1649: Charles I

On this date in 1649, the struggle between parliament and crown cost the Stuart monarch Charles I his head.

Charles‘ political clumsiness and unreconstructed authoritarianism had seen the realm whose unitary sovereignty he insisted upon blunder from disaster to disaster: into bankruptcy, military defeat, religious conflict and the English Civil War.

The assignation of cause and consequence in that war’s genesis has much exercised historians.

What is beyond dispute is that the confrontation between monarch and subject, pitting against each other political and economic epochs, theories of state and power, rates as one of history’s most captivating courtroom dramas.

Charles refused to answer the court’s charge of treason, occasioned most particularly by the king’s fomenting the Second Civil War while already a defeated prisoner of parliament following the first Civil War. He rested firmly on royal prerogatives against what some interlocutors take to be an almost desperate plea by his judges for some hint of acknowledgment that could open the door to compromise:

[A] King cannot be tried by any superior jurisdiction on earth. But it is not my case alone — it is the freedom and the liberty of the people of England. And do you pretend what you will, I stand more for their liberties — for if the power without law may make laws, may alter the fundamental laws of the kingdom, I do not know what subject he is in England that can be sure of his life or anything that he calls his own. Therefore, when that I came here I did expect particular reasons to know by what law, what authority, you did proceed against me here.

It must be borne in mind that the trial of a king was a completely unprecedented event. Charles might be forgiven his attitude, even if it smacked of the impolitic high-handedness that had forced this deadly test of powers.

Parliament’s position — here in the words of its President — is distinctly in the stream of political discourse (if not always actual practice) ascendant in the West to this day.

Sir, as the law is your superior, so truly, sir, there is something that is superior to the law and that is indeed the parent or author of the law — and that is the people of England.

…

And therefore, sir, for this breach of trust when you are called to account, you are called to account by your superiors — “when a king is summoned to judgment by the people, the lesser is summoned by the greater.”

The modern and the medieval, facing each other at the bar.


A fragment from a World War II bomb-damaged and only-recently-rediscovered Hippolyte Delaroche painting situating Charles in the Christlike pose of enduring the mockery of his captors.

Charles played his lordly disdain to the end, refusing to admit parliament’s jurisdiction by making any sort of plea.

The line between heroic defiance and pig-headed obstinacy being very much in the eye of the beholder, the confrontation is typically played straight-up for its arresting clash of principles — as in the 1970 biopic Cromwell, with Alec Guinness as the monarch:Probably more troubling for the parliamentary party than the regicide taboo was consideration that the execution would transfer royalist loyalties from a man safely imprisoned to an heir beyond their power, who could be expected to (as in fact he did) resume the civil war.

Competing philosophies expounded for the competing interests; the dispute involved the era’s intellectual titans, in conflict over the most fundamental concepts of the state. Thomas Hobbes wrote his magnum opus The Leviathan as a royalist exile in Paris, and its abhorrence for rebellion and divided sovereignty unmistakably reflects the English Civil War experience. John Milton earned his bread as a republican polemicist; his poetic celebration of Satan’s failed rebellion in Paradise Lost, written after the Stuart restoration, can be read as a political critique.

Separated at the block? Charles I and Hobbes’ Leviathan

It’s conventionally thought that the beheading was conducted by a radical minority, though that supposition is debatable, colored as it is by the ultimate restoration of the crown. But although England would have a king again, the weight of political authority would steadily, permanently, gravitate towards parliament, organ of the merchant classes who would steer England henceforward.

Did it have the right? Two implacable powers each claimed an indivisible object; “between equal rights, force decides.” So on this cold winter’s afternoon — Charles wore thick undergarments, so he would not shiver with the appearance of fright — the deposed king was marched to a scaffold erected at Whitehall. He gave a short final address, with the famous words for his principle of martyrdom — “a sovereign and a subject are clean different things” — then laid his head on a low block, where a masked executioner (never definitively identified) cleanly chopped it off.

