1471: Edward of Westminster, Prince of Wales, after the Battle of Tewkesbury

May 4, 1471 was the date of one of England’s most pivotal battles, Tewkesbury.

Tewkesbury was the last great victory in the War of the Roses for the House of York, and it must have seemed to contemporaries like the last victory Yorkists would ever need. The “kingmaker” Warwick was dead from a previous battle that April; the Lancastrian claimant Henry VI was imprisoned by the Yorkists, who would murder him before the month was out; and Henry’s heir apparent, the 17-year-old Prince of Wales, was put to death immediately after Tewkesbury.

Young Edward of Westminster had been stewing these past several years — until the aforementioned Kingmaker swung to his side — in exile in France, trying to finagle a way to rally the Lancastrian cause. Like many a teenager he was prone to nursing bilious fantasies of revenging himself on people, as the Milanese ambassador wrote in 1467.

This boy, though only thirteen years of age, already talks of nothing but of cutting off heads* or making war, as if he had everything in his hands or was the god of battle or the peaceful occupant of that throne.

“Peace” would not be the watchword of the abortive Lancastrian restoration attempt.

Shortly after returning to England, Edward had word of Warwick’s defeat. But having taken the trouble to come all this way from France, he still plowed ahead into the desperate stand at Tewkesbury. Edward had no experience at all in battlefield command.

When the Lancastrian lines broke at Tewkesbury, a disordered rout fled towards nearby Tewkesbury Abbey. The nobles who reached it would hole up there claiming the privilege of sanctuary … for just two days, at which point the victorious Yorkist King Edward IV had them arrested and put to swift execution, sanctuary be damned. (The abbey had to close to re-purify.)

Prince Edward didn’t even make it that long. There are varying accounts of his death at Tewkesbury suggesting a summary execution scenario of some kind.

In one version, the Duke of Clarence overtook him in flight. Clarence having himself briefly supported the rebellion before he returned to the Yorkist side, he’s supposed to have immediately beheaded the youth in a paroxysm of demonstrative loyalty.

Alternatively,

Prince Edward was taken as he fled towards the towne, by Sir Richard Crofts, and kept close … After the field was ended, proclamation was made, that whosoever could bring forth prince Edward alive or dead, should have an annuity of a hundred pounds during his life, and the princes life to be saved, if he were brought forth alive. Sir Richard Crofts, nothing mistrusting the kings promise, brought forth his prisoner prince Edward, being a faire and well proportioned young gentleman; whom when king Edward had well advised, he demanded of him, how he durst so presumptuously enter into his realm with banner displayed.

Whereunto the prince boldly answered, saying; “To recover my fathers kingdom and heritage, from his father and grandfather to him and from him after him to me lineally descended.” At which words king Edward said nothing, but with his hand thrust him from him, or (as some say) stroke him with his gauntlet; whom incontinently, George duke of Clarence, Richard duke of Gloucester, Thomas Grey marquess Dorset,** and William lord Hastings that stood by, suddenly murdered: for the which cruel act, the more part of the doers in their latter days drank of the like cup, by the righteous justice and due punishment of God.

Shakespeare dramatized this (considerably more dramatic — if admittedly less execution-like) version in Henry VI, Part 3.

Lancaster’s very dim (circa 1471) fortunes would ultimately be rescued in the 1480s by the grandson of a beheaded Welsh courtier — who won the throne as Henry VII and founded the Tudor dynasty.

* Edward as a seven-year-old was alleged to have been given the authority by his mother to decide what fate should befall the knights who had not successfully protected Henry VI from capture. Edward decreed their beheading.

** Ancestor of Lady Jane Grey.

On this day..

1574: Joseph Boniface de La Mole, La Reine Margot’s lover

On this date in 1574, nobleman Joseph Boniface de La Mole was beheaded in Paris for a supposed plot against the king.

As the year would imply, La Mole was a casualty of France’s decades-long Wars of Religion.

