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1872: Communards Serizier, Boin and Boudin

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On this date in 1872, three adherents of the late Paris Commune were shot at Satory (which was doing steady business in the execution of Communards).

We take this story from the dispatch filed the same day for the London Telegraph and reprinted in the New York Times. Paragraph breaks have been added for readability.

Dilatory as the French authorities are in bringing culprits to trial, they dispatch them with terrible haste so soon as their guilt has been certified by the final Court of Appeal. No public notice is ever given of an execution, and few people ever hear of it until it is all over.

A paragraph appeared in an evening paper last night to this effect: “The Commission of Pardons has commuted the sentenced passed on PASCAL and LUCIPIA; the appeals of SERIZIER, BOIN and BOUDIN have been rejected.” To the world at large this paragraph conveys no hint as to the date of execution; the initiated read between the lines that on the following morning, dawn will rise on a dismal military pageant on the plains of Satory.

There is, nevertheless, a certain amount of uncertainty in the matter, so very closely are all such secrets kept in France; and it was only on the receipt of a hint from a high authority that some time after midnight I determined to start with a friend for Satory. The impression made upon me by the ghastly spectacle I shall try to describe in the plainest possible language.

SATORY.

A finer exercising ground than the plain of Satory it is not possible to imagine. The ground is as flat as a billiard-table, and it is not devoid of a certain beauty — the thick turf being singularly fresh, and he vast square plain surrounded by a belt of fine trees.

Troops are marching in companies to take up their appointed positions on the ground. A raised battery is a prominent object, and opposite to it, at some distance, is a huge earthen mound, against which a target stands out distinctly in black and white. The troops are forming in three sides of a square, which is completed by this butt.

It is not until you get quite close to the mound that you perceive on the lower ground immediately in front three white sticks ranged in a line, each about four feet high and five feet apart. These are the poteaux against which the culprits are to stand.

A good many soldiers, not on duty, have turned out en amateur to see the show; they collect on the top of a mound near the butt, but they are driven down by the artillery sentinels and mounted police, who, dressed in a little authority, canter about with superfluous fidgety zeal.

The morning air is chill, and everybody on duty or off duty tries to comfort himself with a smoke. “Nous avons encore trente-cinq minutes,” says a sergent-de-ville, in a grumbling, querulous tone. And the condemned men? They only had thirty-five minutes, and methinks they had as much reason to complain.

A soldier proceeds to work at the target, sqwing it off short; he is going to take it away, perhaps, that it may not divert the soldiers’ aim; and one feels irritated with him for being so slow.

One wonders, too, that they have allowed the red signal flag to remain at the top of the butt. Would not a Communist see an omen or an augury in the accident?

An engineer close to me is coolly fashioning wedges, in preparation for the artillery practice, which is to begin “aussitot que cette affaire est finie.”

Another protests impatiently that he wants his breakfast. Three dogs, which are perpetually frightening the horses of the mounted police, as well as the riders, excite continual merriment. There are scarcely more than a dozen civilians present, but I observe two women.

One — a brazen-looking creature, with a black mustache, and wearing that peculiar kind of hooded cloak which you see constantly in Belgium — was laughing a hoarse, harsh laugh, that chilled one’s blood. The other was charmingly dressed in black silk, and looked like a lady; she spoke to nobody; her face was deadly pale; her eyes were large with tears, and yet there was a strange compression about the lips that told of intesnse firmness of purpose. Her bearing was rigidly calm, but I fancied that the stick of her dainty black parasol was snapped in two.

What had that woman to do at such a scene? I know not; but, assuredly, it was not curiosity that brought her there. There was now a slight diversion. A cart drove up covered with black cloth, and hid itself away to the left of the poteaux.

THE EXECUTIONERS AND THE CONDEMNED.

Then the pelotons or firing parties marched in and piled arms opposite the same slim sticks about which everything in that huge plain seemed to gather of its own accord.

The pelotons were taken, one from the line, two from the Chasseurs de Vincennes. Hardened though they must be by this time and embittered though they are against the Communists, I do not think, to do them justice, that they liked their duty. They looked pale, they were perpetually falling out, and they smoked with suspicious eagerness.

I tried to impress on my own mind that these fellows were murderous ruffians who had slain unoffending fellow-creatures in cold blood. SERIZIER and BOIN, Colonel and Lieutenant in the Communist army, had tortured and killed the very priests who had devoted themselves to the task of tending the wounded on both sides, for no reason but that they were good men. BOUDIN had actually shot down a chemist in the Rue Richelieu because he protested against his son, a mere lad, being impressed into working at a barricade.

