On this date in 1950, Milada Horakova was hanged with three others in Prague’s Pankrac Prison as a spy and traitor to the Communist Czechoslovakian government.
Not (yet) as internationally recognizable as Rudolf Slansky,* the Communist General Secretary in Horakova’s time who would run afoul of Stalin and die on the same gallows two years later, Horakova (English Wikipedia page | Czech | the detailed French) is a potent symbol domestically of her country’s Cold War nightmare.
Lawyer, social democrat, and a prominent feminist in the interwar and postwar periods — her life’s work, rather overshadowed by an end that was memorable for different reasons — Horakova survived Nazi imprisonment and was a member of parliament when the Communists seized power in 1948.
She spurned counsel to flee the country, and found herself the headline attraction at a show trial for a supposed plot to overthrow the government. In a hopeless scenario, she distinguished herself with off-script defiance despite having broken under torture and signed a confession; Albert Einstein, Winston Churchill and Eleanor Roosevelt all pleaded in vain for clemency.
Horakova left the world clear in her purpose. In a letter to her teenage daughter awaiting execution, she justified her own dangerous choices:
The reason was not that I loved you little; I love you just as purely and fervently as other mothers love their children. But I understood that my task here in the world was to do you good … by seeing to it that life becomes better, and that all children can live well. … Don’t be frightened and sad because I am not coming back any more. Learn, my child, to look at life early as a serious matter. Life is hard, it does not pamper anybody, and for every time it strokes you it gives you ten blows. Become accustomed to that soon, but don’t let it defeat you. Decide to fight.
Hours before her hanging, she wrote a few last words for her loved ones:
I go with my head held high. One also has to know how to lose. That is no disgrace. An enemy also does not lose honor if he is truthful and honorable. One falls in battle; what is life other than struggle? (Both excerpts cited here)
The only woman among Czechoslovakia’s postwar political executions was abortively rehabilitated during the 1968 Prague Spring. Since the fall of the Iron Curtain, her resistance to both Naziism and Communism — worthy of an opera (topical interview) and a forthcoming film — have elevated her into her country’s official pantheon.
As a result, this date is “Commemoration day for the victims of the Communist regime” in the Czech Republic.
Meanwhile, Horakova’s now-octogenerian prosecutor Ludmila Brozova-Polednova, whose repulsive legal barbs at trial (“Don’t break her neck on the noose. Suffocate the bitch — and the others too.”) were probably the consequence of the foregone conclusion more than the cause, was convicted late last year for her role in the trial. That verdict has kept in the news these past several months — most recently, the Czech Supreme Court returned it for retrial after an appeals court overturned the sentence — a tangible symbol of the challenges inherent to confronting the past. (Brozova-Polednova, for her part, is unapologetic.)
* One of the goons who tortured confessions out of the conspirators in Horakova’s “terrorist center,” Karel Svab, was among those later hanged with Slansky.
On this date in 1953, Julius and Ethel Rosenberg were put to death in Sing Sing’s electric chair as Soviet spies.
Divisive since it was handed down — or more precisely, since a famous article in London’s Guardian challenged the verdict and helped elevate it into a latter-day Dreyfus case — the Rosenbergs‘ sentence has inspired so much acrimony over several generations that merely to observe the date is to invite a debate capable of eminently more heat than light.
Where to begin with a case so towering in the recent cultural milieu?
A textbook might say that Julius and Ethel were convicted of passing atomic secrets to the Russians, that they maintained their innocence and their defenders carried that flame years after their deaths, and that intelligence files opened after the Cold War — notably the Venona project — apparently confirmed that Julius was a spy after all, though Ethel seems to have been little more than an approving bystander and Julius, come to think of it, never had anything so worthwhile as atomic secrets to share with Moscow. This information (which does have its own skeptics, albeit a small minority) undermines the maximal “absolute innocence” position that this day’s victims always asserted, but it’s a curious leap to take it as vindicating the legal outcome.
“My husband and I must be vindicated by history; we are the first victims of American fascism.”
Half a century on, juridical guilt or innocence seems distinctly secondary in the lasting importance of the Rosenberg trial, the two-year battle to save them, and their potent symbolic afterlives.
