Category Archives: Disfavored Minorities

1932: Richard Johnson, great-grandfather of Craig Watkins

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On this date in 1932, two African-American men were electrocuted in Huntsville, Texas.

Richard Johnson was a career criminal already serving a 35-year sentence for various burglaries when he busted out of prison in 1931. He teamed up with 20-year-old Richard Brown to rob a white couple in a parked car.

When the man, Ted Nodruft, tried to drive away, they shot him (he died the next day), and then proceeded to rape his fiancee and steal her jewelry. When caught, each man tried to throw the lion’s share of blame on the other.

These two on their own hardly stand out to posterity, and certainly not in the context of notoriously execution-friendly Texas, whose “List of individuals executed in Texas” Wikipedia entry (most states have such a page) is actually paginated by decade. Here’s the doings for the rest of the 1930s in the still-newish Texas electric chair.

We pause to note them here on this site because they made unexpected headlines earlier this year when Dallas County District Attorney Craig Watkins — the first elected black D.A. in Texas history — publicly revealed that Richard Johnson was his great-grandfather.

Long before that revelation, Watkins had already earned nationwide plaudits for doing what every district attorney should be doing as a matter of course: publicly emphasizing justice rather than conviction counts as his office’s guiding principle, greeting the rising tide of exonerations with a proactive program to search out potential miscarriages of justice rather than doubling down on them … hell, even apologizing to people whose lives have been ripped apart by wrongful convictions.

Watkins knew about the “dark secret of our family” for many years before he mentioned it in the run-up to witnessing his first execution (it was topical because Watkins used the trip to also visit his great-grandfather’s grave in the prison cemetery). How exactly that blood tie has helped to shape Craig Watkins’s outlook is hard to say, but not for any reticence on the DA’s part: he’s been disarmingly public about speaking to the real ambiguities and human costs of the criminal justice system that prosecutors are usually not supposed to acknowledge.

The broader issue is, look, I have walked 25 men out of prison for crimes they didn’t commit. We have gotten this case in Williamson County, where the DA withheld evidence, or it’s alleged that he withheld evidence. Because of that, a guy spent 25 years on death row. The Supreme Court of Texas has instituted a court of inquiry to look into the actions of this individual. At the time he was DA; now he is a judge. You have got the Todd Willingham case. We have had all of these folks who have been exonerated that were on death row throughout our nation.

And so my concern, basically, is, look, we are seeking the ultimate punishment against someone, and we need to have all the safeguards in place to make sure that we don’t wrongly execute someone. And I think with all the evidence that we have seen, I think anyone that does not come to the conclusion that a person has been executed in this country for a crime they didn’t commit is being irresponsible. So that’s my position. Like I said, I can argue from my moralistic standpoint all day, but that’s not where the argument should be had. It should be one of logistics. Are we making mistakes? Do we need to reevaluate the process to make sure we are not making mistakes?

Watkins personally opposes the death penalty on moral grounds, but seeks it routinely in his capacity as district attorney. Here’s the man expanding on some of those themes in a 30-minute interview with the Dallas-Fort Worth NBC affiliate:

Watkins (or someone in his office) blogs infrequently here, and tweets @craigmwatkins.

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1852: Ann Hoag and Jonas Williams

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On this date in 1852, a white woman and a black man — no connection between them — were hanged on an upward-jerking gallows in Poughkeepsie, New York.

31-year-old (though she looked 22, said smitten newsmen) Ann Hoag was a foundling who’d been raised by an adoptive family, then married a local farmer in a union that featured at least five children, financial loss, and a good deal of unhappiness. The sequence of causation among those mutually convivial characteristics is left for the reader’s imagination. Eventually — the New York Times (July 31, 1852) is most piquant on this — succumbing to the thrall of a younger lover, “the ill-starred woman plunged into misery and degradation, renounced virtue, reputation, husband, and children, until at last she murdered her husband” with arsenic and eloped with her paramour to Bridgeport.

Luckily for Ann, her brief summer of carnal liberty sufficed to quicken her belly, with the result that her delicate condition bought her a few extra months of life. On April 18, 1852, she gave birth to a baby daughter, and sealed her own fate.

A most interesting scene occurred in the separation of the child from the unhappy mother, which none but a mother’s heart can conceive. It appeared as if the last prop of life, the very cords of the heart were being severed, when, with the most endearing caresses, amid tears and sobs, the mother looked for the last time on that innocent babe, which since its birth had unconsciously shared her solitude and been her solace. As it passed forever from her sight, she exclaimed — “Now let them execute me — I have nothing to live for — one by one they have dragged my children from me.” (Albany Journal, Aug. 5, 1852)

Although the faithless wife left a 70-page statement implicating her lover William Somers, that gentleman was acquitted in October of 1852 on a charge of accessory to murder.

