1889: The first executions in French-occupied Tunis

TUNIS.

PARIS, April 28.

The first execution in Tunis since the French occupation took place yesterday. Three Kroumirs, Ali Ben Debbah, Mahomed Ben Salah, and Ali Ben Salah, who had assassinated two Kabyle merchants in order to rob them, were guillotined in the morning at the Saadoun Gate.


The Saadoun Gate circa 1880. (Via)

At half-past 4 o’clock, M. Herbault, the Procureur of the Republic, in presence of several officials, announced to the condemned men that their appeal for mercy had been rejected. They received the statement very quietly, although they protested, as they had previously done, that they were innocent. As the prison is at some distance from the place of execution, it was not till 25 minutes past 5 that the prison van, preceded and followed by a company of Zeuaves, reached the place of execution, where a large crowd had assembled. At half-past 5 the bodies were removed to the Sadiki Hospital.

In order to put down any attempt at disturbance a large number of soldiers were drawn up near the guillotine, but there was no occasion for their services. There were very few natives among those present at the execution. A fourth Kroumir, who was condemned to death for the same crime, was informed yesterday that his sentence had been commuted by the President of the Republic.

London Times, April 29 1889

On this day..

1824: Three Bondy brigands

Bondy, today a Paris suburb, was in the Middle Ages a forest notorious for the bandits and murderers who laired in its leafy shadows — a reputation stretching back to antiquity. The Merovingian king Childeric II was assassinated while hunting there.

Just as the French Revolution swept away the titles and prerogatives left over from feudal Europe, it put the onetime thieves’ forest on the track to respectability. The golden age of the highwayman was rapidly closing anyway; as the 19th century unfolded, the lumberman, the railroad, and the police inspector combined to drain away the outlaw’s arboreal habitat.


Take the tram where angels once feared to tread. ((cc) image from gasdub.

But such transitions do not happen overnight, and on this date in 1824 were guillotined in Paris three representatives of this vanishing species — brigands from a ferocious gang who, in the words of their executioners’ memoirs, “excelled in the art of waylaying stage-coaches, and killing the passengers if they refused to give up their money.”

Renaud, Ochard and Delaporte were their names; five others of their band had received sentences of life in prison at hard labor.

On this day..

1307: Murcod Ballagh, beheaded

“In the yeare 1307 the first of Aprill,” Holinshed’s Chronicles of England, Scotland, and Ireland records, “Murcod Ballagh was beheaded neere to Merton by sir David Caunton knight.”

First published in 1577, this document — heavily mined by Shakespeare for his histories — is silent as to the further particulars of the beheading. But the accompanying image depicting the execution surprisingly presents a guillotine-like device being employed for the task.

As John Wilson Croker’s History of the Guillotine observes, this one illustration 270 years after the fact scarcely suffices to establish that a guillotine precursor really was in use in Ireland in the first years of the 14th century. Were that the case, this might be the earliest quote-unquote “documented” execution by a beheading-machine.

(Executions in Halifax, Scotland, can be sourced as early as the 1280s, but it is not known if the famed Halifax Gibbet was in use at that early date.)

But it does at least establish the authors’ awareness of such technology — perhaps by familiarity with the Scottish Maiden, or perhaps by having caught wind of similar gadgets in France and Italy.

“This mode of execution was common on the Continent in the sixteenth and seventeenth centuries,” Croker concludes with a bit of overstatement. “And yet had passed into such entire desuetude and oblivion as to have appeared as a perfect novelty when proposed by Dr. Guillotin.”

“This is certainly a striking illustration of the proverb that there is nothing new under the sun.”

On this day..

1891: Michel Eyraud, bailiff-strangler

(Thanks to Harry Brodribb Irving for the guest post, originally published in his Book of Remarkable Criminals. Some formatting has been adjusted for readability. -ed.)

On July 27, in the year 1889, the Parisian police were informed of the disappearance of one Gouffe, a bailiff. He had been last seen by two friends on the Boulevard Montmartre at about ten minutes past seven on the evening of the 26th, a Friday. Since then nothing had been heard of him, either at his office in the Rue Montmartre, or at his private house in the Rue Rougemont. This was surprising in the case of a man of regular habits even in his irregularities, robust health, and cheerful spirits.

Gouffe was a widower, forty-two years of age. He had three daughters who lived happily with him in the Rue Rougemont. He did a good trade as bailiff and process-server, and at times had considerable sums of money in his possession. These he would never leave behind him at his office, but carry home at the end of the day’s work, except on Fridays. Friday nights Gouffe always spent away from home. As the society he sought on these nights was of a promiscuous character, he was in the habit of leaving at his office any large sum of money that had come into his hands during the day.

About nine o’clock on this particular Friday night, July 26, the hall-porter at Gouffe’s office in the Rue Montmartre heard someone, whom he had taken at first to be the bailiff himself, enter the hall and go upstairs to the office, where he remained a few minutes. As he descended the stairs the porter came out of his lodge and, seeing it was a stranger, accosted him. But the man hurried away without giving the porter time to see his face.

When the office was examined the next day everything was found in perfect order, and a sum of 14,000 francs, hidden away behind some papers, untouched. The safe had not been tampered with; there was, in short, nothing unusual about the room except ten long matches that were lying half burnt on the floor.

On hearing of the bailiff’s disappearance and the mysterious visitor to his office, the police, who were convinced that Gouffe had been the victim of some criminal design, inquired closely into his habits, his friends, his associates, men and women. But the one man who could have breathed the name that would have set the police on the track of the real culprits was, for reasons of his own, silent. The police examined many persons, but without arriving at any useful result.

However, on August 15, in a thicket at the foot of a slope running down from the road that passes through the district of Millery, about ten miles from Lyons, a roadmender, attracted by a peculiar smell, discovered the remains of what appeared to be a human body. They were wrapped in a cloth, but so decomposed as to make identification almost impossible. M. Goron, at that time head of the Parisian detective police, believed them to be the remains of Gouffe, but a relative of the missing man, whom he sent to Lyons, failed to identify them. Two days after the discovery of the corpse, there were found near Millery the broken fragments of a trunk, the lock of which fitted a key that had been picked up near the body. A label on the trunk showed that it had been dispatched from Paris to Lyons on July 27, 188-, but the final figure of the date was obliterated. Reference to the books of the railway company showed that on July 27, 1889, the day following the disappearance of Gouffe, a trunk similar in size and weight to that found near Millery had been sent from Paris to Lyons.

The judicial authorities at Lyons scouted the idea that either the corpse or the trunk found at Millery had any connection with the disappearance of Gouffe. When M. Goron, bent on following up what he believed to be important clues, went himself to Lyons he found that the remains, after being photographed, had been interred in the common burying-ground. The young doctor who had made the autopsy produced triumphantly some hair taken from the head of the corpse and showed M. Goron that whilst Gouffe’s hair was admittedly auburn and cut short, this was black, and had evidently been worn long. M. Goron, after looking carefully at the hair, asked for some distilled water. He put the lock of hair into it and, after a few minutes’ immersion, cleansed of the blood, grease and dust that had caked them together, the hairs appeared clearly to be short and auburn. The doctor admitted his error.

Fortified by this success, Goron was able to procure the exhumation of the body. A fresh autopsy was performed by Dr. Lacassagne, the eminent medical jurist of the Lyons School of Medicine. He was able to pronounce with certainty that the remains were those of the bailiff, Gouffe. An injury to the right ankle, a weakness of the right leg, the absence of a particular tooth and other admitted peculiarities in Gouffe’s physical conformation, were present in the corpse, placing its identity beyond question. This second post-mortem revealed furthermore an injury to the thyroid cartilage of the larynx that had been inflicted beyond any doubt whatever, declared Dr. Lacassagne, before death.

There was little reason to doubt that Gouffe had been the victim of murder by strangulation.

But by whom had the crime been committed? It was now the end of November. Four months had passed since the bailiff’s murder, and the police had no clue to its perpetrators. At one time a friend of Gouffe’s had been suspected and placed under arrest, but he was released for want of evidence.

One day toward the close of November, in the course of a conversation with M. Goron, a witness who had known Gouffe surprised him by saying abruptly, “There’s another man who disappeared about the same time as Gouffe.” M. Goron pricked up his ears. The witness explained that he had not mentioned the fact before, as he had not connected it with his friend’s disappearance; the man’s name, he said, was Eyraud, Michel Eyraud, M. Goron made some inquires as to this Michel Eyraud. He learnt that he was a married man, forty-six years of age, once a distiller at Sevres, recently commission-agent to a bankrupt firm, that he had left France suddenly, about the time of the disappearance of Gouffe, and that he had a mistress, one Gabrielle Bompard, who had disappeared with him. Instinctively M. Goron connected this fugitive couple with the fate of the murdered bailiff.

