Category Archives: Intellectuals

1799: Eleonora Fonseca Pimentel, Neapolitan Jacobin

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(Thanks to Jeff Matthews of the Around Naples Encyclopedia for allowing us to run this abridged version of a much more detailed entry in that encyclopedia that’s well worth the read. -ed.)

Failed revolutionaries usually wind up as footnotes in history books. Certainly, the period between 1789 (the beginning of the French Revolution) and 1805 (the year in which Napoleon crowned himself emperor) is one of such turmoil in Europe that it is easy not to see any but those who are larger than life.

Eleonora Fonseca Pimentel vaulted onto the Naples literary scene as a teenage pop princess with a hit poem for the nuptials of King Ferdinand and Maria Carolina (the latter was Marie Antoinette‘s sister).

Pimentel parlayed her puissant pen into a permanent position on the salon circuit, doing late-18th-century literary things like quoting classics and maintaining voluminous correspondences.

By the revolutionary 1790’s, she’d risen to become the aforementioned Queen Maria Carolina’s librarian, but was among those inspired by the liberta, egalita, fraternita of the French Revolution. When Napoleon tore through northern Italy and conquered as far as Rome, the monarchy rode out to reconquer the Eternal Cityget itself decimated, and Naples’ dreamers had their chance.

Pimentel turned her literary talents to the Republic’s service, including some outstandingly vituperative verse savaging the exiled Maria Caroline as a lesbian and threatening her with the guillotine.

-ed.

Eleonora Fonseca Pimentel is one such overlooked person. She was a major figure, but on a small stage, connected with the little known and failed Neapolitan revolution and subsequent short-lived Neapolitan republic of 1799. It was a sister of the French republic and one of many set up in the 1790s in Europe, all of which—the Neapolitan version included—have been relegated to the status of “also-rans” in history.

Eleonora was an unlikely revolutionary. She was born in Rome in 1751 of Portuguese nobility and would be hanged in Piazza Mercato in Naples in 1799 in a grotesque caricature of an execution. Her executioner, Maria Caroline of Hapsburg, Queen of Naples during the Neapolitan Revolution was also born in 1751. That was also the decade of the great Lisbon earthquake, about which an anonymous poet wrote lines as if describing the dramatic events that would soon shake Europe the way the earth had shaken Portugal:

With her last earthquake this round world shall rise,
The sun shall lose his fires in endless night,
And the moon turned to blood, glare horrid light,
When comets dire shall sweep athwart the sky,
And stars like leaves before the tempest fly.

Certainly, the last days of one of Portugal’s daughters, Eleonora Fonseca Pimentel, seem contained in that verse.

Stendahl, in Rome, Florence and Naples (1826) , reports at length a conversation about the Neapolitan Revolution and its grisly conclusion with a young man he identifies only as T***, an eye-witness to the events, themselves. Stendahl concludes: “I have been careful to suppress, during the course of this narrative, all the more gruesome details. Robespierre, whatever his faults, has this at least to be said in his favor: he did not count a majority of personal friends among the total number of his victims. Those whom he sacrificed, he sacrificed to a system, however ill-founded; not to his petty, personal spite.”

In Piazza Mercato, the fortunate among those sentenced to death* were beheaded swiftly. The less fortunate, among whom was Eleonora, were hanged. In her case, it was a ghoulish affair. Her body was left dangling from the gallows for a day, exposed to further jibes and humiliation, such as the popular verse making the rounds at the execution (cited in Albanese 1998):

A signora donna Lionora,
che cantava ncopp’ o triato,
mo abballa mmiezo ‘ o mercato,
viva viva ‘u papa santo,
c’ha mannato i cannuncini,
pe scaccià li giacubini!
Viva a’ forca ‘e Masto Donato
Sant’Antonio sta priato.

Roughly:

To lady Eleonora
who used to sing upon the stage
and now dances in market square,
long live the Holy Pope,
who sent us the guns
to chase away the Jacobins!
Long live the gallows and Master Donato [a traditional name for the hangman]
Praise be to Sant’Antonio.

Eleonora was calm at the gallows. She asked for some coffee, and—true to her intellect to the last—her last words were in Latin: “Forsan et haec olim meninisse juvabit,” a citation from Virgil—“Perhaps one day this will be worth remembering.”


Giuseppe Boschetto, La Pimentel Conducted to the Gallows, 1869

One of the most interesting memories of the Revolution is the Palazzo Serra di Cassano, on via Monte di Dio. It was the home of Giovanni Serra, Duke of Cassano, one of Eleonora’s closest friends. Looking down at the crowd as he was about to die, he said, “I have always wanted good for them and now they cheer at my death” [cited in Albanese 1998]. The next day, his father closed the portal of the building that opens onto the Royal Palace and said it would remain closed until the ideals his son had died for were realized. The door is still closed.