Jonas Williams, Ann Hoag’s partner upon the gallows, was much less the sighed-over. Williams committed a “fiendish outrage” upon his 11-year-old stepdaughter, killing her.

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1735: Patience Boston, converted

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On this date in 1735, a truculent indentured servant with a name like a primetime drama was hanged in York, Maine (at that time part of the Massachusetts colony), for killing her master’s grandson.

Patience Boston had cut a hard-partying, hard-drinking swath from her teen years to her execution at age 23, leading a succession of masters to dump her contract on whomever would take it. Early American Crime tracks her rowdy career, “mad and furious in my Drink, speaking dreadful Words, and wishing bad Wishes to my self and others” through a succession of fights, adulteries, dead infants (which she didn’t kill), a nonexistent infant (which she claimed to have killed).

All this draws upon a lengthy “Faithful Narrative of the Wicked Life and Remarkable Conversion of Patience Boston alias Samson” published three years after the woman’s death by her ministers Samuel and Joseph Moody (more on them in a bit). In it, “Patience” relates in a first-person voice* the real murder she finally did commit.

From some groundless Prejudice which I had taken against my Master, to whom I was sold by Mr. Bailey, I did last Fall bind my self by a wicked Oath that I would kill that Child, though I seem’d to love him, and he me; which is an Aggravation of my bloody Cruelty to him. Having solemnly sworn that I would be the Death of the Child, I was so far from repenting of it, that I thought I was obliged to fulfil it. And I often renewed my Resolution when I had been in Drink, and made my Master angry, that to be revenged on him, I might Murder his Grand-Child, of which I thought he was very fond, having bro’t him up from his Infancy. I would have killed my Master himself, if I could have done it; and had Thoughts of putting Poison into his Victuals, if I could have got any. But when the Time came for me to be left under the prevailing Power of Satan’s Temptations; I took the Opportunity of my Master and Mistress being from Home, and both his Sons also abroad; that the Child and I were left alone. The Evening before I had been contriving to burn the Barn, but was prevented: I had also once before drawn the Child into the Woods with me, designing to knock him on the Head, and got a great Stick for the same Purpose; but as I was going to lift it up, I fell a trembling, from a sense of God’s Eye upon me; so that I had not Power to strike. — But now, as I was going to say, when the Time was come to fill up the Measure of my Iniquity; I went to the Well and threw the Pole in, that I might have an Excuse to draw the Boy to the Well, which having done, I asked his Help to get up the Pole, that I might push him in, which having done, I took a longer Pole, and thrust him down under the Water, till he was drowned. When I saw he was dead, I lifted up my Hands with my Eyes towards Heaven, speaking after this Manner, Now am I guilty of Murder indeed; though formerly I accused my self falsly, yet now has God left me &c. And it seemed as if the Ground where I went was cursed for my sake, and I thought God would not suffer me to escape his righteous Vengeance. I went forthwith, and informed the Authority, and when the jury sat on the Body, I was ordered to touch it: This terrified me, lest the Blood should come forth, to be a Witness against me; and I then resolved in my Heart, that I would be a Witness against my self, and never deny my Guilt; so I tho’t God would not suffer the Child to bleed; then I laid my Hand on it’s Face, but no Blood appeared. Yet after this, I would fain have covered my Sin in Part, as if the Child had of himself fallen into the Well, and I was tempted to thrust him down under the Water. After the Jury had bro’t in wilful Murder, I was sent to Prison, but got Drunk by the Way, having little Sense of my dreadful Case; yet my Temptation in Part was to drink that I might forget my Sorrow.

Patience would need her namesake virtue, since she had the best part of a year to wait before the Supreme Court could gavel in a session to hear her case — a case where she would plead guilty and embrace the certain sentence.

In the meantime, we get to the real meat of the Moody pamphlet: our murderess’ conversion.

Allowing even for the interlocution of her reverend ministers, it presents a moving portrait of a genuine spiritual experience during the “Great Awakening” of religious revival. The narrative’s latter half tracks the doomed woman’s refinements of conscience, of fear, of religious comfort and joy in God — all as she grapples with her conduct and her fate.** “How are we condemned by the Covenant of Works,” Patience remarks, “and relieved by the Covenant of Grace.”

Now … as for this clan Moody that supplies our day’s post.

Samuel Moody, the father, had nudged young Joseph into the ministry business in York. Both men appear to have ministered to Patience Boston.

