Category Archives: Hanged

1952: George Muldowney, for loving and killing the original Bond girl

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On this date in 1952, Irish steward George Muldowney was hanged at Pentonville Prison for the rather pathetic murder of a dashing Polish spy who had survived much greater villains.

Allowing that nobody ought to die on the floor of the Shelbourne Hotel with a sheath knife stuck in their chest, Christine Granville in particular really deserved a better exit.

Before the outbreak of World War II, she was Krystyna Skarbek, daughter of a Polish aristocrat sinking into poverty. After Germany overran Poland, she went off the marriage meatmarket and on Her Majesty’s Secret Service for a stunning career as a stunning spy that still has ’em sighing today.

Rechristened “Christine Granville” by Britain’s Special Operations Executive, she spent most of the war carrying out feats of cloak-and-dagger derring-do, with a Bond-like aplomb for extricating herself from tricky situations.

If only half the stories they tell about her are true …

  • Commuting between Hungary and Poland by skiing over the Tatra Mountains to gather intelligence and pull other agents out of harm’s way.
  • Getting herself and a fellow agent released from arrest by feigning tuberculosis by chewing her tongue until it bled.
  • Escaping capture at a checkpoint by pulling the pins on two grenades and daring the guards to shoot her.
  • Marching alone into a not-yet-liberated concentration camp to have POW’s reprieved from execution — by telling the Nazi commandante that he’d get the same treatment unless he spared them.
  • Snatching spymaster Francis Cammaerts from the Gestapo ahead of his execution.

And the love affairs! Or that’s what they say — including fellow agent Ian Fleming.

Granville earned the French Croix de Guerre, the George Medal for Special Services, the Order of the British Empire and other decorations, although merely surviving so much time in the field might have been her greatest achievement … but when the war ended, she was just another unwelcome Polish refugee, scrounging for service work in a recovering economy with no welcome waiting for her in her Soviet-dominated homeland.

From here on in, the trite and the tawdry eclipse the heroic.

A stewardess gig on a cruise ship attracted the attentions of her eventual murderer; his crush unreciprocated, and her companionship with another man jealously noticed, Muldowney stalked her and — on the very eve of Granville’s departure to reunite with a wartime confederate/lover — murdered her at her Kensington hotel.

To read the London Times‘ accounting the last moments of this woman so recently outfoxing the Nazis is to behold the face of banality triumphant.

Mr. Ian Smith, for the prosecution, said that, in a written statement at Kensington police station, Muldowney …

“describes how he waited outside the hotel and saw her go in. He went in after her and asked her for some letters he had exchanged with her. She said she had burned them. He did not believe her, and then says: ‘She told me she did not want anything to do with me and was off to the Continent and would see me in two years’ time.’

He then says: ‘Then I took the knife from the sheath which I had in my hip pocket and stabbed her in the chest, and then somebody came up.'” It was a deep stab wound up to the hilt of the knife, and penetrated the heart.

Muldowney didn’t fight the charge; he’d been planning to poison himself after the murder, and tried it when he was in custody. He declined legal aid and pleaded guilty at trial, seemingly eager to expiate his sin or join his would-be lover in death. It was less than 16 weeks after the crime that he stood on the gallows.

While Muldowney moulders in well-deserved obscurity, his victim reportedly inspired her former lover to create the character of Vesper Lynd — the original femme fatale secret agent in the original James Bond novel, Casino Royale. (And the smashing cocktail named for her in the same volume.)

She — Christine, not Vesper — is buried under a spadeful of symbolic Polish soil in St. Mary’s Roman Catholic Cemetery in London.

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1402: False Olaf

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On this date in 1402, a Prussian commoner was put to death on the road between Falsterbo and Skanor in Sweden for masquerading as the long-dead King Olaf IV.

The real Oluf IV Haakonsson — or Olav, or Olaf — had inherited the crowns of Denmark and Norway and a claim to that of Sweden’s but died at the age of 17 in 1387. His mother, Margaret I (or Margrethe I), the real power behind the teenager, ruled outright upon her son’s death.

She proved an able hand and far-sighted ruler, cautiously welding Denmark, Sweden and Norway into the Kalmar Union that would hold until the 16th century. They called her “the Semiramis of the North,” centuries before Catherine the Great nicked the nickname.