But, with the best will in the world, I could not persuade myself that it was right and proper for 5,000 soldiers to be brought out under arms for the mere sake of killing three defenceless wretches. Meanwhile the minutes passed on; the officers rolled up cigarettes, compared watches, and consoled each other with the reflection, “Soyez tranquille, mon cher, ca sera l’heure militaire.”

And so it was; for just as the first silvery tones of a distant church clock were wafted across the heath, striking the hour, the trumpets rang, the drums beat Aux champs, the troops dressed up, and the three ambulance wagons dashed into the square at a sharp trot.

The prisoners had not been apprised of their appeal hvaing been rejected until four o’clock in the morning, but they seem to have accepted their fate with singular philosophy. They had all eaten and drunk, and SERIZIER had asked for a “pipe of tobacc” for the last time. In driving along he said to the two gendarmes by whom he was accompanied, “Wat a mistake I made to quit Belgium! Quelie belle affaire j’ai fait la. C’est egal, je saurai bien mourir.”

Strangely enough, he confessed to a Dominican, a priest of the ver order against which he had shown such diabolical hatred.

Each man was accompanied by two gendarmes. And here I cannot help noting one of the strange peculiarities of an over-excited state of mind. When the drums beat “Aux champs,” the merely dramatic feeling of the scene was intensely moving.

And yet when, a moment later, I first caught sight of the tops of the jack-boots of the first tell gendarme who appeared at the ambulance doors, I was so forcibly reminded of “Le Petit Faust,” and scores of other pieces wherein these functionaries are held up to ridicule, that I almost burst out into hysterical laughter.

The tragedy, however, soon proved too terrible, for the gendarme was closely followed by BOIN, who had scarcely touched the ground before he exclaimed, waving his hat in the air, “Vive la Commune!”

The three men walked quickly to the poteaux, and placed themselves in position as coolly as though it were the most natural thing in the world. They then, as though with one accord, flung their hats or caps into the air, and shouted several times in thrilling tones, “Vive la Commune!”

They all three were smoking. SERIZIER threw away his pipe, but BOIN kept his cigar in his hand, and BOUDIN was actually smoking as he fell. The face of the latter was so covered up by the handkerchief with which he alone allowed his eyes to be bandaged that his features could not be discerned.

SERIZIER, who was in the middle, indignantly threw down the handkerchief with such force as to cast it far beyond him. BOIN also refused the bandage wherewith the soldier stationed beyond him offered to cover his eyes, and by an involuntary action he put it into his pocket.

BOUDIN was coarsely clad; and SERIZIER, an undersized man, with heavy sensual features, looked like the type of a London rough. BOIN was a tall, well-built man, having good, clean-cut features and black mustaches. He was dressed in a light-brown velvet coat, Garde Nationale trousers, and a colored-scarf round the waist.

THE EXECUTION.

The priest, going up to each in turn, kissed him on both cheeks, in what seemed to me a hurried and perfunctory manner.

Then, while the sentence was being read to the prisoners in a quick, low, quite inaudible tone, BOIN made a long harangue, much of which was lost in the perpetual rolling of those ghastly drums.

But one could distinguish snatches of sentences such as “Soldiers, you are children of the people as we are, and we will show you how children of the people can die. Nous mourons innocents,” and then opening wide his light coat — he wore no waistcoat — he offered his white shirt-front for a mark, and, striking his heart with his open palm, he exclaimed: “Portez armes en joue! feu! tirez au coeur!”

This he repeated several times, and while he was yet speaking, standing out clear away from the poteaux and looking death at ten paces literally in the face, a sword flashed in the sun, and the three men leaped from the ground only to fall to it in horrible contortions.

The smoke and the report were unheeded, for all the senses of the horrified spectator were arrested by the awful spectacle of writhing limbs and twisting hands.

BOIN seemed to be rewarded for his bravery by suffering less than the others, but SERIZIER literally rolled over, and BOUDIN also moved. The surgeon then went up, examined BOUDIN first, and then directed one of the sergeants in reserve to give the coup de grace in the ear. Then SERIZIER was examined and treated in the same way; and lastly, after a considerable interval, BOIN was dragged into position and dispatched.

I cannot give you any idea of the sickening impression produced by this seemingly deliberate butchery.

I say seemingly, for the men may have been dead, but, in any case, surely if the coup de grace must be given, it should be done at once. I did not time the proceedings, but, long as my description is, I believe that not more than two minutes elapsed from the time that the ambulance wagons came on to the ground to the time that the volley was fired.

