Category Archives: Gruesome Methods

1759: The Tavora family

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Two and a half centuries ago today, Portugal’s noble Tavora family was extirpated in Belem.

[A] scaffold eighteen feet in height was erected in the market-place of Lisbon, during the night of the 13th, round which was drawn up a cordon of military. Precisely at 7 o’clock in the morning, the old Marchioness of Tavora, as the most guilty, was brought upon the scene, her hands bound, and a rope round her neck. She was placed on a chair, and her eyes being bound, the executioner struck her head off without the previous utterance by her of any complaint. After her came the twenty-one-year-old son, Joseph Maria de Tavora. They bound him on a cross raised aloft, broke his arms and legs with iron clubs, and then strangled him with a rope. The same fate befell [Tavora son-in-law] Jeronimo de Ataide, Count of Atouguia, the young Marquis Luiz Bernard de Tavora, colonel of cavalry, his servant Blasius Joseph Romeiro, Corporal Emanuel Alvarez Fereira, valet of the Duke of Aveira, and the body-page, John Michael. Their corpses were all flattened upon wheels, which were placed on poles, and this proceeding took up so much time that fully half an hour elapsed before another execution could be proceeded with.


Other outstandingly gory images of this day’s business are here.

After the page Miguel or Michael, the executioner took the old Francis d’Assis de Tavora, bound him on a St. Andrew’s cross, gave him three blows on the chest with an iron rod that resounded to a distance, shattered his arms and legs, and then gave him his coup de grace through the heart. The executioner’s men then, amidst wild shrieks, shattered the arms, legs, and thighs of the ninth victim, the old Duke of Aveiro, while still alive, then killed him by a blow on the chest, and threw him into the blazing fire. Finally, the tenth delinquent, the valet Anton Alvarez Fereira, brother of the above-mentioned Emanuel, was conducted before the corpses of the nine who had been previously executed, each one being shown to him; he was then bound to a stake, round which was placed a heap of wood, and this being set fire to, was raked together until he was completely consumed* … When the execution was over, the scaffold, together with all the dead bodies, was set on fire and burnt to ashes, which were thrown into the Tagus.

Oh, and one last thing:

[T]he palaces of the high nobility who had been executed were pulled to pieces and levelled to the ground, and salt strewed on the places where they had stood, as a sign that they should never be built up again.

Yikes.


This stone marker was placed on the site of the razed palace of Jose Mascarenhas, the Duke of Aveiro. “On this infamous land,” it announces, “nothing may be built for all time.” Copyrighted image courtesy of Ludgero Paninho.

Seems someone got the idea that the Tavoras tried to kill (and more problematically, failed to kill) Portuguese king Joseph I.

Circumstantial, torture-adduced evidence put the scheming Marchioness Eleonora de Tavora and clan behind an apparent assassination attempt, wherein a couple of assailants had shot at the king’s unmarked carriage as it returned on a little-used road from a rendezvous with his mistress. (One of the circumstances was that the mistress was a Tavora, which put the accused in a position to know the king’s secret travel plans. Others argue the gunmen might have just been common highwaymen who had no idea they were setting upon the royal person.)

Whatever the facts of the matter, obscure behind a quarter-millennium, its attribution to the Tavoras and the spectacular revenge thereupon visited was effected by the king’s competent and ruthless minister, Sebastião José de Carvalho e Melo, the future Marquis de Pombal.


A monumental plinth surmounted by Pombal dominates the present-day Lisbon plaza named for him.

His able handling of the recent Lisbon earthquake had cemented his position as the throne’s right-hand man in a trend of centralizing absolutism not much appreciated by the old aristocracy (nor by the hidebound clerical orders, which explains why the aforesaid gory account of the execution ground comes from a German anti-Jesuit polemic).

And he would not miss the opportunity an attack on the king’s person gave him to sweep away his opponents.

The peers of the realm were summoned to witness their fellow blue-bloods so nauseatingly dispatched, and the Jesuits — “reported to have inflamed the Tavora family to their [the Jesuits’] desired pitch … in revenge for what had justly been done to them in South America”** — were forthwith suppressed.

(Functionally a progressive secular dictator — or an enlightened despot, to use a more 18th-century description — Pombal would eventually push political conflict with Rome so near the brink of outright schism that the Catholic Encyclopedia’s entry on Melo characterizes it as “a sort of disguised Anglicanism,” adding that “many of the evils from which the Church now suffers are a legacy from him.” His ascendancy is the “Pombaline Terror” in Catholic annals.)

