Category Archives: Soldiers

1431: Joan of Arc

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On this date in 1431, Joan of Arc (also Jeanne d’Arc, even though d’Arc wasn’t really her name at all) was burned at the stake for heresy in the marketplace of Rouen, France.

A Joan of Arc statue in Philadelphia, Pennsylvania.

Very much has been written and said about this strange figure, the Maid of Orleans — not quite so much larger than life as she seems otherworldly to it: in her mystical exaltation, in her unthinkable elevation from the illiterate peasantry to military command (and bizarrely effective intervention in the intractable Hundred Years’ War).

Apotheosis to the ranks of France’s national heroes is the least of it; Joan’s iconography extends well outside her homelands and well beyond the project of feudal restoration that was her short life’s concern.

Her myth has had a robust afterlife, but her accomplishments in the flesh were quite real — staggering, even. At the nadir of France’s fortunes, she convinced the French dauphin Charles VII of her divine inspiration in April 1429 and, far more aggressive (and some would say lucky) than the army’s noble commanders, immediately relieved the English siege of Orleans. By July, she had captured Reims, where Charles was crowned king.

The next year, Joan was captured by the Burgundians, who sold her to the British, who in turn subjected her to an ecclesiastical inquiry — what became a remarkable, exhaustively documented three-week interrogation, in which she deftly matched wits with academic persecutors over the reality and nature of her divine visions.

She was immediately considered a martyr by her own side — and twenty years later, when the war had finally ended, another court reversed the verdict against her — but her universal appeal and cultural ubiquity remained a long time off.*

“Dark-minded man!”
The Maid of Orleans answered, “to act well
Brings with itself an ample recompense.
I have not reared the oriflamme of death —
Now God forbid! The banner of the Lord
Is this; and, come what will, me it behooves,
Mindful of Him whose minister I am,
To spare the fallen foe: that gracious God
Sends me a messenger of mercy forth,
Sends me to save this ravaged realm of France,
To England friendly as to all the world;
Only to those an enemy, whose lust
Of sway makes them the enemies of man.”

–Robert Southey

The romantic 19th century took up her standard when the trial records were uncovered — liberals cottoned to her lowly birth, conservatives to her monarchist project, all France to her proto-nationalism, all Catholics to her faith (she was elevated to sainthood in the early 20th century; May 30 is also her feast day). The Vichy government and the French Resistance both claimed her in World War II. Her gender and sexuality have invited modern attention, just as they did for her judges: she works (anachronistically, of course) as a girl-power pop feminism icon, and her masculine social role gives her queer cachet; she made a point of keeping her virginity, but may have been sexually assaulted in prison, an event that figures in Andrea Dworkin’s Intercourse.

Joan stands equal to such varied identities because the mysteriously personal qualities of her story invite the observer into it, and those qualities hold precisely because of her fiery end this day. What would Joan have been in five or ten years’ time, had she escaped capture or held to her temporary renunciation of wearing men’s clothes (the head-scratching but subtly profound charge that finally doomed her)? An aging commander with the gloss off her, a partisan of some faction of the abject French court, a hostage somewhere being ransomed for gold plate or quietly poisoned off?

Her myth and its antithesis work because she came in radiance from dust, and followed her conscience — her God, her will, her destiny, or what have you — back to dust.

Though adapted many times for the screen, the definitive Joan of Arc film remains the 1928 silent treament La Passion de Jeanne d’Arc, scripted largely from the original trial transcripts. The movie’s lead Maria Falconetti — and indeed the very silence of the medium — convey something of that mysterious, multifaceted meaning left to us tantalizingly suspended between the 19-year-old who stood at the stake this day and the legend that arose from her ashes.

Books about Joan of Arc

(The Mark Twain book is in the public domain and available free at Project Gutenberg in both text (part 1 | part 2) and audio (part 1 | part 2) forms.)

