Category Archives: Death Penalty

1916: Sir Roger Casement

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On this date in 1916, Roger Casement was hanged for treason by the British crown that had knighted him only a few years before.

Casement died for his part in the Easter Rising, but this Irish nationalist hero’s layered story has long made him a very different sort of cultural marker than, say, James Connolly.

Casement came to public prominence for his damning report on Belgium’s atrocious treatment of natives in its Congo colony, e.g.:

[T]he great decrease in population, the dirty and ill-kept towns, and the complete absence of goats, sheep, or fowls — once very plentiful in this country — were to be attributed above all else to the continued effort made during many years to compel the natives to work india-rubber. Large bodies of native troops had formerly been quartered in the district, and the punitive measures undertaken to his end had endured for a considerable period. During the course of these operations there had been much loss of life, accompanied, I fear, by a somewhat general mutilation of the dead, as proof that the soldiers had done their duty.

. . . Two cases (of mutilation) came to my actual notice while I was in the lake district. One, a young man, both of whose hands had been beaten off with the butt ends of rifles against a tree; the other a young lad of 11 or 12 years of age, whose right hand was cut off at the wrist. . . . I both these cases the Government soldiers had been accompanied by white officers whose names were given to me. Of six natives (one a girl, three little boys, one youth, and one old woman) who had been mutilated in this way during the rubber regime, all except one were dead at the date of my visit.

[A sentry in the employ of one of the concessionary private companies] said he had caught and was detaining as prisoners (eleven women) to compel their husbands to bring in the right amount of rubber required of them on the next market day. . . . When I asked what would become of these women if their husbands failed to bring in the right quantity of rubber . . , he said at once that then they would be kept there until their husbands had redeemed them.

Casement’s is an honorable name in the campaign for the Congo, an early human rights and anti-colonial struggle; in this 92-minute BBC documentary on the notorious depredations in the Congo, the Casement report’s creation and impact are treated from about 1:15:15 through the end:

A similar investigation undertaken in Peru — where the lens focused on British employers, rather than strictly the malfeasance of foreign states — earned him knighthood in 1911, but Casement’s personal evolution from loyal Protestant* imperial operative with a sympathy for the Irish cause to revolutionary nationalist was already underway. “This journey into the depths of the Congo has been useful in helping me discover my own country and understand her situation, her destiny, her reality,” he wrote his sister. “I’ve also found my true self: the incorrigible Irishman.”

He resigned from the consular service and began recruiting for the Irish Volunteers.

As World War I opened, Casement identified British aggression as its cause, an extension of the violent imperial hegemony he chronicled in The Crime Against Europe:

The British Empire was not founded in peace; how, then can it be kept by peace, or ensured by peace-treaties? It was born of pillage and blood-shed, and has been maintained by both; and it cannot now be secured by a common language any more than a common Bible. The lands called the British Empire belong to many races, and it is only by the sword and not by the Book of Peace or any pact of peace that those races can be kept from the ownership of their own countries.

While any Irish Republican would have agreed with that sentiment, the resulting moral and tactical calculus for the Irish cause to ally with the German was not universally embraced — and was certainly anathema to the British.

“In the Streets of Catania”
by Roger Casement

All that was beautiful and just,
All that was pure and sad
Went in one little, moving plot of dust
The world called bad.

Came like a highwayman, and went,
One who was bold and gay,
Left when his lightly loving mood was spent
Thy heart to pay.

By-word of little street and men,
Narrower theirs the shame,
Tread thou the lava loving leaves, and then
Turn whence it came.

Ætna, all wonderful, whose heart
Glows as thine throbbing glows,
Almond and citron bloom quivering at start,
Ends in pure snows.

Casement spent the first two years of the Great War in Germany itself, and arranged a shipment of guns that would have supported the Easter Rising, but thought the aid too little and too late. He had a German U-boat drop him at Ireland, trying to get word to the Republican leadership to postpone the revolt.** Instead, he was picked up three days before the doomed rising and hanged after a sensational trial.†

His “treason” — and of course, the very crime of which he was convicted imports a British legitimacy in Ireland that Casement explicitly rejected — shocked many old associates, but he still had friends in high places. To dampen the international clemency campaign, England circulated the notorious “Black Diaries,” photographs of supposed Casement diary pages detailing the author’s homosexuality.

This dirty (and successful) trick brings a personal-is-political quality to Casement’s legacy as well as an enduring debate over the diaries’ authenticity. Since Irish nationalism gained mainstream acceptance well before homosexuality, right-thinking folk long held the Black Diaries a forgery, and time was you solicited a black eye by saying otherwise in the wrong company.

The gay rights movement has seen a posthumous redefinition of Casement; although homosexuality was not on the indictment against him, one could argue that it was the reason he hanged. Given recent handwriting forensics that support the diaries’ authenticity, the general‡ consensus about the Black Diaries has inverted with the effect of only heightening sympathy for their alleged author, albeit at the expense of some tension over how to situate that characteristic within the whole of Casement’s life and thought.

And that is only one aspect of the shifting place of Casement in the firmament of Republican martyrs since his death. His hagiography waxed in the interwar years, with Yeats among those calling for the return of Casement’s remains in The Ghost of Roger Casement”.