Melo/Pombal exercised the power of the state for the rest of Joseph’s life, but the king’s daughter and successor Maria I dismissed him — though she did not take punitive action against Pombal for his persecutions, as his enemies demanded.

* Also doomed to burning alive was one Joseph Policarpo, who was able to escape the mass arrest a few weeks before and fled the kingdom. He was executed by effigy.

** This comment is from the letters of Christopher Hervey, an Englishman abroad in Portugal at the time of the execution whose 100+ pages’ worth of correspondence include live-at-the-scene reporting and English translations of the public pronouncements against the supposed culprits. As to the South American roots of Pombal’s conflict with the Jesuits, the order had resisted Pombal’s early schemes to reorganize and rationalize Portugal’s New World holdings in order to make the country a more competitive colonial power. Jesuit resistance to giving up the order’s control of education, and its humanitarian efforts to protect Indians, had been seen as contributing to an Indian rebellion that broke out in Jesuit-controlled territory — even to the point that Jesuits themselves were suspected of arming Indians in an effort to carve out church-controlled states. Hervey’s version has the Jesuits behind the plot in order to eliminate Pombal’s threat to their power. Others share this opinion … and Pombal, obviously, was keen to have his rivals inculpated for lese majeste in the public mind.

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1660: Major-General Thomas Harrison, the first of the regicides

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On this date in 1660, the restored House of Stuart began a week of bloody justice against Charles I‘s regicides by hanging, drawing and quartering Thomas Harrison at Charing Cross.

Stuart Little

Charles’ son and heir Charles II had been stuck on the continent during the 1650’s, until the Commonwealth came apart from its own internal contradictions after the death of Oliver Cromwell.

With anarchy looming, suddenly monarchy didn’t look so bad — and Charles II had a way back into the saddle.

Beheads I Win …

The first thing on everyone’s mind was what to do about the little matter of having lopped off his dad’s head.

Political reality drove the settlement: nearly everyone in the English gentry had in some manner acquiesced to the Commonwealth during its decade-plus turn steering the ship of state; an expansive line on treason would be a nonstarter. At the same time, His Soon-To-Be-Royal-Again Majesty expected a few examples made to do right by the old man and keep king-killing well off his future subjects’ agenda.

Result: the Indemnity and Oblivion Act, granting a free pardon to all supporters of the Commonwealth save a handful of those most directly implicated in Charles I’s execution.

Weeks of frantic negotiating between the parties and private settlements of borderline cases with the royalist camp preceded the action. But Thomas Harrison wasn’t part of any of it.

… Entrails you Lose.

The rigid Puritan, one of 59 who signed the last king’s death warrant and at one time the commander of England’s armies, had been on the outs with everyone since Cromwell set up the Protectorate in 1653. Godly Tom was a “Fifth Monarchist,” anticipating the imminent return of Christ perhaps in conjunction with the imminent year 1666 … and no government felt safe about these millenarians. He’d been imprisoned several times by the Protectorate, too.

Though many attainted regicides fled for Europe or America, Harrison (possibly motivated by age and infirmity) hung out, waited for arrest, and took his punishment stolidly.

God hath covered my head many times in the day of Battle. By God I have leaped over a wall, by God I have runned through a Troop, and by my God I will go through this death.

Specifically meaning, drawn on a hurdle from Newgate to Charing Cross (with a fine vantage for the doomed on Whitehall, where Charles I had met his end), hanged but revived, his genitalia cut off and bowels carved out and burned while still conscious, and finally beheaded and his body divided into quarters for gruesome public display around town.

You have selected regicide.

Harrison died on a Saturday, and his was the opening act of a busy week in the bowel-burning business; nine other fellow regicides condemned with him would share that fate during the week ahead:

  • John Carew, on Monday the 15th;
  • John Cook and Hugh Peters, on Tuesday the 16th;
  • Thomas Scot, Gregory Clemen, Adrian Scroop and John Jones, on Wednesday the 17th;
  • Francis Hacker and Daniel Axtel, on Friday the 19th.

Harrison was chosen as the first partly, perhaps, because the Fifth Monarchists were (justifiably) considered a still-extant menace, and partly because, as one account had it,

[h]e was a fierce and bloody enthusiast. And it was believed, that, while the army was in doubt, whether it was fitter to kill the king privately, or to bring him to an open trial, that he offered, if a private way was settled on, to be the man that should do it. So he was begun with. But, however reasonable this might be in itself, it had a very ill effect: for he was a man of great heat and resolution, fixed in his principles, and so persuaded of them, that he never looked after any interests of his own, but had opposed Cromwell when he set up for himself. He went through all the indignities and severities of his execution, in which the letter of the law in cases of treason was punctually observed, with a calmness or rather a cheerfulness that astonished the spectators.