* Shakespeare, for instance, writing Henry VI Part I about Charles VII’s English opposite number, has Joan in a rather more negative light than a modern reader is used to seeing — as a witch and a whore. In her last battlefield appearance, she summons demons …

Enter Fiends
This speedy and quick appearance argues proof
Of your accustom’d diligence to me.
Now, ye familiar spirits, that are cull’d
Out of the powerful regions under earth,
Help me this once, that France may get the field.

… who fail to aid her although she offers them her body. Later, condemned to the stake, she cravenly tries to plead her belly by claiming that she slept with several other characters.

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1923: Albert Leo Schlageter, Nazi martyr

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On this date in 1923, a German paramilitary was shot by a French firing squad near Dusseldorf for his anti-occupation sabotage efforts.

Albert Leo Schlageter, a World War I veteran and conservative Catholic who signed up with the right-wing Freikorps and tangled with communists after the war, joined the fledging Nazi party when it absorbed his Freikorps unit in 1922.

The next year, France occupied the Ruhr to secure war reparations payments then crippling Germany, which would do much to speed the rise of the Nazis in the years ahead.

Schlageter was nabbed sabotaging railroad lines in resistance, and Berlin’s protests didn’t help him much.

He became a Nazi martyr literally overnight, and as the nationalist right ascended, the place of his passion was marked with a 90-foot cross and used for party rallies. His name christened a naval vessel, a Luftwaffe fighter wing, two SA units, and several Nazi badges and decorations:

A 1923 NSDAP pin honoring Schlageter.

There was also a play about him, Schlageter, whose debut performance was for Hitler’s first birthday as Chancellor in 1933. The most famous work of Hanns Johst, it was notable for the line “Wenn ich ‘Kultur’ höre, entsichere ich meinen Browning!” — “When I hear the word ‘culture’, I reach for my gun!” — subsequently adopted by so many gun-reaching Nazi kulturkampfers that it is provenance is regularly misattributed.

Unsurprisingly, Schlageter’s cult has waned into obscurity since 1945. But one needs not endorse his philosophy or its horrifying posthumous expressions to appreciate the man’s struggle against foreign occupation and bravery in what he took to be the country’s interests.

For the Communist Karl Radek, this martyr of the right stood for many more whose sincere intentions had been bent against themselves — “those German Fascisti, who honestly thought to serve the German people.” Addressing the Communist International’s Executive Committee in the days after the officer’s execution, Radek anticipated Schlageter pointing the way to a future very different from that which came to pass:

Schlageter, a courageous soldier of the counter-revolution, deserves to be sincerely honoured by us, the soldiers of the revolution.

…

Schlageter went … to the Ruhr, not in the year 1923 but in the year 1920. Do you know what that meant? He took part in the attack of German capital upon the Ruhr workers; he fought in the ranks of the troops whose task it was to bring the miners of the Ruhr under the heel of the iron and coal kings. The troops of Waters, in whose ranks he fought, fired the same leaden bullets with which General Degoutte quelled the Ruhr workers. We have no reason to believe that it was from selfish motives that Schlageter helped to subdue the starving miners.

The way in which he risked his life speaks on his behalf, and proves that he was convinced he was serving the German people.

…

[The German Communist Party] believe[s] that the great majority of the nationalist-minded masses belong not to the camp of the capitalists but to the camp of the workers. We want to find, and we shall find, the path to these masses. We shall do all in our power to make men like Schlageter, who are prepared to go to their deaths for a common cause, not wanderers into the void, but wanderers into a better future for the whole of mankind; that they should not spill their hot, unselfish blood for the profit of the coal and iron barons, but in the cause of the great toiling German people, which is a member of the family of peoples fighting for their emancipation.

…

Schlageter himself cannot now hear this declaration, but we are convinced that there are hundreds of Schlageters who will hear it and understand it.

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1833: Midgegooroo, Noongar rebel

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On this date in 1833, an aged aboriginal Noongar (or Nyungar) was sentenced to execution and summarily shot in southwest Australia.

