eare or eye;
For simple trueth is gratious enough,
And needes no other points of glosing stuffe.
FINIS.
Intriguingly, Richard Helgerson argues in Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting that this play restores some relevant political context to the Arden crime that Holinshed, perhaps deliberately, obscures. The Arden of Faversham victim is an apparatchik of the Duke of Somerset, a connection perhaps exaggerating Thomas Arden’s rank but not his position as the king’s man, with some important sponsors. Alice Arden and Richard Mosby, too, were national-level elites, Helgerson says.
Helgerson doesn’t quite have an ah-ha conclusion to the tale, but the suggestion of a more layered meaning lurking behind what typically plays as straight Tudor police blotter throws a different light on the affair.
Arden’s appropriation of the abbey lands in Faversham finds its counterpart in Mosby’s appropriation of Alice Arden’s body … Seen this way, adultery is no longer a purely private crime … [but] rather a vehicle for thinking about history, for thinking, in particular, about that “improvement in the sovereignty” that was responsible both for the emergence of politic history and for the dissolution of the English monasteries, including Faversham Abbey.
* This source also supplies the date of March 14. However, the date is difficult to come by generally, and it may not be fully dependable.
It was around this time that Pedro Medina first came to the US from Cuba, part of the 