“As cheerful as any man could do in that condition”

And this coda is attested by the age’s famous diarist, Samuel Pepys, whose neat and oft-quoted summation of Harrison’s fate runs thus:

I went out to Charing Cross, to see Major-General Harrison hanged, drawn, and quartered; which was done there, he looking as cheerful as any man could do in that condition … Thus it was my chance to see the King beheaded at White Hall, and to see the first blood shed in revenge for the blood of the King at Charing Cross.

Who overcomes by force hath overcome but half his foe

As might be expected, vindicated royalists sought more blood than the handful of exemplars could furnish. What compromise could expiate the sin of regicide?

Poet and polemicist John Milton, having been propagandist-in-chief for the now-abortive revolution, endured the jeers of his enemies for the conspicuously apolitical stuff (a grammar book!) by which he would set his table in the years ahead.

Upon John Milton’s not suffering for his traiterous Book when the Tryers were executed, 1660.

That thou escaped’st that vengeance, which o’ertook,
Milton, thy regicides, and thy own book,
Was clemency in Charles beyond compare:
And yet thy doom doth prove more grievous far.
Old, sickly, poor, stark blind, thou writest for bread:
So for to live thoud’st call Salmasius from the dead.

(Claudius Salmasius was a French intellectual whose defense of the Stuart royal rights had been savaged by Milton during the Protectorate.)

It’s thanks to the Indemnity and Oblivion Act’s not sending Milton the way of General Harrison that we have Paradise Lost.

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1795: Tula, Curacao’s Nat Turner

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On this date in 1795, the slave whose rebellion had shaken the Dutch Caribbean colony of Curaçao was publicly tortured to death with his chief confederates.

The Landhuis Knip commands the plantation where Tula’s revolt began — the dark history behind the Dutch Antilles’ charming facade.

On August 17, 1795 Tula (English Wikipedia page | Dutch) launched a well-planned insurrection on the island, one of the major transit points in the Atlantic slave trade.

Inspired by the Haitian Revolution — and reasoning that, since France occupied the Netherlands, that whole Declaration of the Rights of Man thing ought to be trickling down to Dutch colonies — the rebels freed slaves plantation to plantation and quickly swelled near 1,000.

Of course, Jean-Jacques Rousseau aside, the slaves were also irate that they were damn slaves.

Although the outside forces of international geopolitics played a role in inspiring the 1795 revolt, slaves could find sufficient justification for insurrection in the domestic policies that Dutch planters employed to keep their slaves laboring in Curacao. The planters maintained a harsh regime in which many privileges that had traditionally been bestowed upon slaves had been removed in order to heighten productivity and increase plantation profitability. By 1795, most slaves were being forced to work on Sundays, which had generally been a day of rest in the past, and many planters hired their slaves out to maximize profits by exploiting their labor. It had also become customary for all of the slaves on a plantation to be punished in response to the offense that an individual slave among them had committed. (Source)

A priest was sent as envoy from the worried white community to the rebel encampment, with an offer of amnesty for submission.

Tula (sometimes surnamed as Tula Rigaud) and fellow leaders Bastiaan Karpata (or Carpata), Pedro Wakao (or Wacao) and Louis Mercier received him politely, hosted him overnight, and told him to get lost. This is Tula:

Father, do not all the persons spring from Adam and Eve? Was I wrong in liberating twenty-two of my brothers who were unjustly imprisoned? Father, French liberty was a disaster for us. Each time one of us is punished, we are told: “Are you also looking for your freedom?” One day I was arrested, and I begged mercy for a poor slave; when I was liberated, my mouth was bleeding. I fell on my knees and I cried to God: “O Divine Majesty, O Most Pure Spirit, is it Your will that we are ill-treated? Father, they take better care of an animal.”

And subhuman was the torture Tula, Karpata and Wakao* bore for their insistence on freedom when a fellow slave finally — inevitably? — betrayed them.

At a spot now commemorated by a beachfront monument, the three had their bones systematically shattered with an iron rod, their heads lopped off, and their bodies tossed into the sea. (Despite the metadata on this post, it wasn’t precisely “breaking on the wheel” — but the bone-shattering was pretty much the same idea.)