Midgegooroo was one of the many indigenous casualties of European settlement — Perth, in this case.

Little is documented of his life but the end and that, of course, by his enemies; he helped raise resistance to the arriving whites in 1831 after a native was killed trying to raid a potato patch. As tensions heightened over the ensuing months, he was outlawed with a £20 reward on his head. He was sentenced — possibly without any sort of formal trial — and summarily shot a few days after capture.

Midgegooroo’s son Yagan outlived his father two more months, and in that scanty condescension of destiny carved a place as one of Australia’s most illustrious native rebels. (pdf)

In the end, inevitably, Yagan’s fate was the same — not so precisely as to qualify him directly for these pages but ambush by settlers amounted to much the same as the rickety assemblage of formal semi-legalisms that thrust his father into the ground: the law of conquest without apology. It would be years yet before any white would face the law’s lethal sanction for killing Australian natives.

Yagan’s head was hewn off and packed for England as a grisly trophy-cum-souvenir-cum-“anthropological curiosity”. Not until the recent trend towards repatriating such remains was it was finally exhumed and returned to the Noongar nation — in 1997.

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1881: Not Billy the Kid

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“You will be hanged by the neck, Billy, until you are dead, dead, dead!”

“You can go, Judge, to hell, hell, hell!”

We have no source for whether William Bonney’s reply to the judge who sentenced him to hang was vindicated by the Almighty. But the judge’s sentence, due to be executed this day, assuredly never came to pass: two weeks before, Billy the Kid effected the last of his famous escapes.

The exploits of this legendary gunfighter — and his legend rather exceeds his exploits — are exhaustively chronicled online. The Manhattan-born Kid, a pup of 21 at his death, was a gunfighter in the Lincoln County War, a fight between two frontier magnates. Billy counted himself among the Regulators, a deputized posse (so it claimed, by way of legality) that was the armed militia of a murdered rancher.

Billy’s winning way with the press after his capture helped endear him to popular imagination, even after he was condemned in Mesilla, New Mexico for ambushing a lawman.

Here’s how Emilio Estevez played the crime in Young Guns:

On April 28, in a building that still stands in Lincoln, New Mexico, Bonney got the drop on one of his guards and high-tailed it out of town.

Though spared the ignominy of the gallows, Billy the Kid would not long outlive his judicially appointed hour. Lincoln County sheriff Pat Garrett found and killed the fugitive a few months later.

Ironically, this transaction darkened the reputation of the successful officer of the law — the circumstances of the killing were ambiguous, and seem less than honorable to some — while helping valorize the young outlaw who by all rights should long since have been at the end of a rope. And for this, maybe Billy’s shade has stood Garrett’s a drink or two, because a shadowy and youthful disappearance from the scene helped catapult Billy into folklore that has long outlasted the forgotten Lincoln County War.

Billy the Kid — even the name evokes the American self-image with perfect pitch — has come to so fully embody the floating signifiers of the Wild West, of America in its adolescence, that around the same time Bob Dylan composed “Knockin’ on Heaven’s Door” for the clip above (the 1973 film Pat Garrett and Billy the Kid), Billy Joel took the gunslinger for an all-purpose western motif in “The Ballad of Billy the Kid”. Joel’s song’s describes a life that seems to be just what the listener thinks it ought to be while remaining factually untrue of its titular character in almost every particular, including, in his version, a picturesque death by hanging:

The ballad form of romanticized narrative poetry suits our elusive subject well. Skip music and cinema a generation ahead and we have Guns n’ Roses covering “Knockin’ on Heaven’s Door” and power balladeer par excellence Jon Bon Jovi climbing the charts with this signature hit from the Young Guns II soundtrack:

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1808: The Executions of the Third of May

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Two centuries ago today, Napoleon’s troops executed hundreds of prisoners taken during a quashed uprising against them in Madrid.

The carnage gives posterity an 1814 Goya masterpiece. (And this blog’s frontispiece.)