After the monarchy’s restoration, Charles was canonized as a saint by the Church of England: he’s still the last person so venerated, an odd salute to a mortal career of unalloyed arrogance and incompetence. Observance of the cult was toned down in the 19th century, although a Society of King Charles the Martyr dedicated to its preservation still exists; monarchists of a more secular inclination also continue to mark his martyrdom on this anniversary.

Less reverent by far was Monty Python’s homage:

“The most interesting thing about King Charles the First is that he was five foot six inches tall at the start of his reign, but only four foot eight inches tall at the end of it.”

Part of the Themed Set: The English Reformation.

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1793: Louis XVI

On this date in 1793, citizen Louis Capet — King Louis XVI, before the French Revolution — heard a morning mass, then took a closed carriage with his confessor two hours through the city to the Place de la Révolution, where the guillotine struck off his head.

Among the august company of executed monarchs, none command more historical portent in the West than Louis XVI. He overawes the confines of a blog post, less due to any merit of his own — for its conspicuous want during his kingship had seen him to this day’s straits — than for his baggage of symbolism.


Louis XVI’s head displayed to the crowd. In the right background stands a pedestal that, until the Revolution, upheld an equestrian statue of the beheaded man’s father grandfather, Louis XV.

The French Revolution rates, arguably, as little less than the forge of modernity: this day’s stroke, the Revolution’s signature event, could be said with melodrama but not injustice to have separated the era we still inhabit from that of the ancien regime as surely as it separated a head from its shoulders.

How did it come to happen? Let us turn our focus a few days back, when the question of the king’s fate was put to the newly formed National Convention.

Among the least of the Bourbon legacies is a legend holding it was by a single vote the king was condemned, an object lesson in the reputed power of the ballot.

It would be a great story … if it were true.

But it’s false on two different and equally important planes: first, the plain allegation that Louis really died by a one-vote difference; and second, the upshot that the individual votes were therefore historically decisive.

To begin with the mathematics: 721 delegates cast votes on the former king’s fate, making 361 the simple majority. It happened that exactly 361 voted for the death penalty without reservation, and this is the source of the claim that a one-vote margin decided the matter.

But there were other votes than aye or nay: every member voted one by one, many with short speeches into the bargain — a roll call lasting nearly a full 24 hours. Twenty-six more had voted for death but suggested a further appeal to the people. That curlicue, which had already been rejected, did not alter their ballot, so the vote is more properly reported 387-334, and often is. (Still others voted for death subject to various conditions; Adolphe Thiers gives a full ledger of the votes.)

More important than the tally was the overall context. There is something touching about the idea that a king was killed by some orderly parliamentary channel as readily as a school bond might be.

In fact, the freshly-constituted National Convention, spinning ad hoc rules for the treatment of its royal prisoner all along, was an arena for savage power struggles likewise contested at arms throughout the country. Louis’ death was the blow struck by the Convention’s radical Mountain — Robespierre* and Marat‘s base — against the divided opposition of the Gironde.

And the Mountain had the upper hand. It forced a public vote, and mobilized its mobs and militias in Paris. Just four months removed from an orgy of slaughter in the Paris prisons, these cutthroats prowled the byways outside and inside the Convention, noticeably armed, marking the delegates who resisted their will.

Louis Madelin:

One of the regicides, La Revelliere, says, “I must acknowledge that it involved more courage, at that particular moment, to absolve than to condemn.” The Clubs, the Sections, the Commune, were all in full cry. Barere had decided that the members’ names were to be called out as they voted at the rostrum, thus the spectators in the galleries would be able to mark the “pure and the impure.” Buzot, Gensonne, and Kersaint all made complaints to the Chamber of the manoeuvres practised by the Commune. The “assassins of September” were swarming in the Tuileries. A delegate from the department of the Loire-Inferieure, Sotin, writes on the 8th [of January] that the Assembly is “about to vote at the dagger’s point.”

As occurs in history more often than one might care to admit, the dagger’s point struck its target: the situation compelled a vote for death even from some delegates who had vowed they would stand with the king, and the taint of regicide irrevocably committed many to a path more radical than they might have chosen in the course of ordinary logrolling — or too defenselessness in the path of the Convention’s subsequent purges. As one wrote in a personal letter, “The roads are broken up behind us: we must go forward now whether we will or not, and at this moment we may truly choose to live in freedom or die!”