In 1738, the same time they were readying all this text about “rejoyc[ing], though with trembling” the younger Moody began a bizarre practice: he took to shrouding his face with a handkerchief.

In boring reality, this seems to have been occasioned by a breakdown caused by the sudden death of his wife in childbirth, a breakdown from which Moody recovered over the succeeding months.

In the much spicier legendary embellishment that developed, however, Moody was thought to have kept this veil for the balance of his life: he would present himself in this state, it is said, to his own congregation, turning his back on the multitude so that he could lift the veil to read a sermon, and likewise sitting face to corner when he should eat in public.

In this version, Moody is supposed to have confessed on his deathbed to having shrunk from men in his own spiritual torment over having accidentally killed a childhood friend while hunting, a killing that had been popularly ascribed to Indians and therefore unpunished save by the scourge of conscience. Nathaniel Hawthorne mined this irresistible New England folklore for his short story “The Minister’s Veil”.

“Tremble also at each other! Have men avoided me, and women shown no pity, and children screamed and fled, only for my black veil? What, but the mystery which it obscurely typifies, has made this piece of crape so awful? When the friend shows his inmost heart to his friend; the lover to his best beloved; when man does not vainly shrink from the eye of his Creator, loathsomely treasuring up the secret of his sin; then deem me a monster, for the symbol beneath which I have lived, and die! I look around me, and, lo! on every visage a Black Veil!”

-Hawthorne’s “Reverend Hooper”

* “It must be confessed,” the Moodies gamely preface their text, “that it could not be exactly taken in her own Way of expressing her self” so long after her death. But they gave it their best shot, and “here is nothing false or feigned.”

** The Faithful Narrative takes special note of the impression made on our subject by “the Case of the Prisoners at Boston, especially when the Day came for their Execution”. Although the text here refers to “three Malefactors”, there’s no 1734-1735 triple execution recorded in the Espy files; I believe the event intended here is the October 1734 double hanging of Matthew Cushing and John Ormsby.

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2011: A day in the death penalty around the world

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China

On the morning of July 19, 2011, two Chinese politicians were executed for corruption.

Xu Maiyong (right), former vice mayor of Hangzhou in Zhejiang and bearer of the Santa Claus-esque nickname “Plenty Xu”, was on the hook for $30 million of embezzlement as part of a wide-ranging campaign of public graft in service of a suitably luxuriant lifestyle filled with homes and mistresses.

Jiang Renjie, deputy mayor in charge of urban planning, construction, transportation, communications and housing in Suzhou, had made about half that much in bribes from developers around 2001-2004.

United States

On July 19, 2011, Arizona executed 52-year-old Thomas Paul West, a mere 24 years after he beat a man to death while robbing his Tucson trailer in June 1987.

West had the depressing background so common to condemned prisoners, a litany of childhood sexual abuse that drove him to drug abuse and a PTSD diagnosis: he would claim that he “freaked out” when the homeowner Donald Bortle surprised him and started yelling at him, and that he didn’t think he’d killed Bortle at all.

He lost a closely divided clemency vote shortly before his death on a 3-2 margin. He also lost judicial appeals over Arizona’s having illegally obtained the execution drug sodium thiopental, and then switched the injection protocol at the last minute to the instead use the hip new killing-drug pentobarbital. He even lost after he was already dead.

The Grand Canyon State, more famous perhaps for its outre immigration policies, is an emerging death penalty hot spot.

Per the Death Penalty Information Center’s database, Arizona didn’t conduct its first 21st-century execution until 2007, nor its second until 2010. But West was the fourth man (no women since 1930) put to death there in 2011, and the state could carry out up to seven in 2012.

Iran

The public triple-hanging in Azadi Square in the ethnically Kurdish west Iranian city of Kermanshah on this date was just a drop in the bucket relative to Iran’s hundreds-strong annual execution toll. But this one made the headlines.

Fazel Hawramy of Kurdishblogger.com provided the following video of the public hanging to Amnesty International, which helped focus worldwide attention on the event … although to what real consequence for “the continuing horror of the death penalty in Iran” (Amnesty’s words) is harder to say.

Equally hard to say from here is what relationship the hanged men’s rape conviction had to reality.

Warning: This is a snuff film.

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1949: Jake Bird

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(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

Contrary to what all the slasher films would have you believe, an ax does not make a very good murder weapon. Axes are big. They are heavy. They are difficult to conceal. When used they create a big mess. And if you are caught with one, it’s hard to come up with a suitably innocuous explanation for it.