More reading: Napoleon’s Cursed War, by Ronald Fraser.

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1945: Benito Mussolini, his mistress, and his aides

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On this date in 1945, Communist partisans shot Benito Mussolini and his mistress, Clara Petacci near Lake Como, along with fifteen or so additional fascist aides and officials.

It was an inglorious end for the flamboyant onetime socialist turned violent rightist, the man who had founded (and named) fascism; whose had inspired Hitler when the latter was still a streetcorner rabble-rouser, and then wandered suicidally into Germany’s orbit.

The next day, the victims’ bodies were hung up in Milan — the heart of Mussolini’s own power and still a stronghold of neo-fascist parties today — at Piazza Loreto for public abuse. The deposed Duce still had it in his power to stir the imagination of his Teutonic partner: news of the Italian dictator’s fate made it to the Fuhrer’s bunker and was said to have steeled Hitler’s resolve to take his own life with the dread vision of what should befall him if he were taken alive.

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1478: Pazzi Conspiracy attempted … and suppressed

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On this date in 1478, a coup d’etat against the Medici family in Florence was attempted during Easter mass — and by day’s end, its leading perpetrators had been hanged.

The Pazzi conspiracy implicates, even more than the municipal political rivalries of the Pazzi and Medici families, the peninsular geopolitics pitting Florence against the Pope, each side with its own constellations of allied lords and city-states.

The arrangement of players and their assorted interests is amply covered elsewhere; we shall suffice for this space to say that the Pazzi were a family of wealth and lineage (another death-sentenced Florentine, Dante, had dropped a couple of their ancestors into his infernal tableau), and proceed to the aftermath.

When one strikes a king, one must strike to kill. In this case, the co-ruling Medici brothers, Giuliano and Lorenzo were both attacked — but Lorenzo survived, and visited a terrible vengeance upon the assailants.

An enraged mob — the Pazzi had misjudged the city’s mood to begin with, and committing murder in church was ill-calculated to win sympathy — and a star chamber of Medici loyalists immediately began rounding up the numerous conspirators, many of whom were summarily hanged from the windows of the Palazzo Vecchio.

Along with a number of obscure foot soldiers and family retainers who suffered such indignities as being thrown from high windows onto cobblestones and torn apart by the mob, the most prominent victims this day were Francesco de Pazzi (the link is to his Italian wikipedia page) and Archbishop Francesco Salviati, a papal loyalist whose grievance against Florence for delaying his seat as archbishop of Pisa had done much to instigate the conspiracy.

They were far from the only victims: fugitives who had escaped the city were hunted for weeks and months thereafter, although Lorenzo “the Great” — who cuts the very model of the enlightened prince to posterity, rightly or not — was disposed in several cases to grant mercy to innocents against the dictates of political expediency.

However, the culpable after this day had every reason to fear. Perhaps the most affecting story is that of elderly Pazzi patriarch Jacopo de Pazzi (Italian again), caught in flight by Tuscan villagers whom he tried desperately (and unavailingly) to bribe for the privilege of suicide rather than a return to the fate of his kinsmen. Florentine communal pride celebrated popular participation in vengeance against the papal plot. Botticelli was commissioned to paint the executed conspirators hanging in their death throes on the very facade of the palace where they had in fact been put to death.

The Pazzi family wasn’t quite blotted out literally — later, it would even be restored to the city — but a comprehensive sentence of civic damnatio memoriae followed in the weeks after the immediate danger was checked. The family property was confiscated, its name and coat of arms banished, even the public festival its Crusader forebear had inspired was (unsuccessfully) renamed. For a time, merely to marry a Pazzi was to exclude oneself from public office.

Niccolo Machiavelli was a boy of eight at the time the Pazzi conspiracy was attempted. As a political theorist in later years, the event would liberally illustrate his writings. In Machiavelli’s Discourses (available free from Project Gutenberg), for instance, the Pazzi conspiracy is a lesson in the danger of conspiring against two princes at once, the risk inherent in having any great number of people aware of the plot, and the unpredictable small turns of fortune and minor slips in execution upon which a great matter may succeed or fail.