The Rosenbergs are the only stateside judicial executions for espionage since the Civil War.* That is a remarkable distinction, after all; so, how comes it that it is held by — to state the case against them in its strongest imaginable terms — two enthusiastic but bush-league players, and not by the likes of Aldrich Ames? How was it that a judge with a largely center-liberal career on the bench would read them a sentence of death hysterically accusing these Lower East Siders of causing the Korean War?
[Y]our conduct in putting into the hands of the Russians the A-bomb years before our best scientists predicted Russia would perfect the bomb has already caused, in my opinion, the Communist aggression in Korea, with the resultant casualties exceeding 50,000 and who knows but that millions more of innocent people may pay the price of your treason.
…
I feel that I must pass such sentence upon the principals in this diabolical conspiracy to destroy a God-fearing nation, which will demonstrate with finality that this nation’s security must remain inviolate; that traffic in military secrets, whether promoted by slavish devotion to a foreign ideology or by a desire for monetary gains must cease.
It is here in the age of McCarthyism, in the shadow of the USSR’s balance-altering A-bomb test in 1949, that the Rosenbergs stand in sharpest relief — not because of “guilt” or “innocence”, but as the ne plus ultra of that era’s range of social discipline.
A few years before, the United States and the Soviet Union had made common cause against Hitler in World War II, the United States pumping war materiel to Russians bearing the brunt of the fighting.
No longer operative.
The Communist Party USA enjoyed membership rolls pushing six figures; other socialist parties and movements had found niches in American life in the interwar years.
As the Great War gave way to the Cold War, the great powers remained nominal allies (that’s the reason the Rosenbergs weren’t tried for treason), but shifted rapidly into conflict. The American polity organized to expel the red menace by rendering it foreign and criminal — ideological rigging for the forty years’ imperial contest ahead. Loyalty oaths, blacklists, the House Un-American Activities Committee … in the whole of the self-conscious construction of communism as “contagion”, the power and willingness of the state to kill Julius and Ethel Rosenberg formed the tip of the spear, and an ugly contrast to that same state’s solicitous handling of Nazi scientists then developing the vehicles to deliver atomic technology to Moscow in mushroom cloud form.
Though different in many particulars, the thrust will be familiar to any sentient denizen of post-9/11 America: the extreme penalty enforces a wall between the suspect and abject (but tolerated) loyal liberal and the enemy left. Depend upon Ann Coulter for the most brutal articulation:
We need to execute people like John Walker [the American-born soldier captured fighting for the Taliban in 2001] in order to physically intimidate liberals, by making them realize that they can be killed, too. Otherwise, they will turn out to be outright traitors.
Like most symbols, the Rosenbergs came by their exaltation by accident; at the strictly personal level, their deaths are nearly operatic performances of human stubbornness and bureaucratic inertia. Investigators rolling up a spy ring** were looking for confessions and names to keep the indictments coming.
Julius refused to provide either, so his wife was arrested for leverage against him on the reasoning that he would confess to protect her. The gambit failed: both prisoner and hostage remained obstinate. The government’s bluff had been called, and it ruthlessly executed its threat.
Had the two really been responsible for starting a war, execution would hardly begin to cover the bill — yet to the very foot of the chair, the condemned, and Julius especially for the sake of his wife, were pressed with offers of mercy for confessing and “naming names”.
Abjure or expire: show trial logic.
[audio:Julius_and_Ethel_Rosenberg.mp3]
An Execution in the Family
Given names to name, the personal mystery of their silence — the ultimate heroism or folly or tragedy or transcendence — only deepens the resonance of their fate both for contemporaries and posterity, the poignance of their orphaned children’s subsequent path, the contrast with Ethel’s brother David Greenglass who has since admitted to perjuring testimony against Ethel in order to shield his own wife. (Greenglass says the Rosenbergs died from the “stupidity” of not copping a deal of their own.)
Even before Julius and Ethel went to the chair this date,† they had become the emblem of a paranoid age. In the days following, Sartre savaged the United States for trying “to stop scientific progress by a human sacrifice”:
Your country is sick with fear. You’re afraid of everything: the Russians, the Chinese, the Europeans. You’re afraid of each other. You’re afraid of the shadow of your own bomb.