Several more minutes, however, elapsed before the dull thud of the last coup de grace delivered a bout pontant right into the poor wretch’s ear struck upon the ground. I have seen something of the horrors of war at Sedan and Strasbourg; I have witnessed the degradations of a public hanging in England, but have never seen anything so horrible as this supplemental butchery of the coup de grace.

AN AFTER SCENE.

When the surgeon and his attendants retired fro the poteaux, it became evident that painfully long as the interval had been, he had not been sparing of trouble. For with an eye to dramatic effect, he had disposed the bodies symmetrically, so that their feet should point towards the defiling troops.

Then the trumpets struck up a lively tune, and all the troops present — three batteries of artillery, carbineers and other caalry, four or five battalions of the line, engineers, &c. — some five thousand men — marched at quick step before the stark, stiff, staring bodies.

I cannot think that such a sight can have any other effect than that of exciting sympathy for the guilty. To see a man lying on his back there, his head a shapeless mass and the large red spot on his breast growing every moment larger and larger, and to think that not ten minutes ago he was speaking with passionate eloquence — this tended rather to make one forget his crimes than to remember his cruelty.

Yet I am bound to confess that this feeling is not shared by all, for when the troops had passed by, and the black van had driven up and unladen its dreadful burden of plain coffins, I saw an officer point with his foot at the yet warm brains of BOIN, and I heard him say, “C’est avec celui qu’il a fait son discours.”

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1484: Olivier le Daim, diabolical barber

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On this date in 1484, the onetime royal barber turned noble scoundrel was hanged at the terrifying Montfaucon gibbet.

Jolly grotesque “Olivier le Necker” (“Olivier the Devil”) statue in Tielt, Belgium. (cc) image from Zeisterre.

The scheming Olivier le Daim (English Wikipedia page | French), who ought to be patron saint of networking, got himself a gig as the sovereign’s coiffeur and glad-handed his way from straight razors all the way to the aristocracy. A presumably smooth-shaved Louis XI created him comte de Meulant.

Louis was an inveterate schemer known as the “Universal Spider”, and Olivier — excuse me, the comte — from his sprawling fortified manor proved an eager confederate. As Louis had a gift for infuriating the realm’s noble houses, he liked to elevate commoners into his entourage, men like our “Meulant” and Cardinal Balue whose loyalty could be relied upon since they owed their positions to the crown.

“That terrible Figaro whom Providence, the great maker of dramas, mingled so artistically in the long and bloody comedy of the reign of Louis XI,” Victor Hugo wrote of our man in The Hunchback of Notre Dame. “This barber of the king had three names. At court he was politely called Olivier le Daim (the Deer); among the people Olivier the Devil. His real name was Olivier le Mauvais.” [Meaning “the bad”, as with “Charles le Mauvais”, the king Charles the Bad — a real bastard.]

With the disintegration of Burgundy following the death of Charles the Bold, le Daim was sent to that duchy’s Belgian reaches to connive them into French hands.

In the great tradition of commoners handpicked for royal favor “the Devil” attracted plenty of resentment displaced from the king himself.

And if, according to everyone else, Oliver the Bad was a swaggering, nasty villain, he still remained loyal to Louis all the way to the latter’s deathbed. Louis recommended him to his successors’ favor, but once the Spider King was gone the put-upon lords of the realm vented their blueblooded spleens upon Olivier. (A servant of Olivier’s named Daniel also suffered the same fate.)

It’s not clear to me that history records the exact charge furnishing the pretext for his execution this date — this suggests abuse of his power to order executions — but it does certainly bequeath us this epitaph:

Cii gist le Diable
Baptisé le Dain
Jugé pendable
Barbier suzerain

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1857: Francis Richeux, witnessed by Tolstoy

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On this date in 1857, a robber-murderer named Francis Richeux was publicly guillotined in Paris before a crowd of 12,000 to 15,000 people.

One of those onlookers was a 28-year-old Russian noble, fresh from the Crimean War and abroad on his first European trip: Leo Tolstoy.*

Overcome with curiosity, Tolstoy (as he recorded in his diary; here it is in Russian)

rose at seven o’clock and drove to see an execution. A stout, white, healthy neck and breast: he kissed the Gospels, and then — Death. How senseless … I have not received this strong impression for naught. I am not a man of politics. Morals and art I know, love, and [understand]. The guillotine long prevented my sleeping and obliged me to reflect.

And he developed the impression into a full-on rant that same day, in his running correspondence with Russian litterateur Vasily Botkin. The following is as translated in Dialogues with Dostoyevsky: The Overwhelming Questions.