Confirmation of his suspicions was to come from London. The remains of the trunk found at Millery had been skilfully put together and exposed at the Morgue in Paris, whilst the Gouffe family had offered a reward of 500 francs to anybody who could in any way identify the trunk. Beyond producing a large crop of anonymous letters, in one of which the crime was attributed to General Boulanger, then in Jersey, these measures seemed likely to prove fruitless. But one day in December, from the keeper of a boarding-house in Gower Street, M. Goron received a letter informing him that the writer believed that Eyraud and Gabrielle Bompard had stayed recently at his house, and that on July 14 the woman, whom he knew only as “Gabrielle,” had left for France, crossing by Newhaven and Dieppe, and taking with her a large and almost empty trunk, which she had purchased in London. Inquires made by the French detectives established the correctness of this correspondent’s information. An assistant at a trunk shop in the Euston Road was able to identify the trunk — brought over from Paris for the purpose — as one purchased in his shop on July 12 by a Frenchman answering to the description of Michel Eyraud. The wife of the boarding-house keeper recollected having expressed to Gabrielle her surprise that she should buy such an enormous piece of luggage when she had only one dress to put into it. “Oh that’s all right,” answered Gabrielle smilingly, “we shall have plenty to fill it with in Paris!” Gabrielle had gone to Paris with the trunk on July 14, come back to London on the 17th, and on the 20th she and Eyraud returned together to Paris. From these facts it seemed more than probable that these two were the assassins so eagerly sought for by the police, and it seemed clear also that the murder had been done in Paris. But what had become of this couple, in what street, in what house in Paris had the crime been committed? These were questions the police were powerless to answer.

The year 1889 came to an end, the murderers were still at large. But on January 21, 1890, M. Goron found lying on his table a large letter bearing the New York postmark. He opened it, and to his astonishment read at the end the signature “Michel Eyraud.” It was a curious letter, but undoubtedly genuine. In it Eyraud protested against the suspicions directed against himself; they were, he wrote, merely unfortunate coincidences. Gouffe had been his friend; he had had no share whatever in his death; his only misfortune had been his association with “that serpent, Gabrielle Bompard.” He had certainly bought a large trunk for her, but she told him that she had sold it. They had gone to America together, he to avoid financial difficulties in which he had been involved by the dishonesty of the Jews. There Gabrielle had deserted him for another man. He concluded a very long letter by declaring his belief in Gabrielle’s innocence — “the great trouble with her is that she is such a liar and also has a dozen lovers after her.” He promised that, as soon as he learnt that Gabrielle had returned to Paris, he would, of his own free will, place himself in the hands of M. Goron.

He was to have an early opportunity of redeeming his pledge, for on the day following the receipt of his letter a short, well-made woman, dressed neatly in black, with dyed hair, greyish-blue eyes, good teeth, a disproportionately large head and a lively and intelligent expression of face, presented herself at the Prefecture of Police and asked for an interview with the Prefect.

Requested to give her name, she replied, with a smile, “Gabrielle Bompard.” She was accompanied by a middle-aged gentleman, who appeared to be devoted to her. Gabrielle Bompard and her friend were taken to the private room of M. Loze, the Prefect of Police. There, in a half-amused way, without the least concern, sitting at times on the edge of the Prefect’s writing-table, Gabrielle Bompard told how she had been the unwilling accomplice of her lover, Eyraud, in the murder of the bailiff, Gouffe. The crime, she stated, had been committed in No. 3 in the Rue Tronson-Ducoudray, but she had not been present; she knew nothing of it but what had been told her by Eyraud. After the murder she had accompanied him to America; there they had met the middle-aged gentleman, her companion. Eyraud had proposed that they should murder and rob him, but she had divulged the plot to the gentleman and asked him to take her away. It was acting on his advice that she had returned to France, determined to give her evidence to the judicial authorities in Paris. The middle-aged gentleman declared himself ready to vouch for the truth of a great part of this interesting narrative. There they both imagined apparently that the affair would be ended. They were extremely surprised when the Prefect, after listening to their statements, sent for a detective-inspector who showed Gabrielle Bompard a warrant for her arrest. After an affecting parting, at least on the part of the middle-aged gentleman, Gabrielle Bompard was taken to prison. There she soon recovered her spirits, which had at no time been very gravely depressed by her critical situation.

According to Eyraud’s letters, if anyone knew anything about Gouffe’s murder, it was Gabrielle Bompard; according to the woman’s statement, it was Eyraud, and Eyraud alone, who had committed it. As they were both liars — the woman perhaps the greater liar of the two — their statements are not to be taken as other than forlorn attempts to shift the blame on to each other’s shoulders.

Before extracting from their various avowals, which grew more complete as time went on, the story of the crime, let us follow Eyraud in his flight from justice, which terminated in the May of 1890 by his arrest in Havana.

Immediately after the arrest of Gabrielle, two French detectives set out for America to trace and run down if possible her deserted lover. For more than a month they traversed Canada and the United States in search of their prey. The track of the fugitive was marked from New York to San Francisco by acts of thieving and swindling. At the former city he had made the acquaintance of a wealthy Turk, from whom, under the pretence of wishing to be photographed in it, he had borrowed a magnificent oriental robe. The photograph was taken, but Eyraud forgot to return the costly robe.

At another time he was lodging in the same house as a young American actor, called in the French accounts of the incident “Sir Stout.” To “Sir Stout” Eyraud would appear to have given a most convincing performance of the betrayed husband; his wife, he said, had deserted him for another man; he raved and stormed audibly in his bedroom, deploring his fate and vowing vengeance. These noisy representations so impressed “Sir Stout” that, on the outraged husband declaring himself to be a Mexican for the moment without funds, the benevolent comedian lent him eighty dollars, which, it is almost needless to add, he never saw again. In narrating this incident to the French detectives, “Sir Stout” describes Eyraud’s performance as great, surpassing even those of Coquelin.

Similar stories of theft and debauchery met the detectives at every turn, but, helped in a great measure by the publicity the American newspapers gave to the movements of his pursuers, Eyraud was able to elude them, and in March they returned to France to concert further plans for his capture.

Eyraud had gone to Mexico. From there he had written a letter to M. Rochefort’s newspaper, L’Intransigeant, in which he declared Gouffe to have been murdered by Gabrielle and an unknown. But, when official inquiries were made in Mexico as to his whereabouts, the bird had flown.

At Havana, in Cuba, there lived a French dressmaker and clothes-merchant named Puchen. In the month of February a stranger, ragged and unkempt, but evidently a fellow-countryman, visited her shop and offered to sell her a superb Turkish costume. The contrast between the wretchedness of the vendor and the magnificence of his wares struck Madame Puchen at the time. But her surprise was converted into suspicion when she read in the American newspapers a description of the Turkish garment stolen by Michel Eyraud, the reputed assassin of the bailiff Gouffe. It was one morning in the middle of May that Mme. Puchen read the description of the robe that had been offered her in February by her strange visitor. To her astonishment, about two o’clock the same afternoon, she saw the stranger standing before her door. She beckoned to him, and asked him if he still had his Turkish robe with him; he seemed confused, and said that he had sold it. The conversation drifted on to ordinary topics; the stranger described some of his recent adventures in Mexico. “Oh!” exclaimed the dressmaker, “they say Eyraud, the murderer, is in Mexico! Did you come across him? Were you in Paris at the time of the murder?” The stranger answered in the negative, but his face betrayed his uneasiness. “Do you know you’re rather like him?” said the woman, in a half-joking way. The stranger laughed, and shortly after went out, saying he would return. He did return on May 15, bringing with him a number of the Republique Illustree that contained an almost unrecognisable portrait of Eyraud. He said he had picked it up in a cafe. “What a blackguard he looks!” he exclaimed as he threw the paper on the table. But the dressmaker’s suspicions were not allayed by the stranger’s uncomplimentary reference to the murderer. As soon as he had gone, she went to the French Consul and told him her story.

By one of those singular coincidences that are inadmissable in fiction or drama, but occur at times in real life, there happened to be in Havana, of all places, a man who had been employed by Eyraud at the time that he had owned a distillery at Sevres. The Consul, on hearing the statement of Mme. Puchen, sent for this man and told him that a person believed to be Eyraud was in Havana. As the man left the Consulate, whom should he meet in the street but Eyraud himself! The fugitive had been watching the movements of Mme. Puchen; he had suspected, after the interview, that the woman would denounce him to the authorities. He now saw that disguise was useless. He greeted his ex-employe, took him into a cafe, there admitted his identity and begged him not to betray him. It was midnight when they left the cafe. Eyraud, repenting of his confidence, and no doubt anxious to rid himself of a dangerous witness, took his friend into an ill-lighted and deserted street; but the friend, conscious of his delicate situation, hailed a passing cab and made off as quickly as he could.

Next day, the 20th, the search for Eyraud was set about in earnest. The Spanish authorities, informed of his presence in Havana, directed the police to spare no effort to lay hands on him. The Hotel Roma, at which he had been staying, was visited; but Eyraud, scenting danger, had gone to an hotel opposite the railway station. His things were packed ready for flight on the following morning. How was he to pass the night? True to his instincts, a house of ill-fame, at which he had been entertained already, seemed the safest and most pleasant refuge; but, when, seedy and shabby, he presented himself at the door, he was sent back into the street. It was past one in the morning. The lonely murderer wandered aimlessly in the streets, restless, nervous, a prey to apprehension, not knowing where to go. Again the man from Sevres met him. “It’s all up with me!” said Eyraud, and disappeared in the darkness. At two in the morning a police officer, who had been patrolling the town in search of the criminal, saw, in the distance, a man walking to and fro, seemingly uncertain which way to turn. Hearing footsteps the man turned round and walked resolutely past the policeman, saying good-night in Spanish. “Who are you? What’s your address?” the officer asked abruptly. “Gorski, Hotel Roma!” was the answer. This was enough for the officer. Eyraud was know[n] to have passed as “Gorski,” the Hotel Roma had already been searched as one of his hiding-places. To seize and handcuff “Gorski” was the work of a moment. An examination of the luggage left by the so-called Gorski at his last hotel and a determined attempt at suicide made by their prisoner during the night proved conclusively that to the Spanish police was the credit of having laid by the heels, ten months after the commission of the crime, Michel Eyraud, one of the assassins of the bailiff Gouffe.