Decades later, the shadows haven’t faded altogether. In playwright Tony Kushner’s imagination, the spirit of Ethel stalks her real-life prosecutor, closeted McCarthy henchman Roy Cohn, as he succumbs to AIDS in the 1980’s.‡
Rosenberg resources — and vitriol — are in plentiful supply online and off. A good starting point on the case is this page at the University of Missouri – Kansas City. Be sure to check the tale of a last-ditch legal maneuver that almost succeeded.
* There is one partial exception in the unusual case of six German saboteurs electrocuted in Washington, D.C., during World War II on a charge sheet that included espionage. The hearing was held by a military commission and only one of the six was an American citizen, so it was far from the regular judicial process — if one can call it that — the Rosenbergs faced.
** Originating in the investigation of Klaus Fuchs, the man who actually did what Julius and Ethel Rosenberg were accused of doing — passing atomic secrets to Moscow — although with debatable ultimate effect for the Soviets’ research. Fuchs served nine-plus years in a British prison and was released to East Germany; more than a few were galled at the difference between his sentence and the Rosenbergs’.
Stateside, George Koval was another spy far more valuable to Moscow in the nuclear race than were the Rosenbergs. Koval got away clean and died in Moscow in 2006.
† Julius first, then Ethel. Her execution was botched; repeated shocks were required to kill her.
‡ Cohn’s posthumous autobiography did acknowledge illegally rigging the Rosenberg trial, as his Kushner character does.
Fifty years ago today, the onetime Hungarian Prime Minister and three others associated with the country’s shattered 1956 revolution were hanged in Budapest for treason by the Soviet-backed Hungarian government.
A moderate Communist, Imre Nagy assumed leadership of Hungary from 1953 to 1955, a period of ideological thawing after the death of Joseph Stalin.
Nagy charted a “new course” towards Austrian-style neutrality or Yugoslavian-style “national Communism” not yoked to Moscow, opposed domestically by his predecessor and rival Matyas Rakosi, who eventually ousted the reform-minded minister.
But Nagy’s anti-Soviet credentials saw him elevated back to the office by popular acclamation during the 1956 Hungarian Revolution — an interval of the nation’s history still deeply cherished in Hungary today. Here’s a recollection by newsreel montage to the strains of Beethoven’s salute to the national martyrs of another time and place.
Nagy held the office for only ten days before Soviet intervention crushed the revolution. He issued this radio appeal to the world (in Hungarian, followed by the English version at about 0:34) on November 4, 1956:
[audio:Imre_Nagy_broadcast.mp3]
It was an appeal against all geopolitical realities; Hungary was the Soviet Union’s sphere, and western counter-intervention could have precipitated World War III. Verbal outrage abounded, of course:
But Khrushchev gibed that the United States had “supported” the revolution “in the nature of the support that the rope gives to a hanged man.”
For all that, the abortive revolution has won the benediction of history: still venerated in Hungary, and arguably a turning point in the postwar world when the Soviet Union set itself unmistakably and, eventually, fatally against the legitimate aspirations of its subjects.
Nagy’s statue in Budapest’s Martyrs’ Square. Creative Commons photo by Martin Ujlaki.
Less the leader of this stirring movement than carried along by it, Nagy nevertheless embraced the revolution fully.
His government hardly had the opportunity to implement any sort of programme, but it gestured towards multiparty parliamentary democracy. Nagy attempted to withdraw Hungary from the Warsaw Pact. And to the fame of his memory, he refused Soviet blandishments after his capture to recant and accede publicly to the new Hungarian government.
For these principles, Nagy, his defense minister Pal Maleter, and revolutionary officials Miklos Gimes and Jozsef Szilagyi underwent a weeklong trial June 9 to 15, culminating in execution on this date — all strictly hush-hush, and not announced until the bodies were cold.