But her son’s youthful demise had set persistent rumors abroad — that he was poisoned, for instance, and more to the point for our purposes, that he wasn’t dead at all.

So when his spitting image was recognized, and hailed as the prince of the realm … well, back in the day, equally audacious identity theft was attempted for much smaller stakes than a throne.

Anyway, “Olaf” got some robes befitting Olaf’s station and banged out some letters to Margaret demanding his kingdom back, and Margaret said, come on down.

That goes to show how far looks will take you in life.

Unfortunately for Olaf, his regal jawline wasn’t capable of enunciating Danish speech … so the jig was up as soon as he got to Margaret. One hopes he got a good ride out of his brief masquerade, because he was burned to ashes — possibly after being broken on the wheel — along with those presumptuous letters.

The date of False Olaf’s death comes from Horace Marryat’s 19th century Scandinavian travelogues, One Year in Sweden; including a visit to the isle of Gotland and A Residence in Jutland, the Danish Isles, and Copenhagen (both free reads at Google Books). In both volumes, Marryat identifies the date as the morning before Michaelmas.

The traditional last day of the harvest season celebrated on September 29, Michaelmas was once a four-star holiday on the medieval calendar.

There’s a fair amount of commentary online saying that an “Old Michaelmas” used to be celebrated on October 10 or 11. But that looks to this writer like an interesting inversion stemming ultimately from the celebration’s fall into obscurity as the entity once known as Christendom has become more secular and less agrarian — although it’s admittedly nothing to do with the fate of False Olaf, or Semiramis for that matter.

In 1752, when England finally switched to the Gregorian Calendar, the switch took place in early September.*

For logistical pragmatism (the harvest wasn’t going to come in 11 days earlier just because the calendar changed), the then-imminent Michaelmas got pushed back 11 days to October 10. October 10 then became known as “Old Michaelmas,” no longer Michaelmas by the church calendar but the 365-day interval from when it used to be celebrated, and more importantly, the real end of the harvest season.**

In the next century, the difference between Julian and Gregorian calendars would have advanced to 12 days, placing Old Michaelmas on the 11th; by this present day, it’d be 13 days in principle, but the original meaning of the holiday and the host of cultural traditions associated with it have fallen away … so “Old Michaelmas” is a footnote still pinned to October 10th or 11th, and moderns rediscovering it suppose from the name that it’s the former date of the feast.

* People inclined to think of their death dates as foreordained in heaven’s celestial notebook protested the switch: “give us back our 11 days!” This reform, incidentally, also moved the official beginning of the New Year to January 1 from Michaelmas’ springtime “Quarter Day” counterpart, March 25; winter dates from years prior are often written with both years, e.g. 1738/9. “Old Lady Day“, April 6, is still the beginning of the fiscal year in England, and Thomas Hardy uses its traditional contractual character in Tess of the D’Urbervilles (Aside: Tess’s hanged real-life inspiration) when the title character takes a farm job running through that date:

Tess was so wrapt up in this fanciful dream that she seemed not to know how the season was advancing; that the days had lengthened, that Lady-Day was at hand, and would soon be followed by Old Lady-Day, the end of her term …

At length it was the eve of Old Lady-Day, and the agricultural world was in a fever of mobility such as only occurs at that particular date of the year. It is a day of fulfilment; agreements for outdoor service during the ensuing year, entered into at Candlemas, are to be now carried out. The labourers — or “work-folk”, as they used to call themselves immemorially till the other word was introduced from without — who wish to remain no longer in old places are removing to the new farms.

… With the younger families it was a pleasant excitement which might possibly be an advantage. The Egypt of one family was the Land of Promise to the family who saw it from a distance, till by residence there it became it turn their Egypt also; and so they changed and changed.

** Residents of the former Soviet Republics who switched to the Gregorian calendar in the 20th century still celebrate both the familiar January 1 New Year’s and “Old New Year’s” 13 days later, and the same trick with the (lesser, there) holiday of Christmas too … packing four party occasions into a three-week span.

Part of the Themed Set: Semiramis.

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1976: Three terrorists in Syria

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On this date in 1976, three Abu Nidal terrorists were hanged before the Hotel Semiramis in Damascus, barely 24 hours after they had entered it and taken 90 hostages in a bid to win release of Palestinian prisoners.

