Christmas Day of 1943 witnessed the demoralizing beheadings of four Australian POWs in the Japanese camp near Tacloban on the Philippines island of Leyte.
This camp held Aussie and British war captives, but its definitive account titled The Hotel Tacloban* comes from the mouth of a lone American mixed in among them — witness to the cross-cutting tensions in this little world between the two nationalities, and between enlisted men and officers. Of notable import for this episode is the campwide resentment of the ranking British officer, one Major Roland Leeds Cumyns.
By the account of our American interlocutor, Cumyns “was the most arrogant, most conceited son-of-a-bitch I’d ever come across in my life; an impossible officer who was thoroughly convinced that God was an Englishman.” Worse, he embodied the class snobbishness of the privileged caste from whom British field officers were drawn and shamelessly aligned himself with the Japanese camp commandant Captain Yoshishito. The Australians in particular, for whom British class prerogatives were not imbibed with mother’s milk, abhorred him. “Pampered, primped and preened, the Major wholeheartedly believed that it was his manifest destiny to ascend to the pinnacle of his profession,” sneered our American observer, who fraternized mostly with the Aussies. “The Major took every opportunity to attend to his own creature comforts while flaunting his disdain for the plight of the Australians.”
On Christmas Eve, our four principals — names of Travis MacNaughton, Justice “Jassy” Colby, Larry Whitelam, and Tommy Philips, Aussies all — escaped from the Hotel Tacloban. Maybe they would have acted differently had they but known that the U.S. invasion of the Philippines would begin on the beaches of Leyte itself just ten months hence — but then again, ten months in this particular camp might have been worth the risk of one’s life. U.S. Army rangers who liberated the prisoners apparently wept to behold the “monstrous degradation” of their condition.
So thrilled that night by news of the breakout that the British and Australian sections competed in belting jovial renditions of “It’s a long way to Tipperary” and “Waltzing Matilda”, the camp by Christmas morning was tense with nervous anticipation. And as feared, right around daybreak, all four escapees were driven up on a flatbed truck, “badly beaten, blindfolded and bound in chains.” The entire camp was called to assemble for what came next, not excepting those in the infirmary who were carried out and propped up by their unwilling comrades, for “no ones was to be spared the executions.”
When everyone was present, Captain Yoshishito advanced and stood impassively beside the Major, both of their backs turned indifferently on the open space separating them from the four condemned Aussies on the back of the truck. With Yoshishito was the Executioner, a scabbard hanging from his hip, its tip dragging along the ground, the handle on the ceremonial sword itself almost a foot long and tucked up under his arm. Expressionless, their hooded eyes darting left and right, Yoshishito’s lieutenants stood poised and alert in front of Travis, Jassy, Larry and Tommy.
…
Tommy was reacting the worst; he’d gone completely to pieces. He was crying hysterically and had to be dragged kicking and screaming by the guards. Jassy and Larry were sobbing to themselves, struggling hard not to collapse. Travis was the only man who had not broken down. Standing ramrod straight, no sign of fear visible on his bearded face, he calmly asked that his blindfold be removed. The Major, with Captain Yoshishito’s approval, granted Travis’s request, and one of the Japanese officers untied it and pulled it off. And even though he stared directly into the rising sun, Travis didn’t blink. His eyes were glowing fiery red.
The guards separated the men four paces apart. They motioned for Travis to kneel in the dust with his head bent forward and he did so, without hesitation. The Executioner drew his sword and moved beside him. Dawn cast long shadows across the prison yard — the moment seemed arrested by the level sun.
I wanted to look away as I watched over the shoulder of the man standing in front of me, but there was some crazy compulsion to see. Try as I might, I couldn’t move my eyes from the blade on the ceremonial sword, which was long and slightly curved, but neither heavy nor thick nor ornate. Both hands on the hilt, the Executioner raised it above his shoulder, the sunlight momentarily glinting off the steel, then he brought it down.
I closed my eyes when he hit Travis — I couldn’t watch anymore after that — I just stood there with my eyes shut tight, hating myself and shivering inside, wanting desperately to cover my ears with my hands. But that wasn’t allowed, and three more times I heard that awful sound (the little bastards saved Tommy for last, for the devastating psychological effect), and then there was silence. Merciful silence. And in that absence of sound that followed the beheadings of Travis MacNaughton, Justice Colby, Larry Whitelam, and Tommy Philips, there wasn’t one man, Brit or Aussie, who didn’t know deep in his heart that the Major had to go. Speaking for every man there, Sgt. Major Goodhall, good soldier of the disgraced English Army, a man who’d been turned inside-out by his commanding officer’s treachery, a man who could no longer stand idly by while his honorable world crumbled around him, with utter contempt, turned and spit in the Major’s face.
Stunned speechless, his eyes blinking rapidly and his jaw muscle twitching uncontrolably, the Major quickly wiped the spittle away, then proceeded to strip Goodhall of his rank and ordered him placed under arrest. “Was there to be no end to the insults heaped upon him?” he seemed to be thinking. The man was insane.
Captain Yoshishito was astounded. It was inconceivable to him that ordinary soldiers of any army would demonstrate even the slightest hint of disrespect to their commanding officer. Such acts of defiance ate away at the very foundation upon which the chain of command is structured. Yoshishito stood there bewildered, regarding the situation with total disbelief — genuinely grieved that his brother officer, our lovely Major, had once again been publicly disgraced. Regaining his senses, Captain Yoshishito quickly signalled to his lieutenants, who selected eight Australians at random to dig graves and bury the dead. Then, speaking through a Filipino interpretor, he notified us that we were to be denied the right to conduct funeral services, that there would be no general issue of rice for the next two days, and that only the minimum water ration would be distributed, British officers excluded. The Australian officers were offered the same exemption, but flatly turned it down.
No one waited to be dismissed. Everyone just turned around and walked back to their huts.
The camp’s Aussie enlisted men drew straws the following morning for the responsibility of visiting their collective judgment on Major Cumyns. As night fell on Boxing Day, two of them garroted Cumyns in his tent, while their American adoptive comrade stood lookout.
* The Hotel Tacloban is by the American journalist Douglas Valentine, drawn from his conversations with (and primarily in the voice of) his father, the actual POW — also named Douglas Valentine. It’s a brief and compelling read, and it had an importance to the younger Valentine’s subsequent path quite surpassing the fact that it was his first book: Valentine’s empathetic portrayal of military men and the grim realities of war impressed CIA Director William Colby so much that Colby facilitated Valentine’s requested access to dozens of agents involved in the notorious Vietnam War-era assassination campaign, the Phoenix Program. The resulting interviews in turn led to Valentine’s still-essential tome The Phoenix Program and a subsequent career focus on the Agency which has produced (along with a great many articles) a book about intelligence coordination shaping the War on Drugs titled The Strength of the Pack, and the more recent volume, The CIA as Organized Crime. In Valentine’s own estimation, “Tacloban was key to unlocking the CIA’s door.”
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