Two years prior, in an attempt to cement an unsteady peace, the king’s sister Marguerite de Valois had been married off to the Protestant Henri of Navarre. As Paris teemed with Huguenots in town to celebrate the nuptials, the Catholic party sprang the infamous St. Bartholomew’s Day Massacre.

As if things weren’t awkward enough with the in-laws, Henri was now made to live at the royal court, feigning conversion to Catholicism. His relationship with Marguerite went off to a rocky start; both took other lovers.

Joseph Boniface de La Mole (English Wikipedia entry | French) was one of Marguerite’s. You’ll find this adulterous couple steaming up the screen in the 1994 film La Reine Margot, which is based on a Dumas novel of the same title.


In real life, La Mole was 27 years Marguerite’s senior.

Meanwhile, civil strife ebbed and flowed.

Desperate to escape his gilded cage, Henri in 1574 was part of a Protestant coup attempt that boldly aimed to seize the sickly King Charles IX and his mother Catherine de’ Medici at Saint-Germain.

The conspiracy failed, but its principals — including not only our Henri, but also the King’s Protestant-friendly brother the Duke of Alencon, and the Duke of Montmorency* — were too august for severe punishment. Catherine de’ Medici, whose children kept dying on her (Charles IX would do likewise in May of 1574), was desperately trying to navigate the civil war with a Valois heir in place who had enough political support to rule; going all-in with the realm’s Catholic ultras (most characteristically represented by the House of Guise, which wanted Henri beheaded for this treason) would have permanently alienated all the Huguenots.

The likes of La Mole, however, were not so safe.

He and one Annibal de Coconnas, members of the court’s Huguenot circle who “had nothing of the divinity that hedged the princes of the blood,” were seized on April 8 and interrogated for an alleged scheme to murder the sovereign — possibly at the instigation of the Guises, trying to implicate through this pair the more powerful Huguenot lords.

After the inevitable blade fell on them, Marguerite supposedly kept her former lover’s severed head in a jeweled box. But the nobleman had at least the consolation of a rich literary afterlife. Besides the Dumas novel aforementioned, the La Mole family — our man’s supposed descendants — feature prominently in Stendhal’s The Red and the Black.

‘Let us take a turn in the garden,’ said the Academician, delighted to see this chance of delivering a long and formal speech. ‘What! Is it really possible that you do not know what happened on the 30th of April, 1574?’ ‘Where?’ asked Julien, in surprise. ‘On the Place de Greve.’ Julien was so surprised that this name did not enlighten him. His curiosity, the prospect of a tragic interest, so attuned to his nature, gave him those sparkling eyes which a story-teller so loves to see in his audience. The Academician, delighted to find a virgin ear, related at full length to Julien how, on the 30th of April, 1574, the handsomest young man of his age, Boniface de La Mole, and Annibal de Coconasso, a Piedmontese gentleman, his friend, had been beheaded on the Place de Greve. ‘La Mole was the adored lover of Queen Marguerite of Navarre; and observe,’ the Academician added, ‘that Mademoiselle de La Mole is named Mathilde-Marguerite. La Mole was at the same time the favourite of the Duc d’Alencon and an intimate friend of the King of Navarre, afterwards Henri IV, the husband of his mistress. On Shrove Tuesday in this year, 1574, the Court happened to be at Saint-Germain, with the unfortunate King Charles IX, who was on his deathbed. La Mole wished to carry off the Princes, his friends, whom Queen Catherine de’ Medici was keeping as prisoners with the Court. He brought up two hundred horsemen under the walls of Saint-Germain, the Due d’Alencon took fright, and La Mole was sent to the scaffold.

In Stendhal’s novel, it is Julien’s sexual conquest of the pretty young Mathilde de La Mole that sets in motion Julien’s ruin and execution.

Joseph Boniface de La Mole’s lover fared far better than that of his fictional descendant. Henri would eventually make his escape after all, and through fortune and intrepidity made Marguerite the Queen of all France** when he decided at last that Paris was worth a Mass.

* The man in our story was the second Duke of Montmorency; his nephew, the fourth duke, was beheaded in 1632.