Nevertheless, this was Jake Bird’s weapon of choice on October 30, 1947, when he broke into Bertha Kludt’s home and killed her and her seventeen-year-old daughter, Beverly June.

Perhaps if he had used a different weapon, things would have turned out differently. As it was, the two women’s screams — and that’s another problem with the ax: unless you can wield it like Gimli, the victim is going to survive the first blow and start hollering — attracted two police officers, who apprehended Bird after a foot chase.

This excellent History Link article provides a thorough account of Bird’s life and crimes. 45 years old at the time of his arrest, he was a drifter and a ne’er-do-well with an extensive criminal record. He’d spent a third of his life in prison for various offenses. Bird openly confessed to the Kludt killings, saying the murders were the result of a botched burglary.

One of the police officers who testified at the trial admitted he beat the daylights out of Bird after his arrest. Naturally, the defense moved to throw out the murder confession on the grounds that it was obtained under force, but the judge ruled that the police brutality and Bird’s statements were “unrelated” and so the confession was admitted into evidence.

This was the attorney’s only attempt to defend his client; he called no witnesses and presented no evidence at the trial.

In all fairness, it must be said that Bird was spattered with gore when he was arrested, they found his fingerprints in blood at the crime scene and on the ax, and he’d left his shoes at the Kludt house. So the confession didn’t figure to be exactly decisive.

This would be a fairly unremarkable murder case, but shortly after his arrival on Death Row, Bird suddenly discovered he had an excellent singing voice. For the next several months he detailed 44 murders from all across the country which he claimed he’d committed during his wanderings. Most of his victims were women.

Bird’s claims, if true, would make him one of America’s most deadly serial killers, right up there with the much more famous Ted Bundy and the Green River Killer, Gary Leon Ridgway. One inevitably wonders if all of his statements were genuine. Henry Lee Lucas, another violent drifter much like Bird, admitted to hundreds of homicides and captivated police from all over the nation before it was discovered that many of his confessions were lies.

Police in several states did find Bird credible, though. Bird was calm and ready for his hanging, which went off without a hitch. He willed his estate, valued at $6.15, to his appeals attorney.

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1941: Not Shaike Iwensky, “standing in line to be killed”

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(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

On this day in 1941, seventeen-year-old Shaya “Shaike” Iwensky came within seconds of being shot by the Einsatzgruppen outside the city of Daugavpils, Latvian SSR. Sheer dumb luck — and a slight miscalculation by the Germans — saved his life.

Shaike was born and raised in Jonava, Lithuania and fled to Daugavpils with his brother when the Germans invaded the Soviet Union in June 1941. On June 29, he was arrested along with the other Jewish male adults in town. His brother, who was fifteen years old, was arrested alongside him, but released the same day because of his age.

For the next week and a half, Shaike was held in a crowded prison cell, fed almost nothing, and forced to work during the day.

On July 8, he noted “a change for the worse in our guards, an extraordinary meanness … In my worst fears, I could not have conjured up the kind of hell in which I now found myself.”

That day he and his comrades were stuck in a truly Sisyphean ordeal: forced to roll rocks up a hill, three men to a rock. They kept losing their grip and the rocks would slide back.

That night some other prisoners told him they had been forced to dig huge ditches, which were covered in chlorine.

The next day, the eighteenth day of Operation Barbarossa, Shaike found out what the ditches were for:

A series of shots … a short interruption and again shots … and again … It wasn’t long before we got the confirmation of what we’d been suspecting all along. One of the men in a neighboring cell stuck his head in the doorway, and said, “They are killing Jews. From the washroom window someone saw people lined up in the yard. They are from the first floor.”


Though this testimony specifically concerns a different massacre, in November of 1941, it gives a sense of the environment.

A couple of hours later, Shaike and the others from his part of the prison were ordered to leave and take all their belongings. They were marched down to the basement and made to empty their pockets into the “knee-deep rows of wallets, documents, pictures, watches, trinkets worthless to anyone else.” Then they were marched into the yard and formed into groups of twenty. Hoping to at least die with people he knew, Shaike stuck together with his old friends from Jonava.

The blue sky was almost clear, with only here and there a wisp of cloud. I looked up, and the thought hit me hard: I will never see the sky again.

It is said that, when a person faces death, his whole life flashes before him. But my thoughts were disjointed, disorderly; they tumbled through my mind rather like the flimsy clouds above, forming, changing shape, disappearing and reappearing … Catching myself picking at a hangnail, I thought, How silly. In a few minutes it will make no difference at all …

It occurred to me that reality was often quite unlike what we expect it to be. People standing in line to be killed didn’t look very different from those waiting to buy bread. Their faces, their eyes betray nothing of what is going on in their minds. People stand in line under the hot sun, they move ahead, then their times comes to die, and it is over.