But the humanitarian’s German ties were an inconvenience as World War II raged, and not until afterward was that cause renewed. When his body was finally returned in 1965, an Irish state funeral elided the matter of the diaries.

Even Casement himself, who would be the last to die for the Easter Rising, had a hand in the myth-making. His last mission’s purpose to avert the Easter Rising fit neither the government’s interest in maximizing his perfidy nor Casement’s own in identifying with the Irish cause; he himself therefore owned the Rising fully in his defense which made him fine fodder for Republican hymns like “Lonely Banna Strand”:

RTE radio’s What If? series recently explored Casement’s complex legacy:

[audio:http://www.rte.ie/podcasts/2008/pc/pod-v-240208-27m06-whatif.mp3]

As Casement put it in his voluminous personal writing, “It is a cruel thing to die with all men misunderstanding — misapprehending — and to be silent forever.”

* Casement’s father was Protestant and his mother was Catholic; he lived with a somewhat split identity between the two faiths, but formally converted to Catholicism while awaiting execution (which surely did not hurt his memory to the Irish cause) and his last meal was simply the Host.

** The guns themselves were interdicted by the British navy and ended up scuttled to the ocean floor.

† Since Casement’s incitements to rebellion had occurred on foreign soil, there was some fine legal parsing over whether he could be tried for “treason.” The dispute resolved to the placement of a comma in a medieval law — leading to the epigram/-taph that Casement was “hanged by a comma.” In the midst of war and before an English jury, however, punctuation was an even weaker defense than it sounds.

‡ But still not universal.

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1343: Olivier III de Clisson, husband of the Lioness of Brittany

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On this date in 1343, a noble widow’s career in piracy got its start where such ventures more usually end: the scaffold.

Olivier III de Clisson beheaded with his knights, in an illustration of Froissart.

Olivier III de Clisson, a powerful Breton noble nominally loyal to France, had been persuaded to ally with England’s Edward III in what nobody yet realized was the opening stage of the Hundred Years’ War.

Intriguing to advance a claim to the French throne, Edward knew right where to look. “Brittany was France’s Scotland, choleric, Celtic, stony, bred to opposition and resistance, and ready to use the English in its struggles against its overlord as the Scots used the French in theirs,” Barbara Tuchman wrote. And the Breton War of Succession was just the sort of pretext for meddling.

Clisson was one of the great lords of the region, and in the feudal era where liege relationships counted more than “nationality,” his alliance would swing a considerable network of retainers to the English cause.

He was hardly the only one, according to Jonathan Sumption’s The Hundred Years War:

The duchies of Brittany and Normandy seemed to [the French king Philip VI] to be seething with rebels, led by the very noblemen who had promised to serve him till his dying day. He was shocked and puzzled.

When Clisson’s (apparent) lord Philip VI got wind of the secret deal, he invited Olivier to a joust in Paris and had him arrested. Then, as knight follows day …

In the year of grace one thousand three hundred and forth-three, on Saturday, the second day of August, Olivier, lord of Clisson, knight, prisoner in the Chatelet of Paris for several treasons and other crimes perpetrated by him against the king and the crown of France, and for alliances that he made with the king of England, enemy of the king and kingdom of France, as the said Olivier … has confessed, was by judgement of the king given at Orleans drawn from the Chatelet of Paris to Les Halles … and there on a scaffold had his head cut off. And then from there his corpses was drawn to the gibbet of Paris and there hanged on the highest level;* and his head was sent to Nantes in Brittany to be put on a lance over the Sauvetout gate [as a sign of his treason]. (Cited here.)

That’s chivalry for you.

The unexpected turn came while Clisson’s headless corpse was clanking away on the gibbet: his warlike, 40-something wife Jeanne de Clisson vowed vengeance, sold off the Clisson estates to buy a small fleet, and turned privateer, murderously ravaging French shipping along the Breton coast and reportedly personally beheading aristocrats she could get her hands on.

After more than a decade of avenging Olivier, the “Lioness of Brittany” retired triumphantly to England to remarry the sort of British toff whose preference ran towards strong women.

Her son, also named Olivier de Clisson, returned to fight in the Hundred Years War on the side of England … and eventually defected back to the French.

* Meaning, at the imposing tiered gallows of Montfaucon.

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1917: Frank Little of the IWW lynched

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On this date in 1917, Wobbly labor organizer Frank Little was abducted from his hotel and hanged from a railroad trestle in Butte, Montana.

An executive board member of the radical Industrial Workers of the World, the half-Cherokee Little had only rolled into Montana’s copper mining hub two weeks before. A roving agitator who had organized workers all around the west, he would be a signal martyr to America’s nascent Red Scare.

It was a fraught moment nationwide, and worldwide. After winning re-election on the slogan “He kept us out of war,” Woodrow Wilson upon his inauguration immediately (try to act surprised) got the United States into World War I. Just as it had in Europe, the question of war put American labor to the test: would it transfer opposition to war into resistance, or would it line up patriotically with its state?

This outstanding IWW poster (via the University of Arizona’s web exhibit on the labor deportations that had expelled Frank Little from Arizona just days before he arrived in Butte) pits the militant Wobbly position against the nationalist American Federation of Labor.*

And Little was one of the most stridently anti-war in his movement.