Regardless, it was not the balance of ballots but the balance of force in Paris as 1793 began that sealed the king’s demise: if not under the blade, it might have come about at pikestaffs. The votes cast by candlelight and the monumental blow of the guillotine this day merely ratified that underlying reality.

* Robespierre made a striking case for executing Louis rooted in his — Robespierre’s — opposition to the death penalty.

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Feast Day of St. Sebastian

(Thanks to Jeffrey Fisher [jeffreyfisher at me.com] for the guest post.)

Sebastian In Art






Martyrdom — dying for the sake of one’s religious beliefs — has been one of the defining aspects of Christian self-understanding since at least about 100 CE, when the Book of Revelation was composed. Only a few systematic persecutions of Christians can be even minimally documented, but the idea that Christians suffer and even die for their faith — at the hands of the Jewish establishment, or the Roman authorities, or, today, secular humanists — is absolutely central to Christian identity for many Christians.

One of these ancient periods of persecution for which there is some historical evidence is in the late third and early fourth centuries, around the time of the Emperor Diocletian. On this day in 287, according to tradition, Diocletian martyred Saint Sebastian, at the time an officer in the Praetorian Guard.

The story goes that Sebastian’s Christianity was unknown to the Emperor until Sebastian balked at his job of executing Christians who refused to offer a libation to the emperor (a god, according to the emperor cult of the time). Indeed, Sebastian went so far as to encourage two Christians martyrs in their faith, and to convert several others. Upon hearing of all this, Diocletian ordered Sebastian tied to a tree and shot to death with a firing squad of the ancient sort: bows and arrows.

This, then, is how Sebastian is best known and most commonly represented: as a beautiful youth tied to a tree or a pillar and pierced with arrows.

Like the martyr Saint Catherine, however, whose iconic imagery is also a form of execution* survived by the saint, Sebastian was riddled with arrows and left for dead but did not die. He was rescued by St. Irene, who nursed him back to health. He lived until he heckled the Emperor sometime later, at which point Diocletian had him beaten and, making certain he was dead, threw him into a privy.

The truth is that we know next to nothing of the historical Sebastian. The Catholic Encyclopedia has a very short article that says mainly that. But this has not diminished his importance or cultural prominence, and he has quite the account in the Golden Legend.

Sebastian walks in a solid tradition of military martyrs, including St. George and St. Martin of Tours, and is like George a patron saint of soldiers. Interestingly, while George was also martyred, George is typically represented in strength, slaying a dragon, while Sebastian is represented (again, like Catherine) at an ostensibly powerless moment that is simultaneously his nadir as a human and his pinnacle as a saint.

The image has fascinated artists (and writers) for millennia, including most especially Renaissance Italian artists and early modern artists from all over Europe. Botticelli painted Sebastian twice, but perhaps the single most famous painting is that of Andrea Mantegna, who painted the saint three times. The fame of these paintings may be due in part to the way in which they typify the conception of the saint and his representation as a complex icon of fantastic vulnerability and strength, suffering and fortitude, and with striking homoerotic potential (perhaps having to do with the complex relationship between pain and pleasure), which is more fully realized in, for example, Botticelli’s earlier work or in Guido Reni’s painting.

More recently, St. Sebastian has a cameo in the video for REM’s “Losing My Religion,” which seems to be very much about the hazards of being young and gay in a heteronormative culture.

There is no more or less reason to think that Sebastian himself was gay than to think that he was in the Praetorian Guard, from Gallia Narbonensis, or even, really, that he was martyred. But he has been an important icon in what we might call gay culture since at least the Italian Renaissance, and it’s not clear that it matters whether he was gay any more than it matters whether or not he even existed.

* The breaking wheel, which is said to have shattered at her touch.

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1985: Mahmoud Mohamed Taha, progressive Islamic theologian

On this date in 1985 progressive Islamic theologian Mahmoud Mohamed Taha was publicly hanged at a prison in Khartoum North, Sudan.