The greatest memorial in recent memory, however, was when Vanessa Redgrave, the English actress, stepped out on the stage of the San Carlo Theater on Friday, January 8, 1999, and recited, in magnificent Italian, the title role in Eleonora, a 3-hour oratorio, an absolute hymn of praise to Eleonora Fonseca Pimentel. It was composed by Roberto de Simone, prominent Neapolitan composer and musicologist. The production had had a two-week run-up in the Neapolitan daily, il Mattino, replete with histories of the Neapolitan revolution, fragments of Eleonora’s poetry, long citations from historical heavyweights such as Benedetto Croce, and even the news that a descendant of Eleonora’s (through her brother’s line), another Fonseca Pimentel, would be at the premiere. The production, itself, was generally well received. The next day, the critic from il Mattino called it “an allegory of all the martyrs in history” (Gargano 1999). “Art is liberty,” he wrote, “and must free itself from the bonds of time like an ever-evolving presepio,” thus comparing the production to the traditional Neapolitan manger scene that celebrates the birth of the Savior. Heady praise, indeed.

Visit the Around Naples Encyclopedia for an expanded version of this post with much more about Eleonora Fonseca Pimentel’s biography, the unfolding of the Revolution, and its legacy.

Bibliography

Acton, Harold. The Bourbons of Naples. London: Prion Books, 1957.
Albanese, Camillo. Cronache di una Rivoluzione, Napoli 1799. Milan: Franco Angeli, 1998.
Bradford, Ernle. Nelson, The Essential Hero. London: MacMillan, 1977.
Croce, Benedetto. “Eleonora de Fonseca Pimentel.” Monograph. Rome: Tipografia nazionale, 1887.
Croce, Benedetto , et al. La Rivoluzione Napoletana. 1999 reprint by Tullio Pironti, ed. Naples: Morano, 1899.
Croce, Benedetto. “Eleonora de Fonseca Pimentel e il Monitore Napoletano” in La Rivoluzione Napoletana di 1799. Bari: Laterza, 1926.
Cuoco, Vincenzo. Saggio Storico sulla Rivoluzione Napoletana nel 1799. Milano: 1806.
Diana, Rosario. Forward to Vincenzo Cuoco, Pl atone in Italia. Naples: Pagano, 2000.
Gargano, Pietro. “Quei martiri nostri fratelli.” Il Mattino, January 9, 1999.
Gurgo, Bice. Eleonora Fonseca Pimentel. Napoli: Cooperativa Libreria, 1935.
Irace, Clorinda. E.F.P. Le tracce, i luoghi. Naples: Lions Club, 1977.
Macciocchi, Maria Antonietta. Cara Eleonora. Milan: Biblioteca Universale Rizzoli, 1993.
Stendahl. Rome, Florence and Naples. 1826.(Richard N. Coe, trans.) London: John Calder, 1959.
Urgnani, Elena. La Vicenda Letteraria e Politica di Eleonora de Fonseca Pimentel. Il Pensiero e la storia. Ed. Istituto Italiano per gli Studi Filosofici. Vol. 54. Naples: La Città del Sole, 1998.

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1952: Night of the Murdered Poets

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As night fell this evening in Moscow, 13 prominent Soviet Jews were shot in Lubyanka Prison on trumped-up charges of treason and espionage.

“The Night of the Murdered Poets”, as it’s come to be remembered, wasn’t so much about the poetry; “only” five of the victims fit that description.

But as Joshua Rubenstein put it, “only the martyred Yiddish writers are mentioned at August 12 commemorations; the other defendants who lost their lives, as well as the sole survivor Lina Shtern, are rarely if ever remembered, perhaps because their careers as loyal Soviet citizens do not fit comfortably into an easy category for Westerners to honor … Stalin repaid their loyalty by destroying them.”

Falling victim to Stalin was such a particularly tragic fate because they were, in the main, good Communists:* good enough to have been part of the Jewish Anti-Fascist Committee, a World War II organ dedicated to rallying support for the Soviet Union against Nazi Germany.

Such national particularism — any port in a storm! — was all well and good when Moscow had the Wehrmacht at its gates and a short supply of friends, but it increasingly ran dangerously afoul Soviet officialdom as the 1940’s progressed. It was a bastion of sectarian identity rather than socialist universalism; its celebration of the Jewish soldier and of Jewish wartime travails cut against the narrative of Soviet sacrifice and heroism; its overseas links to the United States (where it toured in wartime) and the new state of Israel made it suspect, or at least vulnerable.