Either we’re for their capitalist slaughter fest or against it. I’m ready to face a firing squad** rather than compromise. (Source)

Anaconda Copper could nowise welcome this character’s arrival, where he would organize already-striking miners and mix in militant anti-war rhetoric with incendiary potential in the cocktail of immigrant workers being asked (in many cases) to wage war on their homelands.

The local labor conflict, an exceptionally brutal instance of a pattern across the country and especially in western mining country, was probably savage enough on its own to make Little a marked man. Whether his anti-war activity or his union activity motivated his death is not sure, but the dilemma was probably a false one for his killers just as it was for Little himself: they were two heads of the coin. As American troops poured into Europe, and particularly as the Bolshevik Revolution later in 1917 spurred a worldwide Communist scare (and a separate American military expedition), both public and private power violently pursued left-wing elements.

Caption: Copper Trust to the Press: “It’s all right, pal; just tell them he was a traitor.” (Source.)

The film An Injury To One (review) deftly weaves those themes and others together into the tale of a crime which is also the tale of a time and place:

This note was found pinned to Little’s body. “3-7-77”, a Montana vigilante calling card, indicates the dimensions of a grave.

Officially (again, act surprised), it’s an unsolved crime. Even though the New York Times report the day after the hanging quoted a labor official claiming “certain” knowledge of five of the six men in the posse, and a prosecutor vowing, “it is a cold-blooded murder and every effort will be used to apprehend the men who did it,” nobody ever went on trial for lynching Little.

Company goons, likely aided by the infamous union-busting Pinkerton detective agency, are the presumed culprits. And it is the nature of lynchings to make extrajudicial the rough justice sought by a certain constituency, as expressed by Montana’s Helena Independent:

Good work! Let them continue to hang every I.W.W. in the state. The time has come. It is beyond the comprehension of the average citizen why the war department has not ordered certain leaders arrested and shot. The people will not stand for much more.

A massive funeral turnout brought federal troops to quash labor unrest in Butte … and in the years to come, the IWW would be hunted from pillar to post.

Pro-Wobbly sites give adoring biographical treatment and fairly extensive resource lists on Little here and here.

Little is buried in Butte. His grave marker reads:

Slain By Capitalist Interests For Organizing And Inspiring His Fellow Men.

* The AFL, now the AFL-CIO, remains the dominant institution in American labor today.

** Little undoubtedly had in mind the precedent of his fellow-martyr Joe Hill, executed judicially two years before in Utah.

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1963: 21 Iraqi Communists

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On this date in 1963, Iraq’s infant Ba’ath government executed at least 21 soldiers — all Shi’a — who had participated in a Communist coup attempt on July 3.

The Ba’ath were newly in the saddle after overthrowing Qasim earlier that year, and would be ousted again a few months hence before their definitive seizure of power several years later.

For the moment, they were a fledgling government trying to tilt away from the Soviet bloc and towards the west while navigating a minefield of domestic politics. If the coup really occurred as described, it was the fruit of an Iraqi Communist Party with daggers drawn for the regime after the Ba’athists had massacred their membership with CIA help in the course of offing Qasim. (The name is also transliterated Qassim or Kassem.) If it was bogus, it was probably an official cover story to keep massacring Shi’a Communists.

The affair, in either guise, amounted to a minor hazard in the jagged path of the Ba’ath — but of course, we come by that judgment with benefit of hindsight. Far more interesting to follow, courtesy of this site‘s library of historic cables, the perceived unfolding of the situation through the anxious American diplomatic pouch:

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1811: Miguel Hidalgo y Costilla, for Mexican independence

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On this date in 1811, Mexican independence icon Miguel Hidalgo was shot for treason at the government palace in Chihuahua.

The subversive priest had set the spark to the Mexican War of Independence in the hours before sunrise of September 16, 1810. There, he rang the parish bell in the small town of Dolores and issued his “Grito de Dolores” — “Cry of Dolores” — summoning native Amerindians and mestizos to throw off the Spanish.

The movement got added juice from the fact that the Spanish jackboot was then being worn by Napoleon, who had installed his brother as king.*

Hidalgo tributes are a mainstay of every Mexican town. This Orozco mural is in a government building in Guadalajara.

Hidalgo’s fired-up downtrodden mob slaughtered the local garrison and gathered numbers on a march towards Mexico City before the professional Spanish soldiery rallied to stop it. But the priest wouldn’t make his father-of-the-country credentials in generalship: he’d been relieved of command after repeated combat debacles by the time the insurrection’s leaders were betrayed in March.**

While his comrades Ignacio Allende, Jose Mariano Jimenez and Juan Aldama were shot on June 26, Hidalgo got an old-school detour through the ecclesiastical arm for defrocking (and a highly suspect alleged retraction).

When he was shot this day, he directed the firing squad to aim for the hand he placed over his heart.

Then, his head was cut off and stuck on a pike as a warning.

The struggle lived on, long past Hidalgo’s execution and Bonaparte’s fall, and finally resulted in Mexican independence in 1820. Today, the padre whose call to action not only started the revolt but made it a mass movement is the face on the 1,000-peso note, and his Grito de Dolores is repeated every Diez y Seis de Septiembre as an independence day tribute by Mexican authorities — as in this from 2006:

* Inspiring this blog’s banner in the process.