Shaike and his friends waited in line for over two hours in the heat. He had not thrown out his handkerchief and was glad to have it to wipe the sweat from his face. Finally he and his group of twenty arrived at the gate … but when the soldiers came out, they didn’t escort them to the ditches. Instead they ordered everyone to turn around and march back to the prison.

That evening, the prisoners were ordered out again and taken to the killing ground, and then they realized what had happened: the Nazis had spared them because they had run out of ditches. The Jews had to cover the mass graves with earth, stamping down on the bodies and packing them together, and also to dig new trenches, presumably for themselves, until evening when they were sent back to the prison again.

That night, Shaike and some of his friends hid in an empty cell under blankets. The Nazis didn’t find them the next morning when they ordered the survivors out to get shot. They hid in the cell for two days before they were caught. Fortunately the Latvian guards who found them didn’t realize who they were, and merely beat them and tossed them in with some prisoners who’d arrived that same day.

Eventually, Shaike was released from the prison and taken to the Daugavpils Ghetto. He would eventually escape from there and spent some time living in the woods with a Soviet partisan detachment, going back and forth between there and the ghetto. Finally he was captured and taken first to the Stutthof Concentration Camp, then to Dachau. There he was liberated by Americans on April 29, 1945. At twenty years old, he was the sole survivor of his family.

Shaike moved to the United States in 1948 and changed his name to Sidney Iwens. He wrote a book about his experiences, titled How Dark the Heavens: 1400 Days in the Grip of Nazi Terror. Sidney Iwens died in Florida in 2010, at the age of eighty-four.

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1680: A Madrid auto de fe

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On this date in 1680, the Spanish capital of Madrid celebrated an enormous auto de fe, culminating with 18 executions plus eight people posthumously burned and 22 fugitives “executed” in effigy. (Source of the numbers)

This signal event needed every drop of sunlight from the long summer’s day. Staged for the appearance of the royal family itself, it likewise pulled in every available case from around Spain: the regional cities shipped their apostates and heretics to Madrid to dignify the main event with a suitable quantity of prey.

It began with a morning ceremonial procession of prisoners, nearly a hundred — every source seems to have a slightly different figure — in the traditional Inquisitorial manner. This account comes from an English contemporary, as reprinted in Human Judgment: The Eye of the Beholder. (Note: paragraph breaks added, and ubiquitous capitalization of nouns removed, for better readability.)

A scaffold, fifty feet in length, was erected in the Square, which was raised to the same height with the balcony made for the King to sit in. At the end, and along the whole breadth of the scaffold, at the right of the King’s balcony, an amphitheatre was raised, to which they ascend by twenty-five or thirty steps; and this was appointed for the Council of the Inquisition, and the other Councils of Spain. Above these steps, and under a canopy, the Grand Inquisitor’s rostrum was placed so that he was raised much higher than the King’s balcony. At the left of the scaffold and balcony, a second amphitheatre was erected of the same extent with the former, for the criminals to stand in.

A month after proclamation had been made of the Act of Faith, the ceremony opened with a procession [on June 29], which proceeded from St. Mary’s church in the following order. The march was preceded by an hundred coal merchants, all arm’d with pikes and muskets; these people furnishing the wood with which the criminals are burnt. They were followed by Dominicans, before whom a white cross was carried. Then came the Duke of Medina-Celi, carrying the Standard of the Inquisition. Afterwards was brought forwards a green cross covered with black crepe; which was followed by several grandees and other persons of quality, who were familiars of the Inquisition. The march was clos’d by fifty guards belonging to the Inquisition, clothed with black and white garments and commanded by the Marquis of Povar, hereditary Protector of the Inquisition.

The procession having marched in this order before the palace, proceeded afterwards to the square, where the standard and the green cross were placed on the scaffold, where none but the Dominicans stayed, the rest being retired. These friars spent part of the night in singing of psalms, and several Masses were celebrated on the altar from daybreak to six in the morning. An hour after, the King and Queen of Spain, the Queen-Mother, and all the ladies of quality, appeared in the balconies.

At eight o’clock the procession began, in like manner as the day before, with the company of coal merchants, who placed themselves on the left of the King’s balcony, his guards standing on his right (the rest of the balconies and scaffolds being fill’d by the embassadors, the nobility and gentry).

Afterwards came thirty men, carrying images made in pasteboard, as big as life. Some of these represented those who were dead in prison, whose bones were also brought in trunks, with flames painted round them; and the rest of the figures represented those who having escaped the hands of the Inquisition, were outlaws. These figures were placed at one end of the amphitheatre.