Curacao remains today a Dutch possession; slavery was abolished there in 1863. August 17, the dawn of these Dutch slaves’ inspiring and fatal revolt for freedom, is now honored on the island — and off it.

* It’s unclear to me whether Mercier, who was captured earlier, was also executed with the others, or whether Mercier’s sentence had already been carried out by this time.

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1402: False Olaf

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On this date in 1402, a Prussian commoner was put to death on the road between Falsterbo and Skanor in Sweden for masquerading as the long-dead King Olaf IV.

The real Oluf IV Haakonsson — or Olav, or Olaf — had inherited the crowns of Denmark and Norway and a claim to that of Sweden’s but died at the age of 17 in 1387. His mother, Margaret I (or Margrethe I), the real power behind the teenager, ruled outright upon her son’s death.

She proved an able hand and far-sighted ruler, cautiously welding Denmark, Sweden and Norway into the Kalmar Union that would hold until the 16th century. They called her “the Semiramis of the North,” centuries before Catherine the Great nicked the nickname.

But her son’s youthful demise had set persistent rumors abroad — that he was poisoned, for instance, and more to the point for our purposes, that he wasn’t dead at all.

So when his spitting image was recognized, and hailed as the prince of the realm … well, back in the day, equally audacious identity theft was attempted for much smaller stakes than a throne.

Anyway, “Olaf” got some robes befitting Olaf’s station and banged out some letters to Margaret demanding his kingdom back, and Margaret said, come on down.

That goes to show how far looks will take you in life.

Unfortunately for Olaf, his regal jawline wasn’t capable of enunciating Danish speech … so the jig was up as soon as he got to Margaret. One hopes he got a good ride out of his brief masquerade, because he was burned to ashes — possibly after being broken on the wheel — along with those presumptuous letters.

The date of False Olaf’s death comes from Horace Marryat’s 19th century Scandinavian travelogues, One Year in Sweden; including a visit to the isle of Gotland and A Residence in Jutland, the Danish Isles, and Copenhagen (both free reads at Google Books). In both volumes, Marryat identifies the date as the morning before Michaelmas.

The traditional last day of the harvest season celebrated on September 29, Michaelmas was once a four-star holiday on the medieval calendar.

There’s a fair amount of commentary online saying that an “Old Michaelmas” used to be celebrated on October 10 or 11. But that looks to this writer like an interesting inversion stemming ultimately from the celebration’s fall into obscurity as the entity once known as Christendom has become more secular and less agrarian — although it’s admittedly nothing to do with the fate of False Olaf, or Semiramis for that matter.

In 1752, when England finally switched to the Gregorian Calendar, the switch took place in early September.*

For logistical pragmatism (the harvest wasn’t going to come in 11 days earlier just because the calendar changed), the then-imminent Michaelmas got pushed back 11 days to October 10. October 10 then became known as “Old Michaelmas,” no longer Michaelmas by the church calendar but the 365-day interval from when it used to be celebrated, and more importantly, the real end of the harvest season.**

In the next century, the difference between Julian and Gregorian calendars would have advanced to 12 days, placing Old Michaelmas on the 11th; by this present day, it’d be 13 days in principle, but the original meaning of the holiday and the host of cultural traditions associated with it have fallen away … so “Old Michaelmas” is a footnote still pinned to October 10th or 11th, and moderns rediscovering it suppose from the name that it’s the former date of the feast.

* People inclined to think of their death dates as foreordained in heaven’s celestial notebook protested the switch: “give us back our 11 days!” This reform, incidentally, also moved the official beginning of the New Year to January 1 from Michaelmas’ springtime “Quarter Day” counterpart, March 25; winter dates from years prior are often written with both years, e.g. 1738/9. “Old Lady Day“, April 6, is still the beginning of the fiscal year in England, and Thomas Hardy uses its traditional contractual character in Tess of the D’Urbervilles (Aside: Tess’s hanged real-life inspiration) when the title character takes a farm job running through that date:

Tess was so wrapt up in this fanciful dream that she seemed not to know how the season was advancing; that the days had lengthened, that Lady-Day was at hand, and would soon be followed by Old Lady-Day, the end of her term …

At length it was the eve of Old Lady-Day, and the agricultural world was in a fever of mobility such as only occurs at that particular date of the year. It is a day of fulfilment; agreements for outdoor service during the ensuing year, entered into at Candlemas, are to be now carried out. The labourers — or “work-folk”, as they used to call themselves immemorially till the other word was introduced from without — who wish to remain no longer in old places are removing to the new farms.