Palestinians Muhammad al-Barqawi and Mouatassem Jayyoushi and Iraqi Jabbar Darwish suffered Syria’s first public execution since an accused Israeli spy more than a decade before — and as the late Syrian strongman Hafez al-Assad had pledged, justice was swift and ruthless.

The security of the citizen is sacred. We shall not be soft in this matter. We shall hit back very hard and we denounce this criminal action committed by the gang, which acted as if it was in Israel.

They were the surviving 75% of a quartet of gunmen who early the previous morning had seized the hotel, barricaded themselves on the fifth floor, and attempted to make their trade. Plainly, it didn’t quite work out; the attempt precipitated a battle with Syrian troops which saw the fourth terrorist killed, along with four of the hostages. The Supreme State Security Court condemned the captured men to death overnight; the sentence was carried out between 6:00 and 6:30 the next morning.

New York Times coverage of the raid and the execution is unfortunately behind the paper’s paid-login firewall, but a photo of the execution shows onlookers ringing a single wooden frame for what must have been a short-drop hanging. An unused fourth noose, possibly symbolically present for the killed fourth terrorist (or possibly not; there’s no explicit comment on it), hangs beside the dead men.

So why the grievance? That June — “Black June,” to the Palestinians — Syria had bailed on hard-line Palestinians and entered the Lebanese Civil War on the side of Phalangist Christians,* just as they were on the verge of being overrun. It was the second time in six years that a neighboring Arab power had turned its guns on Palestinians. (In 1970, Jordan had expelled the Palestine Liberation Organization in “Black September.” Lots of black in the Palestinian annals.)

And why the Iraqi, among the hanged?

Palestinian terrormeister Abu Nidal had hung out his shingle in Iraq, then under the control of a rising young dictator destined for the gallows himself, but who grasped the opportunist potential of backing the Palestinian cause while states like Jordan and Syria visibly sold it out. Television crews had a few words in edgewise with the doomed men the evening before their hanging, and they claimed to have trained for their abortive mission in Iraq.

* This put Damascus on the same side as Israel.

Part of the Themed Set: Semiramis.

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1792: Jacques Cazotte, occultist

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On this date in 1792, Jacques Cazotte, a writer distinctly out of step with his times, was guillotined for treason in Paris.

The Martinique-born Cazotte (English Wikipedia entry | French) was into his 40s when he launched the writing career that earns him notice enough for this blog.

He wasn’t a liberte, egalite, fraternite kind of guy: Cazotte’s works, like Le Diable Amoureux (The Devil in Love),* were fantastical, Gothic — far from the rationalist fare of the Enlightenment.

And that wasn’t exclusively a literary posture.

Cazotte fancied himself gifted with prophecy — enthusiasts’ accounts have him prophesying the course of the Revolution — and preferred the mystical enlightenment of the illuminati to the Voltairean kind.** He viewed the onset of the French Revolution with horror.

When some scribblings to that effect were discovered in his papers, the mystical goose was cooked. The French Wikipedia entry credits his daughter with saving his life during the September Massacres … buying the 72-year-old only a few weeks of life.

Cazotte’s Le Diable Amoureux has the devil as a young man’s servant girl, endeavoring to seduce him. Here is Cesare Pugni‘s balletic rendition, Satanella, with its grand pas de deux, “Le Carnaval de Venise”:

Cazotte finds his way to us, as the dark arts are wont to do, through more meandering channels as well.

Le Diable Amoureux inspired supernatural mystery The Club Dumas by Spanish author Arturo Perez-Reverte. That novel in turn was riffed by Roman Polanski for the weird 1999 flick The Ninth Gate (review), starring Johnny Depp. (Cazotte’s book is explicitly referenced in both its progeny.)

Although only tangentially related, this digression into the occult gives us leave to notice one of the many cultural ephemera of executions linked to no particularly blog-friendly date. The Club Dumas and The Ninth Gate make use of striking woodcuts of modern vintage but after a style of centuries past that help unlock the central puzzle.

Charged with esoterica, the topical-looking “hanged man” print comes clearly modeled after its tarot cousin … although the tarot version, in most instances, is hoped to be of less deadly effect upon the plot.

* Available free in the original French at Project Gutenberg.

** Voltairean rationalism had its own ways of getting in trouble. It may have been an age of ideas, but it was hardly safe to have them.