[I]n these grave undertakings, no one who is without such experience, however bold and resolute, is to be trusted.

The confusion of which I speak may either cause you to drop your weapon from your hand, or to use words which will have the same results. Quintianus being commanded by Lucilla, sister of Commodus, to slay him, lay in wait for him at the entrance of the amphitheatre, and rushing upon him with a drawn dagger, cried out, “The senate sends you this;” which words caused him to be seized before his blow descended. In like manner Messer Antonio of Volterra, who as we have elsewhere seen was told off to kill Lorenzo de’ Medici, exclaimed as he approached him, “Ah traitor!” and this exclamation proved the salvation of Lorenzo and the ruin of that conspiracy.

Machiavelli also renders his account of this day’s affair in his History of Florence, another Gutenberg freebie.

A detailed exploration of the event is available here.

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1792: Tiradentes, for a Brazilian republic

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On this date in 1792, Joaquim José da Silva Xavier — better known to Brazilian history as Tiradentes — was hanged in Rio de Janeiro and his body quartered for public exposition.

Pedro Americo’s 1893 Tiradentes Esquartejado delivers what it promises.

Tiradentes — “tooth-puller,” a scornful nickname its owner has made glorious, alluding to the span of his itinerant career spent in dentistry — had participated in a conspiracy to detach the province of Minas Gerais from the Portuguese empire.

The Inconfidência Mineira featured the unpromising combination of a large number (the conspiracy was betrayed from within) of middle-class intellectuals (Tiradentes was of an unusually low social strata) without a common programme or a practical notion of what to do once they had seized power. That the Portuguese monarch felt at liberty to commute every other death sentence seems a measure of the plotters’ — if one may put it this way — toothlessness.

Tiradentes was obstinate in maintaining responsibility for the plot, although he wasn’t the leader in particular; for his resulting pains on the scaffold, he traded dentistry for immortality. Now officially recognized as a hero of Brazil, his name adorns the square where he was dismembered and (like Zumbi dos Palmares) his execution date is a public holiday.

When the tides of national fervor made such a rehabilitation politic, the would-be free state of Minas Gerais likewise adopted the conspirators’ banner as its own flag: the motto reads “Liberty, although overdue”.

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1670: Major Thomas Weir, a Puritan with a double life

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On this date in 1670, a 70-year-old upstanding Edinburgher went to the stake for confessing — unbidden — to witchcraft.

The “Wizard of West Bow” had had a distinguished military career and an exactingly pious public life among Edinburgh’s strictest Presbyterians. So it came as something of a surprise when, after being struck by an illness, he up and copped to a lifelong sexual relationship with his sister Jean … and a lifetime of hitherto unknown black arts, powered by a Satanic walking-staff. He was so far from being suspect that town elders at first thought him daft.

Only when Jean backed his story with the sort of details to give vapors to the “Bowhead Saints” neighborhood did things get serious. She especially warned about that staff.

So on this day, the dumbfounded city worthies had to tote one of their own to the area around Edinburgh’s modern Pilrig Street and have him strangled and burnt at the stake. Whatever moved Weir to issue his damning (literally!) admission, he was plainly quite in earnest: when asked to pray at the stake, he shot back, “Let me alone, I will not. I have lived as a beast, and I must die as a beast.” The staff was thrown onto the pyre with him; it was said to burn abnormally slowly.

His sister was hanged shortly thereafter for the same offenses, scandalizing her upstanding neighbors by tearing her clothes off on the way to the scaffold.

For a century, nobody dared live in Weir’s house, which the cremated major — and/or that staff, floating about looking for its owner — supposedly haunted. The house is long torn down, but the tale is natural fodder for any “haunted Edinburgh” tour.

One is struck in such a story by its modernity — perhaps the reason it could speak to a Victorian novelist like Robert Louis Stevenson.