… With the younger families it was a pleasant excitement which might possibly be an advantage. The Egypt of one family was the Land of Promise to the family who saw it from a distance, till by residence there it became it turn their Egypt also; and so they changed and changed.

** Residents of the former Soviet Republics who switched to the Gregorian calendar in the 20th century still celebrate both the familiar January 1 New Year’s and “Old New Year’s” 13 days later, and the same trick with the (lesser, there) holiday of Christmas too … packing four party occasions into a three-week span.

Part of the Themed Set: Semiramis.

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1652: Captain James Hind, royalist highwayman

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On this date in 1652, James Hind, a highwayman who preyed on Roundheads, was drawn and quartered for treason.

Famed throughout the realm for his dashing heists on the roads, Hind was the subject of no less than 16 printed pamphlets of the nascent popular press in the early 1650’s, which magnified brigand’s feats, oratory and persona into a sort of populist Cavalier superhero: Marvel Comics for the woodcut age.

The highlights of Hind’s adventures receive rapturous attention from the Newgate Chronicles:

  • Setting upon Oliver Cromwell shortly after the execution of Charles I, his partner Thomas Allen being taken in the affray;
  • An amusing duel of Biblical citations while robbing regicide Hugh Peters, resolved in the characteristic manner of such impasses by reference to which disputant holds the gun.

    “Pray, sir, make no reflections on my profession; for Solomon plainly says, ‘Do not despise a thief’; but it is to little purpose for us to dispute. The substance of what I have to say is this: deliver thy money presently, or else I shall send thee out of the world to thy master in an instant.”

  • Any number of pleasing episodes with lesser personages suitable for the gallant highwayman — ladies charmed but un-pillaged, paupers subsidized, and always, wicked Parliamentarians chastened. Several excellent Hind anecdotes are gathered by Gillian Spraggs here.

As to the veracity of this stuff, the Captain himself suggests a pinch of caution.

A Gentleman or two, desired so much favour of [the gaoler], as to aske Mr. Hind a civil question; which was granted. So pulling two books out of his pocket, the one entituled, Hind’s Ramble, The other Hind’s Exploits, asked him whether he had ever seen them or not: He answered, yes; And said upon the word of a Christian, they were fictions: But some merry Pranks and Revels I have plaid, that I deny not.

But Hind’s adherence to the Stuart cause was real enough, or at any rate something he had the 17th century media savvy to play up. At his execution, he professed pleasure in having targeted Roundheads for most of his crimes, and it was not theft that saw him to the scaffold, but treason. He made free royalist talk upon his arrest, proposing a toast to the exiled king that otherwise sympathetic guests were too cautious to take up.

Hind fits symbolically into the tradition of the romantic outlaw of Robin Hood stock, and anticipates the 18th century rogues’ gallery of noble brigands fighting a doomed rearguard against capitalism. Hind’s acts, criminal by any standard, are justified by the illegitimacy of the society he preys upon; he embodies at once a social and political rejection of the nascent mercantile England, and a biographical realization of its actuating mythos — personal aptitude and acquisition,* with a cover story for why his victims had it coming.

Neither did I ever wrong any poor man of the worth of a penny: but I must confess, I have (when I have been necessitated thereto) made bold with a rich Bompkin, or a lying Lawyer, whose full-fed fees from the rich Farmer, doth too too much impoverish the poor cottage-keeper: And truly I could wish, that thing were as little used in England amongst Lawyers, as the eating of Swines-flesh was amongst the Jews.

A dead-end position — just like James Hind himself.

* In a supposed rhapsody over gold forced from the hand of John Bradshaw — yet another regicide; Hind seemingly met them at every turn — our robber rather has his cake and eats it too in extolling and condemning lucre.

Ay, marry, sir, this is the metal that wins my heart for ever. Oh! precious gold, I admire thee as much as Bradshaw, Prynne or other such villains, who would for the sake of it sell our Redeemer again, were He now upon earth.

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1803: Robert Emmet, “let no man write my epitaph”

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On this date in 1803, Irish nationalist Robert Emmet was hanged and posthumously beheaded, a day after his trial for treason against England.

The well-to-do scion of a Protestant family, Robert Emmet followed his older brother into the Republican ferment of the time and led an unavailing uprising in Dublin on July 23, 1803.