** The marriage was never comfortable, and Henri and Marguerite continued to live and love separately until they finally annulled the union in 1599.

On this day..

1784: Angelo Duca, primitive rebel

On this date in 1784, Italian bandit-hero Angelo Duca was hanged at Salerno.

“Angiolillo” haunted the Basilicata region, which surmounts the arch between the “toe” and the “heel” of southern Italy’s boot.

His biography, hopelessly intertwined with folklore, holds that he abandoned farming over the oppression of the overweening Duke of Martina — just like any self-respecting social bandit.

Soon a gang of about 20 Italic outlaws had flown to his camp and naturally they “gave alms, bought grain, endowed the dowries of poor girls,” and generally forcibly redistributed some small portion of the rentier class’s gorgings to the poor whose care ought to have been a noble lord’s concern.

As the 18th century came to a close, revolutionaries with steel souls and guillotines would come to dominate the narrative of resistance. But they never completely usurped the romance of the road, especially in rural parts like Angiolillo’s. Eric Hobsbawm informs us that “in the Capitanata under Joachim Murat there were something like seventy [robber] bands, in the Basilicata of the early [eighteen] sixties thirty-nine, in Apulia some thirty.”

Primitive Rebels is the title of the volume we’re quoting here, an antecedent to Hobsbawm’s classic Bandits. In Primitive Rebels the late godfather of the social bandit concept situates these bands and their susceptibility to popular mythologizing as “an endemic peasant protest against oppression and poverty: a cry for vengeance on the rich and the oppressors, a vague dream of some curb upon them, a righting of individual wrongs.”

The eternally seductive dream of righting the injuries of an unjust world by the manly exertions of gold-hearted thieves and knights of the road unfortunately for our principal (and no small number of his fellows) arrives with its own fatal paradox. Social bandits want a better king, not a headless king, but in this they also concede the crown the powers its malice abuses. A king will get the best of a desperado sooner or later.

Upon his own capture, Duca was hauled directly to the Bourbon ruler King Ferdinand. Ferdinand did not experience a cathartic reawakening on account of his prisoner’s implied critique; instead, he simply ordered the nettlesome brigand’s immediate beheading, sans judicial procedure, after which the corpse was torn limb from limb for public exhibition.

On this day..

1683: Yaoya Oshichi, fire horse

On this date in 1683,* Yaoya Oshichi gave her life for her red-hot love … and the want of a little white lie.

The greengrocer’s daughter Oshichi (English Wikipedia page | Japanese) legendarily fell in love with a priest of the nearby temple while taking refuge there during one of Edo’s many fires (Japanese link), and in a truly adolescent outburst proceeded to start another fire in the hopes of meeting him again. (Alternate version: it was Oshichi’s gesture that actually started the linked conflagration.)

As a 16-year-old, Oshichi was just barely eligible to suffer the full weight of the law for a capital crime.

In an age of scanty documentation, however, the pitying magistrate (Japanese link) hearing her case is supposed to have asked her in a hinting sort of way, “you’re 15, right?”

Either not catching his drift or else honest to a fault, Oshichi replied that, no, she was 16, thank you very much, and reiterated the point when it was followed-up … thus dooming herself to the stake.


Yaoya Oshichi’s execution.

A few years after this outstandingly tragic demise, poet Ihara Saikaku popularized the tale in his Five Women Who Loved. She’s been waxing immortal ever since in every manner of artistic interpretation, and remains a popular figure for joruri and bunraku and kabuki.

(When next in Tokyo, pay your own respects at her tomb.)

Meanwhile, Yaoya Oshichi’s apparent birth in the zodiacal “fire horse” year of 1666 — fire horses are supposed to be an especially passionate, impulsive bunch — followed by her unfortunate fiery end helps make such cycles superstitiously inauspicious for prospective parents, especially prospective parents of girls.