** There’s a map of Hidalgo and Allende’s army’s movements — and subsequent campaigns in the war — here.

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1747: Alexander Blackwell, who left them smiling

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On this date in 1747,* the Swedes beheaded Scottish-born adventurer Alexander Blackwell for meddling with their line of succession.

Blackwell, “a man of mercurial and adventurous temperament,” had his printing business busted in England for having failed to precede it with the required apprenticeship, and was thrown in jail as a debtor.

To extricate the family from poverty, Blackwell’s wife Elizabeth thereupon launched an amazing career as an herbal limner, drawing, engraving, and hand-coloring editions with hundreds of plants that became a standard reference in the field in the late 1730’s, and whose revenues managed to liberate her spouse. (Elizabeth is still remembered on a plaque at the Chelsea Old Church, in her old neighborhood.)

That mercurial ex-deadbeat might have done better to stick close by his now highly esteemed wife (or possibly his brother, a bloviating classicist), but the wanderlust sent Alex abroad to wash ashore in Stockholm as physician to King Frederick I, where he was soon convicted (on evidence uncertain, apart from the torture-extracted confession) of having intrigued to alter the royal line of succession further to enmeshing Sweden in an alliance with Britain.

He protested his innocence on the scaffold. More memorably, perhaps, he laid his head the wrong way upon the chopping block, requiring the executioner to correct him — whereupon Blackwell cracked wise that he, after all, lacked experience at the art of being beheaded.

Mental Floss mined this outstanding exemplar of gallows humor in a cartoon about memorable exits. (Via History News Network.)

* Some sources, like this Google Books biography, offer August 9 as Blackwell’s execution date. The 11-day discrepancy is due to the still-pending adoption of the Gregorian calendar: July 29 was the date on the Julian calendar still in use in the realms both of Blackwell’s birth and death; in 1752 and 1753, respectively, Britain and Sweden would adopt the Gregorian system.

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1794: Maximilien Robespierre, Saint-Just and the Jacobin leadership

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On this date in 1794, the curtain — and the blade — fell on the Terror.

Maximilien Robespierre, who had breakfasted the previous day as master of France, was guillotined this evening with his chief lieutenants and partisans.

His fall came as sudden and inevitable as his rise had been unpredictable.

Five years before, Robespierre was an unprosperous Arras attorney of fashionably liberal philosophies, and you wouldn’t have given a sou for the prospects of his being remembered five minutes after he died. Yet it would come that his inseparable lieutenant Saint-Just would remark with understatement, “The words we have spoken will never be forgotten on earth.”

The historic convocation of the Estates-General thrust him onto the political stage where he would make the dread name that follows him, starting off in the Revolution’s inception as a far-left deputy. He took a notable early stand against the death penalty, with several arguments that are quite familiar by our day:

The first obligation of a legislator is to form and preserve public morals, the source of all freedom, source of all social happiness. When in running to a particular goal he turns away from this general and essential goal he commits the most vulgar and dire of errors. The king must thus present to the people the purest model of justice and reason. If in place of this powerful, calm and moderate severity that should characterize it they place anger and vengeance; if they spill human blood that they could spare and that they have no right to spread; if they spread out before the people cruel scenes and cadavers wounded by torture, it then alters in the hearts of citizens the ideas of the just and the unjust; they plant the seed in the midst of society of ferocious prejudices that will produce others in their turn. Man is no longer for man so sacred an object: we have a less grand idea of his dignity when public authority puts his life at risk. The idea of murder inspires less fear when the law itself gives the example and the spectacle. The horror of crime is diminished when it is punished by another crime. Do not confuse the effectiveness of a penalty with the excess of severity: the one is absolutely opposed to the other. Everything seconds moderate laws; everything conspires against cruel laws.

For Robespierre, it was an abomination for the nation to deal out death within its community, but his Rousseauan elevation of the collective and abstract People made extirpating existential threats to the community itself an altogether different matter.

The future tyrant’s anti-death penalty case for executing the deposed Louis XVI, flowing directly from those principles, makes interesting reading and is excerpted at length (all emphases added) here for its topicality:

When a nation has been forced to resort to the right of insurrection it returns to a state of nature as regards its tyrant. How can the latter invoke the social compact? He has annihilated it. The nation can preserve it still, if it thinks fit, in whatever concerns the interrelations of its citizens: but the effect of tyranny and insurrection is to break it entirely as regards the tyrant; it is to throw them into mutual war; the tribunals, the judiciary procedures, are made for the members of the city. … The right to punish the tyrant and that to dethrone him are the same thing. The one does not admit of different forms from the other. The tyrant’s trial is insurrection; his judgment is the fall of his power; his penalty, whatever the liberty of the people demands.

Peoples do not judge like judiciary courts. They pass no sentences; they hurl the thunderbolt. They do not condemn kings: they thrust them back into oblivion; and this justice is not inferior to that of courts. If they arm themselves against their oppressors for their own safety, why should they be bound to adopt a mode of punishing them which would be a new danger to themselves?