Captured a month later when he romantically recklessly moved his hideout closer to his beloved Sarah Curran.*

Emmet won his great laurels in the annals of Irish Republicanism with a stirring “Speech from the Dock” addressed to the courtroom the day before he died. Or better to say that it was addressed in a courtroom, for knowing that his death sentence was a foregone conclusion, the real audience was posterity and a wider world.

Emmet found that audience with one of the great orations of the 19th century.

This clip is a truncated version of a longer speech not set to paper by Emmet, so no single definitive version exists. Versions can be found at this Irish history site, and at SinnFein.ie.

I have but one request to ask at my departure from this world — it is the charity of its silence! Let no man write my epitaph: for as no man who knows my motives dare now vindicate them. let not prejudice or ignorance asperse them. Let them and me repose in obscurity and peace, and my tomb remain uninscribed, until other times, and other men, can do justice to my character; when my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written. I have done.

On the strength of such sentiment — and the public’s learning of his love for Sarah Curran — the 25-year-old became iconic in death. Robert’s own death inspired the mandatory Irish patriotic ditty, “Bold Robert Emmet”:

But that sundered love between Emmet and Sarah Curran — who broken-heartedly accepted another proposal and moved to Sicily — was at least as stirring to the Romantic imagination. Washington Irving dedicated a short story to the lost romance; Emmet’s friend Thomas Moore made Curran the subject of a poem (beware: link opens an auto-playing audio file).


Anti-British terrorist Robert Emmet has a statue on Washington, D.C.’s Massachusetts Ave, and probably an entry on the no-fly list.

* 19th century Irish poet Thomas Moore paid her tribute in “She Is Far From the Land”:

She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

She sings the wild song of her dear native plains,
Every note which he lov’d awaking; —
Ah! little they think who delight in her strains,
How the heart of the Minstrel is breaking.

He had liv’d for his love, for his country he died,
They were all that to life had entwin’d him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.

Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They’ll shine o’er his sleep, like a smile from the West,
From her ow lov’d island of sorrow.

Part of the Themed Set: Counterrevolution.

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1599: Beatrice Cenci and her family, for parricide

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On the morning this day in 1599, the Cenci family — mother Lucrezia, son Giacomo, and immortal tragic heartthrob Beatrice — were put to death at Sant’Angelo Bridge for murdering the clan’s tyrannous father.

Francesco Cenci, the victim, was more accustomed to making victims of his own: detested around the Eternal City, he indulged his violent temper and fleshy lusts with the impunity of a wealthy cardinal’s son. By all accounts, he enjoyed pushing around his family, too.

This much is stipulated. What lies beyond is legend.

But the legend is why we’re dallying with Beatrice today, so we might as well begin there: in fear that her father would rape her, it goes, Beatrice tried to turn to the authorities, who let mean old dad walk on account of his connections. Desperate to protect herself from incest, Beatrice and family arrange to batter his gulliver and toss him over a balcony to make it look like suicide.

Slight problem: it didn’t look very much like suicide.

So the family was hauled in and tortured, and eventually Lucrezia and Beatrice (both beheaded) and Giacomo (quartered after suffering the mazzolatura of an incapacitating hammer blow to the head followed by gory lethal knifework by the executioner) all paid the price while the youngest child watched, spared death but condemned to life in the galleys.

(The papacy gobbled up the patricides’ estate, which puts a fine point on the ironically-named Pope Clement VIII‘s law-and-order stance on the appeal for mercy, and his subsequent edicts to quash public comment on the affair.)

Then Beatrice’s body — the part below the neck — contrived to disrobe when fumbled by the brethren taking it away for burial.

You’ve got to admit it’s pretty romantic. Some versions even hold that the responsible executioners died violently themselves within a month, or that a ghostly Beatrice returns to the scene of her demise on this anniversary.

And not a word of Italian fluency will be necessary to catch the gist of this excerpt from this 1969 Lucio Fulci film:

It’s a little too Romantic, as in capital-R.

While the case was a true sensation Rome at the turn of the 17th century, the legend as we know it was heavily constructed in the 19th century … and specifically Percy Bysshe Shelley, who heard the story in Italy* where it had persevered as local folklore. A girl who killed her despot-father, executed by the despotic agents of the Divine Father? You don’t get into the canon without knowing what to do with that kind of material.

And he had this charming painting of her to boot:

Shelley amped up the menaced-virginal-purity theme, made the bloodshed a lot more demure, and turned it into a long poem, “The Cenci” (available on Google Books, and on Bartleby.com) which in Melville’s description proceeds from putting its protagonist between the “two most horrible crimes possible to civilized humanity — incest and parricide.”