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1994: Johannes van Damme, heroin smuggler

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At dawn this date in 1994, Dutch citizen Johannes van Damme was hanged at Singapore’s Changi Prison for drug trafficking.

The first westerner hanged under Singapore’s draconian anti-drug law, the engineer had been nabbed at the airport with 4.32 kilos of heroin.

Van Damme, 59 at his death, claimed ignorance of the illicit contents and his case drew appeals from the Dutch government — to no avail.

The city-state’s severe criminal code and comprehensively ordered society — “Disneyland with the Death Penalty” in cyberpunk author William Gibson’s formulation — is somewhat notorious at this point.

But while foreign migrants and guest workers had regularly faced the gallows for similar offenses, van Damme’s hanging marked a significant ramping-up of enforcement. According to Amnesty International, Singapore carried out 54 drug-related hangings in 1994 and another 52 in 1995, after an early-90’s pace of under ten per year. It’s maintained rates in the dozens of executions per annum since then, making it the heaviest per-capita user of the death penalty in the world.

And it doesn’t mind making its visitors sweat about it.

Welcome to Singapore. You’ll also see the warning on your embarkation card.

An intensified pace perhaps came with a new resolve on the part of the former British colony to forswear juridical perks to European offenders — at least to some extent. Van Damme’s fate makes an interesting contrast with that of his countrywoman, Maria Krol-Hmelak (the link is to her scanty Dutch Wikipedia page). Krol-Hmelak had been arrested a few months before van Damme also for possessing enough heroin to be presumed a smuggler and incur an automatic death sentence; at her trial a few months after van Damme’s, she received a surprise acquittal.

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1776: Nathan Hale, with regrets

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On this date in 1776, Revolutionary spy Nathan Hale was hanged by the British in Manhattan — allegedly uttering the immortal last words, “I only regret that I have but one life to lose for my country.”

Nathan Hale statuary (with bound feet and hands) ironically stationed at Washington D.C.’s Department of Justice. Like statues are at the Chicago Tribune building and the Yale University campus; dueling plaques in New York contend to mark the execution spot.

Two years out of Yale when the Revolution broke out in 1775, the Connecticut-born Hale hitched onto the Continental Army and was directly promoted to captain.

When British Gen. William Howe landed at New York in the summer of 1776, Nathan Hale volunteered to slip behind enemy lines and reconnoiter enemy strength for George Washington. It turned out to be his mission into eternity.

As one might suspect, there’s a great deal more to Nathan Hale than his last words — and a fair bit of uncertainty about what his last words really were. Hale’s Wikipedia page retails many versions of the line from many sources.

The sentiment commonly attributed him (formulated in slight variations, e.g., “I only regret that I have but one life to give to my country”) was supposed to have been reported by a British officer attending him; it’s certainly a punchier version than, e.g., a Revolutionary War era report of “I am so satisfied with the cause in which I have engaged, that my only regret is, that I have not more lives than one to offer in its service.” Gah.

If all these presumably paraphrased reports have the gist right, it’s possible the 21-year-old recited an identical sentiment in the tragic play Cato:*

How beautiful is death, when earn’d by virtue!
Who would not be that youth? What pity is it
That we can die but once to serve our country.

There’s much more about this short-lived character and his larger-than-life transfiguration in mythologia Americana. The Library of Congress has a collection of links, and William Phelps recently penned this new (and surprisingly, first) biography of the revolutionary legend.

* The play was all the rage among patriots; Patrick Henry might have plucked his immortal “give me liberty or give me death” line from it, too. (“It is not now time to talk of aught/But chains or conquest, liberty or death.”)

Part of the Themed Set: Counterrevolution.

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1803: Robert Emmet, “let no man write my epitaph”

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On this date in 1803, Irish nationalist Robert Emmet was hanged and posthumously beheaded, a day after his trial for treason against England.

The well-to-do scion of a Protestant family, Robert Emmet followed his older brother into the Republican ferment of the time and led an unavailing uprising in Dublin on July 23, 1803.

Captured a month later when he romantically recklessly moved his hideout closer to his beloved Sarah Curran.*

Emmet won his great laurels in the annals of Irish Republicanism with a stirring “Speech from the Dock” addressed to the courtroom the day before he died. Or better to say that it was addressed in a courtroom, for knowing that his death sentence was a foregone conclusion, the real audience was posterity and a wider world.