Though secret, the trial was tape-recorded in its entirety. This past week, to coincide with the anniversary of the affair, the full 52 hours of audio were publicly aired for the first time — over the same June 9-15 span, and at the location of the original trial. The recordings are held by the Open Society Archives, which maintains a wealth of information on the 1956 revolution (such as, topically, this ‘death circular’ issued by anti-Soviet Hungarians). Formerly held under lock and key, the audio files are not yet published for public distribution at this point, but one would expect that it’s only a matter of time.
Nagy and his companions were officially rehabilitated and, on this date in 1989, reburied with honors; tens of thousands turned out to pay respects that had been officially prohibited for 33 years. In this chaotic period as Soviet domination of eastern Europe crumbled, their fellow-traveler Bela Kiraly (who gives a fascinating account from the inside of the Revolution in this 1996 interview) returned from exile for the reinternment ceremony and found that he was technically still under the sentence of death he had received in absentia at Nagy’s trial.
On this date in 1798, the Greek revolutionary Rigas Feraios and five co-conspirators were strangled by their Ottoman captors on the Danube River en route to Constantinople to prevent their rescue.
A Vlach by blood, Feraios was a hero — and ultimately a martyr — of Greek independence years before the revolution against Ottoman rule that would deliver it.
A Renaissance man for the Greek Enlightenment, Feraios had a variegated youthful career knocking about the Ottomans’ Balkan possessions and absorbing the revolutionary Zeitgeist abroad in Europe.
Settling in Vienna in his mid-thirties, he brandished his pen in the service of an imagined pan-Balkan, pan-Hellenic uprising to shake off the Turkish yoke. He edited the first Greek newspaper, published a map* and constitution for the imagined realm of the “Inhabitants of Rumeli, Asia Minor, the Islands of the Aegean, and the principalities of Moldavia and Wallachia”, and churned out blood-stirring poetry in Demotic, the vernacular tongue — most memorably, the Thourio, i.e., “War Hymn”.
… and a little taste of the gist, in English:
How long, my heroes, shall we live in bondage,
alone,like lions on ridges, on peaks?
Living in caves, seeing our children turned
from the land to bitter enslavement?
Losing our land, brothers, and parents,
our friends, our children, and all our relations?
Better an hour of life that is free
than forty years in slavery.
This sort of fire-breather is not the sort of man the Ottomans were keen on seeing involve himself with Bonaparte, most especially now that the French kingpin had started outfitting Oriental adventures. The Turks’ Austrian allies nabbed Feraios in Trieste en route to confer with Napoleon’s Italian subalterns about interfering in the Balkans.
Shipped to the governor of Belgrade, Feraios was to be sent to Constantinople for adjudication by Sultan Selim III. A Turkish buddy of the poet’s, however, happened to be blocking the way with a sizable force of his own who’d been administering a rebel statelet carved out of Ottoman territory. Tipped that this gentleman was keen to liberate the Turks’ unwelcome prisoners if they tried to pass, the local authorities had them summarily strangled and their bodies dumped in the Danube.
A Rigas Feraois monument in Belgrade. (Author’s photograph, in terrible light.)
* Including Constantinople. The dream of “Greater Greece” would persist long, and die hard.
Early this date in 1937,* Soviet Marshal Mikhail Tukhachevsky was executed by a gunshot to the head for allegedly plotting a coup d’etat against Stalin.
One of the most infamous trials** of the Soviet Union’s Great Purge, which would strip the Red Army of much of its officer corps on the eve of its existential test against the Wehrmacht, the Case of the Trotskyist Anti-Soviet Military Organization has always offered fodder for debating the whys and wherefores.
The bare facts are that nine extremely high-ranking members of the military brass were suddenly arrested and within a few weeks (except the one who committed suicide first) shot on the staggering charge of counterrevolutionary conspiracy. Foremost among the victims was Marshal of the Soviet Union Mikhail Tukhachevsky, notable in the annals of military history for pioneering (along with several other Soviet officers, notably Triandafillov) the military doctrine of “deep battle” or “deep operations”.
Deep Battle
Reflecting on the grinding, indecisive struggles of attrition that characterized World War I and the Russian Civil War (both conflicts Tukhachevsky served in), he sought a theory of offensive warfare for modern armies fighting in large and complex engagements — the operational art. In an early (1923) formulation, Tukhachevsky noted
the impossibility in the presence of modern wide fronts to destroy an enemy army by a single blow compels us to achieve this by a series of successive operations … A series of annihilating operations, introduced successively and combined by continuous pursuit, can replace the annihilating engagement, which in former armies was a better type of combat. (Cited here.)