On June 16 Eyraud was delivered over to the French police. He reached France on the 20th, and on July 1 made his first appearance before the examining magistrate.

It will be well at this point in the narrative to describe how Eyraud and Gabrielle Bompard came to be associated together in crime. Gabrielle Bompard was twenty-two years of age at the time of her arrest, the fourth child of a merchant of Lille, a strong, hardworking, respectable man. Her mother, a delicate woman, had died of lung disease when Gabrielle was thirteen. Even as a child lying and vicious, thinking only of men and clothes, Gabrielle, after being expelled as incorrigible from four educational establishments, stayed at a fifth for some three years. There she astonished those in authority over her by her precocious propensity for vice, her treacherous and lying disposition, and a lewdness of tongue rare in one of her age and comparative inexperience. At eighteen she returned to her father’s house, only to quit it for a lover whom, she alleged, had hypnotised and then seduced her. Gabrielle was singularly susceptible to hypnotic suggestion. Her father implored the family doctor to endeavour to persuade her, while in the hypnotic state, to reform her deplorable conduct. The doctor did his best but with no success. He declared Gabrielle to be a neuropath, who had not found in her home such influences as would have tended to overcome her vicious instincts. Perhaps the doctor was inclined to sympathise rather too readily with his patient, if we are to accept the report of those distinguished medical gentlemen who, at a later date, examined carefully into the mental and physical characteristics of Gabrielle Bompard.

This girl of twenty had developed into a supreme instance of the “unmoral” woman, the conscienceless egoist, morally colour-blind, vain, lewd, the intelligence quick and alert but having no influence whatever on conduct. One instance will suffice to show the sinister levity, the utter absence of all moral sense in this strange creature.

After the murder of Gouffe, Gabrielle spent the night alone with the trunk containing the bailiff’s corpse. Asked by M. Goron what were her sensations during this ghastly vigil, she replied with a smile, “You’d never guess what a funny idea come into my head! You see it was not very pleasant for me being thus tete-a-tete with a corpse, I couldn’t sleep. So I thought what fun it would be to go into the street and pick up some respectable gentleman from the provinces. I’d bring him up to the room, and just as he was beginning to enjoy himself say, ‘Would you like to see a bailiff?’ open the trunk suddenly and, before he could recover from his horror, run out into the street and fetch the police. Just think what a fool the respectable gentleman would have looked when the officers came!”

Such callousness is almost unsurpassed in the annals of criminal insensibility. Nero fiddling over burning Rome, Thurtell fresh from the murder of Weare, inviting Hunt, the singer and his accomplice, to “tip them a stave” after supper, Edwards, the Camberwell murderer, reading with gusto to friends the report of a fashionable divorce case, post from the murder of a young married couple and their baby — even examples such as these pale before the levity of the “little demon,” as the French detectives christened Gabrielle.

Such was Gabrielle Bompard when, on July 26, exactly one year to a day before the murder of Gouffe, she met in Paris Michel Eyraud. These two were made for each other. If Gabrielle were unmoral, Eyraud was immoral. Forty-six at the time of Gouffe’s murder, he was sufficiently practised in vice to appreciate and enjoy the flagrantly vicious propensities of the young Gabrielle. All his life Eyraud had spent his substance in debauchery. His passions were violent and at times uncontrollable, but unlike many remarkable men of a similar temperament, this strong animalism was not in his case accompanied by a capacity for vigorous intellectual exertion or a great power of work. “Understand this,” said Eyraud to one of the detectives who brought him back to France, “I have never done any work, and I never will do any work.” To him work was derogatory; better anything than that. Unfortunately it could not be avoided altogether, but with Eyraud such work as he was compelled at different times to endure was only a means for procuring money for his degraded pleasures, and when honest work became too troublesome, dishonesty served in its stead. When he met Gabrielle he was almost at the end of his tether, bankrupt and discredited. At a pinch he might squeeze a little money out of his wife, with whom he continued to live in spite of his open infidelities.

Save for such help as he could get from her small dowry, he was without resources. A deserter from the army during the Mexican War in 1869, he had since then engaged in various commercial enterprises, all of which had failed, chiefly through his own extravagance, violence and dishonesty. Gabrielle was quick to empty his pockets of what little remained in them. The proceeds of her own immorality, which Eyraud was quite ready to share, soon proved insufficient to replenish them. Confronted with ruin, Eyraud and Gompard hit on a plan by which the woman should decoy some would-be admirer to a convenient trysting-place. There, dead or alive, the victim was to be made the means of supplying their wants.

On further reflection dead seemed more expedient than alive, extortion from a living victim too risky an enterprise. Their plans were carefully prepared. Gabrielle was to hire a ground-floor apartment, so that any noise, such as footsteps or the fall of a body, would not be heard by persons living underneath.

At the beginning of July, 1889, Eyraud and Bompard were in London. There they bought at a West End draper’s a red and white silk girdle, and at a shop in Gower Street a large travelling trunk. They bought, also in London, about thirteen feet of cording, a pulley and, on returning to Paris on July 20, some twenty feet of packing-cloth, which Gabrielle, sitting at her window on the fine summer evenings, sewed up into a large bag.

The necessary ground-floor apartment had been found at No. 3 Rue Tronson-Ducoudray. Here Gabrielle installed herself on July 24. The bedroom was convenient for the assassins’ purpose, the bed standing in an alcove separated by curtains from the rest of the room. To the beam forming the crosspiece at the entrance into the alcove Eyraud fixed a pulley. Through the pulley ran a rope, having at one end of it a swivel, so that a man, hiding behind the curtains could, by pulling the rope strongly, haul up anything that might be attached to the swivel at the other end. It was with the help of this simple piece of mechanism and a good long pull from Eyraud that the impecunious couple hoped to refill their pockets.

The victim was chosen on the 25th. Eyraud had already known of Gouffe’s existence, but on that day, Thursday, in a conversation with a common friend, Eyraud learnt that the bailiff Gouffe was rich, that he was in the habit of having considerable sums of money in his care, and that on Friday nights Gouffe made it his habit to sleep from home. There was no time to lose. The next day Gabrielle accosted Gouffe as he was going to his dejeuner and, after some little conversation agreed to meet him at eight o’clock that evening.

The afternoon was spent in preparing for the bailiff’s reception in the Rue Tronson-Ducoudray. A lounge-chair was so arranged that it stood with its back to the alcove, within which the pulley and rope had been fixed by Eyraud. Gouffe was to sit on the chair, Gabrielle on his knee. Gabrielle was then playfully to slip round his neck, in the form of a noose, the cord of her dressing gown and, unseen by him, attach one end of it to the swivel of the rope held by Eyraud. Her accomplice had only to give a strong pull and the bailiff’s course was run.*


Detail view (click for the full four-panel image) of Le Petit Journal‘s illustration of Bompard and Eyraud murdering Gouffe. Via this collection of 1890-91 French news about the crime.

At six o’clock Eyraud and Bompard dined together, after which Eyraud returned to the apartment, whilst Bompard went to meet Gouffe near the Madeline Church. What occurred afterwards at No. 3 Rue Tronson-Ducoudray is best described in the statement made by Eyraud at his trial.

At a quarter past eight there was a ring at the bell. I hid myself behind the curtain. Gouffe came in. ‘You’ve a nice little nest here,’ he said. ‘Yes, a fancy of mine,’ replied Gabrielle, ‘Eyraud knows nothing about it.’ ‘Oh, you’re tired of him,’ asked Gouffe. ‘Yes,’ she replied, ‘that’s all over.’ Gabrielle drew Gouffe down on to the chair. She showed him the cord of her dressing-gown and said that a wealthy admirer had given it to her. ‘Very elegant,’ said Gouffe, ‘but I didn’t come here to see that.’

She then sat on his knee and, as if in play, slipped the cord round his neck; then putting her hand behind him, she fixed the end of the cord into the swivel, and said to him laughingly, ‘What a nice necktie it makes!’ That was the signal.

Eyraud pulled the cord vigorously and, in two minutes, Gouffe had ceased to live.

Eyraud took from the dead man his watch and ring, 150 francs and his keys. With these he hurried to Gouffe’s office and made a fevered search for money. It was fruitless. In his trembling haste the murderer missed a sum of 14,000 francs that was lying behind some papers, and returned, baffled and despairing, to his mistress and the corpse. The crime had been a ghastly failure. Fortified by brandy and champagne, and with the help of the woman, Eyraud stripped the body, put it into the bag that had been sewn by Gabrielle, and pushed the bag into the trunk. Leaving his mistress to spend the night with their hateful luggage, Eyraud returned home and, in his own words, “worn out by the excitement of the day, slept heavily.”

The next day Eyraud, after saying good-bye to his wife and daughter, left with Gabrielle for Lyons. On the 28th they got rid at Millery of the body of Gouffe and the trunk in which it had travelled; his boots and clothes they threw into the sea at Marseilles. There Eyraud borrowed 500 francs from his brother. Gabrielle raised 2,000 francs in Paris, where they spent August 18 and 19, after which they left for England, and from England sailed for America. During their short stay in Paris Eyraud had the audacity to call at the apartment in the Rue Tronson-Ducoudray for his hat, which he had left behind; in the hurry of the crime he had taken away Gouffe’s by mistake.