…

As for me, I abhor the penalty of death so lavish in your laws, and I have neither love nor hatred for Louis. Crimes only I hate. I have asked the Assembly, which you still call Constituent, for the abolition of the death penalty, and it is not my fault if the first principles of reason seem to it moral and political heresies. But if you never bethought yourselves to invoke them in favor of so many unfortunates whose offenses are less their own than those of the government, by what fatality do you remember them only to plead the cause of the greatest of all criminals? You ask an exception to the death penalty for him alone against whom it can be legitimate! Yes, the penalty of death generally is a crime, and for that reason alone, according to the indestructible principles of nature, it can be justified only in cases when it is necessary for the safety of individuals or the social body. Public safety never demands it against ordinary offenses, because society can always guard against them by other means and make the offender powerless to harm it. But a dethroned king in the bosom of a revolution which is anything but cemented by laws, a king whose name suffices to draw the scourge of war on the agitated nation, neither prison nor exile can render his existence immaterial to the public welfare: and this cruel exception to ordinary laws which justice approves can be imputed only to the nature of his crimes.

It is with regret that I utter this fatal truth. But Louis must die, because the country must live.

“Pity is treason.”

Months later, as head of the Committee of Public Safety — the Orwellian name harkens to the body’s power to judge who lay inside the community and who, lying outside, made war upon it — he would find an inexhaustible fifth column of kindred threats to the Revolution.

But Revolutionary France really was in a war for its survival, against external and internal foes alike. The monarchist for whom crime multiplied upon crime every day after the Tennis Court Oath has the easiest time of this period, for every step brings a new monstrosity. And it is well enough to call Robespierre illiberal, to shudder at his prim and icy persona.

But if the French Revolution’s liberte, egalite, fraternite is a legacy for celebration — as it is to much of the west, and much of the world — one must grapple with the place of this man and his methods.

Merely because they are the paths not taken, one hardly seems entitled to assume that at that tumultuous moment the rule of a constitutional monarchy heir to all the monstrosity of the ancien regime, the government of the Girondins who had launched the nearly fatal war against Austria, or that of Danton‘s haute bourgeoisie would necessarily have delivered France to a better place, or even a different one.

For a Dickens, Robespierre’s Terror is simply the appalling wrong turn of a high-minded movement. For Trotsky, “the Incorruptible”* is the admirable sword of France’s bourgeois revolution who effects the needful task of annihilating the feudal nobility, who presses fearlessly forward seeing that the only alternative is the slide into Bonaparte. Between the two lie many readings of the man.

Whether an aberration, a visionary, or a necessity, he waded a sea of blood for his frightening twins Virtue and Terror.

The fall of 9 Thermidor preceded Robespierre’s execution by a full — and very eventful — day. Arrested by the Convention, he was promptly liberated by his base in the Paris Commune which came within a whisker of overthrowing the Convention at that very moment. Instead, a frantic few hours of marshaling the armed power of the Revolution’s rival claimants to leadership ensued ending in a fray which saw the Robespierrists overpowered.

Robespierre was shot through the jaw in the process of signing an appeal to arms — some say a botched suicide, but a wound from the invading national guard is more generally believed; at any rate, the bloodied document with his signature begun “R-o-” is one of the age’s most arresting historical artifacts.

Horrifically injured, he lay most of the following day exposed for public derision before he was hauled with his party to the guillotine, re-erected in the Place de la Revolution for this most memorable execution. In Carlyle’s florid (and free) narration:

Robespierre lay in an anteroom of the Convention hall, while his Prison-escort was getting ready; the mangled jaw bound up rudely with bloody linen: a spectacle to men. He lies stretched on a table, a deal box his pillow; the sheath of the pistol is still clenched convulsively in his hand. Men bully him, insult him: his eyes still indicate intelligence; he speaks no word. … -O reader, can thy hard heart hold out against that? His trousers were nankeen; the stockings had fallen down over the ankles. He spake no more word in this world.

…

Fouquier had but to identify; his Prisoners being already Out of Law.** At four in the afternoon, never before were the streets of Paris seen so crowded. From the Palais de Justice to the Place de la Revolution … it is one dense stirring mass; all windows crammed; the very roofs and ridge-tiles budding forth human Curiosity, in strange gladness. … All eyes are on Robespierre’s Tumbril, where he, his jaw bound in dirty linen, with his half-dead Brother, and half-dead Henriot, lie shattered; their “seventeen hours” of agony about to end. The Gendarmes point their swords at him, to show the people which is he. A woman springs on the Tumbril; clutching the side of it with one hand; waving the other Sibyl-like; and exclaims: “The death of thee gladdens my very heart, m’enivre de joie;” Robespierre opened his eyes; “Scelerat, go down to Hell, with the curses of all wives and mothers!” — At the foot of the scaffold, they stretched him on the ground till his turn came. Lifted aloft, his eyes again opened; caught the bloody axe. Samson wrenched the coat off him; wrenched the dirty linen from his jaw: the jaw fell powerless, there burst from him a cry; — hideous to hear and see. Samson, thou canst not be too quick!

Samson’s work done, there bursts forth shout on shout of applause. Shout, which prolongs itself not only over Paris, but over France, but over Europe, and down to this generation. Deservedly, and also undeservedly. O unhappiest Advocate of Arras, wert thou worse than other Advocates? Stricter man, according to his Formula, to his Credo and his Cant, of probities, benevolences, pleasures-of-virtue, and such like, lived not in that age. A man fitted, in some luckier settled age, to have become one of those incorruptible barren Pattern-Figures, and have had marble-tablets and funeral-sermons. His poor landlord, the Cabinet-maker in the Rue Saint-Honore, loved him; his Brother died for him. May God be merciful to him, and to us!