Seventy-five years old at his death, Taha spent his youth in the nationalist movement against British control of Sudan where he emerged as the standard-bearer of the liberal/secular Republican Party.

After Sudan won independence in 1956, both Taha and his party maintained — in the face of official hostility that waxed and waned with the changing regimes — nonviolent support for political openness, national unity between Muslims and non-Muslims, and a theology pointing to reform within Islam. Specifically, Taha embraced a women’s movement and opposed the imposition of sharia, at least in the absence of a radical modernization of the Islamic religious law.

The introduction of sharia in 1983 brought matters to a head, and not only with Taha: civil war broke out — the conflict between the Muslim north and the Christian and animist south only recently and imperfectly abated.

Taha and four other Republicans were tried for their intransigence in a two-hour trial under a seemingly muddled mixture of secular and religious law.

Among the hundreds of attendees of Taha’s hanging this day were his four “co-conspirators.” They were themselves under sentence of death to be carried out January 20th, unless they should recant. All four recanted. Hundreds of other Republicans were held around the country on lesser charges until they did likewise.

The next year, with a new government in place, the Sudanese Supreme Court declared the proceedings against the Republicans to have been in error.

Little of Taha’s work has been translated, but his Second Message of Islam is available in English and presents a conception of the faith so unfamiliar in the west that one reviewer mitigates his praise with the regret that “it is nonsensical to talk of reforming Islam, a religion which is doctrinally irreformable.”

Taha’s thought also has a scholarly evaluation in Quest for Divinity: A Critical Examination of the Thought of Mahmud Muhammad Taha. More information by and about Taha and the Republicans is here.

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1977: Gary Gilmore

On this date in 1977, Gary Gilmore uttered the last words “Let’s do it” and was shot by a five-person firing squad in Utah as the curtain raised on a “modern” death penalty era in the United States.

Famous for volunteering for death — he had nothing but disdain for his outside advocates and angrily prevented his own lawyers pursuing last-minute appeals — Gilmore rocketed through the justice system at a pace now unthinkable.

Mere days after courts blessed the resumption of executions in 1976, the career criminal — just paroled from a decade mostly behind bars in Oregon — murdered two people in the Provo, Utah, area. He was convicted in a three-day trial in October 1976 … and dead little more than three months later.

Owing to his milestone status and the unfamiliar public persona he cut insisting on his own death, Gilmore left a trail of cultural artifacts far surpassing his personal stature as small-time crook.

He was lampooned in an early episode of Saturday Night Live. His public desire to donate his eyes (the wish was granted) inspired a top-20 punk hit:

Norman Mailer wrote a book about Gilmore (The Executioner’s Song) and adapted it into an award-winning television movie. Gary’s brother Mikal published his own memoir (Shot in the Heart), later made into an HBO movie.

In a weirder vein, Gilmore is the touchstone for the surrealistic film Cremaster 2, in which magician Harry Houdini — who might have been Gilmore’s grandfather — is portrayed by Norman Mailer.

Gary Gilmore’s was the first execution of any kind in the United States since June 2, 1967. According to the Espy file, it was also the first firing squad execution since James Rodgers was shot in Utah March 30, 1960; only one of the other 1,098 men and women put to death since Gilmore — John Taylor in 1996, also in Utah — faced a firing squad. (Update: After this post was published, another Utah condemned man also opted for a firing squad execution: Ronnie Lee Gardner, shot in 2010.)

Both Gilmore and Taylor chose to be shot in preference to hanging. The firing squad is all but extinct in the U.S., though it still remains on the books in some form in Idaho, Oklahoma and (for prisoners convicted before 2004) Utah.

Part of the Themed Set: The Spectacle of Private Execution in America.

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1936: Albert Fish

On this date in 1936, serial killer Albert Fish was electrocuted in New York’s Sing Sing Prison for a cannibalistic murder.

The deeply troubled Fish — “deranged, but sane”, the doctors thought him — was condemned for murdering and eating a 10-year-old girl.

He was free and clear of the crime until, seven years later, he sent the child’s parents a grotesque taunting letter* that ultimately led police back to its author.