Thin excuse for mass execution, to be sure, but in a structure of generalized antisemitism run by a trigger-happy dictator …

In 1948-49, fifteen JAC members were arrested. One would die in prison; the aforementioned Lina Stern, a scientist, would receive a term of exile and return to Moscow when this purge’s victims were rehabilitated after Stalin’s death.

The thirteen others were tortured and condemned by a rigged (but secret, since many of the accused wouldn’t cop to public self-denunciations) trial

Years before his arrest, Markish would write words to make a eulogy for many a disillusioned Soviet citizen … and literally so in his case, since the verse was cited at his trial as evidence of his “pessimism”:

Now, when my vision turns in on itself,
My shocked eyes open, all their members see
My heart has fallen like a mirror on
A stone and shatters, ringing, into splinters.

…

Piece by piece I’ll try to gather them
To make them whole with stabbed and bleeding fingers.
And yet, however skillfully they’re glued,
My crippled, broken image will be seen.

* Naturally, being a good Communist did not keep one safe from Uncle Joe.

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1540: Three Papists and Three Anti-Papists

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On this date in 1540, two days after disposing of his former Vicegerent of Spirituals Thomas Cromwell, the just-wedded Henry VIII wrote a terrifying message of religious conformity in blood and smoke at Smithfield.

Edward Hall (as he did with Cromwell) records the scene.

The thirtie daie of July, were drawen on herdelles out of the Tower to Smithfield, Robert Barnes Doctor in Diuinitee, Thomas Garard, and Wyllyam Jerome Bachelers in Diuinitee, Powell, Fetherston and Abell. The firste three were drawen to a stake, there before set up, and were hanged, hedded, and quartered. Here ye must note, that the first three, wer menne that professed the Gospell of Jesu Christ, and were Preachers thereof … [the first three] were detestable and abhominable Heretickes, and … had taught many heresies, the nomber whereof was to greate in the atteindor to be recited, so that there is not one alleged … in deede at their deathe, they asked the Sherifes, wherefore they were condempned, who answered, thei could not tell: but if I maie saie the truthe, moste menne said it was for Preachyng, against the Doctryne of Stephen Gardiner Bishoppe of Wynchester, who chiefly procured this their death … but greate pitie it was, that suche learned menne should bee cast awaie, without examinaction, neither knowyng what was laied to their charge, nor never called to answere.

The laste three … were put to death for Treason, and in their attaindor, is speciall mencion made of their offences, whiche was for the deniyng of the kynge ssupremacie, and affirmyng that his Mariage with the Lady Katheryne was good: These with other were the treasons, that thei wer attainted of, and suffered death for.

Terrifying and confusing: here were burnt three Protestants (Barnes, Gerrard and Jerome) for heresy under the Six Articles, essentially for excess radicalism; beside them were hanged, drawn and quartered three Catholics (Powell, Fetherston and Abel) for treasonably refusing the Oath of Succession, that is, for refusing to admit the King of England as the head of the Church of England. It was that old dispute about Anne Boleyn, who was three queens ago by now. (All three Catholic theologians were advisors to Anne’s predecessor and rival Catherine of Aragon, back in the day.)

The one thing that couldn’t possibly be confused in the day’s proceedings was that matters of the faith were matters of state, and in them Henry would brook heterodoxy of neither the liberal nor conservative variety.

“Good Lord! How do these people live?” exclaimed a foreign observer (cited here). “Here are the papists hanged, there are the anti-papists burnt!”

Good for the martyr industry all-around, and fodder for contemporaries to imagine their respective hereafters, as in “The metynge of Doctor Barons and Doctor Powell at Paradise gate”. (pdf)

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1826: The Decembrists

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On this date* in 1826, five leaders of the Decembrist revolt were hanged at St. Petersburg’s Peter and Paul fortress for their abortive eponymous uprising eight months before.

The most renowned and romantic of Russia’s hapless liberals, the Decembrists were a secret clique of idealistic young officers, many of whom had cut their teeth chasing Napoleon’s grande armee out of Russia in 1812.

In Russia’s complex interaction with the West — its ideas, its political institutions, its ways of life — these were the westernizers, who saw constitutionalism as the way of the future.

Upon the mysteriously sudden death of Tsar Alexander I, an irregular succession to the second-oldest surviving brother, Nicholas I, gave our day’s doomed and gallant youth cause to occupy St. Petersburg’s Senatskaya Square to uphold the rights of the first brother — and more to the point, to uphold the constitution to the extent of constraining the monarchy.


Decembrists at Senate Square, as depicted by Karl Kolman.

Uh … Now What?

This badly organized affair failed in its aim to attract the mass of soldiery and, constitutionalists as its organizers were, did not even aim at mobilizing the general populace.