Part of the Themed Set: Thermidor.

* Even his enemies agreed — sometimes adding it to the bill of particulars against him — that Robespierre lived a life of personal moderation; he lived as a boarder with a working-class family, and disdained to avail the politician’s typical harvest of political graft.

** The Convention had decreed Robespierre’s outlawry when he escaped custody; his immediate execution was, of course, akin to the logic he had once turned against the king.

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1794: The last cart of the Terror, not including the Marquis de Sade

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July 27th, 1794 — the 9th of Thermidor, year II — is inscribed in history as the day Robespierre fell, when a parliamentary coup d’etat between the right and the remnants of the parties he had destroyed shouted him down as he readied the National Convention for his next purge.

This scene from the multinational bicentennial epic La Revolution Francaise conflates the events of 8 Thermidor — when Robespierre delivered a menacing two-hour address but provoked outcries by failing to name the deputies he implicated in “conspiracy” — and 9 Thermidor, when Robespierre’s lieutenant Saint-Just was shouted down from the podium and Robespierre ended up staggering through the benches appealing against the imprecations of his colleagues as his arrest is decreed.

Even as the month of Thermidor’s eponymous epochal event was unfolding, the daily gears of Revolutionary justice were turning: the usual haul of unfortunates condemned, including seven women from the previous day’s batch of Saint Lazare prison conspirators who had pled their bellies to buy a day.

That day was one day too little.

Stanley Loomis is overtly hostile to the Revolution, but his middlebrow sensibilities are well-tuned for the pathos of the scene:

Indifferent to the storms that were raging in the Convention, the Revolutionary Tribunal continued to go about its implacable business with cold efficiency. The arrest of its President [the Robespierrist Rene-Francois Dumas (the link is French), who was taken in the courtroom] startled no one. Since its inception that court had been witness to too many dramas to be astonished any further. Dumas quietly departed; the trials continued. Forty-two prisoners were sentenced to death. By four o’clock their hair had been cut and they were ready to be sent on their way. But Samson, aware of disturbances in the St. Antoine quarter of the city, suggested to [prosecutor] Fouquier[-Tinville] that the executions be deferred until the morrow.*

“Justice must take its course,” snapped the Public Prosecutor. “Do your work.”

And so the last “batch” lumbered off in the direction of the Faubourg St. Antoine and the Place de la Nation. With the exception of the Princesse de Monaco, they were nearly all obscure and humble members of the petite bourgeoisie. Hanriot, waving his sabre, conducted the procession to the place of execution. By seven o’clock that evening, as the minutes of the military escort poignantly show, the unfortunate victims, who had been so close to deliverance, had all been executed.

Henriot proceeded directly from his escort service to the Convention to liberate Robespierre for the night’s brief pitched battle against the Convention, and here we take our leave of them, for now. We shall meet both of them on the scaffold tomorrow.

Not on the wagon** with the Princess of Monaco was a man whom Loomis would have pitied rather less.

The bloated, penniless 54-year-old fruit of an ancient noble house, Donatien Alphonse François de Sade, Marquis de Sade had, in the most recent chapter of his astounding career, navigated the Revolution in the improbable guise of a proletarian section head and revolutionary tribunal judge, until his own arrest late the previous year.

This day, de Sade’s name was on a list of prisoners to be seized from Madelonnettes Prison — “Sade, former count, captain of Capet’s guards in 1792, has corresponded with enemies of the republic,” it said — which he had occupied until a recent transfer to Picpus, a monastery converted into a prison adjacent to the guillotine’s place at the Place de la Nation. Whether the result of another of the many bureaucratic snafus we’ve witnessed this week or a well-placed bribe from his friend and/or mistress Marie-Constance Quesnet, the guards were in the wrong place, didn’t find him, and didn’t care to dig any further.

Three months later, he was — for the last time in his life — a free man.

One could hardly say that the Revolution made the author of Justine the man he so (in)famously was — but having lived within sight of the blade that might any day be called upon to chop off his own head, and the entire tableau of the years preceding, left their impression. Hundreds of bodies from the Terror were stuffed in the unpropitious clay of the makeshift jail’s yards under de Sade’s cell. “Those few months in the shadow of the guillotine did me more harm than all the years of my incarceration under the King,” he wrote a friend.

According to Writing the Orgy: Power and Parody in Sade, Revolutionary France would inexorably influence his subsequent work,

strangely mixing real memories with very Sadean embellishments … Plots, betrayals, denunciations, beheadings: these fictional motifs and Sadean phantasies are linked with the reality and the imaginary of the Revolution.

Good for what ails you.

* Sanson’s diaries — a memoir of the family business constructed by the famous executioner’s grandson — leave off before the events of Thermidor and suggest that the hecatombs of the Terror were taking their toll on the aging headsman. Other accounts of this day have the tumbrils stopped in the streets by clemency-inclined onlookers, only to be forcibly extricated by Henriot.