The spectacle made such an impression on me that it will be long before I get over it. I have seen many horrors in war and in the Caucasus, but if a man were torn to pieces in my presence it would not have been so repulsive as this ingenious and elegant machine by means of which they killed a strong, hale, healthy man in an instant. There [in war] it is not a question of the rational [will], but the human feeling of passion, while here it is a question of calm and convenient murder finely worked out, and there’s nothing grand about it. The insolent, arrogant desire to carry out justice, the law of God. Justice, which is determined by lawyers every one of whom, basing himself on honor, religion, and truth, contradicts each other. With these same formalities they have murdered both the king and Chenier, both republicans and aristocrats.† . . Then the repulsive crowd, the father explaining to his daughter what a convenient and ingenious mechanism it is, and so forth. The law of man — rubbish! The truth is that the state is a conspiracy not only for exploitation, but chiefly to corrupt its citizens. But all the same states exist, and moreover in this imperfect form. And they cannot pass from this system into socialism . . . For my part, I can only see in all this repulsive lie what is loathsome, evil, and I do not want to, and cannot, sort out where there is more and where there is less. I understand moral laws, the laws of morality and religion, binding on no one, that lead people forward and promise a harmonious future; I feel the laws of art which always bring happiness; but the laws of politics constitute for me such an awful lie that I cannot see in them a better or worse. All this is what I felt, understood, and recognized today. And this recognition at least to some extent relieves the burden of the impression for me . . . From this day forward I will not only never go to see such a thing again, but I will never serve any government anywhere.**

He wasn’t kidding about that long insomnia, either: the impression startled him, permanently. Recalling the effect years later in his Confessions, Tolstoy still attributed to it an important confirmation of his egalitarian philosophy.

When I saw the head separate from the body, and how they both thumped into the box at the same moment, I understood, not with my mind but with my whole being, that no theory of the reasonableness of our present progress can justify this deed; and that though everybody from the creation of the world, on whatever theory, had held it to be necessary, I know it to be unnecessary and bad; and therefore the arbiter of what is good and evil is not what people say and do, and is not progress, but is my heart and I.

Tolstoy developed the same theme further a few years later in What Is to Be Done? … the shade of the long-forgotten Francis Richeux still haunting the great man of letters.

Thirty years ago in Paris I once saw how, in the presence of thousands of spectators, they cut a man’s head off with a guillotine. I knew that the man was a dreadful criminal; I knew all the arguments that have been written in defence of that kind of action, and I knew it was done deliberately and intentionally, but at the moment the head and body separated and fell into the box I gasped, and realized not with my mind nor with my heart but with my whole being, that all the arguments in defence of capital punishment are wicked nonsense, and that however many people may combine to commit murder — the worst of all crimes — and whatever they may call themselves, murder remains murder, and that this crime had been committed before my eyes, and I by my presence and nonintervention had approved and shared in it. In the same way now, at the sight of the hunger, cold, and degradation of thousands of people, I understood not with my mind or my heart but with my whole being; that the existence of tens of thousands of such people in Moscow — while I and thousands of others over-eat ourselves with beef-steaks and sturgeon and cover our horses and floors with cloth or carpets — no matter what all the learned men in the world may say about its necessity — is a crime, not committed once but constantly; and that I with my luxury not merely tolerate it but share in it. (PDF source | Original Russian)

* Among Tolstoy’s other activities in Paris was hanging around Turgenev … but the two mostly irritated one another. Nevertheless, they shared a distaste for the guillotine, at least to judge by Turgenev’s repulsion at seeing it in action years later.

** Two days after the execution, Tolstoy left Paris for Geneva. Execution-disgust is a suggestive speculation, although Henri Troyat argues that it merely gave him a “dramatic excuse” to stop putting off travel plans he had already made.

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1836: Giuseppe Fieschi, Pierre Morey, and Theodore Pepin, infernal machinists

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On this date in 1836, three men were guillotined for a spectacular but unsuccessful regicide attempt.

Giuseppe Fieschi

This was in the days of the July Monarchy, a much-despised government of the country’s wealthiest elites that generated opposition both right and left and a ceaseless string of assassination attempts (French link) against King Louis-Philippe.* As Marx put it,

when the liberal banker Laffitte led his compère, the Duke of Orléans, in triumph to the Hôtel de Ville, he let fall the words: “From now on the bankers will rule”. Laffitte had betrayed the secret of the revolution.

It was not the French bourgeoisie that ruled under Louis Philippe, but one faction of it … the so-called financial aristocracy. It sat on the throne, it dictated laws in the Chambers, it distributed public offices, from cabinet portfolios to tobacco bureau posts.

Hard to imagine such a state of affairs.