Eyraud had been brought back to Paris from Cuba at the end of June, 1890. Soon after his return, in the room in which Gouffe had been done to death and in the presence of the examining magistrate, M. Goron, and some fifteen other persons, Eyraud was confronted with his accomplice. Each denied vehemently, with hatred and passion, the other’s story. Neither denied the murder, but each tried to represent the other as the more guilty of the two. Eyraud said that the suggestion and plan of the crime had come from Gabrielle; that she had placed around Gouffe’s neck the cord that throttled him. Gabrielle attributed the inception of the murder to Eyraud, and said that he had strangled the bailiff with his own hands.

Eyraud, since his return, had seemed indifferent to his own fate; whatever it might be, he wished that his mistress should share it. He had no objection to going to the guillotine as long as he was sure that Gabrielle would accompany him. She sought to escape such a consummation by representing herself as a mere instrument in Eyraud’s hands. It was even urged in her defence that, in committing the crime, she had acted under the influence of hypnotic suggestion on the part of her accomplice. Three doctors appointed by the examining magistrate to report on her mental state came unanimously to the conclusion that, though undoubtedly susceptible to hypnotic suggestion, there was no ground for thinking that she had been acting under such influence when she participated in the murder of Gouffe. Intellectually the medical gentlemen found her alert and sane enough, but morally blind.

The trial of Eyraud and Bompard took place before the Paris Assize Court on December 16, 1890. It had been delayed owing to the proceedings of an enterprising journalist. The names of the jurymen who were to be called on to serve at the assize had been published. The journalist conceived the brilliant idea of interviewing some of these gentlemen.

He succeeded in seeing four of them, but in his article which appeared in the Matin newspaper said that he had seen twenty-one. Nine of them, he stated, had declared themselves in favour of Gabrielle Bompard, but in some of these he had discerned a certain “eroticism of the pupil of the eye” to which he attributed their leniency. A month’s imprisonment was the reward of these flights of journalistic imagination.

A further scandal in connection with the trial was caused by the lavish distribution of tickets of admission to all sorts and kinds of persons by the presiding judge, M. Robert, whose occasional levities in the course of the proceedings are melancholy reading. As a result of his indulgence a circular was issued shortly after the trial by M. Fallieres, then Minister of Justice,* limiting the powers of presidents of assize in admitting visitors into the reserved part of the court.

The proceedings at the trial added little to the known facts of the case. Both Eyraud and Bompard continued to endeavour to shift the blame on to each other’s shoulders. A curious feature of the trial was the appearance for the defence of a M. Liegeois, a professor of law at Nancy. To the dismay of the Court, he took advantage of a clause in the Code of Criminal Instruction which permits a witness to give his evidence without interruption, to deliver an address lasting four hours on hypnotic suggestion. He undertook to prove that, not only Gabrielle Bompard, but Troppmann, Madame Weiss, and Gabrielle Fenayrou also, had committed murder under the influence of suggestion.† In replying to this rather fantastic defence, the Procureur-General, M. Quesnay de Beaurepaire, quoted a statement of Dr. Brouardel, the eminent medical jurist who had been called for the prosecution, that “there exists no instance of a crime, or attempted crime committed under the influence of hypnotic suggestion.” As to the influence of Eyraud over Bompard, M. de Beaurepaire said: “The one outstanding fact that has been eternally true for six thousand years is that the stronger will can possess the weaker: that is no peculiar part of the history of hypnotism; it belongs to the history of the world. Dr. Liegeois himself, in coming to this court to-day, has fallen a victim to the suggestion of the young advocate who has persuaded him to come here to air his theories.” The Court wisely declined to allow an attempt to be made to hypnotise the woman Bompard in the presence of her judges, and M. Henri Robert, her advocate, in his appeal to the jury, threw over altogether any idea of hypnotic suggestion, resting his plea on the moral weakness and irresponsibility of his client.

In sheer wickedness there seems little enough to choose between Eyraud and Bompard. But, in asking a verdict without extenuating circumstances against the woman, the Procureur-General was by no means insistent. He could not, he said, ask for less, his duty would not permit it: “But I am ready to confess that my feelings as a man suffer by the duty imposed on me as a magistrate. On one occasion, at the outset of my career, it fell to my lot to ask from a jury the head of a woman. I felt then the same kind of distress of mind I feel to-day. The jury rejected my demand; they accorded extenuating circumstances; though defeated, I left the court a happier man. What are you going to do to-day, gentlemen? It rests with you. What I cannot ask of you, you have the right to accord. But when the supreme moment comes to return your verdict, remember that you have sworn to judge firmly and fearlessly.” The jury accorded extenuating circumstances to the woman, but refused them to the man. After a trial lasting four days Eyraud was sentenced to death, Bompard to twenty years penal servitude.

At first Eyraud appeared to accept his fate with resignation. He wrote to his daughter that he was tired of life, and that his death was the best thing that could happen for her mother and herself. But, as time went on and the efforts of his advocate to obtain a commutation of his sentence held out some hope of reprieve, Eyraud became more reluctant to quit the world.

“There are grounds for a successful appeal,” he wrote, “I am pretty certain that my sentence will be commuted … You ask me what I do? Nothing much. I can’t write; the pens are so bad. I read part of the time, smoke pipes, and sleep a great deal. Sometimes I play cards, and talk a little. I have a room as large as yours at Sevres. I walk up and down it, thinking of you all.”

But his hopes were to be disappointed. The Court of Cassation rejected his appeal. A petition was addressed to President Carnot, but, with a firmness that has not characterised some of his successors in office, he refused to commute the sentence.

On the morning of February 3, 1891, Eyraud noticed that the warders, who usually went off duty at six o’clock, remained at their posts. An hour later the Governor of the Roquette prison entered his cell, and informed him that the time had come for the execution of the sentence. Eyraud received the intelligence quietly. The only excitement he betrayed was a sudden outburst of violent animosity against M. Constans, then Minister of the Interior. Eyraud had been a Boulangist, and so may have nourished some resentment against the Minister who, by his adroitness, had helped to bring about the General’s ruin. Whatever his precise motive, he suddenly exclaimed that M. Constans was his murderer: “It’s he who is having me guillotined; he’s got what he wanted; I suppose now he’ll decorate Gabrielle!” He died with the name of the hated Minister on his lips.

* One writer on the case has suggested that the story of the murder by rope and pulley was invented by Eyraud and Bompard to mitigate the full extent of their guilt, and that the bailiff was strangled while in bed with the woman. But the purchase of the necessary materials in London would seem to imply a more practical motive for the use of rope and pulley. (Irving’s original footnote.)

** Armand Fallieres later became President of France. A staunch foe of the death penalty, he blocked all executions in France from his election in 1906 until 1909. (Executed Today‘s footnote.)

† Moll in his “Hypnotism” (London, 1909) states that, after Gabrielle Bompard’s release M. Liegeois succeeded in putting her into a hypnotic state, in which she re-acted the scene in which the crime was originally suggested to her. The value of such experiments with a woman as mischievous and untruthful as Gabrielle Bompard must be very doubtful. No trustworthy instance seems to be recorded in which a crime has been committed under, or brought about by, hypnotic or post-hypnotic suggestion, though, according to Moll, “the possibility of such a crime cannot be unconditionally denied.” (Irving’s original footnote)

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1905: Elisabeth Wiese, the angel-maker of St. Pauli

On this date in 1905, “baby farmer” Elisabeth Wiese was beheaded in Hamburg.

In a luridly reported case “revolting in the extreme, proving the woman to be a monster of iniquity” Wiese stepped into a quintessential fin de siecle moral panic as a former convict whose larcenous past had forced her trade away from the legitimate field of midwifery towards the more shady precincts of mercenary fostering.

From scandal-averse single mothers in England as well as Germany, she collected children with maintenance fees running to US $1,000 plus a hush-money surcharge tacked on. For this donative, she represented a capacity to distribute these whelps to willing adoptive families: in reality, most of them she disposed of with morphine. (As an added inflammation to public opinion, she had also forced her own illegitimate daughter into prostitution; Paula, whose own infant was among Wiese’s victims, repaid that ill turn by appearing as a witness against her mother.)

When Wiese fell under suspicion, the neighbors’ reports of her kitchen glowing like hellfire and belching revolting stenches led police to the remains of these little ones burnt up in her stove.

Condemned for five murders — it’s thought that the true count must have run much higher — Wiese is known as the “angel-maker of St. Pauli” after the suburb where she plied her trade.

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1801: Four entrapped Jacobins

On this date in 1801, four Jacobins were executed in Paris after Napoleon’s secret police entrapped them into a plot against the First Consul.

After seizing power on the 18th Brumaire (November 9, 1799) the new man on horseback needed to consolidate power against the opposition of both royalist and Jacobin opposition. It would prove to be the case that the latter were the declining force and the royalists were the ones in it for the long haul.

But it had not been many years since the Jacobins were the power in Paris, and Napoleon was a proactive type; his 18th Brumaire coup had been effected on the pretext of a phony Jacobin conspiracy. So instead of just waiting around for the attentats aimed at his person, Napoleon set his police chief — Joseph Fouche, the onetime “Executioner of Lyons” — to spin them up himself by the offices of agents provocateur.