This doesn’t all actually turn out to be well supported: at a minimum, Shelley inflated an incest allegation of doubtful lineage into accomplished fact. Beatrice’s camp did not raise this claim until just before her execution, when it needed a high card for clemency. The loutish victim eventually got his own biographer, who strongly disputed the incest charges. (Francesco also sports his own Italian Wikipedia page.)

From Shelley’s influential quill** into the DNA of western literature: Stendahl tapped the vein, as did Artaud, and risorgimento figure Francesco Domenico Guerrazzi; both Melville and Hawthorne used that painting so captivating to Shelley as plot devices (Dickens loved the painting, too). American sculptor Harriet Hosmer worked Cenci’s complex sensuality in marble.

Remarkable how the tradition in its modern incarnation proceeds root and branch from Shelley’s apprehension of a single painting, and how his reading stamped itself upon the canvas for later observers — like Hawthorne, writing in his journal:

It is the very saddest picture that ever was painted, or conceived; there is an unfathomable depth and sorrow in the eyes; the sense of it comes to you by a sort of intuition. … It is the most profoundly wrought picture in the world; no artist did it, or could do it again. Guido may have held the brush, but he painted better than he knew. I wish, however, it were possible for some spectator, of deep sensibility, to see the picture without knowing anything of the subject or history; for no doubt we bring all our knowledge of the Cenci tragedy to the interpretation of the picture.

He wrote better than he knew: the painting is no longer attributed to Guido Reni, and it’s doubtful whether it’s a portrait of Beatrice at all. One wonders if it would retain its place in Hawthorne’s estimation as a local washer-woman modeling for an allegory.

* Apparently you can still crash at the same place Shelley first got hep to Cenci.

** Kick back with some polysyllabic literary analysis of Shelley’s Cenci stuff.

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1593: Pierre Barrière, undeterringly

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On this date in 1593, a would-be assassin of France’s King Henri IV was broken on the wheel.

An Orleans boatman turned Catholic League soldier in France’s internecine Catholic-Huguenot wars, he was among the numerous Catholics who looked askance at victorious Huguenot Henri IV‘s expeditious conversion to Catholicism.

In the months while Henri IV still held Paris under siege, the Jesuit father Jacques Commolet had called for his assassination from the pulpit. The Bourbon’s (nominal) switch to Catholicism with the words “Paris is worth a mass” had not persuaded hard-core Catholic partisans of the king’s sincerity.

Henri was a practical guy. And with civil slaughter afoot for most of the late 16th century, he took a dim view to loose talk about assassinations, especially his.

The safety of the king’s person was a paramount consideration of magistrates during this period. Thirty years of political assassinations during which the rule of law proved largely ineffective in bringing the guilty to justice had ultimately left a fundamental law of France, the inviolability of the king’s person, subverted. Magistrates … focused their attention on re-establishing the enforcement of this law …

Pierre Barriere was nabbed for planning to subvert that inviolability — arrested August 27, tried August 30, horribly broken on the wheel August 31.

Henri would keep the throne 17 more years, laying the basis for French absolutism. But continual assassination bids — nearly 20 documented — would pursue him throughout his reign … until one finally got him.

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1305: William Wallace, Braveheart

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On this date in 1305, Scottish knight Mel Gibson — er, William Wallace — was hanged, drawn and quartered at Smithfield for treason to a British crown he refused to recognize.

Just like so:

Well, close enough. Some wags have alleged one or two historical liberties in Braveheart.

Among the lesser (but more pertinent here): that they weren’t — you knew this already — offering the former Guardian of Scotland the opportunity to reduce his suffering with a public submission, or use the stage for theatrical defiance. Hanging, drawing and quartering was a brand new execution Edward I was experimenting with for emasculating, disemboweling, and (so the idea went) utterly cowing the rebellious hinterlands of the British Isles. Wallace may have been just the second person to suffer it.

But only a pointy-headed blogger could possibly care when the main point is that back before Christendom succumbed to nancy decadences like Vatican II, men wore woad, defenestrated queers, and tapped top-shelf babes.


Among the few things known for certain about William Wallace is that he did not score with Isabella of France. Or with Sophie Marceau.

Facts? This is show business!

Mel’s bloodbath only riffs the already-fantastic 15th century epic of “the Wallace” by Scottish minstrel Blind Harry, which in turn got a lyrical call-out in Robert Burns’ 18th century Scottish patriotic tune Scots Wha Hae.