After the initial heady rush of marching into the square in the name of liberty, the Decembrists were left in a standoff against a much larger force of loyalists. When the latter started shooting, that was that.

Those that survived faced trial, with five — Peter Kakhovsky, Kondraty Ryleyev, Sergei Muravyov-Apostol, Mikhail Bestuzhev-Ryumin and Pavel Pestel — initially sentenced to drawing and quartering.

“Mere” hanging was deemed sufficient for the purpose. That would be about the maximum embrace of liberalism by the Russian autocracy, whose lesson from the uprising was to crack down against any hint of forward-thinking politics — ultimately an unsuccessful strategy for the Romanov dynasty.

St. Petersburg’s Senate Square — renamed Decembrist Square by the Soviet government — where the action happened. The iconic equestrian statue of Peter the Great, commissioned by Catherine the Great and unveiled in 1782, witnessed it all; the statue acquired its enduring moniker, “The Bronze Horseman”, from a poem of the same title penned in 1833 by Alexander Pushkin, a friend of several Decembrists.

One of the greatest works of Russian literature, Pushkin’s “Bronze Horseman” weaves an ambiguous Decembrist-tinged critique of cruel imperial power and overreach into a complex narrative of St. Petersburg whose upshot is still up for lively literary debate. “The Bronze Horseman’s crag rose up before the poet on an empty square,” wrote one historian, “washed with the blood of those who rebelled on December 14, 1825”

Appalling there
He sat, begirt with mist and air.
What thoughts engrave His brow! what hidden
Power and authority He claims!
What fire in yonder charger flames!
Proud charger, whither art thou ridden,
Where leapest thou? and where, on whom,
Wilt plant thy hoof?

“They don’t even know how to hang you …”

When the hangings were carried out, Kakhovsky, Muravyov-Apostol and Ryleyev all had their ropes break; while some in the crowd anticipated the old prerogative of mercy for any prisoner who survives an execution, they just got re-hung instead. “Unhappy country,” quipped Ryleyev as the fresh nooses were fixed up, “where they don’t even know how to hang you.”**

Other Decembrists not condemned to the unreliable craftmanship of the Russian gallows were shipped to Siberia, where they invigorated the cultural life of the Lake Baikal city of Irkutsk — many of them famously followed by their “Decembrists’ wives,” an iconic type that continues to denote heroically sacrificial loyalty since the women had to renounce their own right to return to European Russia.

These, at least, had a place to call their own, however distant. But the class of Russian elites to which they belonged would be thrust into a trackless wilderness by their failure (in the Decembrist rising and otherwise) to carve out some distinct place for themselves. Russia’s long reckoning with modernity still had many years to run.


A worn postcard of a 19th century Russian painting depicting (perhaps) a political prisoner in the Peter and Paul Fortress.

* July 25 was the date on the Gregorian calendar; per the Julian calendar still in use in Russia at the time, the date was July 13.

** Ryleyev was quite the saucy one, having fought a “mysterious” duel with Pushkin in 1823, and instigated (and served as second at) a famous St. Petersburg jilted-love duel in 1825 that cost the lives of both antagonists.

A poet himself and a romantic to the point of fanaticism, Ryleyev wrote odes extolling executed national heroes like Artemy Volynsky and Severyn Nalyvaiko, seemingly alluding (as in this excerpt from the latter work) to his anticipation of joining them.

I know full well the dire fate
Which must upon the patriot wait
Who first dare rise against the foe
And at the tyrant aim the blow.
This is my destined fate

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1942: Joan Peiro i Belis, Catalan anarchist

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On this date in 1942, anarchist, trade unionist and anti-fascist Joan Peiro was shot with six others at Paterna, Spain.

Joan (or Juan) Peiro (English Wikipedia page | Spanish) was a Barcelona glassworker of anarcho-syndicalist politics.

As Secretary General of the Confederacion National del Trabajo (CNT) and editor of the anarchist rag Solidaridad Obrera, Peiro mixed it up in the rough-and-tumble interwar political scene, eventually becoming Minister of Industry for Republican Spain — an untoward position to more orthodox anarchists.

When the Spanish Republic lost the Civil War, Peiro fled to France, where he was nabbed and extradited.

The nationalist general Emilio Mola had said before the war’s conclusion,

Whoever is, openly or secretly, a supporter of the Popular Front, must be shot … we must sow terror … eliminating without scruple or hesitation those who do not think as we do. (Source)

In practice, reprisals weren’t that vicious (maybe because Mola himself had died in a plane crash and wasn’t managing them) — but the leadership and intelligentsia who could rally an anti-Franco political bloc were purged ruthlessly.

The imprisoned Peiro was offered — repeatedly — a sellout package to oversee Franco’s house unions, and he repeatedly refused.