Fieschi (English Wikipedia page | French) et al conceived a bold attempt to destroy the entire ruling family in a single fusillade, and to that end constructed a machine infernale of 25 gun barrels mounted together to fire on a single fuse.

Unleashed upon a royal procession along the Boulevard du Temple on the fifth anniversary of the monarchy’s founding July days, this monster proved quite impressively destructive.


The assassination attempt of Fieschi, 28 July 1835 by Eugene Lami.

The infernale barrage took out an esteemed marshal and a bunch of bystanders, but somehow managed to miss everyone in the royal family. (Louis-Philippe himself was grazed … and his horse was hit.)

Exploiting the familiar power of a terrorist incident to enact horrible new policies not available in normal times, “Parliament was hastily recalled and in a near-panic atmosphere passed severe measures against the newspaper press,” notes William Fortescue. “Approximately thirty more republican newspapers were closed down by the September 1835 Press Laws.”

Police soon traced the conspiracy to Fieschi, a truly Gallic character of mixed-up national pride, personal honor, class envy, and opportunistic lechery, who had fought for Bonaparte and helped Joachim Murat on the latter’s fatal attempt to re-take “his” kingdom of Naples back in his youth. But lately, a more worn-out and middle-aged Fieschi had been booted out by his mistress and lost all his money.

Fieschi, according to Barricades: The War of the Streets in Revolutionary Paris, 1830-1848, basically became a dependent of Morey and Pepin, true-blue republicans who helped channel Fieschi’s unmoored passions into engineering his hydra-headed musket. He’d be back on the French-nationalism side by the end.

“I’m going to appear before God,” Fieschi said on the scaffold, after Morey and Pepin had preceded him. “I have spoken the truth. I die content. I have rendered a service to my country in signaling my accomplices … I regret my victims more than my life.”

More repressive laws and radical-hunting followed. They did not slake the thirst abroad in France for regicide.

* Louis-Philippe’s royal dad backed the French Revolution, but was still executed by Robespierre.

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1794: Jacques Roux, the Red Priest, cheats the guillotine

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On this date in 1794, French Revolution firebrand Jacques Roux committed suicide to avoid execution during the Terror.

Roux was a Catholic vicar on the eve of the Revolution, and “of the many priests who had left the church to join the Revolution none was more articulate and socially aware.”

He became a leading exponent of the radical enragés, a faction that really took the Revolution’s purported egalite to heart.

In early 1793, Roux was an official representative to the execution of Louis XVI — one can read his minimalistic report here; knowing that Roux was a priest, Louis tried to press him for some spiritual aid, and was rebuffed. “I am only here,” Roux answered icily, “to lead you to the scaffold.”

The man’s invective against the merchant classes packed considerably more heat.

Roux’s Manifesto of the Enrages minced no words:

Freedom is nothing but a vain phantom when one class of men can starve another with impunity. Equality is nothing but a vain phantom when the rich, through monopoly, exercise the right of life or death over their like. The republic is nothing but a vain phantom when the counter-revolution can operate every day through the price of commodities, which three quarters of all citizens cannot afford without shedding tears.

…

For the last four years the rich alone have profited from the advantages of the Revolution. The merchant aristocracy, more terrible than that of the noble and sacerdotal aristocracy, has made a cruel game of invading individual fortunes and the treasury of the republic; we still don’t know what will be the term of their exactions, for the price of merchandise rises in a frightful manner, from morning to evening.

Unfavorably contrasting the new haves with the ancien regime is the sort of thing that gets you into trouble in a bourgeois revolution.

Burdened by multiple wars, and then by poor harvests, France’s economy was a mess. Later that same year, Paris’s urban poor, the sans-culottes, invaded the Convention to force anti-hoarding and price control measures. Roux didn’t create that situation: he just had the nerve to risk his neck talking about it.

But by then, that prim ascetic Robespierre had already begun hounding Roux. He would hound him to his death.

Kropotkin‘s anarchist history, The Great French Revolution, 1789-1793, valorizes the courageous former priest. In Kropotkin’s narration, we find Roux ordered transferred out of ordinary police court to the Revolutionary Tribunal on some spurious charge of financial impropriety.*

Knowing what that meant, Roux stabbed himself in court thrice with a knife. The president of the court hastened to his assistance and displayed much friendliness towards him, even giving him the kiss of civic brotherhood, before he was removed to the Bicetre prison. In the prison infirmary Roux “tried to exhaust his strength,” as it was reported to the procurator of the Revolutionary Tribunal, Fouquier-Tinville, by opening his wounds; and finally he succeeded in stabbing himself once more, this time mortally, through the lung.