National martyrs — and, sure, it helps to die at the right time, as Wallace did just before Robert the Bruce secured Scottish independence — feed a train of hungry authors and ready audiences in every time, place and medium.

However genuinely flesh-and-blood the limbs that wrought his feats and were torn apart on this day, Wallace returns to his generations of interlocutors half-shrouded in mythology. Seven centuries on, his contested (and sometimes absurd) use as precedent or metaphor stakes a claim to his Truth at least as compelling as battlefield tactics at Stirling Bridge. What does he “really” have to tell us? No matter how grisly his end, William Wallace doesn’t get to decide: it’s between you, me, Mel, and a few billion other folks.

Only a character really worth remembering is worth that kind of fictionalizing.

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1571: Marco Antonio Bragadin, flayed Venetian

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On this date in 1571, the commander of a Venetian garrison was flayed by the Turks.

Marco Antonio Bragadin (English Wikipedia entry | Italian) — or Marcantonio Bragadin — was the captain of Famagusta as an Ottoman Empire near the peak of its power began to wrest Cyprus from eight decades of Venetian control.

The Turks sacked the wealthy Cypriot capital Nicosia in September 1570, slaughtering or enslaving the inhabitants. Bragadin thereupon received an inducement from the invaders to surrender the last Venetian outpost still remaining in Cyprus: the severed head of Nicosia’s general.

Bragadin was having none of it.

Milord pasha of Carmania,

I have seen your letter. I have also received the head of the lord lieutenant of Nicosia, and I tell you herewith that even if you have so easily taken the city of Nicosia, with your own blood you will have to purchase this city, which with God’s help will give you so much to do that you will always regret having encamped here.

The Famagustans didn’t get quite that much help from God, but they forced a dear purchase in blood. For nearly a year, they repelled the siege; starving and exhausted, they at last accepted a merciful surrender only to have the entire garrison slain (the link is in Italian) at the beginning of this month.

The entire garrison, save Bragadin.

Special torments were reserved for the general who had given them such trouble. Executed Today friend Melisende’s Historic Biography post on Bragadin recounts the nauseating Calvary of the Venetian: mutilated, dragged around his fallen fortress, then exposed on the docks for flaying alive. The skin was stuffed with straw and sailed back to Istanbul as a war trophy for the Sultan Selim II.

One can see here, of course, the narrative of East vs. West in a war for civilization itself, although one should observe that the overthrow of Catholic hegemony on Cyprus restored the privileges of the Orthodox church. But the fall of Cyprus was itself the backstory for one of the pivotal naval battles of the age two months later, the Battle of Lepanto, at which a league of Mediterranean powers including Venice decisively checked Ottoman influence at sea, pre-empting a likely invasion of Italy.

Bragadin, for his part, became a potent symbol blending civic and religious martyrdom in what turns out to be (post-Lepanto) a victorious cause. One might say that he fulfilled a need.

Cultures which have drawn nourishment from their legendary martyrs feel a need to prolong the spectacle of their suffering. They hark back to the desire to keep the dying man with them; and the memory of this desire strengthens their tales of holy victimhood, dramatizes them, keeps them alive. Bragadin’s torture was long-drawn-out, and it must be constantly remembered as such.

… Christians’ preoccupation with relics has been complex, enduring and, at times, feverishly obsessive. It has reached high points in moments when Catholic doctrines and practices have felt most dramatically threatened. During Marcantonio Bragadin’s lifetime, and during the period immediately following, Christendom trembled before the encroaching Muslims. In this context, the story of Bragadin’s martyrdom acquired particular potency: not because the Church proclaimed him a saint, but because by analogy, he seemed to bring the ancient Christian matrydoms up to the present. He seemed to make those sufferings real and explicit, lifting them out of their legendary fogginess. Step-by-step, piece-by-piece, he “demonstrates” the martyr’s ordeal, almost as in a manual of suffering.

Nor was the fulfillment merely conceptual. According to this page on Rome tourist destinations, the painting of St. Bartholomew‘s flaying executed for the ancient basilica of Santi Nereo e Achilleo in the 1600 Jubilee alludes directly to the more contemporary event — notice the dark, turban-clad figure on the left.

In 1596, one of the few survivors of Cyprus nicked Bragadin’s hide from Istanbul and returned it to Venice, where it remains today entombed as a relic at the Basilica di San Zanipolo.

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