The so-called Conspiration des poignardsConspiracy of Daggers — was one of Fouche’s triumphs.

Here, a police plant named Harel goaded several radicals into kind of supporting (or at least not resisting) his plot to dagger the Corsican at the opera in October 1800. “It was agreed to exaggerate the danger to which it was appropriate to the First Consul to have been exposed,” wrote the French diplomat Bourienne in his memoirs. Harel himself had to distribute the weapons.

Though the daggers conspirators would probably have been happy to see Napoleon dead, they were so little inspired to achieve that death by their own hands that most of them quailed to appear at the scene where the trap would be sprung. They ended up being arrested in their homes.

Four of the seven Jacobins were guillotined on January 30, 1801 (all these links are to French Wikipedia pages):


The Death of Caius Gracchus, by Jacobin artist Francois Topino-Lebrun (1798). The painting’s contemporary allusion was to Gracchus Babeuf, recently executed (after an unsuccessful suicide attempt in the courtroom) for the Conspiracy of Equals.

The artists implicated were both associates of Jacques-Louis David (and the opera being staged was one inspired by David’s The Oath of the Horatii). David had already by this time proved himself a willing lackey of the new regime, but the resulting brush with police scrutiny (David had to testify at the trial) surely underscored to the opportunistic painter that his own revolutionary past could be dropped on his head like Damocles’ sword at any moment Napoleon should choose.

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1793: Antoine Barnave, constitutional monarchist

I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one

Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette
Were French, and famous people, as we know;
And there were others, scarce forgotten yet,
Joubert, Hoche Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

-Lord Byron, Don Juan

On this date, French Revolution orator Antoine Barnave — a founder of the short-lived Feuillants faction — became short-lived himself courtesy of the Paris Terror.

Just one of the side courses when the Revolution devoured its own children, Barnave (English Wikipedia entry | French) was a smart young avocat in the 1780s who distinguished himself at the Parlement of Grenoble.

Avant-garde ideas like political power redistributed to reflect “the new distribution of wealth” were just the sort of revolution that a wealthy lawyer could get behind.

Duly elected at the ripe old age of 27 to France’s watershed (and last) Estates-General of 1789, Barnave was a very early member of the Jacobin Club. You know, before it was cool.

Barnave’s genteel vision of the Revolution transferring the estates of the ancien regime into the mercantile hands of his friends in the bourgeoisie fell spectacularly to pieces in 1791.

That April, Mirabeau died. He was Barnave’s great debating rival in the Jacobin Club, but both men actually represented the same fundamental persuasion: constitutional monarchy. Needless to say, this Revolution was not built to halt at that particular milepost.

Within mere weeks, almost as if the players had been awaiting the literal death of Mirabeau’s moderation, events hurtled past Barnave’s sensibilities. The desperate royal family made its ill-chosen flight to Varennes in June, and the well-regarded Barnave was one of the Constituent Assembly delegates sent to escort Louis XVI back to a Paris now boiling with republican sentiment. Did not the sovereign’s literally attempting to desert from his patrimony entail an abandonment of his station?

In perhaps the pinnacle of Barnave’s rich career in political oratory, he delivered to the National Assembly on July 15 a thundering no to that proposition, challenging his fellow delegates to choose “between attachment to the Constitution and resentment against a man.”

I ask to-day of him among you who may have conceived every kind of prepossession and the deepest and most violent resentment against the executive power — I ask him to tell us whether his anger with that power is greater than his attachment to the law of his country.

Those who would thus sacrifice the Constitution to their resentment against one man seem to me far too liable to sacrifice liberty in their enthusiasm for another; and since they love a republic, now is the time to say to them: How can you wish for a republic in a nation where you hope that the action, easily pardoned after all, of an individual who has much to plead in his justification, that the action of an individual, who though certain qualities of his are now condemned, long possessed the people’s affection — when, I say, you hoped that the deed he has done might change our Government, how was it that you were not afraid that this same variableness of the people, if once they were moved by enthusiasm for a great man, by gratitude for great deeds — because the French nation, you know it, can love much better than it can hate — would overthrow your absurd republic in one day? (Source)

Barnave, to his grief, was entirely clear on what he desired in July of 1791: “all change is fatal now; all prolongation of the Revolution is disastrous now; the real question to my thinking is this, and the national interest is bound up with it; are we going to end the Revolution, or are we going to begin it again?”

His speech carried the motion on July 15th: Louis remained king. Still, the Revolution did not exit into past tense on Barnave’s say-so, and certainly not on so insubstantial a basis as “a resolve to be peaceful, a common resolve, a drawing together.”

He had the applause of the Assembly, which printed his speech for national distribution. But tempestuous debates broke out in Jacobin clubs and other radical circles, and amid intemperate accusations of treasonable conduct by the all-change-is-fatal-now crowd there were oaths sworn never to recognize the kingship of Louis XVI.

On July 17, a huge crowd led by Georges Danton filled the Champs de Mars to petition Louis’s removal. And in response to the Jacobin Club’s announced intention to support this demonstration — which turned into a galvanizing massacre when the Marquis de Lafayette had his national guardsmen fire on the protesters — Barnave with his friends and political allies Adrien Duport and Alexandre Lameth dramatically abandoned the Jacobins and split off the rival Feuillants.

In their day, this so-called “triumvirate” had been the Jacbins’ left wing. By now, they were the the revolution’s conservatives: the monarchists against the republicans, and the guys who liked the Revolution’s existing changes just fine.

“If the Revolution takes one more step, it cannot do so without danger,” Barnave intoned in that July 15 address of his. (Source) “If it is in the direction of liberty, the first act to follow could be the destruction of royalty; if it is in the direction of equality, the first act to follow could be the violation of property … is there still to be destroyed an aristocracy other than that of property?”**

Not everyone found those one-more-steps quite so terrible to contemplate as did the the silver-tongued Grenoble barrister.


Political cartoon of the Janus-faced Barnave — the man of the people in 1789, turned the man of the royal court in 1791.

If we have the luxury from posterity to smile at the notion of the Revolution’s peacably halting itself in 1791, the Feuillants had cause in their moment to think they could pull the trick.

Their move at first dramatically weakened the Jacobins, as the ranks of moderates flocked to Barnave’s prestige and eloquence. The Paris Jacobin Club lost three-quarters of its membership almost overnight, and most of its Assembly deputies. Public sentiment, at least so well as its contemporaries could discern, veered towards Barnave as well, and he was able to finalize the long-awaited Constitution of September 1791 preserving a number of important executive powers for the king’s own person.

The period of governance under that constitution opened with an address by the king that Barnave had written for him; its first few months are the “Feuillant Ministry”. Barnave was the beleaguered royal family’s chief advisor in this period.

But the Feuillant Ministry was crumbling almost from its inception. Its supporting club was founded on abhorrence for the popular politics whose force was still being uncovered in the Revolution; Barnave wanted nothing so much as the end of such societies altogether. So while the monarchists had secretaries exchanging delegated backslaps at private confabs, the reduced Jacobins — now the most passionate rump, helpfully purged of their milquetoast liberals — redoubled themselves under the sway of men like Marat and Robespierre. Barnave’s apparent alignment with the now-constitutional monarch gave legs to the “royalist” charge that was more and more laid at his feet, and Jacobin Clubs soon began receiving as prodigals former members who had found their dalliances with the Feuillants unsatisfactory.

Barnave and his faction came under relentless siege by pamphleteers, journalists, and radical democrats. One wonders if, in the end, Barnave took some cold comfort in having seen an implacable antagonist like Brissot precede him to the guillotine when his own Girondin faction, formerly the fire-eaters, tipped over the Revolution’s starboard bulwarks.

Meanwhile, the impolitic demand emanating from Marie Antoinette’s brother, the Holy Roman Emperor that the French royal family be safeguarded put France on its way to war with Austria, an outcome entirely contrary to not taking one more revolutionary step.

The hounded Barnave retired to Grenoble in January 1792 by which time the constitution he had so diligently promulgated had already virtually ceased to function, and he himself lost influence with both the king and the Assembly. In the months to follow the war tocsin undid his fellow-constitutionalists remaining in Paris. Consigned to the sidelines, their faction was arrested as royalists after the August 10, 1792 overthrow of the Bourbons.

Barnave’s papers were inventoried for hints of treasonable correspondence with the fallen king and queen, but as the curtain had not yet raised on the Terror — and Barnave had not been deported to the prisons of the capital in time for the September Massacres — he had an uncommonly lengthy period of political imprisonment. Barnave exercised this time composing his De la RĂ©volution et de la Constitution (later published as Introduction Ă  la rĂ©volution française), an economic history arguing that the rise of industry and manufacturing had transferred the leading role from France’s aristocrats to her bourgeoisie.

With the onset of the Terror, he was shipped to Paris to face treason charges owing to correspondence with Marie Antoinette, where his famous oratory took its last public turn for an audience that had stopped up its ears.

Finally, citizens, I recall this to you; I might have left France in all safety. Perhaps those who still love me will have reason to lament that I did not do what was so easy for me; but, whatever happens, I shall not have to reproach myself with having challenged the judges of my country, with having cast doubts on their integrity, their justice. I shall be sacrificed perhaps, but I had rather owe my ruin to human error than have pronounced my own condemnation. I shall carry to the scaffold the same calmness which you have seen me show in the debate, and to the last moment I shall pray for the welfare of my country. (Source)

He was beheaded with four other people at the Place de la Revolution on the morning of the very next day.