The interpretive framework we begin with for witch hunts is — well, a “witch hunt.” Our own sense of what unjust social persecution is shapes the way we read these long-gone cases, the confessions forced from the victims’ lips. We identify with the “witches”; it is the alien world that ferrets them out and burns them that wants explaining.

Major Weir unnervingly turns the tables on such voyeurs as your correspondent. He steps without warning out of a forgotten mass of long-gone peoples, his confession not merely voluntary but insistent against skepticism — and suddenly we grapple for our bearings not in sociology but in abnormal psychology: here is a man very much of his society who has unexpectedly rejected it, boasts of rejecting it all along, and does so not craving after reconciliation to his people but in order to die (as does his sister) obstinate in that rejection. We can perhaps identify less readily with this individual than with his crestfallen friends.

Whether or not the Weirs really did anything that would count as a crime today — although one is practically forced to agree that at a minimum, the siblings violated a sexual taboo still enforced now — we have a template for this man not in the McCarthy hearings but straight from the evening news: the unassuming neighbor revealed to be a serial killer; the trusted rector who turns out to have been a pedophile.

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1857: Mangal Pandey, rebellious sepoy

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On this date in 1857, ten days before the scheduled date for his execution, Mangal Pandey was hanged at Barrackpore, India, for mutiny against his British officers — a death sentence at the intersection of technology, faith and empire that would prefigure India’s first large-scale rebellion against English authority.

For a man of whom much is written and ponderous historical weight is imputed, Mangal Pandey is a mysterious character. Little is known of his life save the very end of it; its significance, as is so often the case, derives from the larger history that preceded and followed it on the subcontinent.

The march of industry was driving better and better ways to kill people, and to this end the British were upgrading old smoothbore firearms with more accurate rifled weapons. Early in 1857, Indian forces got the Pattern 1853 Enfield.

Soldiers of the day loaded their guns by biting open a paper cartridge, which Indian troops had been doing for years. But the Enfield cartridge, coated with a waterproofing grease, smelled or tasted different to many — and rumors spread that it was manufactured with pork lard (which would be an affront to Muslims) or beef tallow (which would be an affront to Hindus).

Controversially, this book says Pandey “is part of that imagination of historians. He had no notion of patriotism or even of India.”

The British didn’t take seriously the potential implications of this postulate among a population already resentful of aggressive Christian proselytizing. When a general petitioned for the expediency of switching back to the old cartridge paper, he got a characteristic response:

“Concessions made to the murmurs and threats of an ignorant race only increase their perversity and folly.”

On March 29, Pandey — possibly high — went on a protracted rampage on the parade grounds. The Indian soldiery resisted orders to restrain him, although it also did not answer Pandey’s incitement to mutiny, leaving the sepoy to a solitary performance in which he fought off in melee two British officers. Only the arrival of a general — the one who had wanted to replace the cartridges — mastered the situation.

The verdict was a foregone conclusion, but the criminality of Pandey’s outburst from the standpoint of the British military is a much easier matter to establish than the chain of events elevating him into national hero. Pandey lived his life forward, but his noteworthiness derives from retrospection.

A month after he hanged, the Indian Rebellion of 1857 broke out, an event (debatably) construed as an Indian War of Independence, dramatically recontextualizing the Barrackpore hanging. His exhortations about the cartridges, about “our religion”, suggest him as a like-minded martyr, but there is almost nothing to firmly establish why he did what he did. He even declined to defend himself at trial.

None of this undermines his place in India’s national pantheon, and perhaps Pandey’s own blank backstory facilitate his mythological adoption. A 2005 Indian film, Mangal Pandey: The Rising, recently placed it on the silver screen, drawing criticism both for naive Indian nationalism and for insufficient reverence for the title character.

Its rendition of Pandey’s conviction and hanging are here:

Update: BBC radio’s In Our Times takes on the 1857 mutiny.

* A weapon widely used by both sides in the U.S. Civil War.

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