Deep operations would require sophisticated application of technology to strike an opposing army’s entire support structure behind its lines in coordinated operations, rather than the unproductive World War I tactic of throwing waves of cannon fodder across No Man’s Land in the hope of achieving a breakthrough by sheer mass alone. It ripened into official Red Army doctrine in the 1930’s, decreeing
[s]imultaneous assault on enemy defenses by aviation and artillery to the depths of the defense, penetration of the tactical zone of the defense by attacking units with widespread use of tank forces and violent development of tactical success into operational success with the aim of the complete encirclement and destruction of the enemy. The main role is performed by the infantry, and the mutual support of all types of forces are organized in its interests. (Cited here.)
What Happened?
The mystery has always been exactly why Stalin should shoot Tukhachevsky, even if any question beginning “why should Stalin shoot …” nearly answers itself.
Explanations particular to Tukhachevsky range from rivalries within the army (early blocs of officers appointed by Trotsky and Stalin formed professional rivalries; Trotsky had given Tukhachevsky his first Soviet command) to purely personal enmity between the two men. Many have speculated that a genuine “plot” of some sort — whether a coup or assassination, or more mundane political scheming — was indeed afoot against the Soviet dictator. Tukhachevsky’s (officially sanctioned) links with a German military then developing its own similar operational concepts have told against him in some readings.
Author Robert Conquest put about the theory that Heinrich Himmler’s intelligence operatives had contrived to pass the Soviets forged documents pointing to Tukhachevsky’s German collaboration, the better to weaken the Bolshevik defenses. Conversely — and in his diary, Goebbels attributed this riff on the Dolchstosslegende to Hitler himself — a contrarian take has long defended at least this particular purge as a judicious one by Uncle Joe, insuring that wartime Russia would not be hamstrung by “defeatist” elements or other players who might develop both the means and motive for ending the war on German terms.
Inquiries along these lines, of course, expand beyond the particular case into the larger questions of why Stalin purged the army as a whole, and what ultimate effect that purge had on the Soviets’ military readiness in 1941.
Legacy
With Tukhachevsky’s fall, accompanied by other military reformers, the “deep operations” school acquired sufficient taint to abjure the company of the judicious officer. Nevertheless, Tukhachevsky’s influence would play its part in the Great War: his onetime associate Georgy Zhukov, who may have only accidentally avoided being purged himself, deployed Tukhachevskian mobile tactics to crush Japan’s Siberian aspirations at the Battle of Khalkhin-Gol in 1939; duly elevated for this victory to the precarious post of Marshal of the Soviet Union, Zhukov was a crucial commander in the defeat of Nazi Germany.
Tukhachevsky, along with all those shot this day, was rehabilitated during the Khrushchev era.
Sorry about shooting you in the head. Here’s a commemorative stamp.
* The condemned received their death sentence at 23:35 on June 11, the sentence to be carried out “immediately” — it seems likely but not completely certain that it had become the 12th by the time the executions actually took place, and different sources report different different dates of death. According to the contemporaneous New York Times report, Soviet authorities announced that the executions had taken place on the 12th. (As an interesting side note, the Times that day also blurbed exiled Stalin rival Leon Trotsky reading in the tea leaves of Tukhachevsky’s death “the beginning of the end for the Stalinist dictatorship.”)
** Not, however, a show trial — Tukhachevsky et al were tried in secret.
Let this long-expired generation counsel posterity to find itself elsewhere when one’s door is darkened by a man known as “the Iron Duke”. William had the wit to get out of town. Egmont and Hoorn hung around, depending on their (professedly) clean consciences.
The beheadings were widely protested both locally and abroad, and festered as a grievance against the empire — a grievance that, as the nascent conflict evolved into a revolution that would detach the Netherlands from Spain, elevated these distinctly non-revolutionary wealthy nobles into freethinking martyrs of independence.