Emmet found that audience with one of the great orations of the 19th century.

This clip is a truncated version of a longer speech not set to paper by Emmet, so no single definitive version exists. Versions can be found at this Irish history site, and at SinnFein.ie.

I have but one request to ask at my departure from this world — it is the charity of its silence! Let no man write my epitaph: for as no man who knows my motives dare now vindicate them. let not prejudice or ignorance asperse them. Let them and me repose in obscurity and peace, and my tomb remain uninscribed, until other times, and other men, can do justice to my character; when my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written. I have done.

On the strength of such sentiment — and the public’s learning of his love for Sarah Curran — the 25-year-old became iconic in death. Robert’s own death inspired the mandatory Irish patriotic ditty, “Bold Robert Emmet”:

But that sundered love between Emmet and Sarah Curran — who broken-heartedly accepted another proposal and moved to Sicily — was at least as stirring to the Romantic imagination. Washington Irving dedicated a short story to the lost romance; Emmet’s friend Thomas Moore made Curran the subject of a poem (beware: link opens an auto-playing audio file).


Anti-British terrorist Robert Emmet has a statue on Washington, D.C.’s Massachusetts Ave, and probably an entry on the no-fly list.

* 19th century Irish poet Thomas Moore paid her tribute in “She Is Far From the Land”:

She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

She sings the wild song of her dear native plains,
Every note which he lov’d awaking; —
Ah! little they think who delight in her strains,
How the heart of the Minstrel is breaking.

He had liv’d for his love, for his country he died,
They were all that to life had entwin’d him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.

Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They’ll shine o’er his sleep, like a smile from the West,
From her ow lov’d island of sorrow.

Part of the Themed Set: Counterrevolution.

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1560: Arnaud du Tilh, alias Martin Guerre

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On this date in 1560, a French peasant was hanged outside the home he had made with another man’s wife in the southwestern French village of Artigat (or Artigues).

A poignant, perplexing tale of identity and social place — and possibly even of love — the story of Martin Guerre is at once exactingly local to its time and place, and timeless in its principals’ humanity.

As told in Natalie Zemon Davis’ captivating social history The Return of Martin Guerre, the restless (or ill-tempered) young titular peasant — impotent with his wife Bertrande, tense living with his father-in-law, chafing in rural Artigat — got out of town in 1548, joined one of the soldiering companies crisscrossing Europe, and was heard of no more.

In the centuries before fingerprints, credit cards, cell phones and Facebook, Guerre just disappeared. Constrained by Catholic law not to remarry without proof of his death, Bertrande just had to wait.

Until “Martin” returned in 1556 simply by reappearing at Artigat — moved in with Bertrande — resumed the vanished man’s name and with it his place in the village. There were suspicions from the first that he wasn’t quite right … but this man had Martin’s stories, and the villagers didn’t have so much as a photograph to test him against.

Martin was accepted in Artigat for three-plus years, fathered two children with Bertrande, and managed the estate as head of household. In Davis’s telling, he appears much the better husband and father than the pre-1548 version, and this bolsters her case that Bertrande must have been complicit in the fraud that unraveled in 1560.

Property and inheritance conflicts with Martin Guerre’s uncle (now married to Bertrande’s widowed mother) brought to the courts the novel case: was this man really Martin Guerre?

The inconclusive tools for establishing identity and a deft defense by “Martin” must have made for a riveting legal drama (French link) — with villagers taking up competing sides and the man put to the test of his memory of Martin’s life, which he impressively aced. So thoroughly did the man command the role that

the gesture, deportment, air, and mode of speaking of the prisoner were cool, consistent, and steady; while those who appeared in the cause of truth were embarrassed, hesitating, confused, and on certain points contradictory in their evidence. (Source)

On the point, perhaps, of acquittal, the case was resolved like any legal potboiler should be: with the dramatic reappearance of the real Martin — for so all the conflicting witnesses quickly agreed him to be, and so confessed the imposter husband, Arnaud du Tilh (or Arnaud du Tilb), a peasant from a nearby village also nicknamed “Pansette”. A onetime army buddy of Guerre’s, the enterprising du Tilh had been mistaken for Guerre, and had pieced together enough of the absconded husband’s life that by dint of total recall and superhuman audacity, he made for his own the place in the world that Martin Guerre disdained.