After these there came twelve men and women, with ropes about their necks and torches in their hands, with pasteboard caps three feet high, on which their crimes were written, or represented, in different manners. These were followed by fifty others, having torches also in their hands and cloathed with a yellow sanbenito or great coat without sleeves, with a large St. Andrew’s cross, of a red colour, before and behind.


Detail view (click for the full image) of a Goya painting of Inquisition prisoners in the sambenito.

These were criminals who (this being the first time of their imprisonment) had repented of their crimes; these are usually condemned either to some years imprisonment or to wear the sanbenito, which is looked upon to be the greatest disgrace that can happen to a family. Each of the criminals were led by two familiars of the Inquisition.

Next came twenty more criminals, of both sexes, who had relapsed thrice into their former errors and were condemn’d to the flames. Those who had given some tokens of repentance were to be strangled before they were burnt; but for the rest, for having persisted obstinately in their errors, were to be burnt alive. These wore linen sanbenitos, having devils and flames painted on them, and caps after the same manner: five or six among them, who were more obstinate than the rest, were gagged to prevent their uttering any blasphemous tenets. Such as were condemned to die were surrounded, besides the two familiars, with four or five monks, who were preparing them for death as they went along.

[skipping the seating arrangements … ]

About twelve o’clock they began to read the sentence of the condemned criminals. That of the criminals who died in prison, or were outlaws, was first read. Their figures in pasteboard were carried up into a little scaffold and put into small cages made for that purpose. They then went on to read the sentences to each criminal, who thereupon were put into the said cages one by one in order for all men to know them. The whole ceremony lasted till nine at night; and when they had finished the celebration of the Mass the King withdrew and the criminals who had been condemn’d to be burnt were delivered over to the secular arm, and being mounted upon asses were carried through the gate called Foncaral, and at midnight near this place were all executed.


Francisco Ricci‘s grand painting of the Madrid auto de fe represents events from throughout the day simultaneously. Image from Wikimedia Commons.

As best I can determine, two condemned people bought their lives with last-second conversions, leaving 18 to die for Judaizing … or, in one case, for converting to Islam. It will suffice to say that a very large, very ornate, and very long ceremony unfolded, and that at the end of it the flames consumed a number of people (and even more mannequins) associated with the Abrahamic faith.

“These punishments,” observed a French diplomat who witnessed the proceedings, “do not significantly diminish the number of Jews in Spain and above all in Madrid where, while some are punished with great severity, one sees several others employed in finance, esteemed and respected though known to be of Jewish origin.” Actual eliminationist Jew-hunting was so 1492.

Great as were these astounding spectacles, their day was passing. In fact, this was it — the long, sweltering, tiresomely gaudy day that it passed.

Spain in 1680 was in the grip of plague, famine, and deflation; though there’s value to the state in the distraction of a circus, there’s also the very substantial cost of putting the bloody thing on, especially on such a scale, especially when you’re going to let off most of the victims but not until you sock them away in prison and feed them for months or years until the next auto.

It seems that by the 17th century this end-zone spike of the Inquisition had become quite an encumbrance: procedures required the Inquisition to dispose of certain cases in autos de fe, which, because they had to be put on just so, were increasingly rare, and clogged up gaol cells in the meanwhile. There’s a reason besides spectacle that all the rest of Spain gratefully dumped its religious criminals on Madrid on this date.

The model just wasn’t sustainable.

Over the 1680s, practical pushback reconfigured the venerable ritual into something less burdensome to the public purse. This date’s event was very far from the last auto de fe in Spain, but it’s seen as the last of the classic, public-festival spectaculars evoked by the term. They would, in the future, become (mostly) smaller, (usually) shorter, and (somewhat) less garish affairs conducted not on public plazas but on church grounds, and with most cases of reconciliation simply handled quickly, quietly, and locally.

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1844: Gabriel de la Concepcion Valdes, “Placido”

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On this date in 1844, Cuban poet Gabriel de la Concepcion Valdes was executed in Matanzas for conspiring to overthrow Spanish authority on the island.

His mother (who gave him up to an orphanage) was a Spanish dancer. His father (who adopted him back) was a “quadroon” barber. Valdes, aka Placido (Spanish link, which is true of most available online resources about him) grew up as a free mixed-race youth in a slave society.

This situated him in the privileged (relative to plantation slaves) but precarious position of the petty bourgeoisie, menaced not only by the prospect of economic reversal but by the vicissitudes of Spanish policy towards his caste — whose growth many colonial officials fretted warily.