He earned martyrdom for his troubles, and after Franco’s death re-entered the public sphere as the sort of bloke to name streets after. (As an anti-Stalinist, Peiro had had all the right enemies.)


Placa Joan Peiro, a major square in Barcelona.

The Spanish judiciary, however, has thus far declined (Spanish link) to overturn his sentence.

Peiro is saluted in Catalan here.

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1546: Anne Askew, the only woman tortured in the Tower

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On this date in 1546, Protestant martyr Anne Askew was martyred for her Protestantism.

One of the more intriguing religious martyrs of Tudor England, Askew was a gentlewoman forced to take her older sister’s place in an arranged betrothal when said sister (as was the style in the 16th century) dropped dead young.

Askew’s adherence to Protestantism put her at loggerheads with her Catholic husband, a domestic prefiguring of the factional political dispute that would see her to a Smithfield stake: the Reformation that rent England was itself contested within, with more aggressively reformist Protestant types resisted by the more conservative Catholic-without-Rome faction. Taking the wrong line at the wrong time was taking your life in your hands, and in the treacherous Tudor court, religion became the stalking-horse of deadly politics.

A like conflict played out in townships and households throughout the realm.

Askew and her husband separated (but were not granted divorce) over her conversion to Protestantism; she moved to London and started preaching doctrines anathema to the doctrinaire. As a noblewoman herself, she was absorbed into social circles reaching Henry VIII’s last wife, Katherine Parr.

Askew’s outspoken heterodoxy soon brought her into conflict with anti-Protestants, and when the “send her back to hubbie” strategy didn’t take, they had her clapped in the Tower.

Here she evidently became a pawn in courtly politics; with the obese and aging king liable to drop dead any moment, religious and political authority during the succession was at stake.

Askew was therefore racked in the Tower in an effort to extract evidence against powerful women of known Protestant inclinations, possibly up to and including the queen herself.

Then came Rich and one of the council, charging me upon my obedience, to show unto them, if I knew any man or woman of my sect. My answer was, that I knew none. Then they asked me of my Lady of Suffolk, my Lady of Sussex, my Lady of Hertford, my Lady Denny, and my Lady Fitzwilliam. To whom I answered, if I should pronounce any thing against them, that I were not able to prove it. Then said they unto me, that the king was informed that I could name, if I would, a great number of my sect. I answered, that the king was as well deceived in that behalf, as dissembled with in other matters.

…

Then they did put me on the rack, because I confessed no ladies or gentlewomen to be of my opinion, and thereon they kept me a long time; and because I lay still, and did not cry, my lord chancellor and Master Rich took pains to rack me with their own hands, till I was nigh dead.

Then the lieutenant caused me to be loosed from the rack. Incontinently I swooned, and then they recovered me again. After that I sat two long hours reasoning with my lord chancellor upon the bare floor; where he, with many flattering words, persuaded me to leave my opinion.

Askew didn’t talk, and the act of torturing a woman shocked contemporaries so much that it has never been officially repeated. She was burned to death with three fellow-heretics in Smithfield, so crippled by torture that she had to be carried in a chair to the pyre.


Anne Askew’s executed, together with John Lascelles, John Adams and Nicholas Belenian. Preaching in the pulpit is Nicholas Shaxton, who avoided the fagots with a timely recantation.

Askew survives to us as a particularly consequential Protestant martyr not only for her what-might-have-been proximity to a court plot that might have altered the course of English history, but because she left her own testimony to the ordeal.

Her Examinations — firsthand accounts of her interrogations — were reportedly smuggled out of England where they were published by John Bale. Still, we come by Anne’s own voice in the mediated form of other (male) publishers with their own agendas.

One reading of Bale’s editions that has now become conventional envisions Askew’s narrative as an embattled text: an authentic narrative, the autobiography of a learned and valiant woman, onto which Bale has imposed an insensitive, misogynistic misreading.

Specifically, Bale has been dinged for shoehorning source material that reveals a contentious and tough-minded critic into the vanilla pattern of the meek woman suffering for the faith — a cardboard cutout martyr shorn of less consumer-friendly unfeminine behavior.

While both Bale and Protestant martyrologist John Foxe, who also published versions of the Examinations, stand in that sense between us and the “real” Anne Askew, their polemical needs are precisely the reason we are able to descry the woman standing behind the martyr-archetype.

while her body was consumed by the flames, her identity remains at least partially preserved. The Henrician Anglo-Catholics made Askew famous through the process of her trial and public execution. The Protestant reformers rhetorically retrieved Askew’s broken, tortured, criminalized body from the stake and restyled it as a saint and symbol of their cause. Her identity thus paradoxically emerges in a variety of ways from the tensions … that we find in all the scraps of surviving archival material relating to her. (Theresa D. Kemp, “Translating (Anne) Askew: The Textual Remains of a Sixteenth-Century Heretic and Saint,” Renaissance Quarterly, Vol. 52, No. 4 (Winter, 1999))

Part of the Themed Set: The Feminine Mystique.