French speakers might enjoy this public domain book by Jules Gabriel Janin. This post has also quoted several times from Eliza Dorothy Bradby’s 1915 English biography of the man.

* It later emerged that Mirabeau was being paid by the royalist party.

** One of the steps towards equality so troubling to Barnave had been a push among Jacobin radicals to resolve upon the emancipation of black slaves in the colonies. Fretting the loss of, e.g., the lucrative sugar revenues of Saint-Domingue (Haiti), Barnave staunchly opposed this; he was one of the leading lights of the pro-slavery Massiac Club. (French link)

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1793: Madame Roland, éminence grise

(Thanks to Amelia Fedo, a graduate student in French literature, for the guest post.)

On this date in 1793, Manon Roland (née Phlipon)* was guillotined as part of the Girondist purges in the Paris Terror.

As Olympe de Gouges — who preceded her to the guillotine by only a few days — observed, being a woman may have prevented her from holding political power under her own name, but it didn’t stop her from losing her own head.

Born in Paris to a bourgeois engraver, she married up through her alliance with quasi-aristocrat Jean-Marie Roland de la PlatiĂšre. Twenty years her senior, he was chosen by her for his class status and intellect rather than for the love he inspired.

Ambitious from the start, Madame Roland took advantage of her husband’s (and later, her Girondin not-quite-lover François Buzot‘s) engagement in civic life to catapult herself into the role of behind-the-scenes stateswoman. She had been prepared for this role since childhood, when she had voraciously read Rousseau and Plutarch. Unlike Olympe de Gouges, she internalized the idea that women did not belong in politics — yet still she yearned to have an influence on the Republic.

And she did indeed succeed in wielding political power, with enough competence that Robespierre wanted her guillotined at least as much as her husband: everyone knew that she was the real force to be reckoned with.

Her political career was inextricably tied to her husband’s. Unable to hold political office herself, she lived vicariously through him. At first he was a bureaucrat, and she his secretary and personal assistant; but then he became involved in Parisian politics and was eventually appointed Minister of the Interior.

It was his wife who encouraged him to accept the position; for a year now she had been hosting salons frequented by a wide range of political movers and shakers, and she was itching to get in the game.

Monsieur Roland did not have a brilliant career as minister. His wife was the one with the vision and energy (the historian Lucy Moore claims that every good idea he had was hers); although devoted to Republican ideals he remained something of a milquetoast, and was attacked both by the snobby old guard (the lack of buckles on his shoes caused a scandal) and by the extreme left.

Although Madame Roland identified with Robespierre and was a good deal more radical than the Girondins (especially in her feelings about the monarchy), she and her husband were still officially associated with them. As such, they were swept up in Robespierre’s purges.

There were a few pre-Terror false alarms: a warrant was issued for Monsieur Roland’s arrest after the September Massacres, which Danton put the kibosh on; and in 1792, Madame Roland was dragged into court on trumped-up charges of corresponding with Ă©migrĂ©s, but was able to use her oratorical skills to get herself acquitted.

When the Terror began, Monsieur Roland opted to keep his head down in the hopes of keeping it on, and resigned from his post as minister.

It was too late. In May 1793 Madame Roland was arrested again — unaccompanied by her husband, who had managed to escape into hiding.

She was subjected to a show trial like so many before and after her; although she had prepared a defense, she was not allowed to read it. Given that she was accused of “conspiring against the unity and the indivisibility of the Republic and attempting to introduce civil war,” neither her verdict nor her sentence are much of a surprise.

She was preoccupied with her husband (whom she declared would be driven to suicide by her execution), with Buzot (who was in grave danger of suffering her same fate), and with her own legacy. She seized the opportunity to be a martyr like the men she so admired — men who had been able to act in the open, rather than behind the scenes — and took advantage of the free time she had in prison to write her memoirs.

Most sources give similar accounts of her behavior before and during the execution. Content to die for her principles — or, perhaps, simply resolved to make a show of contentment — she maintained great calm and resignation in her final hours. The only favor she asked of anyone was that her childhood friend Sophie Grandchamp wait for her on the Pont-Neuf so that they could see each other when the tumbrel passed.

Influencing people up to the very end, Roland’s last political act was an attempt to impart some of her courage to the man who would share her tumbrel, a forger of assignats named Lamarche.

Lacking the sort of great social narrative that would give meaning to his death (such as a personal feud with Robespierre), Lamarche did not share Roland’s sanguine attitude; he thus found himself the recipient of a performance designed to alter his mood, consisting mostly of jokes, distractions, and modeled behavior. The events surrounding her execution have passed into legend, but various sources agree that she quipped to Lamarche after his hair was cut, “It suits you wonderfully. You have the head of a Roman.”

She also urged the executioner to leave her own hair long enough to serve as a suitable handle — for him to show her head to the crowd, of course.

As much as she detested Danton, it appears she had a few things in common with him after all.

Counterintuitively, it was considered a privilege to be guillotined first; it was merciful, the reasoning went, to kill someone before they could see others die. Roland chose to pass up this “privilege”; most attribute this to her desire to spare Lamarche the sight of her death, but Lucy Moore points out in Liberty: The Lives and Times of Six Women in Revolutionary France that she may have rejected the logic of such a “mercy” altogether and wished to live — like Madame du Barry — even a few moments longer.

After mounting the scaffold, she addressed a statue of Marianne, left over from a festival held in the Place de la RĂ©volution; she is traditionally said to have exclaimed, “O liberty, what crimes are committed in your name!”, although a less reputable source (i.e., the apocryphal Sanson memoirs) assigns her the more prosaic last words, “Oh! Liberty, how they’ve tricked you!”

As she had predicted, her husband committed suicide two days later, falling on his sword as soon as he learned of her fate.

*This is only one of many names she has been called; SiĂąn Reynolds explains in Marriage and Revolution: Monsieur and Madame Roland that “Manon” is a childhood name, and her adult name remains mysterious; it was either “Marie,” “Jeanne,” or “Marie-Jeanne.”

A few books about Madame Roland

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1877: Leon Vitalis, inamorato

(Thanks to Harry Brodribb Irving for the guest post, originally published in his Book of Remarkable Criminals. Some formatting has been adjusted for readability. -ed.)

In the May of 1874, in the town of Montpellier, M. Boyer, a retired merchant, some forty-six years of age, lay dying. For some months previous to his death he had been confined to his bed, crippled by rheumatic gout. As the hour of his death drew near, M. Boyer was filled with a great longing to see his daughter, Marie, a girl of fifteen, and embrace her for the last time. The girl was being educated in a convent at Marseilles. One of M. Boyer’s friends offered to go there to fetch her. On arriving at the convent, he was told that Marie had become greatly attracted by the prospect of a religious life. “You are happy,” the Mother Superior had written to her mother, “very happy never to have allowed the impure breath of the world to have soiled this little flower. She loves you and her father more than one can say.”

Her father’s friend found the girl dressed in the costume of a novice, and was told that she had expressed her desire to take, one day, her final vows. He informed Marie of her father’s dying state, of his earnest wish to see her for the last time, and told her that he had come to take her to his bedside. “Take me away from here?” she exclaimed. The Mother Superior, surprised at her apparent reluctance to go, impressed on her the duty of acceding to her father’s wish. To the astonishment of both, Marie refused to leave the convent. If she could save her father’s life, she said, she would go, but, as that was impossible and she dreaded going out into the world again, she would stay and pray for her father in the chapel of the convent, where her prayers would be quite as effective as by his bedside. In vain the friend and the Mother Superior tried to bend her resolution.

Happily M. Boyer died before he could learn of his daughter’s singular refusal. But it had made an unfavourable impression on the friend’s mind. He looked on Marie as a girl without real feeling, an egoist, her religion purely superficial, hiding a cold and selfish disposition; he felt some doubt as to the future development of her character.

M. Boyer left a widow, a dark handsome woman, forty years of age.

Some twenty years before his death, Marie Salat had come to live with M. Boyer as a domestic servant. He fell in love with her, she became his mistress, and a few months before the birth of Marie, M. Boyer made her his wife. Madame Boyer was at heart a woman of ardent and voluptuous passions that only wanted opportunity to become careless in their gratification. Her husband’s long illness gave her such an opportunity. At the time of his death she was carrying on an intrigue with a bookseller’s assistant, Leon Vitalis, a young man of twenty-one. Her bed-ridden husband, ignorant of her infidelity, accepted gratefully the help of Vitalis, whom his wife described as a relative, in the regulation of his affairs. At length the unsuspecting Boyer died. The night of his death Madame Boyer spent with her lover.

The mother had never felt any great affection for her only child.

During her husband’s lifetime she was glad to have Marie out of the way at the convent. But the death of M. Boyer changed the situation. He had left almost the whole of his fortune, about 100,000 francs, to his daughter, appointing her mother her legal guardian with a right to the enjoyment of the income on the capital until Marie should come of age. Madame Boyer had not hitherto taken her daughter’s religious devotion very seriously. But now that the greater part of her husband’s fortune was left to Marie, she realised that, should her daughter persist in her intention of taking the veil, that fortune would in a very few years pass into the hands of the sisterhood. Without delay Madame Boyer exercised her authority, and withdrew Marie from the convent. The girl quitted it with every demonstration of genuine regret.