From posting that note to riding the lightning was a bare 14 months, but Fish found time to confess to additional murders (and deny others — the doubtful relationship of any Fish statement to reality makes it difficult to pin down his criminal career exactly).

The newspapers called him “The Werewolf of Wysteria” and “The Brooklyn Vampire”; if as a serial killer he was far from the most prolific, the thoroughgoing strangeness of his mind has made him, at least to some, enduringly fascinating** — as this documentary trailer suggests:

A 2007 feature film, The Grey Man, is also based on Fish’s exploits.

* The mother was illiterate, and her son had to read aloud to her Fish’s descriptions of cannibalism.

** Others find him less than interesting

Part of the Themed Set: The Spectacle of Private Execution in America.

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1943: Sue Logue, George Logue and Clarence Bagwell

On this date in 1943, as the New York Times laconically led the story, “[t]wo men and a woman died in the electric chair … bringing to eight the number of deaths in ‘The Logue Case,’ which started over a dead calf.”

This culmination to an operatic South Carolina feud has a book all its own, and that scarcely seems equal to the events.

The dead calf in question* belonged to the Logue family, and (your headsman wouldn’t make this up) had been kicked to death by a mule of the neighboring Timmermans. Perhaps mistaking themselves for a cartoon parody, the two leading families of rural Edgefield County, S.C., used the incident to escalate a long-simmering feud.

Killing higher up the food chain soon followed.

The Timmerman patriarch wasted the Logue patriarch — Sue Logue’s husband and George Logue’s brother — but claimed self-defense and was acquitted. (Body Count: 1)

So Sue and George hired (via nephew Joe Frank Logue) a down-on-his-luck plasterer to even the score. Clarence Bagwell said he’d kill everyone in the county for $500, but he earned his fee just by gunning down old man Timmerman. (Body Count: 2)

The investigation brought the law to the Logue doorstep, and the requisite gun battle ensued. A sharecropper on the farm was killed. So was the sheriff — he was Sue Logue’s cousin — and the sheriff’s deputy. (Body Count: 5)

“[T]he only circuit court judge in South Carolina history to have made love to a condemned murderess as she was being transferred … to Death Row.” (Source)

The officers’ death necessitated the appearance of the man who now became the senior law enforcement official in the county: Strom Thurmond, still a local judge and a few years away from his vault into national prominence as a segregationist presidential candidate and 46-year South Carolina Senator.

Thurmond waded through the posse and talked the trio into surrendering. His warning that they were liable to be lynched must have been compelling in any circumstance, but the old goat was a uniquely qualified ambassador: he’d been having an affair with Sue Logue.

Small wonder the trial venue was moved. “[N]o section of the county could be found that did not include a relative of theirs.” (Source)

And small good it did the Logues, who died with their hireling in the early morning hours this day. (Body Count: 8)

For such an outlandish case, it earned only muted national coverage — a pittance reckoned against the feeding frenzy latterly occasioned by such relatively meager gruel as Scott Peterson. World War II stole its thunder, although local interest was intense.

Yet it lives on for the involvement of Thurmond in a second guise that rates as quite possibly the juiciest slice of death row gossip in American history. According to Ol’ Strom: An Unauthorized Biography of Strom Thurmond:

Randall Johnson, a black man who supervised “colored help” at the State House and often served as driver and messenger, drove Sue from the women’s penitentiary to the death house at the main penitentiary in Columbia.** In the back seat with her, he said many years later, was Thurmond, then an Army officer on active duty. They were “a-huggin’ and a-kissin’ the whole day,” said Johnson, whom Thurmond later as governor considered a trusted driver… In whispered “graveyard talk” — the kind of stories not to be told outsiders — the word around SLED (State Law Enforcement Division) was that Joe Frank said his aunt Sue was the only person seduced on the way to the electric chair.

* A “prize calf,” to be fair.

** On Christmas Day, according to Dorn.

Part of the Themed Set: The Spectacle of Private Execution in America.

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2005: Nguyen Van Van

On this date in 2005, Nguyen Van Van, the onetime coach of Vietnam’s national taekwondo team, was shot for murder in Ho Chi Minh City.