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Feast Day of Saint Peter and Saint Paul

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June 29 is the shared feast day (in both the Latin and Greek rites) of the two biggest wheels in first century Christianity, Saint Peter and Saint Paul.

Tradition holds that both men were martyred in Rome during the persecutions of Emperor Nero after Rome burned: Paul beheaded, Peter crucified upside-down at his own request not to die in the manner of his lord.* Some traditions have both being put to death on the same day; others do not.

Concrete dates** are going to be hard to come by, of course, and the purported historical doings of New Testament Christians are inextricably conjoined to theological ox-goring.

But it is their lives and not their deaths that make them memorable, and to judge by the conquest of the faith they propounded, their feast day honors are richly deserved. Some scholars with no fear for their soul will tell you that Paul in particular can be rated a more consequential historical person than the Nazarene himself, having formulated the doctrine and conducted the ministry needed to turn a dead-end Jewish sect or inchoate reform movement into a surging universal religion that would play to Praetorians.

[flv:http://www-tc.pbs.org/wgbh/pages/frontline/video/flv/1610/jc7.flv 440 330]

More from this program — and other resources on early Christianity — at this Frontline page.

While linked on this day, Peter and Paul appear in the Bible as sometime rivals. One might well speculate at the dynamics between them: Peter, after all, got his commission straight from the Savior himself; the upstart Saul of Tarsus, late of the Jewish establishment, arrived fired with the zeal of the converted and went from persecuting Christians to appropriating their doctrine, even calling Peter out publicly.

However they sublimated that awkwardness, their respective offices as Apostle to the Jews (Peter) and Apostle to the Gentiles (Paul) allude to an oft-explored problem whose resolution would prove decisive for the nascent faith: did Christianity require adherence to the strict Mosaic law?

The stakes: would anyone outside of already-existing Jews actually want to convert?

Paul looks like the firebrand, boldly and tirelessly enacting his revolutionary faith-alone revelation (so central to the Protestant Reformation 15 centuries later) on the pacified highways and sea lanes of the Pax Romana; Peter seems the compromiser (or a vacillator), instinctively granting precedence to the Jewish tradition but being carried along by events towards Paul.

Peter is seen in the Bible acceding to Paul’s opposition to making Greeks eat kosher and circumcise, and even persuading the most august Judaizer and leader of the Jewish Christians at Jerusalem, Saint James.

Amongst these illustrious names, we may perceive or imagine — “through a glass darkly”, as it were — what must have been a blossoming multitude of contending beliefs and practices.

Paul made Christian doctrine amenable† to the practices that would make it a phenomenal evangelical success (and separate it from the faith of Abraham), but on that same winners-write-history basis one is entitled to wonder whether the authority of Peter and James have been appropriated ex post facto by the Biblical writers of the Pauline party. If so, you wouldn’t say his reputation has suffered for it: the pope still claims to speak as “the unworthy heir of St. Peter” … and in St. Peter’s Basilica.

Whatever the faithful and the merely interested may speculate about their historicity, their names are on the founding charter of Christianity.

I have fought the good fight, I have finished the race, I have kept the faith. Now there is in store for me the crown of righteousness, which the Lord, the righteous Judge, will award to me on that day … (St. Paul, 2 Timothy 4:7-8)

A very few of the very many books about Peter and Paul and their times

* See the apocryphal Acts of Peter.

** Italian archaeologist Margherita Guarducci, however, argued that Peter’s death could be assigned to a precise date: October 13, 64. We can pose against this skepticism that Peter ever went to Rome at all, a sometime Protestant hobby-horse supposed to undermine the primacy of the Holy See.

† But not so decisively that he wasn’t soon at loggerheads with the Jerusalem Jewish Christians again.

Update: Just as this post was getting set to publish, the Vatican announced the discovery of what it claims may be the oldest image of St. Paul, a 4th century fresco uncovered in a Roman catacomb.

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1944: Marc Bloch, French historian

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On this date in 1944, the Gestapo shot French historian Marc Bloch among a batch of Resistance members.

When war broke out between France and Germany in 1939, the 52-year-old professor spurned advice to get out of the country. Driven by his love of France, he resigned his post at the Sorbonne to join the reserves.

I was born in France, I have drunk the waters of her culture. I have made her past my own. I breathe freely only in her climate, and I have done my best, with others, to defend her interests.