Marie Boyer when she left the convent was growing into a tall and attractive woman, her figure slight and elegant, her hair and eyes dark, dainty and charming in her manner. Removed from the influences of convent life, her religious devotion became a thing of the past. In her new surroundings she gave herself up to the enjoyments of music and the theatre. She realised that she was a pretty girl, whose beauty well repaid the hours she now spent in the adornment of her person.

The charms of Marie were not lost on Leon Vitalis.

Mean and significant in appearance, Vitalis would seem to have been one of those men who, without any great physical recommendation, have the knack of making themselves attractive to women. After her husband’s death Madame Boyer had yielded herself completely to his influence and her own undoubted passion for him. She had given him the money with which to purchase a business of his own as a second-hand bookseller. This trade the enterprising and greedy young man combined with money-lending and he clandestine sale of improper books and photographs.

To such a man the coming of Marie Boyer was a significant event. She was younger, more attractive than her mother; in a very few years the whole of her father’s fortune would be hers. Slowly Vitalis set himself to win the girl’s affections. The mother’s suspicions were aroused; her jealousy was excited. She sent Marie to complete her education at a convent school in Lyons. This was in the April of 1875. By this time Marie and Vitalis had become friendly enough to arrange to correspond clandestinely during the girl’s absence from home. Marie was so far ignorant of the relations of Vitalis with her mother.

Her daughter sent away, Madame Boyer surrendered herself with complete abandonment to her passion for her lover. At Castelnau, close to Montpellier, she bought a small country house. There she could give full rein to her desire.

To the scandal of the occasional passer-by she and her lover would bathe in a stream that passed through the property, and sport together on the grass. Indoors there were always books from Vitalis’ collection to stimulate their lascivious appetites. This life of pastoral impropriety lasted until the middle of August, when Marie Boyer came home from Lyons.

Vitalis would have concealed from the young girl as long as he could the nature of his relations with Madame Boyer, but his mistress by her own deliberate conduct made all concealment impossible. Whether from the utter recklessness of her passion for Vitalis, or a desire to kill in her daughter’s heart any attachment which she may have felt towards her lover, the mother paraded openly before her daughter the intimacy of her relations with Vitalis, and with the help of the literature with which the young bookseller supplied her, set about corrupting her child’s mind to her own depraved level.

The effect of her extraordinary conduct was, however, the opposite to what she had intended. The mind of the young girl was corrupted; she was familiarised with vice. But in her heart she did not blame Vitalis for what she saw and suffered; she pitied, she excused him. It was her mother whom she grew to hate, with a hate all the more determined for the cold passionless exterior beneath which it was concealed.

Madame Boyer’s deliberate display of her passion for Vitalis served only to aggravate and intensify in Marie Boyer an unnatural jealousy that was fast growing up between mother and daughter.

Marie did not return to the school at Lyons. In the winter of 1875, Madame Boyer gave up the country house and, with her daughter, settled in one of the suburbs of Montpellier. In the January of 1876 a theft occurred in her household which obliged Madame Boyer to communicate with the police. Spendthrift and incompetent in the management of her affairs, she was hoarding and suspicious about money itself. Cash and bonds she would hide away in unexpected places, such as books, dresses, even a soup tureen.

One of her most ingenious hiding places was a portrait of her late husband, behind which she concealed some bearer bonds in landed security, amounting to about 11,000 francs. One day in January these bonds disappeared. She suspected a theft, and informed the police. Three days later she withdrew her complaint, and no more was heard of the matter. As Marie and Vitalis were the only persons who could have known her secret, the inference is obvious.

When, later in the year, Vitalis announced his intention of going to Paris on business, his mistress expressed to him the hope that he would “have a good time” with her bonds. Vitalis left for Paris. But there was now a distinct understanding between Marie and himself. Vitalis had declared himself her lover and asked her to marry him. The following letter, written to him by Marie Boyer in the October of 1876, shows her attitude toward his proposal:

I thank you very sincerely for your letter, which has given me very great-pleasure, because it tells me that you are well. It sets my mind at rest, for my feelings towards you are the same as ever. I don’t say they are those of love, for I don’t know myself; I don’t know what such feelings are. But I feel a real affection for you which may well turn to love. How should I not hold in affectionate remembrance one who has done everything for me? But love does not come to order. So I can’t and don’t wish to give any positive answer about our marriage — all depends on circumstances. I don’t want any promise from you, I want you to be as free as I am. I am not fickle, you know me well enough for that. So don’t ask me to give you any promise. You may find my letter a little cold. But I know too much of life to pledge myself lightly. I assure you I think on it often. Sometimes I blush when I think what marriage means.

Madame Boyer, displeased at the theft, had let her lover go without any great reluctance. No sooner had he gone than she began to miss him. Life seemed dull without him. Mother and daughter were united at least in their common regret at the absence of the young bookseller.

To vary the monotony of existence, to find if possible a husband for her daughter, Madame Boyer decided to leave Montpellier for Marseilles, and there start some kind of business. The daughter, who foresaw greater amusement and pleasure in the life of a large city, assented willingly. On October 6, 1876, they arrived at Marseilles, and soon after Madame bought at a price considerably higher than their value, two shops adjoining one another in the Rue de la Republique. One was a cheese shop, the other a milliner’s.

The mother arranged that she should look after the cheese shop, while her daughter presided over the milliner’s. The two shops were next door to one another. Behind the milliner’s was a drawing-room, behind the cheese shop a kitchen; these two rooms communicated with each other by a large dark room at the back of the building. In the kitchen was a trap-door leading to a cellar. The two women shared a bedroom in an adjoining house.

Vitalis had opposed the scheme of his mistress to start shop-keeping in Marseilles. He knew how unfitted she was to undertake a business of any kind. But neither mother nor daughter would relinquish the plan. It remained therefore to make the best of it.

Vitalis saw that he must get the business into his own hands; and to do that, to obtain full control of Madame Boyer’s affairs, he must continue to play the lover to her. To the satisfaction of the two women, he announced his intention of coming to Marseilles in the New Year of 1877. It was arranged that he should pass as a nephew of Madame Boyer, the cousin of Marie. He arrived at Marseilles on January 1, and received a cordial welcome.

Of the domestic arrangements that ensued, it is sufficient to say that they were calculated to whet the jealousy and inflame the hatred that Marie felt towards her mother, who now persisted as before in parading before her daughter the intimacy of her relations with Vitalis.

In these circumstances Vitalis succeeded in extracting from his mistress a power of attorney, giving him authority to deal with her affairs and sell the two businesses, which were turning out unprofitable. This done, he told Marie, whose growing attachment to him, strange as it may seem, had turned to love, that now at last they could be free. He would sell the two shops, and with the money released by the sale they could go away together.

Suddenly Madame Boyer fell ill, and was confined to her bed. Left to themselves, the growing passion of Marie Boyer for Vitalis culminated in her surrender. But for the sick mother the happiness of the lovers was complete. If only her illness were more serious, more likely to be fatal in its result! “If only God would take her!” said Vitalis. “Yes,” replied her daughter, “she has caused us so much suffering!”

To Madame Boyer her illness had brought hours of torment, and at last remorse.

She realised the duplicity of her lover, she knew that he meant to desert her for her daughter, she saw what wrong she had done that daughter, she suspected even that Marie and Vitalis were poisoning her. Irreligious till now, her thoughts turned to religion. As soon as she could leave her bed she would go to Mass and make atonement for her sin; she would recover her power of attorney, get rid of Vitalis for good and all, and send her daughter back to a convent.

But it was too late. Nemesis was swift to overtake the hapless woman. Try as he might, Vitalis had found it impossible to sell the shops at anything but a worthless figure. He had no money of his own, with which to take Marie away. He knew that her mother had resolved on his instant dismissal.

As soon as Madame Boyer was recovered sufficiently to leave her bed, she turned on her former lover, denounced his treachery, accused him of robbing and swindling her, and bade him go without delay.

To Vitalis dismissal meant ruin, to Marie it meant the loss of her lover. During her illness the two young people had wished Madame Boyer dead, but she had recovered. Providence or Nature having refused to assist Vitalis, he resolved to fall back on art. He gave up a whole night’s rest to the consideration of the question.

As a result of his deliberations he suggested to the girl of seventeen the murder of her mother. “This must end,” said Vitalis. “Yes, it must,” replied Marie. Vitalis asked her if she had any objection to such a crime. Marie hesitated, the victim was her mother. Vitalis reminded her what sort of a mother she had been to her. The girl said that she was terrified at the sight of blood; Vitalis promised that her mother should be strangled. At length Marie consented. That night on some slight pretext Madame Boyer broke out into violent reproaches against her daughter. She little knew that every reproach she uttered served only to harden in her daughter’s heart her unnatural resolve.

On the morning of March 19 Madame Boyer rose early to go to Mass.

Before she went out, she reminded Vitalis that this was his last day in her service, that when she returned she would expect to find him gone.

It was after seven when she left the house. The lovers had no time to lose; the deed must be done immediately on the mother’s return. They arranged that Vitalis should get rid of the shop-boy, and that, as soon as he had gone, Marie should shut and lock the front doors of the two shops.