The year of a fire horse only rolls around once every six decades; in the last one, in 1966, Japanese “fertility dropped by over 25%;” even “the fertility rate of Japanese Americans in California and Hawaii also dropped by 3.3% and 1.8%, respectively, in the same year.”** The abortion rate in Japan for that one year spiked nearly 50% above expected without any other apparent cause.† It’s something to watch for when the next batch of little fire horses are due, in 2026.

* “The 29th day of the 3rd month” is widely cited as “March 29”, but it actually appears to refer to the 29th day of the 3rd month of the third year of the “Heaven’s Blessing” era. That third month spanned the Gregorian dates of March 28 through April 26, 1683.

** Jungmin Lee and Myungho Paik, “Sex Preferences and Fertility in South Korea during the Year of the Horse,” Demography, Vol. 43, No. 2 (May, 2006).

† Kanae Kaku, “Increased induced abortion rate in 1966, an aspect of Japanese folk superstition,” Annals of Human Biology, Vol. 2, No. 2 (1975).

On this day..

1860s: Sokichi, crucified servant

The trailblazing Italian-British photographer Felice (Felix) Beato was one of the first people to shoot in east Asia.

In 1858, he captured the aftermath of the 1857 “Sepoy Rebellion” in India (with possibly the first photography of corpses on a battlefield); in 1860, Beato documented in images military campaigns of the Second Opium War.

[Upon entering the conquered Taku Forts] a distressing scene of carnage disclosed itself; frightful mutilations and groups of dead and dying meeting the eye in every direction.

I walked round the ramparts on the west side. They were thickly strewed with dead — in the north-west angle thirteen were lying in one group round a gun. Signor Beato was here in great excitement, characterising the group as “beautiful,” and begging that it might not be interfered with until perpetuated by his photographic apparatus, which was done a few minutes afterwards. –David Field Rennie

In 1863, Beato moved to Yokohama, Japan and spent the next several years capturing historically invaluable images of Japan at the close of the Edo period.

In this capacity, Beato captured the execution of a young servant by the eye-catching means of Japan’s distinctive spread-eagled crucifixion. The caption on the image reads, the servant Sokichi, crucified at the age of 25* for killing Nikisasuro, son of his master Nuiske in the village of Kiso. Exact year unknown.


Original versions of this image here and here.

To my knowledge, there is no further documentation available about this execution that would, er, affix it to a specific date or even a specific year. But we don’t exactly have a multitude of photographed executions by crucifixion, so we’re not going to be picky about it.

While we’re on the subject, we also have from Beato on the same trip an image called “the executioner” — topical for this blog even though it looks completely staged. This photograph makes use of hand-coloring, for which Beato often engaged Japan’s artisan illustrators. (The crucifixion image is reproduced in monochrome, but it, too, was artificially colored.)

Some Felice Beato photography books

* Various ages of 22 to 25 are given in various locations for the executed servant.

On this day..

1776: James Langar, Smuggerlius?

On this date in 1776, footpad James Langar was hanged at Tyburn for robbing a Hyde Park gentleman of his watch and coat.

Actually, and despite a reputation for honesty attested by his fellow militiamen, Langar was implicated in several highway robberies on shaky witness testimony, prompting him to remark in disgust, “I see they are determined to swear my life away, I leave myself to the mercy of the Court.”

He didn’t get it.

A vanishing obscurity even in his own time, Langar has been making 21st century headlines based on a pair of researchers’ identifying him with a ghoulish ecorche sculpture known as “Smugglerius”.

That astonishing object, and its controversial identification with James Langar, are discussed in this previous Executed Today post.

On this day..

1713: Juraj Janosik, Slovakian social bandit

On this date (most likely) in 1713, Slovakian “Robin Hood” figure Juraj Janosik was hung on a hook in Liptov County for his outlawry.

Janosik was a flesh-and-blood man, but much of what is known or believed about him lies squarely in the realm of folklore.

He hailed from the village of Terchova. You’ll find Terchova today just on the Slovakian side of the Polish border; in Janosik’s time, this was the Habsburg Kingdom of Hungary.


In Janosik’s native Terchova, a walking path leads to a monumental statue of the famed outlaw. (cc) image from Andre Skibinski.