On this date in 1431, Joan of Arc (also Jeanne d’Arc, even though d’Arc wasn’t really her name at all) was burned at the stake for heresy in the marketplace of Rouen, France.
A Joan of Arc statue in Philadelphia, Pennsylvania.
Very much has been written and said about this strange figure, the Maid of Orleans — not quite so much larger than life as she seems otherworldly to it: in her mystical exaltation, in her unthinkable elevation from the illiterate peasantry to military command (and bizarrely effective intervention in the intractable Hundred Years’ War).
Apotheosis to the ranks of France’s national heroes is the least of it; Joan’s iconography extends well outside her homelands and well beyond the project of feudal restoration that was her short life’s concern.
Her myth has had a robust afterlife, but her accomplishments in the flesh were quite real — staggering, even. At the nadir of France’s fortunes, she convinced the French dauphin Charles VII of her divine inspiration in April 1429 and, far more aggressive (and some would say lucky) than the army’s noble commanders, immediately relieved the English siege of Orleans. By July, she had captured Reims, where Charles was crowned king.
The next year, Joan was captured by the Burgundians, who sold her to the British, who in turn subjected her to an ecclesiastical inquiry — what became a remarkable, exhaustively documented three-week interrogation, in which she deftly matched wits with academic persecutors over the reality and nature of her divine visions.
She was immediately considered a martyr by her own side — and twenty years later, when the war had finally ended, another court reversed the verdict against her — but her universal appeal and cultural ubiquity remained a long time off.*
“Dark-minded man!”
The Maid of Orleans answered, “to act well
Brings with itself an ample recompense.
I have not reared the oriflamme of death —
Now God forbid! The banner of the Lord
Is this; and, come what will, me it behooves,
Mindful of Him whose minister I am,
To spare the fallen foe: that gracious God
Sends me a messenger of mercy forth,
Sends me to save this ravaged realm of France,
To England friendly as to all the world;
Only to those an enemy, whose lust
Of sway makes them the enemies of man.”
The romantic 19th century took up her standard when the trial records were uncovered — liberals cottoned to her lowly birth, conservatives to her monarchist project, all France to her proto-nationalism, all Catholics to her faith (she was elevated to sainthood in the early 20th century; May 30 is also her feast day). The Vichy government and the French Resistance both claimed her in World War II. Her gender and sexuality have invited modern attention, just as they did for her judges: she works (anachronistically, of course) as a girl-power pop feminism icon, and her masculine social role gives her queer cachet; she made a point of keeping her virginity, but may have been sexually assaulted in prison, an event that figures in Andrea Dworkin’s Intercourse.
Joan stands equal to such varied identities because the mysteriously personal qualities of her story invite the observer into it, and those qualities hold precisely because of her fiery end this day. What would Joan have been in five or ten years’ time, had she escaped capture or held to her temporary renunciation of wearing men’s clothes (the head-scratching but subtly profound charge that finally doomed her)? An aging commander with the gloss off her, a partisan of some faction of the abject French court, a hostage somewhere being ransomed for gold plate or quietly poisoned off?
Her myth and its antithesis work because she came in radiance from dust, and followed her conscience — her God, her will, her destiny, or what have you — back to dust.
Though adapted many times for the screen, the definitive Joan of Arc film remains the 1928 silent treament La Passion de Jeanne d’Arc, scripted largely from the original trial transcripts. The movie’s lead Maria Falconetti — and indeed the very silence of the medium — convey something of that mysterious, multifaceted meaning left to us tantalizingly suspended between the 19-year-old who stood at the stake this day and the legend that arose from her ashes.
Books about Joan of Arc
(The Mark Twain book is in the public domain and available free at Project Gutenberg in both text (part 1 | part 2) and audio (part 1 | part 2) forms.)
* Shakespeare, for instance, writing Henry VI Part I about Charles VII’s English opposite number, has Joan in a rather more negative light than a modern reader is used to seeing — as a witch and a whore. In her last battlefield appearance, she summons demons …
Enter Fiends
This speedy and quick appearance argues proof
Of your accustom’d diligence to me.
Now, ye familiar spirits, that are cull’d
Out of the powerful regions under earth,
Help me this once, that France may get the field.
