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On this date in 1944, the restored French Republic shot the editor of the collaborationist newspaper Aujourd’hui (Today).

Suarez’s (linked page in French) writings (French again) had endorsed the German occupation and called for steps even beyond what the Germans were prepared to take: the wholesale taking of Anglo hostages as proof against Allied bombing raids, for instance.

His trial and execution were the first of many suffered by pro-Vichy writers and journalists condemned by the vengeful free French courts for their part in the Nazi occupation, especially in the first months after liberation. The public intellectuals of the wartime government were, as a matter of fact, in the dock faster than the government itself.

Alice Kaplan, writing of the more infamous collaborationist writer Robert Brasillach who would follow Suarez’ footsteps in a few weeks, observes:

Writers were easy to try. Their files, crumbling now, are rather thin: clippings of their articles from the collaborationist press, underlined in red and blue ink with an occasional commentary; a report by the prefecture of police outlining their political affiliations and behavior during the Occupation; a list of witnesses called by the defense and the prosecution; interviews of the accused, before the trial, going over the charges against him; letters from friends — and enemies — sent to the judge before the trial. It was easier to organize a case against a journalist than a case against a common-law criminal or a financial collaborator. The bulk of the evidence was in newspaper clippings, quickly compiled.

“Treason is a matter of dates,” Suarez’ lawyer averred, channeling Talleyrand. But at this early date of freedom, not six months after Omaha Beach had been wrenched from German hands, there was much less sympathy for the philosophic vagaries of history than some subsequent writers would enjoy — and there was a good deal of indictable behavior:

Whether they faced the charge of treason or of national indignity, the writers were accused of having espoused numerous elements of Nazi ideology: anti-communism; anti-Semitism; support for the releve (the system designed to send French workers to Germany in exchange for French POWs); support for the Milice (Vichy’s police force); support for the German and French troops fighting the Soviets on the Eastern front; attacks against de Gaulle and the Resistance; participation in collaborationist organizations; trips to Germany during the Occupation, in particular to the International Writers’ Congress at Weimar in 1941.

-Philip Watts, Allegories of the Purge

In addition to its noteworthy history in the postwar purge of journalists, Kaplan reports that Suarez’s trial may also have been the first in French history for which women were eligible to serve as jurors — although none of the women in the jury pool were ultimately seated, and the milestone seems not to have been widely noticed even at the time.

The execution itself was badly botched: Suarez is said to have survived both the initial fusillade and a second barrage from the firing squad before a third round finished him off.

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On this date in 1941, the German occupiers of Minsk conducted an infamous public hanging of partisans — perhaps the first such salutary public execution of resistance members of the war.

Jewish* 17-year-old Maria (Masha) Bruskina was the central figure of the grim tableau, and wore the placard announcing “We are partisans and have shot at German soldiers.” Evidently, she also attracted the most attention** from the onlookers to whom the scene was addressed.

Before noon, I saw the armed German and Lithuanian soldiers appear on the street. From over the bridge they escorted three people with their arms tied behind their backs. In the middle there was a girl with a sign-board on her chest. They were led up to the yeast factory gate. I noticed how calmly these people walked. The girl did not look around … The first one led to the gallows was the girl.

She was hanged with bewhiskered World War I vet Kiril Trus and the 16-year-old Volodia Shcherbatsevich. The men were members of a partisan cell organizing anti-fascist resistance; Masha Bruskina was a nurse who had been caught aiding the partisans by providing civilian clothes and papers for wounded Red Army soldiers under her care to smuggle them back to the resistance.

The scene of their deaths was captured in a series of powerful photographs taken by one of the Lithuanian Wehrmacht collaborators.

(More images here and here.)

* Phototextualities: Intersections of Photography and Narrative claims that Bruskina lightened her hair and changed her name to prevent her Jewishness affecting her resistance work; even though she was a Minsk native, her initial identification didn’t happen until 1968. The men who suffered with her were named almost immediately after the war.

** Despite the eye-catching place of the girl, she was officially unidentified for decades even after the name Masha Bruskina surfaced. In “A Historical Injustice: The Case of Masha Bruskina,” (Holocaust Genocide Studies 1997, 11:3) Nechama Tec and Daniel Weiss argued that Soviet authorities, and later Belarusian ones, found her Jewishness problematic and resisted identifying her because of it — while an ethnically Russian female partisan like Zoya Kosmodemyanskaya could be more conveniently accepted as a heroine. Maybe, but bureaucratic inertia and simple precedence (since Zoya Kosmodemyanskaya was known immediately while Masha Bruskina was not) are also plausible contributing factors.

A plaque unveiled at the Minsk yeast factory in 2009 finally called her Maria Bruskina.

Also On This Date

• 1864: Klatsassin and four fellow Tsilhqot'ins