(Bloch had won the Legion of Honor for his brilliance and bravery in World War I, “always ready to March and give example.”)

High-profile intellectuals of Resistance proclivities and Jewish extraction, needless to say, had a problem in those terrible years.

The remarkable Bloch almost made it through the whole of the war in the French Resistance, but was arrested a few weeks before the Allied landing at Normandy, tortured, and shot. Comrades in arms remembered his death as an unusually sobering loss.

We couldn’t, no we couldn’t bear that image: Marc Bloch, our “Narbonne” of clandestine life, turned over to the Nazi beasts; this perfect exemplar of French dignity, of exquisite and profound humanism, this spirit become a prey of flesh in the vilest hands. We were there, a few of us, in Lyons, his friends, his comrades in the clandestine struggle, when we learned of the arrest, when we were immediately told that, “They tortured him.” A detainee had seen him in the offices of the Gestapo, bleeding from the mouth (that bloody trail in the place of the last malicious smile he had left me with on a street corner before being caught up in the horror). I remember: at those words, “He was bleeding,” we broke out in tears of rage. The most hardened lowered their heads despondently, as we do when things are just too unfair.

For months we waited, hoped. Deported? Still in Montluc? Transferred to another city? We didn’t know anything until the recent day when we were told, “There’s no more hope. He was executed at Trévoux on June 16, 1944. His clothes and papers were recognized.” They killed him, alongside a few others who he inspired with his courage.

For we know how he died. A kid of sixteen trembled not far from him. “This is going to hurt.” Marc Bloch affectionately took his hand and simply said, “No, my boy, it doesn’t hurt,” and fell first, crying out: “Vive La France!”

Marc Bloch, commemorated at this French site, bequeathed 20th century scholarship one of its great intellectual legacies. His The Historian’s Craft,* a composition halted short of completion by the Nazi firing squad, was posthumously published and remains one of the classic texts of historiography; the journal he co-founded in 1929 gave its name to a whole school of thought in the field. (Bloch’s own name also adorned a school in a more literal sense, the Marc Bloch University, now subsumed by the University of Strasbourg.)

Works By and About Marc Bloch

* The blog To The Roots is in the midst of a series of posts exploring The Historian’s Craft.

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859: St. Eulogius of Cordoba

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On this date 1,150 years ago, Eulogius of Cordoba was beheaded for blasphemy in Muslim Spain.

Islamic rule in Spain was a century and a half old at this time; a period of relative comity among the Abrahamic faiths, it was nevertheless far from painless for Christians.

Islamic law exerted some (usually) non-lethal pressure on subject Christians by tolerating them as second-class citizens, subject to restricted civic privileges and additional taxes. With apostasy from Islam to Christianity punishable by death, it engineered a steadily increasing Muslim proportion of the populace.

Around 850, and continuing for the ensuing century, some Christians’ resistance to this arrangement would provoke periodoc repressions and a regular supply of martyrs.

Eulogius, a priest renowned for his eloquence and education, became a prominent exponent of the emerging trend of missionary martyrdom — Christians intentionally blaspheming Mohammad to a Muslim judge for purposes of drawing an exemplary death sentence.

We can readily infer that Eulogius’s support for such behavior was controversial; surely missionary martyrdom escalated tensions between the comingling communities in ways potentially troublesome for the go-along, get-along crowd. And Christians had good reasons to go along and get along: they could enjoy positions of wealth, influence and comfort, along with unencumbered worship.

Bishop Reccafred of Cordoba attempted to squelch any appearance of official support for these fire eaters, and threw Eulogius and other priests in prison after promulgating a decree against the martyrdoms in 852. Naturally, this made him a sellout in the eyes of the militants; Eulogius took a firm line against any attempt to derogate the martyrs of a fellow monotheism as unequal to the ancient martyrs of pagan Rome.

Those who assert that these [martyrs] of our own day were killed by men who worship God and have a law, are distinguished by no prudence … because if such a cult or law is said to be valid, indeed the strength of the Christian religion must necessarily be impaired. (Cited here)

The Cordoban martyrs’ movement claimed a few dozen lives over the 850’s — a hagiography records 48 — some taking inspiration from Eulogius’ Exhortation to Martyrdom. The author of that tract eventually followed his own advice.

Caught sheltering an apostate Muslim (she was executed a few days after Eulogius), the priest got into it with the Islamic judge, denounced the Prophet, and earned himself a death sentence. The story says he even literally “turned the other cheek” when struck by a guard en route to his decapitation.