… who fail to aid her although she offers them her body. Later, condemned to the stake, she cravenly tries to plead her belly by claiming that she slept with several other characters.
On this date in 1593, a Welsh divine with a poor impression of the Church of England was hustled off from dinner to be strung up for sedition.
Dismayed by the poor quality of pastors in his native Wales — men of poor character, poor education, and poor command of Welsh — John Penry was one of many calling for a reformed Episcopal clergy. Critiques of his type formed the germ of the Puritan movement already underway, which would blossom after his death.
Penry would have been around to see all that if he hadn’t hacked off the realm’s chief vicar by running a salty underground press, most notably publishing the pseudonymous Martin Marprelate.
(These satiric treats can be savored here. The identity of their author(s) has always been debated — Penry himself is one candidate, though not a fashionable one today, as his attributed writing seems too earnest to have come from the same pen as Martin Marprelate.)
Hold the Dessert
The Oxford man dodged the law for a good three years in the Scottish reaches, until he couldn’t resist moving to London, where (fittingly) a local clergyman recognized him.
The mere draft — nasty, but uncirculated — of a petition sufficed for the condemnation on grounds of sedition, and the annoyed Archbishop had the pleasure of inking his John Hancock on the Welshman’s death warrant.
Penry seems to have had a few friends in high places and some hope of cheating the executioner; he must have been taken by surprise when the sheriff burst in during the late afternoon this day to haul him immediately to a gallows at St. Thomas a Watering — unannounced, the better to keep attendance down,* with the prisoner denied the customary parting speech.
“Hang him with his pen”
But was Penry’s ill turn a boon to the world of literature?
The day after Penry’s execution, star English playwright Christopher Marlowe was killed in a fray whose timing some find a bit suspicious.
Some enthusiasts think Marlowe faked his death and went on to write Shakespeare under a pen name. And if he did that, his confederates would have needed a body to pass off as Marlowe’s … the body, perhaps, of a man of Marlowe’s age and class who’d just been hanged a couple of miles up the road.
The Welsh Martyr
Shakespeare aside, Penry remains “the Welsh martyr” to this day, reckoned the greatest Protestant martyr of his land. (For more about him, a sympathetic 19th century tract, John Penry, the Pilgrim Martyr, is available free from Google books.)
The injury of his draconian sentence is so far from forgotten in Wales that — hot off the presses — the 21st century Archbishop of Canterbury is being asked for a mea culpa on behalf of his 16th century predecessor.
Coincidentally, John Penry is also the name of a murderer and longtime death row prisoner in the USA, once the subject of a landmark decision** permitting the execution of the mentally retarded. That modern Penry is now serving a life sentence.
* Penry’s family and friends didn’t know about the hanging until it had already happened.
He makes a complex character, with a streak of flawed greatness even his contemporary enemies recognized; his anti-Renaissance theology was severe but not dour, fired as it was by a genuine spiritual passion that spoke to real needs of his audience and a real crisis growing in the Church. And he did not disdain the revolutionary real-world implications of his faith.
Savonarola instituted Republican government with a touch of the Taliban — a vice squad of young hooligans to rough up rouged ladies and card-players;* a famous Bonfire of the Vanities in which Botticelli incinerated some of his own work — but also a populist economic touch.
For reasons both internal (the killjoy factor of busting up dice games wore out its welcome) and external (his French ally Charles VIII was driven from Italy, and Savonarola made a dire enemy of the corrupt Borgia pontiff Alexander VI), the priest’s grip on Florence weakened. In April 1498, he was arrested with two other clerics; all three were tortured into signing confessions, then hanged in the Piazza della Signoria by an insolent executioner.
The doomed Savonarola anguished that he had not been strong enough to resist the tortures of the rack, and penned in contrition the Latin meditation Infelix ego:
Alas wretch that I am, destitute of all help, who have offended heaven and earth — where shall I go? Whither shall I turn myself? To whom shall I fly? Who will take pity on me? To heaven I dare not lift up my eyes, for I have deeply sinned against it; on earth I find no refuge, for I have been an offence to it…
Like Savonarola’s memory and teachings, it spread — often illicitly — in a Europe ready for religious reform. Infelix ego has been frequently set to devotional music, like this version by Orlande de Lassus:
[audio:Infelix_Ego_Lassus.mp3]
Savonarola might have been in himself a dead end, an unsuccessful prophet quickly rolled back, but he nonetheless possesses a recognizable essence that distills both the Zeitgeist of his time and the immemorial hunger for simplicity and virtue that coexists with the equally human celebration of pleasure and beauty. He left complex legacies to both the Church and the city his reforms sought (and ultimately failed) to scourge.