Janosik is said to have fought with the anti-Habsburg Kuruc guerrillas in his youth, then joined the imperial army when that rebellion fizzled, then found his short life’s calling when detailed to guard a brigand named Tomáš Uhorcík. The two went into (Uhorcík’s) business together in about 1711, and Janosik’s natural aptitude soon made him the leader of their robber band.

From pine-forest lairs the merry bandits preyed on aristocrats and rich merchants throughout their mountainous home territories and into Moravia, Silesia, and Slovakia and are supposed to have taken chivalrous care not to injure their prey other than financially. They’re inevitably also credited with sharing the fruits of their heists with the poor.

When Janosik became celebrated in later centuries his virtues both moral and martial would multiply by each astonishing retelling. In this Polish verse, for example, Janosik is less Robin Hood and more Terminator as he boldly presents himself at a royal tourney and avenges the honor of Slovakian maids raped by some of the contending knights.

“O king, an accusation I bring thee!” he proclaimed.
“Our women are dishonored, our village maidens shamed!
Twelve of our maidens ravished — on these twelve knights the guilt! —
Twelve of our village maidens! Let blood for blood be spilt!

“Twelve cottages dishonored — twelve homes lament today …
Sire, throned on gold, be gracious — give ear to me, I pray!
Blood must be shed, and bloody must be the foeman’s face;
I come, I come avenging our Slovak maids’ disgrace!”

Then all men stood astounded, and silent fell the ring.
“What word is this? How durst thou? Who art thou?” asked the king.
“A hill-born outlaw, hetman Janosik, that am I.”
Then marvelled all the courtiers, and king enthroned on high.

And the king’s visage slowly with rising wrath was lit,
And his moustache was bristling, his grizzled brows were knit.
Upon that band of Magyars, twelve gentlemen, he glowered.
Beneath the crested headgear twelve heads were earthward lowered.

“What, willest thou to fight them, all twelve, and brow to brow?”
— “With all, O king,” Janosik made answer; “all, and now!
O king, twelve fields of harvest a single gust will clear;
Thus let me, single-handed, meet these twelve warriors here.”

Then the king’s sceptre signalled; the trumpets gave one blast.
Janosik fixed his girdle, and off his mantle cast.
The king and all the courtiers, they marvelled to behold
The shirt that came from Juhasz, the trousers looped with gold.

There from his cap a bundle of discs, all golden, rayed,
And moved he ever so little, the cap a tinkling made.
A row upon his axe-haft of brazen rings he had;
At every step he swung it. His shoes in steel were clad.

His hand had gripped the hatchet, and there he took his stand.
Heralds struck up; then signalled the king, with sceptred hand;
Twelve lances, like a forest thick-timbered, took their aim,
And at Janosik’s bosom twelve lances flying came.

Hola! in golden Budzyn, hola! how went it, tell!
And in the king’s chief city what thing that day befell?
Upon that day what pastime might there the king await
In his dear daughter’s honor, by his town’s golden gate?

Now on the sand, all shattered, twelve lances fell and crashed,
And off the polished helmplates twelve glittering sabres flashed.
For see! up sprang Janosik, and raised his arm to strike,
Whistled the tune of Juhasz, and whirled around his pike.

How like a flame of lightning that hatchet circled round!
Erdoedy, count, with vizor hewn through, was on the ground;
Pallavicini, margrave, had rent his horse’s rein;
His riven skull was soiling the sand with bloody stain.

And now Prince Bathyani on his left side had dropt;
Right hand and sword were severed. Count Palffy’s brows were chopt.
And soon Prince Esterhazy upon the sand lay low,
Scrabbling the ground; and straightway his face was white as snow.

Not long did Count Festetics smile in the light of day,
But by the brothers Toskoel fell dead — and dead were they.
And then, before Janosik, the remnant lay in death.
When the twelfth corpse had fallen, he drew a mighty breath,

And leaned upon his weapon; like some rich beechtree then
He stood; there lay before him twelve haughty gentlemen;
Twelve golden suits of armor and twelve sharp sabres lay;
And dumbly gazed the people upon that mortal fray.