In terms of present-day iconographic potential, the French Revolution probably did not produce a more outstanding radical leftist; Roux’s direct critique of economic power clearly marks him as a forerunner of subsequent generations’ communist and anarchist movements … as well as even more contemporary voices.

And undoubtedly, Roux’s project remained (and remains) unfinished. Surveying the scene after the Terror, Roux’s onetime ally Jean-Francois Varlet remarked, “In my country there has only been a change of dress.”

There’s more of Roux’s writing on Marxists.org.

* A much more serious graft charge would likewise be deployed to topple Danton.

Longtime readers may recall that this post was briefly (and mistakenly) up on this date in 2011. Oops.

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1880: Prevost, predatory Parisian policeman

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From a Paris Dispatch report via the New York Times. (Additional paragraph breaks have been added for readability.)

It is just 10 years ago, day for day, that the notorious Troppman, the murderer of the Kink family, was executed on the Place de la Roquette. This morning another convict of the same stamp underwent the penalty of death on the same spot.

Prevost, the policeman who murdered the woman Blondin and the jewelry-dealer, Lenoble, and afterward cut their bodies up and threw the pieces into the sewers, was guillotined there at daybreak.


Thwack: Prevost clobbers Lenoble.

It having become known last night that his appeal for mercy had been rejected by the President of the Republic, a large crowd began to assemble as early as 9 o’clock round the place of execution. To prevent a recurrence of the scenes of disorder which took place there when the young criminals Lebiez and Barre, the assassins of the woman Gilles, were put to death, a strong force of infantry and cavalry guarded the square and kept the people at a distance.

The crowd, in spite of the bitter cold and piercing north-east wind, grew more numerous toward midnight, and by the hour of execution all the thoroughfares leading to the spot were crammed with people.

The executioner arrived at 4 o’clock, and, aided by his assistants, erected the guillotine about 20 paces from the central door of the prison. The guillotine once in order, the headsman and his assistants entered the prison to arrange what is called the toilet of the culprit previous to his death.

The Abbe Crozes, the Chaplain of the jail, was the first to enter the prisoner’s cell. Prevost started up, gazed wildly at the reverend gentleman, and then buried his head in his hands, trembling and groaning.

“Alas!” said the Chaplain, “there is no hope now but in the mercy of God.”

Prevost had lured the jewel-trader Lenoble on the pretext of arranging a transaction, then for no reason save crass acquisition of his wares bludgeoned him to death with the iron rod-and-ball device used to link railroad cars.

It was a premeditated and gruesomely executed crime.

Using butchers’ knives he had pre-obtained for the purpose, Prevost spent the next several hours skinning Lenoble, dismembering Lenoble, and ultimately dicing Lenoble up into cutlets so that he could heap Lenoble in a basket and dispose of Lenoble’s bits in less-suspicious fragments in a variety of sewer grates and refuse heaps.

Such as was recovered was heaped together at the morgue, “a mass of quivering flesh, stripped of skin … bones covered with their tendons, sternum, ribs with fragments of the chest, bones of the shoulder blades and arms … the liver, heart and guts, and the fragments of skin torn off one by one from each severed part.”*

After his capture for this shocking crime, he admitted that he’d also been the author of the unsolved murder several years before of his lover, Adele Blondin — likewise for pecuniary gain, and likewise disposed of in pieces after Pevost’s ghoulish close work with corpse and saw.

The condemned man then left his bed, but he was too much overcome to dress himself. That task was done by the executioner and his assistants. He was then left alone with the Abbe Crozes to prepare his soul. He embraced the Chaplain several times and wept bitterly.

“Take courage, take courage,” said the reverend gentleman.

“Yes, yes,” replied Prevost, “I will take courage and try to meet my fate. I ask pardon of the Police administration, to which I belonged seven years.”

“If this … pawnbroker has been murdered by some one of a higher class in society,” Dostoyevsky had mused in Crime and Punishment in 1866, “how are we to explain this demoralisation of the civilised part of our society?”

Prevost’s demoralization afflicted his cognition as well as his conscience, because he had actually made previous chit-chat with fellow-officers to the effect that were he to commit the perfect crime he would surely go and butcher the body for no-fuss disposal.

The condemned man, after kissing the crucifix three or four times, marched out to the guillotine wit a firm step, and in an instant he was on the fatal bascule.

The spring was touched, a dull thud was heard, and the next second his head fell into the basket.

After the execution the body and head of the murderer were taken to the School of Medicine, and, having been sown together, electrical experiments were made on them, and in the opinion of all the doctors present death must have been instantaneous.