The sentence of the court was that Martin Arnaud

make amende honorable in the marketplace of Artigat, in his shirt, his head and feet being bare, a halter about his neck, and holding in his hands a lighted torch; to beg pardon of God, the king, and the justice of the nation; of the said Martin Guerre, and de Rols his wife; and this being done, the said du Tilh shall be delivered into the hands of the executioner, who after making him pass through the streets, and other public places in the said town of Artigat, with a rope about his neck, at last shall bring him before the house of the said Martin Guerre, where, on a gallows set up for that purpose, he shall be hanged and strangled, and afterwards his body shall be burnt. (Source of the translation, slightly tidied up based on the French version here)

Arnaud du Tilh, and Martin Guerre with him, passed thereupon into the historical memory, for in assigning names to bodies, had the court really sorted out who was who? What does it mean to drop out of one’s society … and what rights can one expect to command upon returning? What did it mean to be Martin Guerre but to live in the house of Martin Guerre and manage the affairs of Martin Guerre? And the characters: Arnaud with his mysterious spark of bravado; Martin and his sudden and unexplained reappearance; the two of them as if cast for one another’s roles in life and crossed up by the gods.

And the mysterious Bertrande — what did she do, and what did she want?

A bit of Rorschach history, then, which accounts for the still-robust liveliness the tale enjoys four and a half centuries later. And let’s admit: a bit of wistfulness for the time you could start on a clean sheet just by changing your name. (Although illiterate 16th century peasants had achieved TSA-quality security protocols in this respect.)

Natalie Zemon Davis, whose own account has been criticized for overclaiming Bertrande’s role and motivations, also consulted as she was writing it for a Gerard Depardieu film of the same title.

The same story transplanted to the Civil War United States yielded the 1993 film Sommersby:

And if you must, you can see Martin Guerre in show tunes.

(This medley sequence has second and third parts as well.)

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2004: Mamoru Takuma, for the Osaka school massacre

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On this date in 2004, Mamoru Takuma was hanged for one of the most notorious crimes in modern Japan — the Osaka school massacre.

On June 8, 2001 — a day the 11-time arrestee was due in court for assaulting a bellhop — Mamoru Takuma (English Wikipedia entry | Japanese) entered the Ikeda Elementary School in Osaka and knifed 20-plus people, killing eight young students.

Even when taking on 7- and 8-year-old children, that’s an astonishing body count for a guy packing only a blade. Some staff at the school finally tackled the guy.

“I want others to know the unreasonableness that high-achieving children could be killed at any time.”

Takuma had been institutionalized even more often than he had been arrested, so the shocking crime pitted public outrage against the judiciary’s capacity for handling mentally ill offenders.

Guess which won out. In the wake of the crime, in fact, the government toughened laws on crimes committed by mentally ill offenders.

Takuma was hanged barely three years after the attacks, and even though he pushed for his own execution, the lightning-fast completion of the sentence (most death penalty cases in Japan drag on for decades — here’s an extreme example) raised misgivings both domestic and international.

Though his case remains an outlier, those concerns already seem a bit passe: Takuma also turned out to presage the distinctly more aggressive pace of executions in Japan in recent years.

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1946: Amon Göth, Schindler’s List villain

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On this date in 1946, Plaszow concentration camp commandante Amon Göth was hanged near the camp site by Poland’s postwar Communist government.

Göth is most widely recognizable as Ralph Fiennes’ fiendish character in Schindler’s List, one of the American Film Institute’s top movie villains of all time. (And, naturally, a first-class bastard in real life, too.)

A short-drop strangulation is not the way you’d want to go. It turns out, though, that Steven Spielberg (ever the sentimentalist) seriously tidied up the proceedings.

As you watch the video of the real Amon Goeth’s exit below — and it’s a snuff film, so proceed advisedly — consider the following:

  • Amon Goeth does bear a passing fair resemblance to Ralph Fiennes.

  • To judge by their getup — dig the masks! — the executioners might have been Batman and Robin.
  • To judge by the discharge of their duties, the executioners might have been Larry, Moe and Curly. Goeth survived two drops (notice the executioner on the right gesticulating in frustration as the second try fails) before they finally got it right:

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