And no man spoke, and all men a tomblike silence kept.
To the king bowed Janosik, and low his cap he swept.
Then in their blood were carried twelve corpses from that place
And thus avenged Janosik those Slovak maids’ disgrace.

But the actual Janosik was quite vincible.

His career only really lasted a year or so; he was captured in 1712, escaped, and was soon re-taken. It seems that despite the marauders’ usual care for the safety of their victims, they managed to kill a Father Juraja Vertíka.

March 17, 1713 was the date of Juraj Janosik’s conviction and death sentence; though not explicitly recorded of Janosik, the usual practice would have been to carry out such a sentence without delay. Many of his comrades met similar fates: Uhorcík, for instance, was put to death a month after Janosik.


Janosik Hanged, by Miloš Jiránek (1906). (Via)

The bandit’s legend has survived and thrived after his death in literally hundreds (per Hobsbawm) of poems, legends, and folk ballads, like Jan Botto’s epic “The Death of Janosik”.

Oddly, Martin Votruba argues,** there is no indication that anyone in 1713 or the years following celebrated Janosik with anything like the fervor he eventually attained.

Janosik is all but invisible as a literary figure until the late 18th century, according to Votruba. Pesumably his name attached to miscellaneous anecdotes and exploits — enough to keep it in the conversation of bandits.

Around the turn to the 19th century Janosik’s person seems to have become gradually conjoined to stories and songs about other brigands, both real and fictional, just as these characters were booming in literary popularity. Juraj Janosik went from being just a guy who’d be mentioned in passing in a list of bandits, to the bandit. (Votruba guesses that the linguistic similarity our fellow’s surname had with with generic male name Jan, Janik, or Janko — variations on “John” that were commonly used for entirely legendary outlaws in folk songs — helped to form the connection)

Only in the 1830s and 1840s did the long-dead outlaw, who by then dominated lowbrow bandit-legend folklore, begin to take on the form familiar today — that of “a benevolent, rebellious, tragic, quasi-folkloric freedom-fighter” called “Janosik.” And “since this happened in a period of mounting ethnic activism in central Europe, Janosik could not become merely a romantic hero. The Slovak literary and social discourse highlighted his ethnicity, which then appeared in implicit contrast to the ethnicity of the now politically overpowering Hungarians.” The rich guys Janosik robbed — not ethnically specified in the earliest sources — now became oppressive foreign lords. Janosik’s growing corpus of attributed exploits now earned elite artistic attention.

He’s never looked back since.

In the 20th and 21st centuries, he’s been the subject of many film treatments, most recently in 2009.

* Translation by Oliver Elton from the Slavonic and East European Review. American Series, Vol. 2, No. 2 (November 1943)

** Martin Votruba, “Hang Him High: The Elevation of Janosik to an Ethnic Icon”, Slavic Review, Vol 65, No. 1 (Spring 2006).

On this day..

1800: Roddy McCorley, at Toomebridge

On this date in 1800, Rodaí Mac Corlaí — with due apologies for the imperial encroachment, we’re going to roll with the Anglicized “Roddy McCorley” — was hanged “near the Bridge of Toome” in Ireland

McCorley‘s death date — it was reported in the Belfast Newsletter — seems to be one of the few reliably documented facts about the man.* (See this forum thread for debate on the various nth-hand oral tradition)

He’s remembered as a rebel of 1798.

The actual nature and extent of his involvement in that rebellion is totally undocumented, but that doesn’t mean it’s not celebrated in an oft-covered patriotic song.

Post-rebellion, the (probably) Presbyterian McCorley was part of the so-called “Archer Gang”, men whom that newspaper account of McCorley’s execution calls “nefarious wretches who have kept this neighbourhood in the greatest misery for some time past.” That’s a hostile witness, obviously; the band in question looks to be Irish rebels turned outlaws, for whom plunder on the roads and vengeance on the rebellion’s enemies neatly coincided.