** Also not (really) on the cart: the fictional occultist Zanoni, who is beheaded in this batch in the novel of the same title by legendary awful writer Edward George “it was a dark and stormy night” Bulwer-Lytton.

Part of the Themed Set: Thermidor.

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1794: Loizerolles and others for the Conspiracy of the Prisons

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On this date in 1794, the Jacobin government struck what would prove to be its last blow against the “Conspiracy of the Prisons.”

The “conspiracy” was really a cover story for Robespierre‘s boys to wield their purifying torch against prisons and (of course) tighten the grip of authority by wild reference to treasonable plots abroad.

Supposedly, the prisons had birthed a scheme to effect a mass escape further to some sort of counterrevolutionary insurrection, or assassination of Robespierre. Marvelously, these conspiracies simultaneously spanned most all of Paris’ prisons, and their “authors” formed a dominant demographic among the Terror’s last tumbrils as the authorities purged each prison in turn.

While we have tarried to profile select victims individually this week, we have in fact repeatedly met so-called prison conspirators.

Luxembourg Prison — whose warders had concocted the earlier “conspiracy” involving Camille Desmoulins’ wife — had been purged repeatedly earlier in the month; its last spasm swept up the Noailles women.

An efficient detour to the Carmelite Monastery converted by revolutionary Paris into another gaol netted Alexandre de Beauharnais.

And the first batch of St. Lazare Prison felled Andre Chenier, where, as elsewhere, dozens were punished for some impressively villainous designs.

Being convicted of having declared themselves the enemies of the republic, by keeping up communications with the enemies of the state; by furnishing them with assistance; by participating in the plots, conspiracies, and assassinations of the tyrant and his wife, against the people; by conspiring in the maison d’arret (lock-up house), called Lazare, to escape, and to dissolve, by the assassination and murder of the representatives of the people, and more especially of the members of the committees of public safety and general security, the republican government, and to re-establish royality; — in fine, by wishing to destroy the unity and indivisibility of the republic.

(The march of the penal inquisitors through the plots is covered in a French Wikipedia page.)

Charles-Louis Muller’s 19th century painting of the Saint Lazare Prison “conspirators” being summoned to their doom. Seated in the center is Andre Chenier.

Each of these famous figures is a noticeable face among dozens of hapless wretches, largely drawn from the Third Estate and often laughably implausible escape artists and assassins — such as, among this day’s victims, an 80-year-old priest. The most poignant fate among the many forgotten threads threads of life clipped short is undoubtedly one Jean Simon Loizerolles, who was imprisoned with his son.

On the 7th Thermidor, about four o’clock, p.m., the bailiff of the tribunal presented himself at the prison with the mortuary list, or, in other words, the death-warrant.

Loizerolles was called for: it was Loizerolles, junior, whom death surrounded. Loizerolles, the father, did not hesitate to present himself; and, comparing his sixty-one years to the twenty-two years of his son, he determined to give him life a second time: the father went down, and was conducted to the Conciergerie.

He there received the bill of accusation, drawn up by order of the Committee of Public Safety, and headed Prison Conspiracy.

This bill bore the name of Loizerolles, junior.

The next day the father appeared for examination, with his twenty-five companions of misfortune.

The bill of accusation, which was joined to the depositions, stated that it was Francois Simon Loizerolles, junior, aged twenty-two.

The declaration of the sentence, prepared in anticipation upon the bill, bore the same designations. The recorder contented himself with effacing the name of Francois, and putting above it Jean.

Finally, the questions submitted, for the sake of form, to the jury, and drawn up in anticipation upon the same bill of accusation, contained the names and the designation mentioned in the accusation. But, at the time of the trial, when the charge was made to the jury, Coffinhal took care to efface the name of Francois, to substitute that of Jean, and to erase te word son, which was replaced by the word father. He rudely altered the two figures from twenty-two to sixty-one, and added the former profession of the father, which the accusation did not state.

And Jean Simon Loizerolles, against whom there was no accusation, was put to death on the 8th Thermidor.

Loizerolles is renowned for nothing in life save the touching valor of his death, but his name was a watchword for paternal devotion in France in the 19th century; Jadin wrote a short opera to his honor, and Victor Hugo references Loizerolles (bizarrely side by side with Robespierre’s younger brother) in Les Miserables as the sort of paragon of loyalty disdained by a gauche skeptic. But the gambit worked: Loizerolles junior survived the last days of the Terror, and was later pensioned by Charles X.

For every triumph, there were countless tragedies. The prisoners had wind of the enterprise to decimate their number days before; an anonymous account printed here (also the source of the Loizerolles story) describes a ramping-up of abuses great and petty in an effort to provoke a rising that would license a bloodbath, and the fear and desperation of the prisoners as death circled them.

Our melancholy and dejected hearts prepared themselves for death. The prison appeared surrounded by a funeral veil, and the death-like silence which pervaded it produced a dreadful feeling of misery in its inmates. Games and amusements were banished from the grounds, and our cadaverous countenances afforded an index of our afflicted souls; the refectory, which was wont to inspire a sentiment of cheerfulness, became a meeting of moving spectres, who quitted each other without exchanging a word.

…

The prisoners at St. Lazare could no longer indulge in illusions on the fate that awaited them … old age and infancy had ceased to be respected; all were alike condemned as guilty of the project of escape; and the man who was the most harmless and the most devoted to his country was no longer exempt from accusation.