The wire story does not appear to be available in a current archive but was secondhandedly cited here and here. Here’s how it ran:

Martial arts master executed

From correspondents in Hanoi
January 14, 2005

A FORMER coach of the Vietnamese national tae kwon do team was executed by firing squad in Vietnam for murder, a court official said today. Nguyen Van Van was put to death today at Long Binh execution ground in the southern Ho Chi Minh City, an official from the city People’s Court said.

A municipal appeal court handed down in June 2004 the death sentence to Van, who was only sentenced to life imprisonment at his first trial in March of the same year, for murdering a man in an ambush on December 19, 1996.

The incident took place at a cafe after one of Van’s sons got involved in a brawl with a customer. Accompanied by family members, Van stormed into the cafe where he injured the cafe owner and stabbed to death his brother-in-law, Le Hong Quan.

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1871: Kawakami Gensai

On this date in 1871, the shadowy but legendary swordsman Kawakami Gensai was beheaded on a pretext — his use to the Meiji government at an end.

The Hitokiri — “mankiller” — Gensai came to manhood during the confusing death throes of the shogunate leading into the Meiji Restoration.

That Japan’s feudal stagnation would give way to the Meiji era’s centralization and modernization may well be accounted an inevitability of history. The particular form of its birth superimposed upon the epochal conflict a bitter internal division over openness to foreigners vis-a-vis the centuries-old isolation.

The Tokugawa Shogunate had been forced to accept trading pacts dictated by better-armed western nations, and the resulting cultural and economic shockwaves carried many to the camp of a long-slumbering imperial house ready to assert its authority. Power in Japan was a prize worth killing for.

Gensai did so. Physically small and even effeminate, he was justly among the most feared warriors of his day. He became an elite imperial assassin renowned for the speed of his blade; he was famous for murdering pro-western shogunate politician Sakuma Shozan in broad daylight in 1864 — only one of scores of Tokugawa retainers assassinated during the period, although the only one that can be definitively attributed to Gensai.

It was not for any of this that Gensai was put to death, for his side won the war.

But the legendary killer was really in it for the immigration policy — “Revere the Emperor, Expel the Barbarians” — and the Meiji government sensibly dropped the second plank of that platform as soon as it was in the saddle. That volte-face didn’t push Gensai into anything so drastic as revolt, but with modern police forces elbowing aside old-school samurai and outward-facing engagement still the political order of the day, the true believer had become a liability.

The character Himura Kenshin from the Japanese manga and anime series Samurai X is loosely based on Gensai. He’s the one helpfully marked with an “X” on his cheek:

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1951: Albert Guay

On this date in 1951, Albert Guay was hanged in Canada for one of the earliest commercial airline attacks — bombing a Canadian Pacific Airline flight to murder his wife.

Stuck in a loveless marriage with little recourse to divorce, Guay‘s loins burned for a young mistress.

He engaged a watchmaker colleague, Généreux Ruest, to make a bomb, and the latter’s sister, Marguerite Ruest-Pitre, to air freight it on the doomed plane. Both would maintain their innocence of the plot, but after Guay’s own conviction, he implicated both — possibly in an attempt to delay his own hanging.

A time bomb in the luggage hold of this airplane took 23 lives on September 9, 1949, for which three people were executed — and inspired a copycat crime with 44 more deaths and one more execution.

Guay had intended the plane to explode over the St. Lawrence River, eliminating the forensic evidence, but a slight delay before takeoff laid the damning debris over the land. The flight’s entire complement of four crew and nineteen passengers — including three top executives of the Kennecott Utah Copper Corporation — perished.

The crime had ample media attention both north and south of the Canada-U.S. border — flight still being something of a terrifying novelty for the general public. Guay’s purchase of life insurance for his wife on the day of the trip was not especially inculpatory, but a standard procedure for air travelers.

Guay’s last words caught the irony of his celebrity: “Au moins, je meurs célèbre” (“At least I die famous”).

A few years after this day’s events, an American attempted a similar crime, with similar results.

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