Though Placido made his bread apprenticing as a print-maker and later making turquoise combs, he made his fame by dint of literary gift that was celebrated throughout Cuba and abroad. His “La siempreviva” won a literary competition when he was just 25, and led to an invitation to visit Spain (Placido declined it); the Cuban-born, naturalized Mexican poet Jose Maria Heredia visited Cuba in 1836 and made a point to look up Placido; and according to the out-of-print Cuba’s Romantic Poet: The Story of Placido by Frederick Stimson, the young Cuban was wildly popular with North American slavery abolitionists as well.

Placido is less well-remembered beyond his home island today, but arguably rates as Cuba’s most distinguished Romantic poet.

In the 1830s especially, when civil war in Spain put the reigning monarch on the liberal side, Placido was able to exploit the opening to write openly of Cuban political aspirations.

His La Sombra de Padilla, dedicated to Spain’s “wise and exalted Queen”, imagines one of Spain’s martyred comuneros charging him to venture his life for liberty against absolutism.

Better to fall prey to La Parca [the Grim Reaper]
Than to a despotic Monarca

But notwithstanding the war in Iberia, the exalted Queen still put Cuba under special (read: repressive) law. Placido’s prominence, having advocated for much more freedom than Cuba was slated to enjoy, subjected him to automatic Spanish suspicion as more authoritarian governance arrived in the 1840s.

The poet was arrested in the Conspiración de La Escalera (Conspiracy of the Ladder, so named for the structure its accused were tortured upon). This purported plot to raise a slave revolt may or may not (pdf) have really existed, but the crackdown it authorized sure did. Indeed, despite the “slave revolt” bogeyman, it was overwhelmingly free blacks whom the Spanish suppressed in this affair.

Gariel de la Concepcion Valdes, known as “Placido”, was shot with ten others, “miserable instruments of the most depraved machinations of immoral men, men who deserve the curse of the living and the opprobrium of generations to come,” just a week after his conviction.

The appointed lot has come upon me, mother,
The mournful ending of my years of strife,
This changing world I leave, and to another
In blood and terror goes my spirit’s life.

But thou, grief-smitten, cease thy mortal weeping
And let thy soul her wonted peace regain;
I fall for right, and thoughts of thee are sweeping
Across my lyre to wake its dying strains.

A strain of joy and gladness, free, unfailing
All glorious and holy, pure, divine,
And innocent, unconscious as the wailing
I uttered on my birth; and I resign

Even now, my life, even now descending slowly,
Faith’s mantle folds me to my slumbers holy.
Mother, farewell! God keep thee — and forever!

-Valdes, “Farewell to My Mother”

There are volumes of Placido’s poetry (in the original Spanish) freely available via public-domain Google books offerings here and here, with a short thumbnail biography here. For the nonfiction biographical exploration of Placido’s life, and detailed critical analysis of his poetry, this Vanderbilt master’s thesis (pdf) is highly recommended.

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1784: Jean Saint Malo, New Orleans Maroon

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On this date in 1784,* Jean Saint Malo was hanged in the New Orleans square that’s since been christened Jackson Square, after American president Andrew Jackson.

Saint Malo, the namesake of a 19th century fishing village that formed perhaps the first Filipino settlement in the U.S., was the leader of outlaw settlements of escaped slaves who found refuge in the French colony’s bayous.

“Prior to the sugar boom,” writes Daniel Rasmussen in his well-received American Uprising, “New Orleans was a poor, multi-cultural city with very few social controls.”

The lines between slavery and freedom were not clearly drawn, and slaves frequently escaped into the swamps to form maroon colonies. There was a history of armed resistance in these areas that drew on French, Creole, and Kongolese traditions. These insurrectionary traditions shaped the lives of the slaves and represented an alternative political culture to that of the planters.

As testimony to that hazy line, Saint Malo had widespread support not only from the escaped slaves who joined him, but from those that remained on plantations. The communities were linked by blood and by trade; attempts to send creole militias out to hunt the maroons tended to founder on the draftees’ fear of retaliation by the kith and kin of their targets.

According to Gwendolyn Midlo Hall, Saint Malo’s prosecutor complained that slaves would grumble, affront their masters, leave land uncultivated … and that owners dared but few disciplinary measures lest they disappear into the swamps.

“Malheur au blanc qui passera ces bornes” (“Woe to the white who would pass this boundary”), was the declaration attributed our man, burying an ax dramatically into a tree outside his largest village, Ville Gaillarde. (The maroons lived in permanent settlements.)