But there was a small favor: a third repetition of the scene was postponed two days, which turned out to be all the difference between life and death.

[T]he Robespierrists, delighted in perpetuating our terrors, announced that the tragic scene would be renewed on the 10th.

The two days which we passed in anticipation of our destiny were two days of unmitigated agony: a general mourning reigned through our asylum; our eyes, in fancy, beheld on all sides the palpitating and struggling bodies of the victims of Robespierre, and of the villainy of his agents; tranquility quite abandoned us; death was hovering over our heads; and the prison appeared, to our diseased fancies, like a sea of blood, on which we had suffered shipwreck …

In this deplorable situation we saw no end to our sorrows but in death; and, however terrifying the grim visitant may naturally be, yet we deemed his arrival too long delayed, and invoked his coming, while we regretted that we had not been of the number of the first victims. When, about ten o’clock, p.m., of the 9th Thermidor, it was reported in the prison, that Robespierre was formally accused, the news, which had been brought by three new prisoners from without, inspired distrust, and savoured too much of the miraculous to be easily believed.

…

The following morning … the information was confirmed … in such a positive and circumstantial manner that we could no longer entertain a doubt of its truth.

It may easily be conceived how sudden was the change which was effected in the prison of St. Lazare: the prisoners began, for the irst time, since the 5th, to breathe more freely; their hearts, which had been so long cast down, received a fresh inspiration; their countenances cleared up; the full use of their suspended faculties was restored; and the images of death, which had affrighted them, were dissipated; and if they could have forgotten the assassination of their companions, they might have entirely lost the recollection of their misfortunes.

The death of Robespierre, and the close of his dark crimes, were the subject of an epigram, which an individual wrote upon the wall; it describes the monster too accurately, not to find a place here:

Il s’abreuva du sang d’un million de victimes, —
Il parla de vertus, et commit tous les crimes.

A thousand victims slaked his thirst for blood,–
He spoke of virtues while he swam in crimes.

Part of the Themed Set: Thermidor.

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1794: Andre Chenier, poet

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On this date in 1794, proto-Romantic poet Andre Chenier went to the guillotine the unfortunate victim of his father’s love.

In the operatic version of this Istanbul-born poet‘s life story, Chenier is accused by a rival in love, convicted, and guillotined the next day together with his beloved Maddalena, who effects a Sydney Carton-like swap into the lot of the condemned in order to share his fate.

Chenier’s real end was both more mundane, and far more tragic.

A revolutionary of the constitutional monarchist variety and an open opponent of the Jacobins bold enough to compose an ode to Marat’s murderess, Chenier had spent a year staying out of sight when the police picked him up almost accidentally.

Prisoners suffocating in the Paris jails were suspended horribly between life and death, but the anonymity of this living tomb offered — as with Tom Paine — a measure of occasional safety.

When Chenier’s father blunderingly appealing to the authorities for his son, he accidentally stripped away that anonymity. Chenier had been under lock and key for three-plus months — writing, the whole time, in minuscule letters on scraps of paper he arranged to have smuggled out to his father — but once reminded of the writer’s existence, the authorities promptly had it snuffed out. (A friend and fellow poet, Jean-Antoine Roucher, shared his tumbril.)

Chenier’s prison verses are among the most affecting of his 32 years — like the acidic Iambes blistering his persecutors, and the heartbreaking “La Jeune Captive”, in which he gives voice to the young fellow-prisoner who has smitten him, excerpted here:

Mon beau voyage encore est si loin de sa fin!
Je pars, et des ormeaux qui bordent le chemin
J’ai passé les premiers à peine.
Au banquet de la vie à peine commencé,
Un instant seulement mes lèvres ont pressé
La coupe en mes mains encor pleine.

Je ne suis qu’au printemps, je veux voir la moisson;
Et comme le soleil, de saison en saison,
Je veux achever mon année.
Brillante sur ma tige et l’honneur du jardin,
Je n’ai vu luire encor que les feux du matin:
Je veux achever ma journée.

Chenier was not broadly published or extremely well-known in his own lifetime; many critics think he was pinched out while still maturing. The poet himself told a friend in parting, “I leave nothing for posterity; and yet, (touching his forehead) I had something there.” In the backstory to one of the tales in Balzac’s La Comedie Humaine, a grocer who annoys one of Robespierre‘s associates is also among this day’s batch and arouses more notice than the man of letters:

Though Descoings died, he had the honour, at any rate, of going to the scaffold with Andre de Chenier. There, no doubt, grocery and poetry embraced for the first time in the flesh; for they have always had, and will always have, their private relations. Descoings’ execution made a far greater sensation than Andre de Chenier’s. Thirty years elapsed before it was recognised that France had lost more by Chenier’s death than by that of Descoings.

Robespierre’s sentence had this good result — until 1830 grocers were still afraid of meddling in politics.

The salutary effect upon grocers has long faded, but Chenier’s reputation has steadily ripened like wine since his demise. And the title part of the late-19th century opera Andrea Chenier — however scant its resemblance to the man who inspired it — is one of the most gorgeous tenor roles in opera.

Part of the Themed Set: Thermidor.

On this day..