In religion, his castigation of the vice and sin of the Church (a position of which he was an outstanding but hardly a lonely advocate) prefigured the coming Reformation. But Savonarola also never left off the most devout affiliation to Catholicism, nor sought institutional schism even when he had been excommunicated.** What to make of such a man? He is both depicted (at the base of a Martin Luther statue) at the Worms Reformation Monument, and proposed for present-day Catholic canonization.
So too his secular legacy — the theocrat who burned books and expelled the Medici and was reduced to ashes for his reactionary principles — merits a respectful recollection in Florence, even if few would actually want to live in his republic. He repelled Machiavelli, a libertine counselor of the post-Savonarola Florentine Republic, but perhaps fascinated him as well, as a prince with a precisely backward grasp of his own power.
This stone marking the site of the execution stands at a crossroads of tourist traffic in a thicket of statuary, mostly nude and/or classically inspired, outside the entrance to one of Europe’s principle collections of Renaissance art.
One wonders what the old Dominican would have made of it.
Books about Savonarola’s Florence
* Savonarola also made sodomy punishable by death.
** Alexander VI tried first to get him (in Lyndon Johnson’s fragrant phrase) inside the tent pissing out by making him a cardinal, which Savonarola spurned.
Any queen decapitated by her king would of course rate an entry in these grim pages. But this does not quite explain Anne Boleyn‘s enduring appeal, relevance and recognizability for the most casual of modern observers, and her concomitant footprint in popular culture, even with the “Greek tragedy” quality of her life.
Anne stands at the fulcrum of England’s epochal leap into modernity. Whether she was that fulcrum might depend on the reader’s sympathy for the Great Man theory of history, but little more do we injure our headless queen to regard her as the woman for her time and place — the accidental hero (or villain) raised up and thrown down by the tectonic forces of her milieu.
Through Anne was born — for reasons of momentary political arrangements of long-forgotten dynasts, which seems a shockingly parochial proximate cause — the English Reformation, and through the Reformation was born the crown’s decisive triumph over the nobility, the broad middle class nurtured on the spoils of Catholic monasteries, the rising Britannia fit to rule. Most would take as an epitaph historical accidents of such magnitude.
Of course, by those same accidents, Anne was the instrument of thousands of deaths herself, and little did she appear troubled in life by the corpses upon which she ascended the throne.
Her own family maps the change wrought on England. An ancestor was beheaded in the Wars of the Roses, medieval England’s last great breakdown; her uncle Thomas Howard was one of the throwback scheming Dukes, mastered by his sovereign to the extent of issuing Anne’s capital sentence from his own lips;* the beheaded woman’s daughter, Queen Elizabeth I, set a recognizably centralized English state on the path of empire.
Fitting tribute that, from the Tower where she met her end** to lands undreamt-of in her time, people still, like Henry, find her captivating.
* Anne’s father also declared for her guilt. Unprincipled as these men undoubtedly were, it cannot have been a pleasant responsibility; the question of whether she was actually guilty of adultery-cum-treason, the fatal charge extracted from a supposed lover by torture, has been hotly and inconclusively disputed by posterity.
** With a solemn speech submissive to Henry but not admitting any guilt — in an earlier moment of levity, she had famously remarked of the French swordsman hired to do the job, “I heard say the executioner was very good, and I have a little neck.”
A Vlach by blood, 
Anne stands at the fulcrum of England’s epochal leap into modernity. Whether she was that fulcrum might depend on the reader’s sympathy for the Great Man theory of history, but little more do we injure our headless queen to regard her as the woman for her time and place — the accidental hero (or villain) raised up and thrown down by the tectonic forces of her milieu.