That coterie was gradually rounded up; its leader Tam Archer would also hang. But the national cause ran in the McCorley blood: the hanged man’s great-grandson Roger McCorley was a Republican insurgent during the Irish War of Independence in the early 1920s.

Thanks to @elongreen for bringing Roddy McCorley to our attention.

* Although even the execution date has been blurred by a later, martyr-making tradition claiming that McCorley died on Good Friday. He did not.

On this day..

1828: Antoine Berthet, Stendhal inspiration

On this date in 1828, Antoine Berthet capped his gift to the arts by going under the guillotine at Grenoble‘s Place Grenette.

You probably haven’t heard of Antoine Berthet, but if you’ve read The Red and the Black (Le Rouge et le Noir) you know his story. Stendhal (a native of Grenoble) published his magnum opus not three years after Berthet lost his head, and the novel’s executed fictional protagonist Julien Sorel bears an unmistakable resemblance to the very real Berthet.

Berthet was a smart seminary student of low birth who hired out as a tutor for the Michoud family but was dismissed under a cloud for an apparent affair with Madame Michoud.

Nothing daunted, Berthet caught on as a tutor in another family — where he proceeded to seduce the lovely daughter Henriette. But a letter from Madame Michoud to the new employers terminated job and liaison alike.

The enraged Berthet stalked his former mistress to Mass and melodramatically shot her right there in the church. He failed to kill his target, and likewise failed his attempted suicide.

Unlike his literary doppleganger — the Julien Sorel character defiantly spurns his former lovers’ attempts to pull strings on his behalf and insists on his responsibility in court — Antoine Berthet mounted an unsuccessful insanity defense. It was the “irresistible derangements of love” drove him to outrage feminine virtue, consecrated grounds, and (maybe most scandalously) the upper classes.

His prosecutor disagreed, attributing all to Berthet’s frustrated “ambitious dreams”: “understanding too late that he could not reach the goal that his pride proposed, Berthet, stripped of his hopes, would perish; but his rage would drag a victim along with him to the tomb that he dug for himself!”

On this day..

1698: Guido Franceschini, The Ring and the Book inspiration

Robert Browning‘s long narrative poem The Ring and the Book concerns the murder trial of the nobleman Guido Franceschini — a real-life case that saw the defendant in question executed in Rome on this date in 1698 for murdering his wife Pompilia as a suspected adultress. (And her parents just because.)

The 21,000-line work was Browning’s greatest success in life, though many particulars of Browning’s spin on events have been challenged by the 2001 study Roman Murder Mystery.

We’ll be content this day to take Browning’s audience’s-eye view of the jealous husband’s scaffold comeuppance on execution-day.

To mount the scaffold-steps, Guido was last
Here also, as atriciousest in crime.
We hardly noticed how the peasants died,
They dangled somehow soon to right and left,
And we remained all ears and eyes, could give
Ourselves to Guido undividedly,
As he harangued the multitude beneath.
He begged forgiveness on the part of God,
And fair construction of his act from men,
Whose suffrage he entreated for his soul,
Suggesting that we should forthwith repeat
A Pater and an Ave with the hymn
Salve Regina Coeli, for his sake.
Which said, he turned to the confessor, crossed
And reconciled himself, with decency,
Oft glancing at Saint Mary’s opposite,
Where they possess, and showed in shrine to-day,
The blessed Umbilicus of our Lord,
(A relic ’tis believed no other church
In Rome can boast of) — then rose up, as brisk
Knelt down again, bent head, adapted neck,
And, with the name of Jesus on his lips,
Received the fatal blow.

The headsman showed
The head to the populace. Must I avouch
We strangers own to disappointment here?
Report pronounced him fully six feet high,
Youngish, considering his fifty years,
And, if not handsome, dignified at least.
Indeed, it was no face to please a wife!

The “old yellow book” of original case notes that Browning found at a Florentine market and subsequently served as his reference source is available here. The poem itself is, of course, in the public domain; read it in its entirety here, or get hours of free audio reading here.

On this day..