* This quote, and the other interspersed crime details, and the nice bashing illustration, are all via this French crime pamphlet.

Part of the Daily Triple: 1880 and Death.

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1801: Chevalier, bomb plot scapegoat

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On this date in 1801, a Jacobin chemist was wrongly executed for Royalists’ plot against Napoleon.

Our scene is France, the year following Napoleon’s coup of 18th Brumaire (November 9, 1799 on the stodgy old Gregorian calendar). Marx’s “first time as tragedy”* saw the Corsican achieve monarch-esque power, and the months ensuing saw a plethora of plots against him.

The ranks of aggrieved potential assassins included both Jacobins, incensed at the military dictatorship, and Bourbons, incensed that it wasn’t their dictatorship — in both cases exacerbated by Napoleon’s decisive battlefield triumphs which consolidated his hold on power.

On Christmas Eve 1800, the man on horseback was a man in a carriage, careening through Paris to catch a performance of Haydn’s oratorio The Creation.

When, all of a sudden, a gigantic explosion on the Rue Saint-Nicaise attempted to un-create the First Consul. It failed, exploding after Napoleon had passed and before Josephine’s family followed, “merely” killing and maiming fifty-some miscellaneous Parisian bystanders instead.


Kablamo! The explosion of the Infernal Machine.

The Catherine Delors historical novel For the King (author’s teaser) is built around investigating the Plot of the Rue Saint-Nicaise.

“Every one,” wrote Sir Walter Scott,

shocked with the wild atrocity of such a reckless plot, became, while they execrated the perpetrators, attached in proportion to the object of their cruelty. A disappointed conspiracy always adds strength to the government against which it is directed; and Buonaparte did not fail to push this advantage to the uttermost.

This “Infernal Machine” had actually been built by disgruntled monarchists at the instigation of intriguer Georges Cadoudal, as was swiftly discerned by Napoleon’s Minister of Police, the ruthless ex-revolutionary Joseph Fouche.

Realpolitik exigencies — Napoleon was trying (unsuccessfully) to reach political terms with the royalist faction — instead drove a rush to pin the detonation on the Jacobins.

Who, it should be said, made themselves the primary suspects by virtue of the fact that they’d also been trying to blow up Napoleon. Chevalier had been arrested a couple of months before when a bomb of his, evidently an experiment for a similar Jacobin plot, loudly blew up near Salpetriere.

Four other Jacobins followed Chevalier to death later in January (and two royalists actually involved in the bomb got the same treatment). Some 130 other prominent Jacobins (French link) were expelled on Napoleon’s say-so — no legislative consultation — to the empire’s far-flung colonies, pretty much putting the remains of the long-supine revolutionary left permanently out of the picture as a political force.

* See the 18th Brumaire; the “second time as farce” also came with its own history-repeating-itself executions.

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1721: Cartouche, French bandit

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On this date in 1721, the French outlaw Cartouche was broken on the wheel in Paris.

Your basic superstar robber during that archetype’s golden age, Louis Dominique Garthausen, aka Bourguignon, aka Cartouche was the son of a German mercenary-turned-French wineseller.

Little Cartouche — his nickname came from a Francophone corruption of his German surname — distinguished himself from childhood as the most charismatically intrepid of the local hooligans, and by adolescence was already the leader of a troupe of rascally thieves.

By his twenties, after a detour through the army, Cartouche and his merry men (the Cours des Miracles gang, after the slum they operated out of) were raiding the lucrative Versailles-Paris route, plundering the virtue of marchionesses, distributing stolen booty the poor, maintaining perfect courtesy in the society of gentlemen, and generally becoming the heroes of that species of literature that revels in bodice-busting sybaritic rakes who play by their own rules but have a heart of gold. (Sample escapade: walking a carnival parade with a cart full of police effigies — whipping them all the way, to the glee of the crowd. Thackeray celebrates more Cartouche folklore here, like the time he robbed as part of a threesome, talked one accomplice into murdering the other in order that the two survivors should have greater shares of the spoils to divide — only to round self-righteously on the killer once his pistols were safely discharged and gun him down in turn with the words “Learn, monster, not to be so greedy of gold, and perish, the victim of thy disloyalty and avarice!” That’s a pretty good one, whether it really happened or not.)

The flesh-and-blood police started to roll up this group around 1719, turning arrestees into informants and hunting ringleaders to ground. True to character, Cartouche defied with his liberty the growing price on his head, deftly giving gendarmes the slip until a confederate betrayed him into his enemies’ hands literally while his pants were down.


18th century engraving of the arrest of Cartouche.