At one o’clock Madame Boyer came back. She expressed her astonishment and disgust that Vitalis still lingered, and threatened to send for the police to turn him out. Vitalis told the shop-boy that he could go away for a few hours; they had some family affairs to settle. The boy departed. Madame Boyer, tired after her long morning in the town, was resting on a sofa in the sitting-room, at the back of the milliner’s shop. Vitalis entered the room, and after a few heated words, struck her a violent blow in the chest. She fell back on the sofa, calling to her daughter to come to her assistance. The daughter sought to drown her mother’s cries by banging the doors, and opening and shutting drawers. Vitalis, who was now trying to throttle his victim, called to Marie to shut the front doors of the two shops.

To do so Marie had to pass through the sitting-room, and was a witness to the unsuccessful efforts of Vitalis to strangle her mother. Having closed the doors, she retired into the milliner’s shop to await the issue. After a few moments her lover called to her for the large cheese knife; he had caught up a kitchen knife, but in his struggles it had slipped from his grasp. Quickly Marie fetched the knife and returned to the sitting-room.

There a desperate struggle was taking place between the man and woman. At one moment it seemed as if Madame Boyer would get the better of Vitalis, whom nature had not endowed greatly for work of this kind. Marie came to his aid. She kicked and beat her mother, until at last the wretched creature released her hold and sank back exhausted. With the cheese knife, which her daughter had fetched, Vitalis killed Madame Boyer.

They were murderers now, the young lovers. What to do with the body? The boy would be coming back soon. The cellar under the kitchen seemed the obvious place of concealment. With the help of a cord the body was lowered into the cellar, and Marie washed the floor of the sitting-room. The boy came back. He asked where Madame Boyer was. Vitalis told him that she was getting ready to return to Montpellier the same evening, and that he had arranged to go with her, but that he had no intention of doing so; he would accompany her to the station, he said, and then at the last moment, just as the train was starting, slip away and let her go on her journey alone. To the boy, who knew enough of the inner history of the household to enjoy the piquancy of the situation, such a trick seemed quite amusing. He went away picturing in his mind the scene at the railway station and its humorous possibilities.

At seven o’clock Vitalis and Marie Boyer were alone once more with the murdered woman. They had the whole night before them.

Vitalis had already considered the matter of the disposal of the body. He had bought a pick and spade. He intended to bury his former mistress in the soil under the cellar. After that had been done, he and Marie would sell the business for what it would fetch, and go to Brussels — an admirable plan, which two unforeseen circumstances defeated. The Rue de la Republique was built on a rock, blasted out for the purpose. The shop-boy had gone to the station that evening to enjoy the joke which, he believed, was to be played on his mistress.

When Vitalis tried to dig a grave into the ground beneath the cellar he realised the full horror of the disappointment. What was to be done? They must throw the body into the sea. But how to get it there?

The crime of Billoir, an old soldier, who the year before in Paris had killed his mistress in a fit of anger and cut up her body, was fresh in the recollection of Vitalis. The guilty couple decided to dismember the body of Madame Boyer and so disfigure her face as to render it unrecognisable. In the presence of Marie, Vitalis did this, and the two lovers set out at midnight to discover some place convenient for the reception of the remains. They found the harbour too busy for their purpose, and decided to wait until the morrow, when they would go farther afield. They returned home and retired for the night, occupying the bed in which Madame Boyer had slept the night before.

On the morning of the 20th the lovers rose early, and a curious neighbour, looking through the keyhole, saw them counting joyously money and valuables, as they took them from Madame Boyer’s cash-box. When the shop-boy arrived, he asked Vitalis for news of Madame Boyer. Vitalis told him that he had gone with her to the station, that she had taken the train to Montpellier, and that, in accordance with his plan, he had given her the slip just as the train was starting. This the boy knew to be false: he had been to the station himself to enjoy the fun, and had seen neither Vitalis nor Madame Boyer. He began to suspect some mystery.

In the evening, when the shops had been closed, and he had been sent about his business, he waited and watched. In a short time he saw Vitalis and Marie Boyer leave the house, the former dragging a hand-cart containing two large parcels, while Marie walked by his side. They travelled some distance with their burden, leaving the city behind them, hoping to find some deserted spot along the coast where they could conceal the evidence of their crime. Their nerves were shaken by meeting with a custom-house officer, who asked them what it was they had in the cart. Vitalis answered that it was a traveller’s luggage, and the officer let them pass on. But soon after, afraid to risk another such experience, the guilty couple turned out the parcels into a ditch, covered them with stones and sand, and hurried home.

The next day, the shop-boy and the inquisitive neighbour having consulted together, went to the Commissary of Police and told him of the mysterious disappearance of Madame Boyer. The Commissary promised to investigate the matter, and had just dismissed his informants when word was brought to him of the discovery, in a ditch outside Marseilles, of two parcels containing human remains. He called back the boy and took him to view the body at the Morgue. The boy was able, by the clothes, to identify the body as that of his late mistress.

The Commissary went straight to the shops in the Rue de la Republique, where he found the young lovers preparing for flight. At first they denied all knowledge of the crime, and said that Madame Boyer had gone to Montpellier. They were arrested, and it was not long before they both confessed their guilt to the examining magistrate.

Vitalis and Marie Boyer were tried before the Assize Court at Aix on July 2, 1877. Vitalis is described as mean and insignificant in appearance, thin, round-backed, of a bilious complexion; Marie Boyer as a pretty, dark girl, her features cold in expression, dainty and elegant. At her trial she seemed to be still so greatly under the influence of Vitalis that during her interrogatory the President sent him out of court. To the examining magistrate Marie Boyer, in describing her mother’s murder, had written, “I cannot think how I came to take part in it. I, who wouldn’t have stayed in the presence of a corpse for all the money in the world.”

Vitalis was condemned to death, and was executed on August 17. He died fearful and penitent, acknowledging his miserable career to be a warning to misguided youth. Extenuating circumstances were accorded to Marie Boyer, and she was sentenced to penal servitude for life. Her conduct in prison was so repentant and exemplary that she was released in 1892.

M. [Louis] Proal, a distinguished French judge, and the author of some important works on crime, acted as the examining magistrate in the case of Vitalis and Marie Boyer. He thus sums up his impression of the two criminals:

Here is an instance of how greed and baseness on the one side, lust and jealousy on the other, bring about by degrees a change in the characters of criminals, and, after some hesitation, the suggestion and accomplishment of parricide, Is it necessary to seek an explanation of the crime in any psychic abnormality which is negatived to all appearances by the antecedents of the guilty pair? Is it necessary to ask it of anatomy or physiology? Is not the crime the result of moral degradation gradually asserting itself in two individuals, whose moral and intellectual faculties are the same as those of other men, but who fall, step by step, into vice and crime? It is by a succession of wrongful acts that a man first reaches the frontier of crime and then at length crosses it.

On this day..

1943: Red Orchestra members, in the Nazi Paradise

From 7 to 8 p.m. on the evening of August 5, 1943 the Fallbeil at Plotzensee Prison destroyed 17 members of the Berlin Red Orchestra resistance circle.

We have touched previously on Die Rote Kapelle in the context of the first 11 executions that claimed its leadership on December 22, 1942.

But the Gestapo had a much wider network than that to break up; ultimately, there would be nearly 50 death sentences associated with Red Orchestra, for activities ranging from outright espionage to merely dissident leafletting, and other rounds of executions had taken place over the preceding months.

The executions this date were more of the sad same, and noteworthy for some sincere and ordinary citizens so sympathetic that even the Reich Military Court recommended mercy for some. Adolf Hitler refused it across the board. The victims, predominantly women who had been moved to Plotzensee for execution that very morning, included

  • Cato Bontjes van Beek, an idealistic 22-year-old ceramicist.
  • Liane Berkowitz. Two days short of her 20th birthday when she was beheaded, Berkowitz had given birth to a child while awaiting execution.
  • Eva-Maria Buch, who translated propaganda leaflets destined for illicit distribution to the forced laborers employed in German munitions factories.
  • Else Imme, an anti-fascist whose sister had emigrated to the Soviet Union.
  • Ingeborg Kummerow.
  • Anna Krauss, a 58-year-old businesswoman.
  • Klara Schabbel, a Comintern agent who in her youth had fought against the French occupation of the Ruhr after World War I.
  • Rose Schlosinger.
  • Oda Schottmuller, a dancer and sculptor who used her arts-related trips to act as a courier.
  • Writer Adam Kuckhoff. His widow Greta would go on to head the East German central bank.
  • Emil Hubner, an 81-year-old retiree, along with his daughter Frida Wesolek and her husband Stanislaus.

Besides the above, at least three others among the condemned in this group paid with their lives for an arts activism attack on Das Sowjetparadies (The Soviet Paradise), a Reich exhibition in May-June 1942 that used photographs and captured artifacts from the war’s eastern front to depict “poverty, squalor and misery” in the USSR. This associated propaganda film gives a taste of the vibe:

The Orchestra orchestrated an “attack” littering the exhibition with counter-propaganda


“Permanent Exhibition
The NAZI PARADISE
War Hunger Lies Gestapo
How much longer?”

This act of wehrkraftzersetzung was a factor in the sentences of —

  • Hilde Coppi, one of the circle’s principal members and the wife of the previously executed Hans Coppi. Like Liane Berkowitz, she was spared the first rounds of executions to bear and nurse her child.
  • Maria Terwiel, a Catholic barrister with a Jewish mother.
  • Ursula Goetze.

On this day..