It took several years, several tries, and more than several casualties for Louisiana planters to finally bring Saint Malo’s maroons to heel. And when they did — well, the dirge recorded from a fellow maroon (as related in Creole New Orleans: Race and Americanization) describes Malo’s fate.

Alas, young men, come make lament,
For poor St. Malo in distress!
They chased, they hunted him with dogs,
They fired a rifle at him.
They dragged him from the cypress swamp.
His arms they tied behind his back.
They tied his hands in front of him.
They tied him to a horse’s tail.
They dragged him up into the town.
Before those grand Cabildo men.
They charged that he had made a plot
To cut the throats of all the whites.
They asked him who his comrades were.
Poor St. Malo said not a word!
The judge his sentence read to him,
And then they raised the gallows tree.
They drew the horse — the cart moved off
And left St. Malo hanging there.
The sun was up an hour high
When on the levee he was hung.
They left his body swinging there
For carrion crows to feed upon.

* Coincidentally, June 19 would later become Juneteenth, marking the end of slavery in the United States at the conclusion of the Civil War.

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1944: George Stinney, Jr., age 14

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(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

On this date in 1944, a five-foot-one-inch, ninety-pound prisoner walked into the death chamber of the Central Correctional Institute in Columbia, South Carolina and was executed in the electric chair.

He was so small that the guards had trouble strapping him into the chair and fitting the electrodes on. When the first jolt of electricity hit him, the mask fell off his face, revealing an expression of horror.

His name was George Junius Stinney Jr., and at fourteen years, seven months and twenty-six days, he was the youngest person to be legally executed in the U.S. in the 20th century. In spite of this startling distinction, his death went practically unnoticed in the press.

Stinney, a black youth from a poor family in the town of Alcolu, was condemned for the double murder of two white girls he knew: Betty June Binnicker, age 11, and Mary Emma Thames, age 8. The girls had gone out on their bicycles on March 23, 1944, and along the way they saw Stinney and his sister and asked where to look for flowers. The Stinneys said they didn’t know.

The next day, the two girls’ bodies were found in a muddy, water-filled ditch. They had both sustained severe head injuries; their skulls were shattered. A fifteen-inch railroad spike was found nearby.

A few hours later, Stinney was arrested and locked in a room with several police officers and no one else. According to later testimony, at first he claimed the girls had suddenly attacked him and he hit them with the railroad spike in self-defense. However, a short time later he gave a second statement confessing to premeditated murder.

Stinney allegedly stated he had wanted to have sex with Betty June, but he couldn’t do so until the younger girl was out of the way, so he killed Mary Emma with the railroad spike. Betty June ran away, but Stinney caught up with her. When she resisted his sexual advances, he killed her too and dragged both bodies into the ditch. That’s the story.

When the townspeople found out that Stinney had confessed and would be charged with murder, a lynch mob formed outside the jail. Authorities took the boy to another jail in Columbia, fifty miles away, for his own safety; fearing for their own lives, Stinney’s family also fled town.

The trial took place on April 24, one month and one day after the murders, beginning at 2:30 p.m. Virtually the only evidence against Stinney was the testimony of the sheriff who heard the confession: there was no written record of the confession. Stinney’s defense attorney, who planned to run for state office, did not contest the confession and called no witnesses, but only claimed his client was too young to be held responsible for the murders. However, under South Carolina law at the time, a fourteen-year-old was legally an adult.

The jury was sent out at 5:00 p.m. and returned with a guilty verdict just ten minutes later.

There was no appeal.

Some local churches and the NAACP asked the governor for a commutation, citing Stinney’s age — but the governor allowed the execution to proceed. The entire drama from homicides to execution spanned less than 90 days.

One of Betty June Binnicker’s sisters reflected fifty years later, “Everybody knew that he done it, even before they had the trial they knew that he done it. But I don’t think that they had too much of a trial.”

More than sixty-five years after Stinney died, a community activist called for the case to be reopened, suggesting Stinney may have have been innocent. The evidence against him was absurdly slight. He had no history of violent behavior, and it seems unlikely that this short, slender boy would be strong enough to overpower two girls and beat them to death. Stinney’s brother, now a pastor in Brooklyn, said the family always believed in his innocence. Both his brother and his sister recalled that he had been a smart boy, a good student and artistic, and their family had been a close and loving one.

As one article noted, “Stinney’s trial and subsequent execution were suspicious at best and a miscarriage of justice at worst … This was South Carolina in 1944, with a black male defendant, two young white female victims, and an all white, male jury. Stinney never stood a chance.”


Stinney-inspired scene from the TV movie Carolina Skeletons.

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