The guy very nearly broke out of prison — tunneling out of a dungeon of the Chatelet into a neighboring basement, only to have the clank of his chains rouse the family dog into a woofing frenzy that betrayed him before he could vanish out the front door. But even back in the clink,

came a period of splendid notoriety: he held his court, he gave an easy rein to his wit, he received duchesses and princes with an air of amiable patronage … His portrait hung in every house, and his thin, hard face, his dry, small features were at last familiar to the whole of France. M. Grandval made him the hero of an Epic — “le Vice Puni.”

Cartouche was doomed to breaking on the wheel after a morning suffering the tortures of the boot in an unavailing effort to extract further incriminations from the rogue.*

Cartouche seems to have fully expected his troupe to reciprocate this heroism by rising to the dramatic occasion of a rescue from the very scaffold. But as the prisoner arrived at the Place de Greve, he perceived at last that like Christ he had been abandoned at the critical hour by the men who had sworn oaths with him. The great desperado’s final act was to retaliate upon these faithless friends (and family!) by taking aside his prosecutors and detailing his every accessory in crime, even his lovers. What the worst extremities of medieval torture could not procure from him, the compelling incentive of revenge instantly conjured.

Our hero went to his death this day but his revenant spirit stalked France for many months thereafter as dozens succumbed (pdf) to Cartouche’s scaffold indictment. One diarist recorded the following July,

Nothing but hangings and breakings on the wheel! Every day some Cartouchian executed.

* Available sources are flatly contradictory between the story that Cartouche was to die on the 27th and his confessions stalled things until the 28th, or was to die on the 28th all along, or was to die and did so on the 27th.

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Feast Day of Saint Denis, cephalophore

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October 9 marks the feast date of the early Christian martyr Saint Denis.

Guess how he died:


(cc) image from minifig of the saint’s statue at Notre Dame.

When this missionary bishop to Paris got the Roman chop* for his conversions sometime after 250, he scooped up his own severed noggin and carried it to his preferred burial spot.

Upon that eventual pilgrimage site would spring up a medieval basilica whose 12th century renovation turned it into a pioneer of Gothic architecture.

(Denis is also sort of the namesake for the Parisian hill Montmarte where he’s supposed to have been put to death: “mountain of Mars” in heathen times, it Christianized to mons martyrium, “Martyrs’ Mountain”.)

While many Christian martyrs carry the instruments of their martyrdom in iconography, and a few others roll with the bits of severed flesh exacted by those martyrdoms, Denis is only the most notable of an entire designated sub-class who carry their own heads: cephalophores.

This subject, seemingly tailor-made for a They Might Be Giants song, finally got one in 2011: “You Probably Get That A Lot”.

A most profane footnote was appended to our holy man’s legend during the French Revolution.

Journalist Camille Desmoulins once recklessly sneered of Robespierre‘s vain lieutenant Saint-Just, “He carries his head like a sacred host.”

Saint-Just is supposed to have retorted upon hearing the slight, “I’ll make him carry his like Saint Denis.” He did it, too.

* Two companions, Rusticus and Eleutherius, were doing the same conversions and suffered the same execution. Nobody named cathedrals after them.

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1523: Jean Valliere, the first Protestant burnt in France

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On this date in 1523, a Norman hermit named Jean Vallière was burned at the stake at a Paris pig market, while the books of the humanistic nobleman Louis de Berquin were burned in front of Notre Dame by the Paris parlement.

Berquin would follow Valliere’s fate ere that first decade of Lutheranism was out, but the obscurity who died on this date seems to have been an Augustinian preacher whose zany idea that Jesus was the son of Joseph and not God would have been no more welcomed by Luther than by Rome.

Friend and foe alike tended to project onto Luther any old subversive project that wanted either the imprimatur of theological credibility or the brand of the heresiarch and his “pestilential doctrine full of execrable errors.” (That’s how the Sorbonne condemned Luther in 1521.)

In this case, guilt by association was intended to intimidate with Valliere’s example scholars like Berquin. A most particular threat was a clique of reform-oriented intellectuals at Meaux under the leadership of Jacques Lefevre d’Etaples; d’Etaples that very year of 1523 completed a French translation of the New Testament.

These folk in Meaux persisted only under the personal protection of the French King Francis I and his reformist sister Marguerite of Navarre. Their project of reform within the church never really took, and neither did the Meaux circle commit itself to martyrdom for the new faith(s). But Marguerite of Navarre’s grandson would be the man to settle this century’s French Wars of Religion by conquering as a Huguenot, converting to Catholicism, and ruling illustriously as Henri IV.

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