In all the time since, Eulogius’s words have had a resonance for at least some segment of Christendom: when martyrdom has waxed popular, or confrontation with Islam loomed large. As his entry in Medieval Iberia: An Encyclopedia puts it,

Eulogius’s apologetic treatises are important, then, not only as evidence of the wide spectrum of Christian responses to life under Muslim rule — from outright rejection to almost complete assimilation — but also as one of the earliest extant sources for Western views on Islam.

St. Eulogius’s life gets a somewhat more detailed treatment (from an apologetic perspective) in The Lives of the Fathers, Martyrs, and other Principal Saints, a Google books freebie.

Part of the Themed Set: The Church confronts its competition.

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1600: Giordano Bruno, freethought martyr

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On this date in 1600, gadfly philosopher Giordano Bruno was burnt for heresy in Rome’s Campo dei Fiori.

A figure of ridicule in the 17th century, Bruno got this statue at the site of his execution in the 19th — when the world finally began to catch up with him.

A Dominican inductee in his teens, Bruno was cast out of the order for his heterodoxy.

There followed a lifetime seemingly always on the run, with each successive safe harbor turned against his pantheistic principles and abrasive personal manner.

Bruno has been understood with hindsight to have grasped, fleetingly, the world-upending implications of the Copernican system. In “a time when more than 99% of the intellectuals believed that the Earth was the center of the Universe, and a few others, like Copernicus and Galileo, believed that it was the Sun, instead, at the center of the Universe,” Bruno intuited modern cosmology — wherein both earth and sun were merely heavenly bodies among many others, situated in an infinite universe that did not revolve around them.

More than that, he intuited the expanse of philosophical, scientific and spiritual inquiry that would follow from that idea’s comprehensive destruction of the medieval order, centuries ahead of his time.

That little of Bruno’s own scientific work has withstood the test of time, and other scientific contemporaries did not sympathize with him, enables a hostile source like the Catholic Encyclopedia to sniff that

the exaggerations, the limitations, and the positive errors of his scientific system; his intolerance of even those who were working for the reforms to which he was devoted; the false analogies, fantastic allegories, and sophistical reasonings into which his emotional fervour often betrayed him have justified, in the eyes of many, Bayle’s characterization of him as “the knight-errant of philosophy.” His attitude of mind towards religious truth was that of a rationalist. Personally, he failed to feel any of the vital significance of Christianity as a religious system.

These latter traits are precisely the reason for his reclamation by Age of Reason deists.

[audio:http://podcast.cbc.ca/mp3/tapestry_20100425_31274.mp3]

But the sixteenth century had no place for him.

This historical thriller — the first of a series — features Bruno in England, where some think he might have spied for Francis Walsingham.

Bruno fled Italy for Geneva, where he was soon excommunicated by Calvinist authorities, and thence to France, impressing King Henri III before wearing out his welcome. He spent time in England and Lutheran Germany, running afoul of each new host with his radical ideas, his contempt for the dead hand of Aristotelianism, and his decided want of tact.

He returned at last to Italy and these pages, perhaps counting on the Venetians’ historic rivalry with the papacy in accepting a sponsorship in the maritime republic. There the Inquisition clapped him in irons and shipped him to Rome where for unclear reasons he spent six-plus years imprisoned before facing trial as a heretic.

“Perhaps you, my judges, pronounce this sentence against me with greater fear than I receive it.”

Refusing all opportunity to recant, Bruno was led to the stake this morning gagged against any last outrages against St. Peter’s throne, and the friar who recorded Bruno’s unyielding end — famously mythologized in turning away from the proffered crucifix — could hardly have thought he was writing Bruno’s heroic epitaph as a martyr to the spirit of critical inquiry and passionate dissent.

But he insisted till the end always in his damned refractoriness and twisted brain and his mind with a thousand errors; yes, he didn’t give up his stubborness, not even when the court ushers took him away to the Campo de’ Fiori. There his clothes were taken off, he was bound to a stake and burned alive. In all this time he was accompanied by our fraternity, who sang constant litanies, while the comforters tried till the last moment to break his stubborn resistance, till he gave up a miserable and pitiable life.

That end serves as the climax to the forgettable 1973 Italian flick Giordano Bruno.

Sole bird of the sun, thou wandering phoenix!
That measurest thy days as does the world
With lofty summits of Arabia Felix.
Thou art the same thou wast, but I what I was not:
I through the fire of love, unhappy die;
But thee the sun with his warm rays revives;
Thou burn’st in one, and I, in every place;
Eros my fire, while thine Apollo gives.
Predestined is the term of thy long life;
Short span is mine,
And menaced by a thousand ills.
Nor do I know how I have lived, nor how shall live,
Me does blind fate conduct;
But thou wilt come again, again behold thy light.

-From Bruno’s esoteric The Heroic Enthusiasts, available on gutenberg.org

A few recent books about Giordano Bruno

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